• 대한전기학회:학술대회논문집
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• 대한전기학회 2006년도 제37회 하계학술대회 논문집 C
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• pp.1669-1670
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• 2006

LED have many problem as narrow light view angle, high price, drift phenomenon of color coordinate, high heating problem for lower power, lower weight and small size. But, with the development of blue LEDs and the improvement of LED brightness, color variation are becoming more and more popular as lighting and application devices in this page, 1 used the Light Tools which was a simulation program in order to recognize optical a few characteristic of LEDs arrangement along reflector matrial and designed LED Arranged 5 phi LED in 5mm interval In the square that was $10{\times}10$ And designs a reflection board on pcb, structural design of PCB changed as five type. - Aluminum, Gold. Chromium, Nickel, Copper.

• 박물관보존과학
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• 제14권
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• pp.13-22
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• 2013

국립중앙박물관 소장 감로도(증7551)는 16세기에 제작된 것으로 추정되며 일본 교토[京都]의 류간지[龍岸寺] 주지인 에지마고도씨가 2010년 기증하였다. 전체적으로 화면과 회장 견의 결실, 얼룩, 꺾임, 충해 등에 의한 손상이 심하여 이에 대한 보존처리를 필요로 하였다. 보존처리는 표면오염을 제거하고 결실부위 보수 후 본래의 형식대로 장황하였다. 회장부분과 화면부분의 직물 조사결과 견직물과 마직물을 사용하였다. 채색안료는 크게 여섯 가지 색의 계열로 나눌 수 있으며, 붉은색은 진사, 연단, 노란색은 황단, 금, 백색은 연백, 녹색은 석록, 푸른색은 석청, 검정색은 먹을 사용하였다.

• 공학교육연구
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• 제8권4호
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• pp.31-39
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• 2005

사회는 매우 빨리 변화하고 있으나 변화의 핵심 인력과 기술을 제공해야하는 이공계대학의 교육과정은 이러한 변화의 속도를 따라가지 못하고 있다. 사회에서는 한 명이 수만 명을 먹여 살릴 수 있는 소위 gold color engineer 를 요구하고 있으나 대학의 반응은 아직까지 미진하다. 따라서 이런 사회의 빠른 변화에 대응하여 이공계교육이 적절히 변화할 수 있는 교육시스템의 구축이 매우 필요하다. 본 논문에서는 이를 위하여 이공계 대학교육과정의 문제점을 분석하고 그 개선방안을 논하고자 한다. 이공계 교육 내용에 대한 공급자와 수요자의 차이를 분석하고 이를 제고하기 위하여 새로운 교육체계를 제시하였다. 직업기초능력에 대한 설문을 실시하였고 국내외 이공계 교육 현황과 최근 국내 이공계 신입생의 과목이수 내용 등을 조사하였다. 또한 교육과정 개선을 위한 국가의 지원 방안을 제시하였다.

• 한국화예디자인학연구
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• 제40호
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• pp.45-61
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• 2019

본 논문에서는 공간을 이루는 모든 것을 보여주는 '메종 & 오브제' 전시회의 최근 경향을 알아보고 이러한 '그린어메너티'가 적용된 사례를 찾아보았다. 형태적 측면에서 미니멀한 공간을 곡선의 형태로 채웠고 점차 자연을 재현하는 디자인이 제작되었다. 점차 새롭게 맥시멀리즘이 대두되어 디자인에 장식적인 요소가 가미되어 공예적인 제품이 많이 나타났다. 재료적 측면에서는 자연주의 감성이 대세로 자연적인 목재소재가 주로 사용되었다. 이러한 재료는 다양한 이질재료와 결합하여 새로운 디자인을 완성하며 자연적 요소를 공간 안에 형상화하였다. 색채적 측면에서는 2016년은 테마가 '와일드 (Wild)'로 야생자연을 체험할 수 있는 공간을 볼 수 있었다. 나무의 갈색과 초록색을 중심으로 자연의 다채로운 색채를 보여주었다. 2017년의 '사일런스 (Silence)'는 핑크 컬러의 특징이 돋보인다. 또한 따뜻한 느낌의 적갈색 계열의 가구가 제작되었다. 예전엔 황동이나 로즈 골드가 유행이었다면 2017년은 골드나 실버 색상의 제품이 더 대세를 보였다. 2018년은 '쇼룸(Show-Room)'이 테마로 대표 색채는 초록색으로 노랑, 분홍과 함께 새롭게 디자인에 영향 주었다.

• 한국작물학회지
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• 제60권2호
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• pp.185-189
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• 2015

A total of CNU 28 colored hybrids developed at the Chungnam National University were evaluated to identify new cultivars with functionality. These color waxy corn hybrids appeared to have high antioxidant activity. The SOD activity in the developed color waxy corn was high; CNU13H-3, in white hybrid, and CNU13H-44, in yellow hybrid, was 5% and 27% higher than the Yeonnong and Daehakchal Gold 1 of control hybrids, respectively. The DPPH activity in CNU13H-44, of yellow hybrid, and CNU13H-75 of purple hybrid were high as 32.6 mg/g and 40.1 mg/g, respectively. We have already reported that color hybrids have high antioxidant activity. In this study also was same results. On the basis of our findings, these hybrids will be planted in next time to compare their productivity and area adaptation.

• 대한치과보철학회지
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• 제42권5호
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• pp.514-523
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• 2004

Statement of problem: All-ceramic restorations have been advocated for superior esthetics. Various post and core systems have been used to improve the strength of damaged teeth, but it is unclear whether they affect the final shade of finished all-ceramic restorations. Purpose: The influence of different types of post and core systems on light transmission through all-ceramic crowns was assessed by spectrophotometric analysis. Also the masking effect of different thickness of ceramic ingot was evaluated. Material and Methods : Forty-five sample disks (15mm in diameter) at several thickness(1.0, 1.5, 2.0mm) and value(shade 100, 200, 300) were made in heat pressed ceramic(IPS-Empress). Background specimens simulating gold-alloy cast posts(Type III casting gold alloy), metal posts(Ni-Cr casting alloy) and ceramic posts(CosmoPost) were fabrica-ted. Resin composite(Z250, A3 shade) was used as a tooth substrate reference. For each combination, the change in color was measured with a spectrophotometer. Readings were performed for 2 conditions (1) ability of ceramic to mask the core in relation to its thickness(1.0, 1.5, or 2.0mm) ; (2) influence of post and core types on the final color of the ceramic. Data were recorded according to the CIE $L^*a^*b^*$ systems and color difference($\Delta$E) was calculated. Results: 100 shade ingot: when ceramic thickness was 1.0mm, $\Delta$E value for ceramic post larger than 1 but $\Delta$E value for metal and gold post was larger than 2. For ceramic thickness of 1.5mm, only $\Delta$E value for metal was larger than 2, and the other samples' $\Delta$E value was smaller than 2. For ceramic thickness of 2.0mm, $\Delta$E values for all specimens was smaller than 2. 200 shade ingot: when ceramic thickness was 1.0mm, $\Delta$E value for ceramic post was smaller than 1 but $\Delta$E value for metal and gold post was larger than 2. For ceramic thickness of 1.5 mm, only the $\Delta$E value for metal was larger than 2, and the other samples' $\Delta$E value was smaller than 2. For ceramic thickness of 2.0mm, $\Delta$E values for all specimens was smaller than 1. 300 shade ingot: when ceramic thickness was 1.0mm, only $\Delta$E value for metal was larger than 2 and the other samples' $\Delta$E value was smaller than 2. For ceramic thickness of 1.5mm, $\Delta$E values for all specimens was smaller than 1. For ceramic thickness of 2.0mm, $\Delta$E values for all specimens was smaller than 1. Conclusion: The final esthetic result of the IPS-Empress glass-ceramic restoration was not affected by the presence of different core materials when the thickness was more than 2.0 mm. When ceramic thickness decreases to 1.5mm, it is advised to take the substrate aspects into consideration. If the ceramic thickness is less than 1.0mm, using the tooth color matched substrate is strongly recommended.

• 한국실내디자인학회논문집
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• 제23호
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• pp.109-115
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• 2000

The purpose of this study is to examine the interior textile color changes and trends by analyzing the characteristics of interior color hues and tones. Heimtextil in the interior field was selected for color trend analysis from 1996 to 2000. The conclusions of this study are as follows: First, In terms of hue, warm colors like Y, YR, and R were most prominent in all four years. Some new colors, however, emerged with higher frequency. The frequency of GY and B increased in 96/97, GY, BG and PB in 97/98 PB and B in 98/99, and B and PB in 99/2000. Especially between 96/2000, the frequency of PB and B has been increased, although the frequency of GY has been decreased. Over the four years, P, RP, and Neutral showed medium frequency, and G and BG showed low frequency. Gold appeared as an accent color in two years while silver appeared in one year. In summary, warm colors like Y, YR, and R were most prominent in interior color. Second, In terms of tone, p, b, v, and sf were most prominent over the four years. Although 에 and ltg appeared with high frequency n general, a wide variation was presented. The tones such as p, dp, and v appeared with high frequency in the three years of 96/97, 97/98 b and sf in 97/98 ; lt, dk and sf in 98/99. On the other hand, a new trend emerged in 99/2000. In this year, ltg, sf, s, d and dkg appeared with high frequency unlike the other three years. In other words, soft or light tones, such as pale, soft, light, grayish, and deep, and strong tones, such as vivid and bright, appeared with high frequency.

• 한국의류학회지
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• 제16권1호
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• pp.111-122
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• 1992

Studying the dress style of the Buddhist Goddess of Mercy SU WOL KWAN EUM DO (Drawings on the Buddhist Goddess of Mercy who is watching the Moon reflected in the still water), it is composed of a splendid, jewel crown with five colors, a light and flimsy, non-colored veil with many kinds of gold·plated patterns. This gold·plated carapace figures on a scarlet ground are drawn on the veil and the oval-type flower figures mixed with a scarlet lotus blossom ard arranged. An arabesque pattern of BOSANGHWA (an imaginary, Buddhistic flower figure) is mainly used for both line decorations and necklace. Like this, various kinds and types of figures are in harmony in spite of many changes in figure design. The SU WOL KWAN EUM DO in Koryo dynasty is full of colorful, subtle, harmonious figures which are unique style, which cannot be found in japan, China, and so on. In other words, most of most of dress patterns which are shown in SU WOL KWAN EUM DO are China ink paintings with mountains and waters as its setting. In case of color painting, figure designs are seldom used. The dress pattern in SU WOL KWAN EUM DO of koryo dynasty is characteristic of its variety and magnificent colors.

• Bulletin of the Korean Chemical Society
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• 제35권4호
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• pp.1159-1164
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• 2014

A simple, highly sensitive and selective method based on the rhodamine B-covered gold nanoparticle with dual-readout (colorimetric and fluorometric) detection for $\small{L}$-cysteine is proposed. A mechanism is that citrate-stabilized AuNPs were modified with RB by electrostatic interaction, which enables the nanometal surface energy transfer (NSET) from the RB to the AuNPs, quenching the fluorescence. In the presence of $\small{L}$-cysteine, it was used as a competitor in the NSET by the strongly Au-S bonding to release RB from the Au surface and recover the fluorescence, and the red-to-purple color change quickly, which was monitored simply by the naked eye. Under the optimum conditions, the detection limit is as low as 10 nM. The method possessed the advantages of simplicity, rapidity and sensitivity at the same time. The method was also successfully applied to the determination of $\small{L}$-cysteine in human urine samples, and the results were satisfying.

• 복식
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• 제61권7호
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• pp.135-151
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• 2011

The purpose of this study is to research the costume styles during the Silla(新羅), and Paekje dynasty[百濟] in 'Seodong tale'. In those days, costume form, color, pattern, and ornaments played an important role in representing the differences in social status. The Methodology of this study is reviewing and researching the symbolic meaning and classifying the types of the style of the Costume in 'Seodong tale' through the antique records and tombs bequests and expressing the clothing of the appearance people in the picture. This study is about the costume styles representing the differences in social status during the Silla and Baekje dynasty in 'Seodong tale'. Sedong wore 'Heug Geon(黑巾)' and 'Yu', 'Ko(袴)'. The king of Silla, Jinpyung wore Tree and Antler-typed Diadem and 'Po(袍)' with 'GwaDae(銙帶)' and Earrings, Necklaces, Rings. The servant of Baekje wore 'Eunmhwakwansik[silver crown]' and 'Jangyu' bound the silver belt and 'Ko'. Silla Princess of the court, Seonhwa wore Feathered Trim with Conical hat, and 'Yu' bound the belt and 'SangdongChima' and Earrings, Necklaces, Bracelets, Rings. Sedong's mother's hair style was 'Eonjeunmeori' and wore 'Yu' and 'Ko'. The queen of Baeje, Seonhwa wore 'Keumhwasik[Gold crown]', and 'Po' bound the belt and Earrings, Necklaces, Bracelets.