• Journal of Korean Medical classics
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• v.22 no.3
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• pp.291-297
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• 2009

It is difficult that we understand "Due to pathogenic Gi(因於氣)" in "Somun(素問) Saenggitongcheonron(生氣通天論)", because that is too many comments. We are to interpret Gi(氣) as Wind(風) or Anger(怒). However, the most reasonable explanation is to Yang-Gi weakness(陽氣虛). In other words, pathogenic Gi of four seasons should violate Yang-Gi(陽氣) and become a Yang-Gi weakness. Sayu(四維) can be interpreted as limbs[四肢], the last month of each of the four seasons[四季], four seasons[四時]. It is a logical view of the four seasons. This meaning is that it was already Yang-Gi weakness state by pathogenic-Gi of four seasons which violate Yang-Gi(陽氣), again the pathogenic Gi of four seasons violate Yang-Gi. As a result Yang-Gi will drain.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2011.05a
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• pp.617-618
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• 2011

Everyone's favorite color that exists naturally or artificially. This paper proposes that ow to find a suitable color for man. First of all, we find out about the base tone forming the color such as skin color, hair color, eye color. Next, we explained color theory of four seasons that color was divided according to skin color, hair color, eye color was diveded by spring, summer, autumn and winter seasons, and according to liking or nature. And look at the characteristics of each season's color.

• Korean Architects
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• s.507
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• pp.78-81
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• 2011

• Korean Architects
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• s.634
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• pp.70-75
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• 2022

• Proceedings of the Korea Society of Costume Conference
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• 2005.10a
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• pp.218-219
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• 2005

• Journal of the Korean association of regional geographers
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• v.16 no.3
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• pp.216-223
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• 2010

The study deals with classification of drought-flood intensity using Z index based on the precipitation data in Hyesan of the past 50 years(1957~2006). The frequencies of years and four seasons of flood drought and their change features have also been analyzed based on tendency analysis and MESA and wavelet methods. Results show that the annual and seasonal frequencies of flood-drought exceed 24% in Hyesan and flood-drought disasters have been high frequency. Inter-decadal variability seems to be clear in autumn but those of inter-annual variability are obvious in other three seasons and years. Recently the probability of drought disaster become higher in autumn. The flood disaster in other three seasons and years are estimated to become higher in the future.

• Journal of the Korean Society of Costume
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• v.58 no.5
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• pp.87-101
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• 2008

The purpose of this study is to identity the representative flower patterns in the Joseon Dynasty and investigate their chronological transitions. In the early Joseon Dynasty (i.e. 16th century), lotus patterns were very popular. Often lotus patterns were twisted around by ivy-leaves or decorated with treasures pattern in the margin. In the mid Joseon Dynasty (i.e. from 17th to mid 18th century), however, lotus patterns evolved from the typical lotus and ivy pattern and diversified into four types. In the 19th century, lotus pattern almost disappeared from the textiles of everyday dresses and were only found in the textiles of formal dresses or in special cases as in the cover pages of Buddhist scriptures. Poeny patterns was rarely used in textiles of 16th century, presumably because of the huge popularity of the lotus pattern. However, suddenly in the 17th century, Poeny patterns appeared quite frequently. There were 3 types of Poeny patterns. Poeny patterns became more popular over the years and it finally became a primary motive in textiles patterns for 100 years starting in the late 19th century. There were two types of Poeny patterns : one was realistic and true to life even in sizes, the other was more symbolic. Textile patterns combining four kinds of flowers started to appear from the late Koryo Dynasty but Flower patterns representing four seasons with distinct shapes appeared only in the 17th century. They could be categorized into three types. In the late 18th century, Flower patterns representing four seasons no longer appears in textile patterns, presumably due to a new preference for lucky omen over natural motives.

• The Research Journal of the Costume Culture
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• v.28 no.6
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• pp.787-800
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• 2020

This study aims to derive the criteria of folding techniques and their characteristics through analysis of literature and previous studies. This will be realized by performing a case study on male fashion design and folding. It will propose diverse directions and data for male fashion design, by making men's jackets using a folding technique. The concept and terms of folding were clarified through examination of existing literature and previous studies. Specifically, four pieces were created with motifs of the four seasons. Among the types of pleats expressed in the works, composition pleats include double ruffles, gathers, and draperies, while processed ones include box pleats, knife pleats, and accordion pleats. This study expresses continuity, fluidity, scalability, and ambiguity through the use of such pleats. The results of the production are as follows. First, in terms of the continuous use of regular and repetitive pleats, a possibility of rich pleats was confirmed because they varied depending on the gap between the pleat and target material. Second, in liquid but irregular pleats, diverse moods were created by the pleat movement. The overlapping of repeated pleats expresses diverse spaces and shapes in a 3D extended silhouette. Third, in pleat classification, ambiguity was confirmed with the use of continuous accordion pleats in the printed gradation fabric. It is anticipated that more diverse and creative designs could be created using more extended techniques in future studies.

• Journal of Conservation Science
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• v.29 no.1
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• pp.55-67
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• 2013

This study focused on analysis condition and application method of the passive infrared thermography according to the direction and time to nondestructively detect the blistering zone of stone cultural heritage. As a result, the passive thermographic images showed different temperature characteristics by time because it sensitively reacts to air temperature, insolation and sunshine direction. In particular, the insolation and sunshine direction, which are periodically changed from 6:00 to 17:00, irregularly made surface temperature. In addition, surface temperature differences were brought on fresh zones and blistering zones except specific time since blistering causes erratic thermal transfer. As a result of examining the detection characteristics of blistering by time, the blistering was well detected between 9:00 and 10:00 when there was rapid increase in air temperature and insolation in all direction except the north. However, this study isn't considered effects of four seasons because it is carried out in autumn, and the passive thermography has difficulty to analyze the quantitative area of blistering zone. Therefore, an additional study for synthetic consideration of the passive thermography analysis about four seasons and quantitative modeling of blistering zone using the active thermography are needed.

• Industry Promotion Research
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• v.7 no.4
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• pp.85-95
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• 2022

This study intends to analyze the meaning of symbolism in ancestral memorial rite arrangemen from the view that ancestral worship connecting traditional society with modernity are the transmission of ritual. It appears as a change the theory of Yin-Yang and Five Elements that became the basis and ideology about the Confucian view of life and death, an understanding of the universe structure, and a change in the four seasons. Ancestral memorial rite arrangements acknowledge the existence of ancestors. And it is understood as a ceremonial instrument which the living and the dead communicate spatially with time through the symbolic system. In addition, the four seasons, spaces of the skyground and underground were symbolized and embodied through the selection and arrangement of ancestral memorial rites. In the modern ancestral memorial rite arrangement, the factors that determine the location require Time-space analysis of the target. This is because the offering is understood not only as a functional role but also as a temporal and spatial symbolism to be expressed through the offering. In this study, it is meaningful to consider it from the perspective of inheritance of ancestral worship culture through discussions about the ideological background and symbolic system that appeared in ancestral memorial rite arrangement