• 한국식생활문화학회지
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• 제9권5호
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• pp.489-497
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• 1995

The purpose of this study was to survey the various kinds of cooked beef products focusing on 'Chim' (a steamed beef products) through historical literatures written from 1670 to 1945 in korea. 'Chim' was recorded 25 times in the references and could be classified to 5 groups based on major ingredients such as stomach, intestine, lean meat, tail and ribs. Among the eleven cooked products of 'Chim', 'Kalbi-chim' (a steamed ribs) was recorded most frequently and 'Sundae-chim' (sausage-like product) was the next. Though 'Kalbi-chim' has been used untill present day but 'Sundae-chim' was disappeared in the early 19th centuries. Ribs were most popular ingredient among the major ingredients such as stomach, intestines, lean meat, tail, feet and ribs. Twenty one kinds of subingredients including pheasant meat, blood clot and flour were used for 'Chim'. Decorating ingredients such as roasted sesame power, pine nut and thin-layer fried eggs and seasonings such as pepper, roasted sesame powder, tripe, garlic, soy sauce and seasonings such as pepper, roasted sesame powder, tripe, garlic, soy sauce and sesame oil were used for 'Chim'.

• The International Journal of Costume Culture
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• 제12권1호
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• pp.97-100
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• 2009

Patchwork is a handicraft to put some certain shapes of small cloths together. Historical records of patchwork was discovered in Ancient Egypt as far back as BC 1000. Patchwork has been popular in the England and in around 13-$14^{th}$ century, European spliced little pieces of cloths for cold necessities, which made the handle of patchwork techniques gradually tend to decorative other than utility. Patchwork designs and techniques were taken across the Atlantic to North America with the early settlers in the mid-eighteenth century. In the early years of $20^{th}$ century, owing to the continuous technological advances, woman got more job opportunities that made patchwork technologies withered. Patchwork art continually evolved on the basis of historical and cultural factors to new styles, the famous Hawaiian, Stained Glass, Mola, Celtic, Victoria, Seminole and many other patchwork styles like that perfect embodied different art and cultures of different nations in different times.

• 비교문화연구
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• 제38권
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• pp.331-349
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• 2015

"San-Jia-Zhu" is the integrated study of "Shi-Ji" of the Sui and Tang dynasty. It has preserved the ancient note large, rich notes, annotation methods, which have a greater impact on historical research. In collating, "San-Jia-Zhu" not only for 's error correction, and the comprehensive use of various methods of collation in collating process. First, he paid attention to the contrast between different versions very much, to determine the word errors using the similarities and differences between different versions of the diffracted off. This draft is $\ll$Shiji${\gg}$ from ancient Chinese research methods to explore the characters, phonology, syntax, exegesis, collation of historical value.

• 수완나부미
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• 제9권2호
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• pp.35-49
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• 2017

This paper will concentrate on how various particular Southeast Asian conditions created a distinct Southeast Asian cultural identity despite a very challenging geographical and historical diversity in the region. The paper will argue that Southeast Asians demonstrate an ability to adapt to changes and new values but also exhibit fatalism through a very high degree of passive acceptance to political and other changes that affect their society. The paper identifies a degree of environmental and geographical uniqueness in Southeast Asia that shapes context and gives rise to very distinct cultural traits. The historical transformation in the region brought about by colonialism and nationalism, combined with this geographical and political make-up of the region, had an immense impact on Southeast Asian society as it fostered adaptability. Finally, the political transitions brought about by various conflicts and wars that continued to affect the area in rapid succession all throughout the 20^th century likewise contributed immensely to a local Southeast Asian fatalistic response towards change. Historically, Southeast Asia demonstrated these socio-cultural responses to such an extent that these are argued to permeate the region forming a distinct aspect of Southeast Asian culture.

• 디지털융복합연구
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• 제12권10호
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• pp.509-514
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• 2014

한 시대의 삶과 문화를 담고 있는 도자공예는 우리 민족의 문화를 대표하는 문화재중의 하나로써 한국의 미와 문화의 특징을 보여준다. 역사적 관점에서도 도자공예보다 긴 전통을 소유한 문화재는 없으며, 쓰임새도 도자공예처럼 우리 주변에 널리 분포하는 기물(器物)은 없다. 그러나 현재 사용하고 있는 교과서의 대부분이 도자공예에 관해 감상 작품만을 예시하는 것에 그치기 때문에 구체적인 지도가 불가능하며 우리나라만이 가지고 있는 독특한 도예기법을 이해하기 어려운 실정이다. 현행 교과서 전통문화 수용방식의 특징은 전통문화가 교육내용의 중심 부분으로서가 아니라 주변 요소로 다루어지고 있고, 전통문화에 대한 깊이 있는 접근이 이루어지지 못하고 있으며 중등학교 과정에서 도자공예의 중요성을 이해 할 수 있는 기회는 거의 없다. 도자공예교육을 통해 학생들은 우리 고유의 문화를 이해하고 평면과 입체 표현을 통하여 조형미술을 경험할 수 있게 하여야 한다. 또한 학생들은 이런 다양한 이해와 경험을 자신의 삶 속에서 새롭게 표현해보고 생활에 적용함으로써 새로운 도예문화를 창조할 수 있도록 지도해야한다.

• 영어어문교육
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• 제11권2호
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• pp.171-194
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• 2005

The essay attempts at a critical reading of Thomas Hardy's The Mayor of Casterbridge (1886) in terms of character and socio-cultural change. Juxtaposing the story of Michael Henchard's career with the social and economic changes in the agricultural town, it attempts to elaborate on the complex ways in which Hardy relates the old modes of life and thinking to the material culture. Though the novel is centered on the story of Henchard, the Henchard-Farfrae clash represents the conflict of "old" and "new" modes of socio-economic organization and consciousness. The story of the rustic man of character struggling with his contradictory traits of strong will-power and emotional collapse suggests that Hardy's literary representation of the rural community and the rustic protagonist is deeply rooted in historical reality. However, while there is the interlocking of the changes in personal fate and social change, the representation is a "reinvented" literary construction with complex mediation. Despite the narrator's emphasis on Henchard's immutability, peculiarity, and resilience, his character is, in a complex, mediated way, shaped by the material conditions of English rural community in the late 19th century. The mediating role of Elizabeth-Jane as a narrative resolution embodies Hardy's ambivalent historical position concerning the period undergoing change and conflict.

• 한국복식학회:학술대회논문집
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• 한국복식학회 2001년도 International Costume Conference:Exploring Global Costume Culture
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• pp.62-66
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• 2001

• International Journal of Costume and Fashion
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• 제1권
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• pp.43-55
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• 2001

• 복식
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• 제53권6호
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• pp.45-61
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• 2003

Parhae and ancient Japan officially exchanged at 34 times during the period from AD.727 to AD.920. The envoys of each nation also sent the other nation with some items. The names of the items are identified by the historical records; those which Parhae presented to ancient Japan were leader shoes, which is called AmMoHwa(암모화), belt(대) various leaders and those which ancient Japan presented to Parhae were formal uniforms[관복], various textiles, coronet, shoes. We can recognize that the leader items of Parhae are frequently recorded as the gift to ancient Japan because they were the main manufactures in Parhae at that time. In addition, the government of ancient Japan gave the Parhae's envoys a high rank, five-grade(5위) and noble costumes like JinKaeEui(진개의) and so on were well-matched with their high rank. While being official exchanges, it is supposed that there were lots of other unofficial exchanges. Historically, in Japan, the time came under Nara(나양) era(AD.719~AD.794) and the beginning of PyungAn(평안) era(AD.794~AD.1192) and in the same way in Parhae, King Mun(737-793) reign. One of the features at that time is that Tang's culture was introduced to ancient Japan positively. Since Nara era strongly accepted Tang's culture, I assume that Nara costumes were affected by Tang's therefore they are the same as Tang's. In the same way, Parhae's costumes are the same as Tang's, too. The point is, it is expected that the costumes of Parhae which were exchanged with ancient Japan are similar to those of Nara by the medium of Tang's costumes.

• 지역과문화
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• 제8권1호
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• pp.25-53
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• 2021

이 연구는 시대적 맥락에 따라 문화다양성의 해석과 실천이 달라졌다는 전제 아래, 문화다양성의 지역화에 필요한 정책 방향을 모색하는 데 목적이 있다. 첫째, 이 연구에서는 정치투쟁의 결과로 나타난 문화다양성 개념의 해석과 정책실천의 중층성을 분석하여 시대적 맥락에 따라 문화다양성을 해석하고 실천하는 자세가 필요함을 밝혔다. 둘째, 전라북도를 사례로 사회적 소수자가 지역에서 경험한 차별과 문화정책 관계자의 인식을 분석하여 지역에서도 문화다양성이 중층적으로 해석되고 실천됨을 확인하였다. 셋째, 정부 정책의 한계에 대응하여 지역에서 문화다양성 정책을 수립하는데 고려해야 할 방향을 제안하였다. 제안한 내용은 정책의 탈중앙화와 지역차원의 정책 발굴, '분배의 정치'에서 '인정의 정치'로 전환, 분리가 아닌 접촉면을 늘리는 상호문화주의적 접근이다.