• 디지털융복합연구
• /
• 제15권6호
• /
• pp.155-164
• /
• 2017

본 연구는 페이스북과 인스타그램의 형태적 차이에 따른 이용동기 및 사용행태의 공통점과 차이점을 분석하는데 그 목적이 있다. 직관적 이미지, 제한된 네트워크 등 3세대 SNS의 형태적 차별화는 SNS 연구에 있어 개별 서비스 이용자를 동질적 집단이 아닌 차별적 집단으로 인식해야 할 필요성을 제기한다. 따라서, 본 연구는 SNS 주이용 집단인 대학생 255명을 대상으로, 페이스북과 인스타그램에 대한 이용동기 및 이용동기에 따른 사용행태의 차이를 요인분석과 회귀분석을 통해 분석하였다. 연구결과, SNS 이용동기로 총 7개 요인이 도출되었으며, 페이스북과 인스타그램의 이용동기 및 이용 동기에 따른 사용행태(피드백 측면, 만족도 측면)의 차이가 밝혀졌다. 본 연구를 통해 향후 SNS의 형태적 진화에 따른 이용자의 태도변화를 예측하는데 기여함과 동시에, 형태적 속성을 기반으로 한 GUI 설계, 기업홍보 마케팅 등 관련 융복합연구로의 확대 적용을 기대한다.

• 복식
• /
• 제24권
• /
• pp.157-176
• /
• 1995

The purpose of this treatise is to study external form and internal meaning of minimal expression fashion which appeared as a major stream in modern fashion trends to understand one aspect of modernism in fashion and also to gain insight into internal value of human beings through fashion. The results can be summarized as follows : Firstly , minimalism is a trend in art attempting to seek essence of the object by presenting simple and disciplined expressions by minimal formative means and minimal production process. Secondly, minimal expression in fashion means seeking simplicity an dpurity by using minimum design elements and minimal productive process. Thirdly, external from of minimal expression fashion can be created through application of following minimal expression techniques. 1. Minimal expression techniques in terms of line mean smooth curve flowing along body contours, straight lines of diagonal lines into desciplined silhouette or rendering internal contour lines. 2. Minimum expression techniques in terms of forms mean forms of smooth curves flowing along boyd or forms with simple geometric forms from qualitative aspects, In terms of volume it means quest for essence of pure body itself by revealing body as it is by minimizing the size of dress or its area and herein is contained using simple geometric pattern or utilizing textiles without any patterns.3. Minimal expression techniques by colors mean simple colors such as primary colors, colors without clear distinctions or natural colors and in terms of quantity it means quest for one color within one item of dress or combination of each items when getting dressed. 4. Minimal expression techniques in terms of fabrics mean fabrics with simple surfaced. In terms of quantity it means quest for essence of tight fitting thin textiles to human body or using transparent materials to human body thus exposing body contours as it is. 5. Minimal expression techniques in terms of productive process mean minimizing process of tailoring , sewing or ornamenting and seeking for simplicity and purity. 6. Minimal expression techniques in terms of manufacturing process mean selection of technique conveying simple image with disciplined simple image. Fourthly, minimal expression fashion with external expression as mentioned in the above lay body-priority style and its internal meaning can be asummed as quest for essence and purity of human body.

• 한국문헌정보학회지
• /
• 제44권4호
• /
• pp.303-331
• /
• 2010

도서관발전종합계획(2009~2013)의 본격적인 시행으로 종합계획의 형성 및 집행에 참여하는 중앙행정기관, 지자체 등 참여대상이 증가하고 정책 환경이 복잡하게 전개되고 있지만, 이러한 상황을 제대로 분석하고 짚어내는 도서관정책 전반에 대한 평가 및 연구는 미흡하였다. 본 연구는 도서관발전종합계획(2009~2013)을 정책형성단계, 정책집행단계, 정책성과단계의 3단계로 나누어 각 정책과정의 요인들이 정책성과에 미치는 영향관계 등을 검증하여 종합계획 시행의 문제점 및 개선방향을 분석하는 것을 목적으로 하였다. 이를 위해 도서관발전종합계획(2009~2013)의 정책과정을 평가하기 위한 형성적 평가모형을 설계하고, 도서관정책 전문가 그룹이 참여하는 델파이 조사를 통해 개발된 평가모형을 수정 보완하는 절차를 거쳤다. 그리고 실제 종합계획을 수립 시행중인 도서관정책 관계자를 대상으로 실증적인 평가를 실시한 후, 이 평가결과를 토대로 정책단계별 요인이 정책성과에 미치는 영향관계 등을 실증적으로 분석하였다.

• 수산해양교육연구
• /
• 제25권4호
• /
• pp.937-957
• /
• 2013

This study was conducted for the purpose of developing the UCC project teaching and learning model based on the rationale which are applicable effectively in the field of university education. Firstly, we have designed the rationale based on the research of documents and preceding researches about teaching method models. Secondly, we have developed the UCC project teaching and learning model. the UCC project teaching and learning model based on the rationale was assessed by the professional formative evaluation group and tested in the field of university education in advance and thereafter. It was finally rectified and supplemented. Particularly, any corrections were to be made repeatedly in the stage of developing of the UCC project. And also, during the assessment and arrangement process, it was designed for the study participants to feel a sense of achievement as learners who combine knowledge and attitudes toward participants'subjects of the curriculum and professional vocational skills by performing the nursing science training scene which could happen in the field. Thirdly, the final version of the UCC project teaching and learning model was verified in its effectiveness by being applied in the field of the nursing science education in the $2^{nd}$ step. As a result, we noticed that learners diverse abilities were improved through systemic process and performing elements such as teaching plan which was needed for designing the UCC project in the field, making storyboard and skills for making video contents. We hope that the UCC project teaching and learning model in this study will be used by the students for designing, developing and utilizing educational UCCs which are necessary in industrial fields and it will contribute for training university students as professionals having the practical skills in the field.

• 한국실내디자인학회논문집
• /
• 제6호
• /
• pp.45-52
• /
• 1995

The presentation of the method by which the furniture and the architecture can be unified in one category, and the study and the verification on the mutual relation in the shape and the function are having been consistently made till the late twenties. The change of the social structure such as increasing the unit dwelling space with the small scale comes to need the efficiency in using space and the open dwelling space by the systematic spa-cial formation. Therefore, the understanding of the mean-ing and the characteristics of system furnitures as the design method which can meet such needs will be made here in this study. The application of the systematic consideration as the method of interior design means the formation of the firm image on the spacial environment through the mix-ture and link of the heterogeneous factors, the organic connection of each surface, the establishment of the natu-ral relation by linking the heterogeneous materials mutu-ally. and the easiness of the entire plan in the end. This study aims at analyzing and studying the typical charac-teristics by understanding the historical background and methodical principle which enabled the appearance of this kind of thought, and the adapted cases of the wood and metal material system furniture. There may be difference between the structural sub-stance and formative consideration. Transformative furni-ture which consists of the factors is the concept for the encrease of the multi purpose value by mixing the unit cabinets. One system can be separated horizontally, verti-cally, and to the drawers, and it gives us the disengage-ment from the artificial environment, since all the heights and width can be transformed as per each situa-tion of the space. The factors which can not be found in the other existing furniture are as follows. 1. disengagement from the artificial environment. 2. establishing the new productiosn trend as freed from the customers' fashion trend. 3. presenting the producing condition which leads the exact technology. 4. flexibility of the furniture which enables the reduction and enlargement in each situation.

• 복식
• /
• 제57권10호
• /
• pp.156-168
• /
• 2007

Brands started to manufacture consumer-oriented products and look for active methods to appeal their brands to consumers, in the 1990s. As a result, actively adopting graphic design to clothing designs has recently become an important strategy among others. Graphic design has important significance in contemporary fashion design in the aspect that it has expanded the range of expressive methods by bringing over expressive methods of visual design, and has led to an increase in sales due to consumer satisfaction, but it has been vaguely handled together with textiles design, and research on the topic has been insufficient. Therefore this study aimed to clearly define the idea of graphic design based on documentary research, and analyze applying case and formative features of graphic design expressed in clothing, through case studies from 2004 to 2006, and derive the trends of graphic design expressed in contemporary fashion design. The results of this study are as follows. The common characteristics of images that reflect recent graphic design trends in fashion design are hand writing and irregular composition, and images that actively pursued these pointes were retro and craft images, and modern and sporty images reflected these graphic design trends in a comparatively passive manner. It is important to maintain style differentiation rather than indiscreetly adopting graphic design trends to clothing, and to appropriately apply trend characteristics of fashion design and other design areas. Expressive methods of design are expected to expand through appropriate application and development of graphic design, and can potentially provide a new solution to brand differentiation.

• 한국콘텐츠학회논문지
• /
• 제10권5호
• /
• pp.220-228
• /
• 2010

리인커네이션은 불교와 도교의 중심철학인 윤회라는 가치관으로 우리의 생활의식 속에 뿌리 깊게 존재해 왔다. 예술의 보편적 가치인 리인커네이션은 오랫동안 오브제로서의 표현의 대상이 되어져 왔으며 팝아트에 이르러서는 특별한 관심을 받았다. 시각디자인교육에서의 리인커네이션은 교육의 도구(Tool)로서 새로운 기능적 가치를 지니며 특히 디지털디자인 영역에서는 수업의 기본적 재료인 교재로서 필수적 콘텐츠가 되고 있다. 리인커네이션을 활용한 디자인교육은 에듀테인먼트적 특성이 두드러지며, 혁신적인 교육기법이라 주목받고 있는 에듀테인먼트 교육은 학습자에게 유희성과 흥미성을 자극하여 내적동기를 유도한다. 리인거네이션이 갖는 정서적 흥미와 인지적 흥미는 학습의 능동적 활동으로 이어져 창의성을 향상시키는 궁극적 목표에 도달하게 한다. 물질의 환생을 전제로 한 리인커네이션 교육은 물질의 재활용, 재사용이라는 단순한 지속성을 넘어 사물에 대한 본질과 철학적 가치를 이해해야하며 이러한 연구와 교육활동들이 수반되었을 때 디자인교육의 창의적 아이디어를 기대할 수 있다.

• 복식
• /
• 제33권
• /
• pp.5-25
• /
• 1997

The purpose of this study was to analyze the characteristics of the Junk Art represented in the second half 20the century fashion. The highly developed material civilization resulted in human alienations environmental distruption. By this fact human being of the 20the century was to overcome social com-plexity. In this respect this research was focused that how the characteristics of the junk Art was expressed in the second half 20th century fashion. The concepts of the Junk Art lied in the creation of art work in the 2-dimentional plane of 3-dimentional space through the application of all junks (wood pieces industrial debris trash ready-made goods etc) cast by the mod-ern industrial society and the mass production system. Juck Art had been further envigorated in the footstep of the development of the collage method based on the creation of object aes-thetics. And junk artists have untitled social environments with art by assembling junks as a way of exploring the material world of cur-rent society and provided infinite possibilities of expressional medium and technique. Above all junk Art has been reflected in the fashion as well as other art. Especially a lot of the fashion design by the use of junks and the expressive image of junks is produced in the 20th century. That is many of fashion designers have always been aware of what is happening in the arts and have always been able to use the dis-coveries and ideas of the artist to help them solve design problems and creat fashion which are new inventive and reflective of their time. The fashion designers of the junk fashion design could be said to have presented much more possibilities and new development for-mulas to modern fashion design and provided a new order of other formative arts. Unlike the negative and destructive punk cyberpunk fashion junk fashion was a positive and optimistic aesthetics. junk fashion that keeps pace with science and the development of technology is devoted to trying to grasp the real form of ultimate re-ality.

• 한국의상디자인학회지
• /
• 제12권4호
• /
• pp.61-73
• /
• 2010

The purpose of this study is to create unique formative beauty with free expressive method and to suggest accessory design with individuality through this, by using hand-knitting technique in design of necklace and bangle, which belong to personal ornament among fashion accessories. It analyzed on theoretical background of knit technique and accessory through documentary research, examined the accessory design tendency and the research tendency through collection materials, and then suggested 9 works in accessory ornament design of using hand-knitting technique, based on this. The results are as follows. First, even in overseas collection, accessories in diverse materials and shapes were being show cased. Volume in necklace or bangle was indicated to be big. There were many cases of covering several items together. Second, the hand-knitting technique in originative accessory design could be confirmed to be possibly used broadly in the range of pattern and shape available for making by using yarn in diverse thicknesses with proper technique, and by transforming basic tissue according to knitting technique. Third, through the results of making ornaments in 7 necklaces and 2 bangles, the hand-knitting technique was confirmed to possibly expanding the application range of knitting technique in the accessory field, and has significance in having suggested individual accessory.

• 한국의류학회지
• /
• 제35권10호
• /
• pp.1188-1198
• /
• 2011

This study proposes the use of firework shapes to design fashion accessories in the judgment that they are appropriate for the expression of creative images in consideration of the display of fireworks as a kind of entertainment and a festive symbol. This study promotes the sustainable application of firework shapes to develop the designs of fashion culture items that feature a distinctive personality and uniqueness. In this present study, the proposed fashion accessory design was intended to create an entertaining new atmosphere that uses an Organic Light Emitting Diode (OLED) that draws attention as a futuristic display. In terms of methodology, a literature review of firework shapes and OLED was conducted; in addition, Adobe Illustrator CS2 and Adobe Photoshop CS2 were used to develop six different standard motive designs with formative design elements represented by a variety of firework shapes. Each of the six motifs was further expanded with different color combinations. Rich images are produced with the use of pink, blue, purple, green, yellow, orange, and red, in conjunction with various OLED effects to express the three-dimensional images of fireworks. The motifs are applied to three types of items: bags, bracelets, and necklaces. For the video images, evening and tote bags, pendants, and bangles were used. Shifting images and lights should produce unique images as well as satisfy the consumer desire for entertainment. The Adobe Image Ready software was used to present the motive of fireworks applied to the design of fashion accessories in video images but not in still-cut images due to physical constraints of this paper.