• 한국의류산업학회지
• /
• 제13권1호
• /
• pp.66-72
• /
• 2011

The purpose of this study was to identify the analysis of children's wearing need towards hues and tones of T-shirts based on gender. The experimental materials developed for this study were a set of stimulus and response scales. The 15 color pictures and 5-point scales were used for evaluation of wearing need. Data were obtained from 150 boys and 150 girls living in Seoul, Busan, Jinju, and Changwon on May and June 2010. For data analysis, ANOVA and Duncan-test were used by using SPSS program. Results of this study were as follows.; Hues and tones showed an independent effect on children's wearing need. Interaction effects of children's gender and tones on children's wearing need were found. Interaction effects of hues and tones on children's wearing need were found. Also, interaction effects of gender, hues, and tones on children's wearing need were found. These results suggested that children's wearing need can be affected by their gender, hues, and tones.

• 한국인쇄학회지
• /
• 제18권2호
• /
• pp.1-12
• /
• 2000

This paper proposes a new algorithm classifing same hues in order toe estimate the spectral reflectance of object from 3 band color image information. To estimate the spectral reflectance of object, the conventional estimation methods are required of 5 or 9 band digital color values. The 5 or 9 band image acquisition systems are required of 5 or 3 times same work for color image acquisition process. To solve the above problems, we propose a new method that can be estimated spectra reflectance estimation of object. The proposed method is to classify same hues corresponding a color stimulus, by using hue angle and chroma vector of a color stimulus. The classified same hues are used as the population corresponding a color stimulus. The range of same hue is estimated by the cumulative proportional ration according to the number of basis function.

• 복식
• /
• 제59권2호
• /
• pp.1-17
• /
• 2009

This study is to understand the characteristics of Korean Women's Jeogories in modern times on the changes of its color and coloration over the time. The research was that the characteristics of the costumes produced in modern times ($1890{\sim}2000$) can be categorized into six periods according to the change of times. 1106 women's Jeogories were researched intensively in order to understand them, the conclusions are following: When the Chi-Square Test is applied to conduct cross analγsis of the said six periods divided on the basis of relevant theories, it is found that there is just partial difference in the hues in1890-1959 while there has been a big change in the hues of all Jeogories since 1960. It also seems that such a sudden change In hues took place till the end of the 1970s but there have been no significant difference and no distinct changes in hues sin[e the 1980s. As for color tones, high luminosity and low chroma hues were mainly used in all periods, but low luminosity and high chroma hues have been frequently used since the 1960s. It indicates that the long-used conventional and traditional colors gave way to various colors which were freely applied according to the tendency of individualism In the selection of colors as well. As for the coloration, one-color arrangement was predominant in white clothes while the combination of main color Y and supplementary rotor R was overwhelming in two-color arrangement. After the 1960s, not just the five major rotors but diverse colors, including bluish green, dark blue, were used, even varied patterns for linings.

• 복식문화연구
• /
• 제22권6호
• /
• pp.997-1010
• /
• 2014

The purpose of this study is to propose the information and idea that can be applied to color planning by investigating preferred color according to ages, items by distribution of 30s~50s women. As the survey method, questionnaire survey and one-to-one investigation by preparing the color table of basic color and trend color were conducted, and total of 280 questionnaires were used for statistical analysis. The results of this study areas follows. First, in basic color, there were significant differences in preferred hues and tones by age groups. The preferred hues were N, PB in all ages, and the higher the age, the more people preferred vivid tones. Second, in basic color, there was significant difference in preferred hues of jumpers, one-pieces by distribution, and the preferred hue was found to be N in the items except jumpers. There were significant differences in preference tones of all items according to distribution. Third, in trend color, there was no significant difference in preferred hues by age groups. Preferred tones had significant differences by distribution, and the higher the age, the more people preferred vivid tones. Fourth, in trend color, some items had significant differences in preferred hues and tones by distribution. B was preferred in all age groups, and vivid tones were more preferred in wholesaler than the department store. Based on these results, this study proposed 30s~50s women's wear color planning idea that applied consumers' preferred color according to ages and items by distribution.

• 디자인학연구
• /
• 16호
• /
• pp.77-86
• /
• 1996

한국인의 색채감정에 맞는 효율적인 색채계획이 이루어지기 위해서는, 먼저 한국인의 색채감정의 고유성 확인이 필요하다고 생각된다. 이에 인국(隣國)인 일본과의 비교를 통한 한국인의 색채 기호의 고유성을 확인하기 위하여, PCCS 에 대한 한${\cdot}$일 대학생의 색채기호를 조사하였다. 조사결과는 다음과 같다. 1. 한${\cdot}$일 양국의 대학생이 가장 기호하는 색은 비비드 블루이고, 가장 혐오하는 색은 그레이쉬 브라운이다. 2. 한국 대학생이 가장 기호하는 색은 퍼프 블루이고, 일본 대학생이 가장 기호하는 색상은 블루이다. 한${\cdot}$일 양국의 대학생이 가장 혐오하는 색상은 옐로우 레드 이다. 3. 한${\cdot}$일 양국의 대학생이 가장 기호하는 톤은 비비드 이고, 가장 혐오하는 톤은 그레이쉬 이다. 4. 한${\cdot}$일간의 색채기호의 상관관계를 비교해 보면, 색상보다는 톤에 있어서의 강한 상관관계를 나타내었다.

• 한국의류학회지
• /
• 제26권2호
• /
• pp.193-204
• /
• 2002

Many fashion forecasting companies propose the fashion colors in every season. Modern fashion consumer respond to fashionable trends with utmost sensitivity. Therefore to satisfy the consumer with an trendy image, the fashion design must be found first, as image matters, followed by an analysis of each design element's effect on the total image composition. In previous studies of fashion image, has been discussed the positive correlation between fashion design elements of color, fabric, and form as the central issue. In this thesis, two of the fashion design elements, color and fabric are simultaneously considered to classify the image of fabric in fashion. For the color variables, 10 hues are selected from Munsell's system of color notation, and 12 tones from PCCS color notation., which are currently used in the domestic fashion industry. Texture variables used in this survey are classified by luster, prominence-depression of surface, thickness, and density of fabric. Graduate students from 20 to 50 years old and the specialists in fashion companies participated in the survey. The results of this survey are as follows: 1. The fashion fabric image is classified as 5 main images: 'elegant', 'comfortable', 'characteristic', 'light'and 'simple'. 2. The influence of hue, tone and texture is significant to the fashion fabric image. Following colors, yellow-red, red hues and light grayish, dark grayish tones convey the elegant image. The texture property for the elegant image is luster, thin and low density. Properties of fabric conveying the comfortable image are yellow-red and green-yellow hue, soft, light tones, matte and high density. Furthermore, hue turned out to be a insignificant variables for the unique image, whereas dark grayish, grayish tone, luster and prominent texture convey a unique image. For light image, properties of fabric are blue-green, purple hues, light, bright tones with thin, low density texture. Properties of fabric conveying the simple image are blue-green, purple-blue, green-yellow hues, and strong, vivid tones, with luster and flat texture.

• 감성과학
• /
• 제14권3호
• /
• pp.371-384
• /
• 2011

LED 조명의 색상이 정서자극의 평정과 재인에 어떤 영향을 미치는지를 알아보기 위하여 세 개의 실험을 실시하였다. 실험 1과 2에서는 IAPS 정서사진을 사용하여 각각 Red, Green, Blue, 및 White와 Cyan, Magenta, Yellow, 및 White의 조명색상조건에서 정서평정(정서가, 각성차원) 과제와 재인기억과제를 실시하였다. 실험 3에서는 정서단어를 사용하여 Red, Green, Blue, 및 White 조명색상조건에서 두 과제를 실시하였다. 실험 결과, 정서평정과제에서는 일차 색상(RGB)의 경우, LED조명 색상이 Red일 때는 흥분을, Green일 때는 유쾌 정서를 유발하였고, 이차 색상(CMY)의 경우, Magenta와 Cyan은 Red와 Green과 유사한 패턴의 정서 반응을 유발하였으나 그 강도는 약하였다. 재인기억과제에서는 실험 1과 실험 2의 경우, Green과 Cyan 조명색상조건에서 제시되었던 사진자극들에 대한 반응이 다른 조명색상조건에서 제시되었던 사진자극들에 비해 약간 빠른 경향이 있었으나 유의미한 차이는 아니었다. 하지만 실험 3에서는 Green 조명색상조건에서 제시되었던 정서단어들에 대한 재인기억반응이 유의미하게 빨랐다. 이러한 결과로 Red나 Magenta와 같은 난색들은 불쾌나 흥분과 관련된 감성을 유발하는 반면, Green이나 Cyan과 같은 한색들은 유쾌나 이완과 같은 감성을 유발하는 경향이 있으며, 일차 색상들이 이차 색상들보다 강한 정적 내지 부적 감성을 유발함을 알 수 있다. 특히 실험 3의 재인 기억과제에서 나타난 결과는 시각 자극보다 언어 자극의 기억수행에 Green 색상의 LED 조명이 더 유리함을 시사한다.

• 조명전기설비학회논문지
• /
• 제25권10호
• /
• pp.1-13
• /
• 2011

The aim of this study is to analyze the emotion adjectives for light emitting diode(LED) light colors using a twofold adjective image scales from Kobayashi and I.R.I. A set of psychophysical experiments using category judgment was conducted in an LED light color simulation system, in order to evaluate each emotion scale coordinate for those test light colors in both adjective image scales. In total, 49 test light colors from a combination of 6 color series were assessed by 15 human observers. As a result, Kobayashi adjective image scale clearly expressed to emotion adjectives of 'Dynamic', 'Casual', 'Chic', 'Cool-casual', 'Modern', and 'Natural' for different hues. In contrast, I.R.I adjective image scale expressed only 2 adjectives of 'dynamic' and 'luxurious' for the all hues.

• 제어로봇시스템학회:학술대회논문집
• /
• 제어로봇시스템학회 1990년도 한국자동제어학술회의논문집(국제학술편); KOEX, Seoul; 26-27 Oct. 1990
• /
• pp.1009-1013
• /
• 1990

In the Orient, most references are made on the visual perception of the eye having the blue iris, even in the case where the reference should be made on the perception by the eye having the dark iris. In order to clarify the difference in the visual perceptions of a monochromatic light, an objective boundary wavelength between hues incident on the dark eyes was obtained and the correlation between the valuesalready reported as having been obtained with the blue eyes was examined. A significant difference was found in the subjective boundary wavelengths of hues depending on the difference in the visual sensitivity distribution on the dark and blue eyes.

• 한국의류학회지
• /
• 제20권5호
• /
• pp.718-727
• /
• 1996

"Saikdong" is a material that represents the Korean aesthetic behavioral pattern of colors. It shows the unique harmony of the color combination with the use of simple combined colors. The objective of this paper is two-folded. First, it is to explore the direction of Korean Design. Secondly, it is to find out aesthetic charateristics and consciousness in Saikdong. 17 traditional costumes made with the designs of Saikdong were selected from three museums in Seoul. The most properly matched color hues selected after comparing each color with the Pantone Textile Color Specifier. The results were shown as follows. 1. Korean design is to recreate the traditional objects considering the contemporary circumstances. 2. Contrast effects in lightness and saturation are very noticeable in Saikdong. Saikdong maintains the same widths of color stripes with the asymmetric balance of hues which give the rhythmical arrangement of colors. 3. Sikdong contains the shamanic wishes that everything is going well and the desire for the beauty. 4. The aesthetic consciousness of Saikdong has turned out to be happiness and harmonizing.rmonizing.