• 디지털융복합연구
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• 제16권8호
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• pp.341-349
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• 2018

본 연구는 한국인의 스포츠 감정에 내재된 민족주의적 속성을 규명하고 이를 토대로 그 세계화 성향에 대해 논의하고자 하였다. SNS 상의 감정 표현 텍스트를 기반으로 한국인의 스포츠 감정과 그에 내재된 민족주의 속성을 규명하고자 2016 브라질 올림픽 관련 기사를 선별하여 해당 기사의 댓글을 내용분석 한 결과는 다음과 같다. 첫째, 민족주의적 속성 단어는 해당 경기 상황을 함축적으로 나타내는 단어였다. 둘째, 한국인의 스포츠 감정은 역사적 배경을 자극하는 상황과 만날 때, 강력한 저항 민족주의의 속성을 나타내었다. 셋째, 한국인의 스포츠 감정에 내재된 민족주의는 대체로 폐쇄적 민족주의의 속성이 강하게 나타났다. 본 연구는 집단 감정으로서의 스포츠 감정에 대한 실증적이고 계량적인 접근 방법을 통해 한국인의 민족주의적 감정의 실체를 조명하였다는 점에서 그 의의가 크다 할 것이다.

• 한국의상디자인학회지
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• 제13권1호
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• pp.73-90
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• 2011

Modern footwear is accepted as a fashion accessory that plays the role of a point of style, which reflects trends and makes use of individuality and stylishness, not a practical means itself. This study considers diverse types of western shoes, which had been historically popular from, and about a role in accordance with it, and grasps the occurrence background and the aesthetic characteristics in shoes type, which had initiated fashion in the historically cultural aspect. Thus, the aim is to be conducive to developing design related to modern shoes. As a result of this study, shoe styles have changed in relation to the historical situation throughout every period from medieval times to mid-modern times. Two functions of shoes, practicality and aesthetics, could be observed tendency of leading fashion in the middle of mutual control and supplementation according to social conditions, economic strength in a person of wearing shoes, social standing, and gender. Accordingly, considering that designs related to shoes are influenced by the historical conditions, continuous research on unique designs according to each era is thought to be necessary to develop shoe designs of the future.

• 한국실내디자인학회논문집
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• 제25권5호
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• pp.82-92
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• 2016

This study aims to contribute to better understanding of the Baroque architect Francesco Borromini, and, as a consequence, of the Baroque period itself. Recognizing that historical studies have focused mainly on the architectural (i.e., formal) aspects of Borromini's work and largely neglected the technical (i.e., structural) issues, and that the relationship between the architectural and structural worlds in Borromini's activity has consequently never been studied in depth, this research set as its objective the study of this relationship, and has developed a comparative analysis of Borromini's attitude toward architectural problems and questions of tectonics. The investigation has been conducted on two meaningful case-studies in Rome: San Carlo alle Quattro Fontane and Sant'Ivo alla Sapienza. The analysis has highlighted a strong dichotomy between Borromini as an architectural designer and Borromini as a structural designer. While Borromini's design is experimental, innovative, and nonconformist, his structures are cautious, tested, and validated by trustworthy tradition. His unprejudiced use of constructive solutions from different historical periods, regions, and cultural areas allows the definition of his approach to tectonics as "constructive eclecticism." The analysis has also highlighted the independence between the architectural and structural aspects of his work, as the two do not interfere with or limit each other. The dichotomy between form and structure in Borromini's work may reflect the "theatrical" tendency of Baroque culture, where what is shown on the face is often different from what is hidden behind.

• 한국도서관정보학회지
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• 제20권
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• pp.455-470
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• 1993

In recent years, the intellectual property rights (IPR) are increasingly becoming trade goods and the subject of international trade negotiations. During the past decades, intellectual properties earned critical importance for economic development in both developed and developing countries. Developed countries, headed by the United States, that recognize the economic value of the IPR in the world market are aggressively seeking for universal protection of IPR throughout the world. Intellectual properties have unique qualities that distinguish them from other tangible goods. Most importantly, they are public goods created on the basis of knowledge and information accumulated throughout human history and shared by different cultures. However, there is a growing tendency that the quality of public goods are being etched away as the property concept in IPR expands. In this paper, I discuss how copyright and patent laws incorporated the concept of property right as natural right to one's intellectual creations in early formation of the laws in Europe. I argue that copyright law and patent law are the historical products resulting from political, economic, and ideological factors interacting in a certain society. A history of copyright and patent points to that the intellectual property rights as natural lights of authors and inventors as argued by developed countries in international disputes, are not universal, but unique historical products. Copyright and patent laws have been shaped and developed as regulatory measures by governments to promote and control industries by providing authors and inventors with monopoly incentives. Since property right was used as a regulatory device it was restricted. This is to enhance the distribution of knowledge and information rather than to ensure the property right as an absolute right.

• 건축역사연구
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• 제5권2호
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• pp.53-68
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• 1996

This study is on the early historical background and the process of development of modern architecture in Thai, during the period from 1782(King Rama 1) to 1934(King Rama 7). Thai started tn form a connection with western nations from the late 18C, founded the Bangkok Dynasty. Since then, Thai was increasingly influenced by western civilization and this trend included an increasing influence of western architecture. In this paper, the centeral objective is to observe the architectural change during the period from King Rama 1(1782-1809) to King Rama 7(1925-1934). This can be divided into three period. During the first period, from King Rama 1 to King Rama 3(1824-1851), Thai architecture showed a tendency to follow the preceding traditional example and to imitate Chinese architecture. The second period is from King Rama 4(1851-1868) to King Rama 5(1868-1910). During this period, Thai architectural design was increasingly influenced by western concepts, specially European Neo-classicism Style. During the third period, from King Rama 6(1910-1925) to King Rama 7(1925-1934), Thu had been enjoying extensive commerce with western nations. The great developments in the field of architecture during this reign were apparent in the construction of public utilities and facilities. These buildings were designed by western architects. At this time, modern architectural concept of western was introduced.

• 인문언어
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• 제5권
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• pp.37-53
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• 2003

In this paper I have considered the subject related with 'the identity of Korean linguistics.' When I have pondered upon the subject I found that all the researches should not be regarded as a part of Korean linguistics only because they followed the scientific methodology. Moreover, it isn't right to accept any of the studies of Korean linguistics only because they relied on the tenet of western linguistic methodology. Although till 1960's various western linguistic methods were introduced to Korean scholars and applied to account for Korean language, abruptly, since 1970's, most theories have inclined to follow tendency of American linguistic trend. Pupils who want to study modem linguistic theories prefer to study at the universities of America rather than other countries in Europe. However, it is necessary to blow that the history of American linguistics isn't really as long as that of European nations and that the humanities has developed fur a long time since the Greek period. If we attempt to contemplate the procedure of the invention of Korean alphabetic system (Hun-Min-Jung-Um) it will be easy to find the fact that the theoretic approaches used to observe and analyze Korean language in 15th century are as good as the most up-to-date theories which have been introduced recently. Therefore, I tried to show that the historical awareness of linguistic theories deserves special emphasis in order to understand the reality of Korean linguistics correctly.

• 한국철도학회:학술대회논문집
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• 한국철도학회 2009년도 춘계학술대회 논문집
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• pp.495-504
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• 2009

As the Reliability Centered Maintenance(RCM) is being studied, maintenance tasks can be performed effectively through the Risk Priority Number(RPN) evaluation about the components in the system. The RPN is usually calculated through arithmetical operations of three values, Severity, Occurrence, and Detection for each facility. This RPN provides information that includes risk level of the facility and the priority order of maintenance tasks for facility. However, if there is no sufficient historical failure data, it is difficult to calculate the RPN. In this case, historical failure data from other sources can be used and apply this data to korean railway system. In this paper, it is proposed that a new methodology to model the failure rate as a fuzzy membership function. This method is based on failure data from other sources by means of the fuzzy theory and the expert opinion system. And considering assessment tendency of each expert, distortions that happened when the failure rate of facilities is estimated were minimized. This results determine Occurrence values of facilities. Taking advantage of this result., the RPN can be calculated with Severity and Detection of facilities by using the fuzzy operation. The proposed method is applied the rail-way power substation.

• 건축역사연구
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• 제8권1호
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• pp.53-62
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• 1999

Modernism in architecture is a very complex and contradictory phenomena. So much so that it has been defined in various ways throughout the history, depending on one's position in the cultural and historical circumstances. It is thus necessary to map out the various concepts of modernism and their relationships in order to have a more comprehensive understanding of modern architecture. This paper attempts to define the various positions as functionalism, formalism and artistic avant-gardism, and to trace their history from the early twentieth century to the present. The change of the concept of modernism from functionalism to artistic avant-gardism seems a logical process in the history of western modem culture. The tendency of contemporary architecture to be more abstract and self referential artistic practice reflects the fragmentation of modern culture and the separation of art and technology. The validity of this position, of course, depends on how one evaluates the role of modern art in the situation of modern culture. It could be viewed either negatively or positively. However, this position is problematic in that it disregards the fundamental differences between architecture and other arts and distanced architecture farther from its material base. Given this historical perspective on the concept of modernism, modernism in Korea should not viewed simply identical to the western modernism, nor should western modernism be imported uncritically. The characteristics of her modernization and their differences from the west should be considered, along with the different status and role of architecture in korean modern society.

• 한국언론정보학보
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• 제47권
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• pp.50-73
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• 2009

전통적으로 한국 언론사 논의는 언론을 수동적 존재로 파악하는 태도를 견지해왔다. 특히 해방 전후 언론 연구에서 그런 경향은 더욱 짙다. 언론을 수동적으로 대한다 함은 언론을 수단 혹은 도구로 보는 태도를 말한다. 언론사 논의는 그 같은 경향 내에서 언론을 민족 해방, 민족국가수립에 기여했는지 혹은 아닌지로 분류하고 평가하려 했다. 민족언론, 친일언론 등과 같은 친근한 구분법은 그로부터 나왔다. 최근 들어 그 같은 경향을 벗어난 연구들이 등장하고는 있다. 그러나 대체적으로 그 같은 민족주의적 시각으로부터 자유스럽지 않다. 덕택에 언론의 독자적문화, 민중들의 언론 습관, 일상 속의 언론 논의는 소홀히 다루어졌다. 이 글은 민족주의적 관점으로 언론현상을 논의할 경우 해방당시를 섬세하게 설명할 방도가 없어진다는 점에 주목하고 있다. 민족주의적 관점을 넘어선 국면 분석을 통해 새로운 언론사 분석의 가능성을 제시하고자 했다. 1945년 8월 15일이라는 해방 국면에서의 언론 상황을 점검하고 그를 통해 새롭게 대안적으로 포착해야 할 언론 단면들을 드러내고자 했다. 그 점검을 통해 해방 국면에서 제한된 형태이긴 하지만 언론이 해방의 의미를 나누었고 민중들은 그 같은 의미를 언론을 통해 받아들이는 습관을 나름으로 형성한 식민지적 공공성을 지니고 있었음을 밝히고자 했다. 그 공공성은 왜곡되고 식민지적인 것일 수밖게 없었지만 하루하루를 살아가는 당시 민중들에게는 감정적 구조를 전달해주고 있었으며 삶의 지침이 되기도 하는 영역이었다. 식민지 근대화론자들이 말하는 것처럼 일제에 의해 선사된 근대성의 공간도 아니고 민족주의자들의 주장대로 식민화된 공간만도 아닌 그 둘이 혼효된 공간이었다. 그리고 그 공간은 이후 한국 언론 문화, 관습, 언론을 받아들이는 습관 등 언론규율로 연장되었을 것이다. 혹은 새롭게 등장하는 서구적 근대성과 조우하면서 전혀 새로운 형태로 변해갔을 수도 있다. 지금의 언론 문화를 정리해내는 데 있어 식민지적 공공성에 대한 관심은 더 늦출 수 없는 중요한 지점이 아닐 수 없다.

• 대한화학회지
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• 제48권1호
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• pp.53-65
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• 2004

이 연구에서는 물질의 성질을 나타내는 기본 단위 중 분자에 대한 개념과 물리변화와 화학변화로 대변되는 물질변화 개념의 변천을 과학사적으로 고찰하여 특징적인 관점의 변화에 따라 구분하였다. 이 연구에서는 물질의 성질을 나타내는 기본 단위를 과학사적 변천에 따라 5가지 관점으로 유목화하였다. 그리고 물리변화와 화학변화의 정의는 물질의 성질을 나타내는 기본 단위의 개념과 밀접한 관련성을 가지는 3가지 관점으로 유목화하였다. 중학교 과학 교과서와 고등학교 화학 교과서, 그리고 대학교 일반화학 교과서에 제시된 개념을 분석한 결과, 분자의 정의와 물질 변화의 정의 안에는 이러한 여러 시대의 정의들이 혼재된 상태로 제시되어 있음을 확인할 수 있었다. 경우에 따라서는 진술 자체에 논리적 모순점이 있는 경우도 있었다. 이러한 경향은 제 4차 과학 교육과정에서부터 제 7차 과학 교육과정까지의 과학 교과서에서 지속되었다.