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비정형 개념에 따른 시각예술 융합교육 모형 개발 (A Study on the Development of Visual Arts Convergence Education Model with the Formless Concept)

  • 조현근
    • 한국과학예술포럼
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    • 제37권2호
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    • pp.275-292
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    • 2019
  • 본 연구는 디자인 문제해결 과정에서 이미지 형상화를 위한 방법으로 모방에 익숙한 것에 대해, 모방외에 보다 창의적인 시도와 새롭고 다양한 접근이 요구됨에 주목하여 시작하게 되었다. 이에 비정형에 대한 이해와 개념적 접근으로 하는, 인문학과 시각예술의 융합 연구를 하였다. 본 연구의 목적은 기존의 비정형과 관련 있는 기초디자인 실습사례에서, 실습과정 전후에 요구되는 이론적 접근과 결과물 설명에 대해 보다 깊이 있는 연구와 더불어 디자인적 표현을 가능케 하는 비정형 언어를 개발하는 것이며, 이에 대한 실습과정을 체계화하여 제시하는 것이다. 연구의 방법으로는 선행연구, 관련 작품 및 작가에 대한 조사와 더불어 비정형 관련 교육 실습 등을 통해 관련 단어를 수집하고 공통되거나 반복되는 단어 또는 내용을 군집화하고 계층화하여 세부항목을 도출하는 것이다. 연구결과로 비정형 작동기제이며 비정형 언의의 상위 항목으로 공간적 위치 짓기 체계에서의 수평성, 공간과 시간의 분리에서 펄스, 체계의 구조적 질서에서의 엔트로피, 물질의 제한에 있어서의 저급유물론 등과 관련되는 비정형 언어를 제시하였다. 이들은 조형요소의 시각요소로, 형태, 형상, 크기, 명암, 색채, 질감, 공간, 구조 등과 관계하며, 하위 항목으로 다양한 형용사적인 의미를 가지고 있다. 이에 비정형 시각예술의 전반적인 단계(이론적 접근, 실습과정, 결과물 표현 등)에서 비정형 언어를 이해하고 표현할 수 있도록 하는 기초디자인 교육 자료를 제시하였다. 이러한 연구결과를 바탕으로, 서로 다른 반미학적인 새로운 조형미를 표현하게 하고 이를 이해하게 하는 교육적 콘텐츠로, 사회적 정체성을 드러내는 역할로, 또한, 이에 대한 교육 자료가 비정형 시각예술 관련 연구에 참고자료로 활용되기를 기대한다.

패션과 Arte Povera에 표현된 물질성 - 1960년대와 이후 이탈리아 패션을 중심으로 - (A Study about Materialism in Fashion and Arte Povera - Focusing on Italian Fashion in the 1960s and beyond -)

  • 이윤경;김민자
    • 복식
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    • 제59권4호
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    • pp.126-142
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    • 2009
  • Arte Povera, which was started centering around of Italy in 1960, made a great sensation using by base materials in the works that were totally different from other artists' work. Beginning of Arte Povera was just starting of Base Materialism and it was a reconsideration about the life's authenticity in material civilization. Arte Povera carried worthless materials, which were overlook or ignored in the life, into the gallery. In this study, records and Arte Povera Group's works was studied. The outcome of Arte Povera's materialism was used to an analysis of fashion designers' works. It shows how to explain Arte povera's materialism in fashion designers' works in 1960s and since 1990. Materialism in fashion is expanding from constructed materials of the clothing to the body. The expression method is getting various and complex. As if 1960s' art was, modern fashion is getting one of the testing places for the Ideology. It is getting out of the boundary of the utility as fashion art by using materials. So a function of the clothing is expending including wareing. The same expression methods of the materialism between fashion and art are as follow: First, revealing silhouette or materialism of the body or material as formless material. Second, an expression method as Base Materialism from a raw material. Third, the mobility and the transformation, which are a changeable characteristic according to a place, a space and an audience.

게임산업진흥법상 환전업금지 조항의 의의와 해석 (Prohibition Clauses of Business of Money Changing on the Game Industry Promotion Act of 2007)

  • 황승흠
    • 한국게임학회 논문지
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    • 제7권2호
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    • pp.61-72
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    • 2007
  • 2007년 개정 게임산업진흥법상의 '환전업금지 조항'은 게임의 사행성화를 방지하려는 목적으로 도입되었다. 이는 기존의 처벌규정이 없었던 게임이용의 결과물에 대한 환전 환전알선 재매입행위를 독자적인 범죄 구성요건화 함으로써 게임의 사행성화에 보다 적극적인 대처가 가능해 졌다. 게임산업 진흥법 제32조제1항제7호는 게임물의 이용을 통해 획득한 유 무형의 결과물을 환전 또는 환전 알선하거나 재매입하는 행위를 업으로 하는 것을 금지한다. 유 무형의 결과물은 점수, 경품, 게임머니, 게임의 비정상적 이용을 통해 획득된 게임데이터를 의미한다. 게임머니와 게임의 비정상적 이용을 통해 획득된 게임데이터의 해석에 따라서 대부분의 게임아이템현금거래가 이 조항의 적용범위에 포섭될 수 있다. 따라서 환전업금지 조항은 작업장과 게임아이템중개 사이트의 영업에 상당한 영향을 끼칠 것으로 보인다. 그럼에도 이 조항은 게임과 사행행위의 분리를 통해서 게임산업의 미래에 보다 긍정적인 영향을 줄 것이다.

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A Study on the Vernacular landscape Pattern of Nagan Walled Town(낙안읍성) in Suncheon

  • Shin, Sang-Sup;Park, Jae-Hyun
    • 한국환경과학회지
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    • 제13권2호
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    • pp.109-116
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    • 2004
  • Nagan walled town is located on an axis connecting symbolic places, which is a lucky place from the Fengshui point of view because a mountain sits to the rear and a body of water sits to the front. It represents the environmental development of cultural space by blending folk belief, religion, social systems, adminstration facilities and living culture buildings. Therefore, it has a sustainable cultural view connected with a formed or formless religious view and an artificial view (walls, government buildings, living houses, cultivated lands, etc.) in a natural landscape. Environmental design techniques, enlarging the meaning and value of living on a mental level, can be found in the arrangement of space composition and settlement of Nagan walled town. The organised spaces of government and residential areas were constructed within the wall with the view of searching for lucky places (from best, better and good places) in order to construct ecological networks according to the outlooks of space and settlement.

A Study on the Vernacular landscape Pattern of Nagan Walled Traditional Village(락안읍성) in Suncheon

  • Shin, Sang-Sup
    • 한국환경과학회:학술대회논문집
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    • 한국환경과학회 2003년도 International Symposium on Clean Environment
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    • pp.185-191
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    • 2003
  • Walled town was located on the axis connecting symbolic places, which was a feng-shui lucky place of a mountain sits to the rear and a body of water sits to the front. It represents environmental development of cultural space by blend of folk belief, religion, social system, administration facilities and living culture buildings. Therefore it is sustainable cultural view connected of formed or formless religious view and artificial view(wall, government buildings, living houses, and cultivated land so on) in a nature landscape. Environmental design technique, enlarging its meaning and value of living to mental level was founded from space composition and settlement, which was constructed organized space of government and residence area of walled town within the wall for looking for lucky place(from best, better, and good places) in order to construct ecological network (天+地+人, 山+水+方位+人, 地理+生利+山水+人心) by outlook of space and settlement.

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현대 건축의 메타모포시스적 해석과 표현에 관한 연구 (A Study on Metamorphic analysis and the expressive system in Contempory Architecture)

  • 변대중
    • 한국실내디자인학회논문집
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    • 제20권1호
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    • pp.14-23
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    • 2011
  • The purpose of this study is to analyse the inclinations and expressions in contemporary architecture. Specially, we call this tendency and architectural movements as architectural metamorphosis. Metamorphosis in architecture present the core of the change of Forms and spirits in a change of outward shape and terrestrial identity. As in Ovid's extended dramatic poem of change and transformation, Metamorphoses, all Souls are deathless, and migrates from one form to another. Like these stories in Metamorphoses, Ovid tells the soul never dies, but leaps one form to anther, and can take any shape. So the architectural form, transformation and deformation in contemporary architecture means architectural sensations and cognitions can even approach the soul of form and shape under the transformation. The expressions and design strategies of metamorphosis in comtemporary architecture reveal continuous and sequential formations of space, linear structure with force and vector, rhythmical wavement and folding surface, lively wiggly flows of volumns and objects, and so on. Such qualities came from the periodical needs; separation of structure and surface, poly-surfacial movement, poly-sensual expression and experience, dematerialization and the dematerialized space, formless of non-formal architecture, digital architecture. Architecture of Metamorphosis is the ways and the needs of our period to overcome the static limits prohibits the liberal thoughts, to find the ways toward the opportunities and diversities and to unlock the imaginaire of the contemporary architecture.

체험 공간 스토리텔링의 중첩 구조 및 특성에 관한 연구 - 뮤지엄 공간을 대상으로 - (A Study on the Structure and Characteristic of Overlapping of Storytelling about Experience Space - Focus on the Museum space -)

  • 안현정
    • 한국실내디자인학회논문집
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    • 제22권4호
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    • pp.41-51
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    • 2013
  • Lately in many cases, Spaces are designed by stimulating user's sensibility, emotion, psychological software over based on the user behavior and purpose of space. Because space is not only practical using and use purpose but also the place for expressing ourselves by experiences. But space is a physical thing. so we need to arrange a structure of abstract and formless source of design by sophisticated grammaticalization. Especially storytelling of that abstract thing have characteristics of relation, process among users and space. because storytelling is focused on the discourse of stories and relationship record of that discourses. So this is used by expression device for user's emotion things and subjects in numerous cases. And storytelling is the basic, important element for user's experience in a space. By the way, Overlapping is also basic element for being possible to make experiences by concrete thing. that is because, Overlapping is layering phenomenon of some objects. Overlapping is made distance, distance make depth, and this relations take us an experience. Finally storytelling, Overlapping and space of experience are relation of cause and effect. So in this thesis, researcher looks for the relation characteristics between storytelling and overlapping by experience. and makes the abstract source into concrete and sophisticated formular.

A Study on Effects of Franchise Distribution Employees on Occupational Identity

  • KIM, Ki-Soo;CHO, Sung-Ho;KIM, Sung-Hun
    • 유통과학연구
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    • 제17권9호
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    • pp.83-92
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    • 2019
  • Purpose - This research is to verify job fitness, empowerment, and recognition of career development support having the influence on formation of occupational identity in Korean food franchise distribution company. Research design, data, and methodology - Total 600 copies have been distributed and 394 copies have been collected, the covariance structure analysis has been implemented to verify the presented research hypothesis. Results - Demand fit and competency fit being the lower level of job fitness appeared not to have significant influence on occupational identity, and also these do not have the significant influence on the empowerment. Even though formal career development support being lower level of career development recognition appeared to have significant influence on empowerment, nonformal career development support appeared not to have significant influence on empowerment. Formal career development support and nonformal career development support appeared to have significant influence on occupational identity. Finally, empowerment appeared to have significant influence on occupational identity. Conclusions - It is implied that the psychological and subjective success felt in employee's career course may be improved by the job related job fitness, the initiative being individual characteristic and formal and formless career development support being organizational characteristic.

인체내 수액의 특성 및 대사기전에 대한 연구 -진액.혈.한.소변.정의 생성기전 및 성질에 대하여- (Research on the Characteristics of Water inside a Human's Body and its Metabolism)

  • 백상용
    • 대한한의학회지
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    • 제24권3호
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    • pp.130-137
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    • 2003
  • Water, in a living being, is as essential as the essence derived from food is in maintaining one's life. The concepts are expressed in forms of "food and drink" and "drink-food" in the ${\mathbb{\ulcorner}}Hwangjenakyoung{\mathbb{\lrcorner}}$ and most of the other oriental medicine related references. Following the steps of the human body's metabolism, the water source builds up characteristic formations, such as bodily fluids (blood/perspiration/urine/essence), in each transforming phase according to the nature of the Ki that propels the transformation. Furthermore, each characteristic formations has its' own suitable duties, distinctive features and its field of activation. The vital energy of life is identified as a positive property due its fluidity and its formless nature. In order for this vital energy to come into its own, it needs to weld into one with the material-natured body of the negative property which will embrace the positive property and transform it into body fluid. Water taken into a body will undergo the first activation of Ki, dissolving the Wigi and the Wongi and transforming into the primary body fluid. The delicates among the dissolved Ki will once again go through a transformation in the Jungcho. It will turn into red blood, with influence of the vital function. When the vital energy completes its duties in all parts of the body, it combines with water again and transforms into the secondary bodily fluid. This is when the Takgi gets filtered and the new enriched essence is created.

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리퀴드 스페이스에 대한 들뢰즈의 타자의 기하학적 해석 - 2000년도 이후 발표된 작품을 중심으로 - (An Interpretation of Deleuze's Other Geometry in Terms of Liquid Space - Focused on Works Published since 2000 -)

  • 김선희;이한나
    • 한국실내디자인학회논문집
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    • 제14권5호
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    • pp.98-105
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    • 2005
  • Through advanced computer technology, our physical environment became a flexible and liquid space that is a multi-functional space structure, hetero-alliance, formless, interactivity. We attempt to interpretate Deleuze's Other geometry as a space designer. Hence first, the aim of this study is to define the meaning of the Other and Other geometry. Second, to extract keywords out of the Other geometry to analyze the work. Third, to analyze the work using the space formative languages(blob, blurring, distortion, folding, layering, lightness, nesting, repetition, shear, transparency, twisting, unfolding, warping, waving, and weaving). The 13 works were selected which have been issued after year 2000 with the focus on liquid space studies. The methods of this study are literature research and contents analysis. The results of the analysis were as follows. First, the source is the Other who is a hidden potentials in the surrounding environment, and this source has the capability of making it part of reality anytime. Other geometry means it is a theory that is comprised of various lines that with the kind of experiences that one has in life. Second, the key words that were extracted from the theory of Deleuze's Other geometry were of (1)hetero-alliance(reflected in a sculptured shape or a fluid abstract form), (2)dis-form(by speculating the user's movements, and combining space elements with external forces), (3)interactivity (information was exchanged real time between the user and his environment where the space took on a sensory institution). Finally, after studying the works using the space formative languages, we found that blob, warping, waving were used externally, and repetition, warping and waving for mostly used internally.