• The Journal of the Korea Contents Association
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• v.9 no.6
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• pp.72-81
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• 2009

This article deals with the relation of korean animation and film policy from the late 1960s to early 1980s. The korean film policy was based on ideology of modernization. Animation industry was under the this policy. The result of effect of this film policy on animation was following. Firstly, there was the boom up of making of animation. Secondly was increasing of subcontract. The encouragement of exportation of government drove many companies to this trend. Lastly, many animations conspired to exercise the ideology of regime. Example was anti-communist animation. In that period the historical specificity of Korean animation had been built in these process.

• Journal of architectural history
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• v.30 no.5
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• pp.43-52
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• 2021

This study examines the spatial structure of Jeju-eupseong (Town-castle) in the Joseon Dynasty. The spatial structure of Jeju-eupseong has distinctive features and regional characteristics that are substantially different from typical eupseong in inland regions. This is mainly attributed to the geographical characteristics of the island and the administrative system with strengthened military functions. Jeju-eupseong displays a distinctive layout of major buildings and road system with a plaza located in its center in comparison with the ones found in inland regions. Gwandeokjeong Plaza in Jeju-eupseong served as the center of Jeju's politics, administration, and culture during the Joseon Dynasty, and it, in the modernization period, has become an open public space in the heart of Old Downtown used for community gatherings. Therefore, this study aims to explore the historical background and distinctive spatial structure of Jeju-eupseong in comparison with eupseong in other parts of Korea. Moreover, the study examines the characteristics of Gwandeokjeong as a plaza that has not been dealt with in other studies of eupseong.

• Journal of Practical Engineering Education
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• v.9 no.1
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• pp.85-90
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• 2017

The contemporary South Korean landscape is characterised by a massive display of modern apartment buildings. They are omnipresent in their monotonous manifestation and represent the dream of the Korean population. Serial mass housing is a typology that has had a great diffusion all over the world, but how has modern housing developed in South Korea? To this end, what are the resulting local adaptations?. This paper retraces these key evolutional aspects. Methodologically, it draws on a scholarly literature review as well as on-site photographic surveys, developed in connection with an educational program at the Korea Tech University. The result is the analysis of both the urban and architectural transformation from the early modernisation period to the present condition of contemporary housing. A historical background introduces Korean traditional urban houses, to be used as a context to describe the contemporary modern city that has developed since the 1960s. The main emphasis is then placed on the urbanisation process that fully matured during the 1980s together with a focus on the mass housing typology as the main pivot in the urban transformation. Finally, the paper will draw a parallel between modern Western theories and Korean applications.

• Korean Journal of Heritage: History & Science
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• v.36
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• pp.105-156
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• 2003

Archaeological research on the Xiongnu began in the late 19th century by a Russian archaeologist Talko-Grinchevich. The Xiongnu culture has been reported in the northern steppe of China and eastern part of Eurasian steppe. Mainly, Xiongnu sites, dated from the late 2nd century B.C. to the 1st century A.D., are reported on the east side of Baikal Lake(Zabaikal), east Mongolia, and the Inner Mongolia of China. Based on the historical records and the archaeological remains, the North Xiongnu culture is defined to be the remains of Zabaikal, and the South Xiongnu culture the archaeological remains of Nothern China. The expelled North Xiongnu, while fleeing to the western part of Eurasia, left traces of their own archaeological remains in the Southern Kazakhstan, Xinjiang of China, Altai, and finally appeared in the Europe as Huns. The most characteristic archaeological materials of the Xiongnu are bronze plaques and ceramics made by handicraft, and highly developed iron weapons. After the power of the Xiongnu was dissolved in 1st c. A.D., previously subordinated peoples such as Xianbi, Wuhuan, Wusun rised in the Eurasia steppes and opened medieval age in Eurasia. The "northern type" materials found in Korea are dated to the period of Xiongnu or slightly later, we need to pay more attention to the contemporary Xiongnu. research.

• Earthquakes and Structures
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• v.17 no.2
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• pp.191-204
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• 2019

Near-field earthquake records including long-period high-amplitude velocity pulses can cause large isolation system displacements leading to buckling or rupture of isolators. In such cases, providing supplemental damping in the isolation system has been proposed as a solution. However, it is known that linear viscous dampers can reduce base displacements in case of near-field earthquakes but at the potential expense of increased superstructure response in case of far-field earthquakes. But can non-linear dampers with different levels of non-linearity offer a superior seismic performance? In order to answer this question, the effectiveness of non-linear viscous dampers in reducing isolator displacements and its effects on the superstructure response are investigated. A comparison with linear viscous dampers via time history analysis is done using a base-isolated benchmark building model under historical near-field and far-field earthquake records for a wide range of different levels of non-linearity and supplemental damping. The results show that the non-linearity level and the amount of supplemental damping play important roles in reducing base displacements effectively. Although use of non-linear supplemental dampers may cause superstructure response amplification in case of far-field earthquakes, this negative effect may be avoided or even reduced by using appropriate combinations of non-linearity level and supplemental damping.

• Journal of Korean Medical classics
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• v.32 no.2
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• pp.49-70
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• 2019

Objectives : Medical records of Xueji in the "Xiaozhufurenliangfang" were examined in this study which aimed to look at the medical situation in gynecology of China's Ming Dynasty period, in hopes for it to yield implications and treatment directions to gynecology in $21^{st}$ century Korea. Methods : The medical records were systematically organized with a medical anthropological approach along with overall analysis of the entire records, which lent meaningful statistical information in numeric form. A bibliographical review of the text as historical artifact was undertaken as well. Results : In managing gynecological conditions, Xueji frequently attributed them to depletion of Qi and Blood of the Spleen and Liver. In terms of pathogenic factors, he frequently mentioned Fire and Heat, and as etiological factors, emotional distress. For treatment, he frequently used 'Bu Zhong Yi Qi Tang(補中益氣湯)', 'Xiao Yao San(逍遙散)' and 'Gui Pi Tang(歸脾湯)'. Conclusions : Through studying the medical records of Xueji in "Xiaozhufurenliangfang" a close look into a master's insight on gynecological disorders in terms of diagnosis and treatment was achieved. The formulas he used are widely applied even today, and this study shows that the formulas's clinical application could be expanded even wider.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.4
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• pp.115-126
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• 2019

Construction of the Pyongyang Railroad Station began in 1907 as an important foothold for the Japanese colonization of the Korean Peninsula and the further invasion of Manchuria. As Pyongyang gradually grew in size and political significance, the Pyongyang Station came to have two responsibilities: Fulfill its functional role and serve as a monument to the growing dignity of the city. This study argues that the Pyongyang Station, newly rebuilt in 1958, was the first building to solve the demands for both functional expansion and the pursuit of monumentality. Stylistically, the original single-story wooden building became a three-story classical masonry building. The stylistic change symbolizes the political shift by which the building was reconstructed. The simple wooden building built by the Japanese, representing Pyongyang's status as a colonial provincial town, was transformed into an imposing gateway for the capital city of a newly born socialist state. Socialist Realism, correctly described by its slogan "socialist in content and national in form," harmoniously blended classical architecture, socialist symbols, and Korean local motifs. This study is significant in that it illustrates the historical changes and continuity of the Pyongyang Station from 1907, when it was first built, through the "liberated space" to the postwar reconstruction period of the 1950s.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.10
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• pp.53-62
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• 2019

The purpose of this study is to analyze the way historical heritage was dealt with during the massive urban development period of the 1960s through the case of Deoksugung Palace. The wall of Deoksugung Palace was rebuilt and relocated in 1961. Later, it was rebuilt and relocated again in 1968, and Daehanmun Gate was soon moved back too. I analyzed the opinions of the Seoul Metropolitan Government, the Cultural Heritage Committee, experts and citizens that occurred during this process and reached the following conclusion. First, in 1961, the existing stone walls of Deoksugung Palace were rebuilt rather than restored and conserved for the urbanscape at the time. Second, in the 1960s, the Cultural Heritage Committee focused on the conservation of the origin of Daehanmun Gate, while citizens valued the overall harmony and function of Deoksugung Palace. Third, unlike the 1970s project led by the president to renovate national security and national defense sites, there was a call from citizens to realize the preservation of Deoksugung Palace.

• Journal of Korean Medical classics
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• v.34 no.1
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• pp.1-25
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• 2021

Objectives : The purpose of this paper is to analyze the text of the 『HaeHokByeonUi(解惑辨疑)』 in detail and to collect information on its author, Lee, ByungHa. Methods : Family and life of Lee, ByungHa were reconstructed through genealogy and historical data published by the government. The contents and frequency of title items were analyzed. Results :1. The period of writing is estimated to be between 1827-1831. 2. At that time, there were one JeonUigam(典醫監)-bujigjang(副直長), and four medical officers who belonged to the Chijongcheong(治腫廳). 3. There was a total of 2434 title items, of which 472 items were overlaps. 4. The proportion of general vocabulary is higher than that of other vocabulary. 5. The overlapping title items are presumed to be important basic concepts within the medical text of that time. Conclusions : 『HaeHokByeonUi(解惑辨疑)』 was likely an introductory text to those preparing for the National Medical Examination of the 19th century. It provides useful basic medical vocabulary to learners of Korean Medicine even today.

• Journal of the Korea Fashion and Costume Design Association
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• v.23 no.2
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• pp.115-132
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• 2021

The purpose of this study was to suggest multiple directions of fashion design by producing differentiated athleisure fashion designs with functional materials based on existing sportswear. A design utilizing handcraft skill was developed by applying the design characteristics of Laszlo Moholy-Nagy's paintings. With respect to the study methods, the background of Laszlo Moholy-Nagy's paintings were analyzed and their historical background was investigated by employing previous studies and literature review. The design characteristics were classified by issue and time-period. The results are as follows; First, the feasibility of creative artwork expression was found by pursuing collaboration with artwork and fashion by applying the motives of the fashion with the characteristics by the times, lines, forms, colors, and overlapping in Moholy-Nagy's paintings. Second, athleisure fashion, which can mix-match with casual wear, was found to enhance not only creativity but also add value by applying design, which added multiple handcraft elements, as well as characteristics of functionality, aesthetics, practicality, appealability, ostentation, activity, and dynamism. Third, potential harmony was found with achromatic and chromatic colors that can express more dynamic and active images. Based on the study results, further studies are anticipated using multiple paintings.