• 한국실내디자인학회논문집
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• 제27호
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• pp.20-27
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• 2001

The tendency of formalization in Contemporary Architecture deeply relies on the thought of Western Philosophy, which emphasizes the art of image perceived visually but ignores the body and perception of a human beig who uses the architecture and lives in it. On the contrary, Merleau-Ponty asserted long time ago that the world and the body are inseparably related to each other. The phenomenology is important in Architecture, since the center of thought should be taken back to the human body if a artistic meaning can be obtained by Architecture. From this point of view, the meaning of Contemporary Architecture can be renewed by the phenomenological idea of Merleau-Ponty as a means of expanding thought that overcomes the limit of formalization in Contemporary Architecture. This research aims to ream from Steven Holl's work, and show the Architectural elements that are used for preceptual experience of phenomenon and the function of those element sin Architectural space of his works. The result of study on about the phenomenal light and water in Architectural space of Steven Holl is as follows; First, in perceptional experience of phenomenon, time is an important element, which is successive and make a field that cause perceptional experience. Second, light, as a phenomenological element, acted as a means of expressing the comparison and change of light and shadow in Architectural space and showing the change of color by the diversity of time in inner space. Third, water, as a phenomenal lens, not only acted functional but also functioned as an element of sensual experience in Architectural space. It acted as an image containing time, space, just like a mirror that reflect the environment.

• 한국의류산업학회지
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• 제8권2호
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• pp.214-224
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• 2006

Computer graphics mean a reproduction of various information through image processing or the technology that is widely thought in makeup areas also, recently. Especially, Adobe Illustrator, unlike Adobe Photoshop used in image editing and correction, is software suitable for image drawing and reproducing beauty makeup. Beauty makeup is a work adorning human body to fit to the aesthetic standard in that period, and is a plastic art expressing shapes, colors and textures using design elements. Adobe Illustrator is a 2D graphics designing images using shapes having plane colors. In this study I studied techniques reproducing each element of contours and colors of beauty makeup through Adobe Illustrator CS. In other words, I have prepared a reference data by studying techniques reproducing beauty makeup using Adobe Illustrator CS. In this study, though, I couldn't try various things, because I limited facial contour and skin color to only one kind. Therefore, I hope, in the future, others can expand the ethnics of using Adobe Illustrator in more enriched ways by working on various facial contours and skin colors.

• 한국발생생물학회:학술대회논문집
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• 한국발생생물학회 2003년도 제3회 국제심포지움 및 학술대회
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• pp.104-104
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• 2003

As an effort to direct differentiation of human embryonic stem (hES, MB03) cells to dopamine-producing neuronal cells, Nurr1 was transfected using conventional transfection protocol into MB03 and examined the expression of tyrosine hydroylase (TH) after differentiation induced by retinoic acid (RA) and ascorbic acid (AA). Experimentally, cells were transfected with linearized Nurr1 cDNA in pcDNA3.1 (+)-hygovernight followed by selection in medium containing hygromycin-B (150 $\mu$/ml). Expression of Nurr1 mRNA was confirmed by RT-PCR and protein by immunocytochemistry in the drug resistant clones. In order to study the effect of Nurr1 protein on the differentiation pattern of ES cells, one of the positive clones (MBNr24) was allowed to form embryoid body (EB) for 2 days and were induced to differentiate for another 4 days using RA (1 $\mu M$) and AA (50 mM) (2-/4+ protocol) followed by selection in N2 medium for 10 or 20 days. After 10 days in N2 medium, cells immunoreactive to anti-GFAP, anti-TH, or anti-NF200 antibodies were 38.8%, 11%, and 20.5%, respectively. After 20 days in N2 medium, cells expressing GFAP, TH, or NF200 were 28%, 15% and 44.8%, respectively but approximately 9% of MB03 expressed TH protein when the cells were induced to differentiate using a similar prorocol, These results suggest that ectopic expression of Nurr1 enhances generation of TH+ cells as well as neuronal cells when hES cells were differentiated by 2-/4+ protocol.

• 복식문화연구
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• 제21권5호
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• pp.613-628
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• 2013

This study aims to identify characteristics of neo-naturalism coming from periodical changes in the 21th society, culture based on naturalism and analyze the expressional and design characteristics of neo-naturalism on 2000s. For a research method, this study researched development of naturalism in fashion, and searched digital naturalism and ecology which are design paradigm effecting on neo-naturalism through literature research and preliminary study. Analyzing preliminary study on architecture, interior, fashion about digital naturalism and ecology design, concept of neo-naturalism identified and four expressional characteristics of neo-naturalism was classified, actual examples of neo-naturalism in 21th fashion were extracted and drew design characteristics. The results are as followings. Firstly, naturalism described nature as it is and developed according to the values and needs of the times. Naturalism in fashion showed natrual human body's curve, nature pattern and used natural materical focused on ideal beauty of nature. Secondly, neo-naturalism renews with the foundation of digital culture and ecology design paradigm, and focuses on the flexible possibility to express nature with digital, new media and formative art, and made the artificial nature uniting human-nature-environment as organic whole by ecology design paradigm. Thirdly, design of neo-naturalism divided four characteristics, nature's organic form, combination with the technology, ethical harmony with nature, global local design. The first characteristics of the nature's organic form are expressing silhouette of the nature's organic volume abstractly, the second ones of the combination with the technology are reinterpreting primitive nature contemporary with artificial sensibility of high technology, the third ones of the ethical harmony with nature are showing simple design and high-touch, and the forth ones of global local design are expressing cultural hybrid preserving vernacular design.

• 패션비즈니스
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• 제14권4호
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• pp.23-40
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• 2010

The purpose of this study is to explore the aesthetic characteristics of outerization phenomenon of contemporary fashion. Outerization, transforming underwear as outerwear, is one of the most dominant and widespread fashion trends in the dawning of new millenium. Fashion always exists for living body and tributes to express idealized beauty of human body and aesthetics of the era. If so, exploring the formative expressions and aesthetic characteristics of outerization would be an meaningful guideline to deduce changed relationship between fashion and body of the 21st century. The methodology of this study is to research of fashion collections such as Paris, Milan and New York which were held the first decade of new millenium, from 2000 Spring/Summer to 2009 Spring/Summer. The styles expressing outerization were selected and assorted based on the main formative expression. Then the aesthetic characteristics were classified. The way of expression of outerization is categorized into 4 parts ; Transition, Exposure, Transparency, and Deconstruction. Aesthetic Characters of outerization is classified 4 assortments as well ; Eroticism, Fun with parody and kitch, cyber culture, Gender politics, and Power fetish. Eroticism is the most clearly identified one. Coming out of underwear imply naked body itself, so it has erotic appeal. Fun is the second character. A pleasant sensation from the outerization of undergarments maximizes a disposition of play from parody, kitch, and cyber culture. The third is Gender Politics and it introspects how the society consumes woman body in history and modern times. Power Fetish, the last one, speaks for the female body with changed vision for femininity underneath the sphere of influence of feminism and post modernism, then emphasizes the subjectivity and independence of woman. From the research above, this study will help to understand the overwhelming outerization phenomenon and contribute to expansion of the horizon of the study of fashion aesthetics. It will serve fashion creative source through various outerization cases as well.

• 한국인터넷방송통신학회논문지
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• 제19권4호
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• pp.55-63
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• 2019

자동차 안전을 위한 근접센서 및 후방카메라가 일반적이다. 하지만, 여전히 많은 사고가 발생하고 있다. 생체 감지 센서, 자동차의 앞, 뒤, 좌, 우와 하부까지 보여주는 All Around View 및 사물 인식 알고리즘을 사용하여 차량이 출발하거나 주차할 때 주위에 생체가 있는지 센싱하고 차량 외부를 화면에 표시한다. 또한 사물인식 알고리즘을 활용해서 사물의 위치를 표현해서 물체를 명확하게 화면에 시각화한다. 이렇게 센싱, 화면, 위치 표현에 의해 차량에 의한 인명 사고을 예방할 수 있는 강력한 안전 시스템을 제안 한다.

• 자연과학논문집
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• 제8권2호
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• pp.257-287
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• 1996

조선후기는 근대 서민 문예의 부흥기로서, 서민문예의 대두와 더불어 일어난 서민계층의 등장은 복식에 있어서의 대중 복식 문화를 부각시키면서 복식의 유행현상이 나타나게 되었다. 이 시기 모든 계층의 여성 복식에서 공통적으로 풍미한 유행사조는 과장된 치마허리 그리고 둔부를 volume감 있게 강조한 치마등을 통해 여체를 드러낸 선정적인 silhouette이 나타났다. 유교 규범에 의해 억제되고 절제된 여성들의 복식행동(clothing behavior)에서 이처럼 육체를 긍정한다는 것은 사회의 일정한 진보단계에 위치한다고 보겠다. 그것은 Eroticism자체는 영원한 인간의 본능에 의존하겠지만, 이 Eroticism을 통하여 어떤 사회적 질곡을 벗어나려고 하는데에 있어서는 그 Eroticism의 발로가 사회적 의의를 가지는 것이다. 그러므로 조선후기의 여성복식에서의 Erotic Mode는 여성들 자신의 것인 동시에 그 사회의 것이며, 그것은 가식적이고 표면적인 유교적 도덕관의 외피 속에 흐르고 있는 인간성의 폭로이고, 그것을 표현할 수 있다는 데에 서민문예의 진보성과 근대성이 있는 것이다.

• 복식문화연구
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• 제11권3호
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• pp.367-374
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• 2003

When analyzing forms in the human body and clothes, we conceptualize each part into a cone, sphere, and cylinder, and the esthetic characteristics of our fashion culture and esthetic fashion characteristics of Koreans are composed by expressing with universal images such as circle, square, and triangle when forms are expressed in a plane. To determine how the structural principle of shapes that are the shapes of all things and basic to geometry, i.e., circle, square, and triangle, applies to clothes that cloth our body called the small cosmos, we discussed the symbolic meaning hidden inside the structure of Korean clothes based on the basic pattern drafting method of Korean men’s traditional trousers. We drew the conclusion that Korean men's trousers composed of circles, triangles, and squares express the five elements diagram through their plane structure, are designed in circles with cones and pyramids, and are made to well express the principle of the small cosmos of our body. Moreover, when the basic pattern of Korean men’s trousers explained with the antipathy diagram is viewed to create all things while maintaining opposite and complementary relationship with Sangsang (mutually benefitting factor), it would be correct to say that the principle of the top verse the bottom is viewed as conflicting. From the structural point of view, since the philosophy of the Samsu principle (the principle of 1, 2 and 3 in which 1 represents the heaven, 2 represents the earth, and 3 represents the people) is hidden in Korean men's trousers in which Hurimalgi (the part of trousers corresponding to the waist band of Western pants) is the circle representing the heaven, Marupok is the square representing the earth, and Sapok is the triangle representing the people, we could look at deep meaning of our ancestors expressed in our clothes.

• 인지과학
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• 제11권2호
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• pp.1-10
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• 2000

최근 사용자에게 친근감있는 인터페이스를 제공하기 위해 자연스러운 얼굴 애니메이션에 대한 연구가 활발히 진행 중이다. 얼굴은 인간의 신체부위 중 가장 쉽게 개개인을 구분할 수 있고, 감정과 정서 등의 내적 상태를 명백하게 이해할 수 있도록 해주는 중요한 의사소통의 수단으로 여겨지고 있다. 이러한 얼굴은 이용하여 인간과 컴퓨터간의 의사 전달에 있어서 효율적으로 인간의 감정을 인식하고 전달하여 대화할 수 있도록 하기 위해서 컴퓨터상의 얼굴은 인간과 유사하게 대화할 수 있고, 감정을 표현할 수 있도록 친숙하고 현실감이 있어야 한다. 본 논문에서는 자연스러운 얼굴의 합성을 위한 얼굴 모델링 및 애니메이션 방법을 제안하였다. 특정한 사람을 모델로 한 얼굴 애니메이션을 위하여 우선 3차원 메쉬로 구성된 일반 모델(generic model)을 특성 사람에게 정합하여 특정인의 3차원 얼굴 모델을 얻을 수 있다. 본 논문에서는 기존 연구들과 다르게 표준 한국인 얼굴을 이용한 일반 모델을 생성하여, 임의의 얼굴에 대하여 좀 더 정확하고 자연스러운 3차원 모델이 이루어질 수 있도록 하였다. 그리고 얼굴 표정합성을 위하여, 실제 얼굴의 근육 및 피부 조직 등 해부학적 구조에 기반한 근육 기반 모델 방법을 사용하여 현실감 있고 자연스러운 얼굴 애니메이션이 이루어질 수 있도록 하였다. 이러한 얼굴 모델링 및 합성 기술은 화상회의, 가상현실, 교육, 영화 등 여러 분야에서 활용될 수 있다.

• 한국콘텐츠학회논문지
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• 제21권5호
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• pp.824-836
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• 2021

본 연구에서는 『황제내경(黃帝內經)』에 사용된 '심(心)'자(字)의 활용과 그 의미를 살펴보았다. 한자에서 '육(肉)'은 육체를 상징하는 기호이다. 오장을 표현하는 간(肝), 비(脾), 폐(肺), 신(腎)의 글자는 모두 '육(肉)'의 형태를 포함하고 있어서 의미적인 혼동을 일으키지 않는다. 그러나 심장과 마음을 의미하는 한자는 모두 '심(心)'으로 쓰이기 때문에 그 의미를 파악하는 데 어려움이 있다. 또한, 『황제내경(黃帝內經)』의 내용은 질병부터 천문학에 이르기까지 다양한 분야를 총망라하고 있다. 이러한 이유로 『황제내경소문(黃帝內經素問)』에서 사용된 총 286개의 '심(心)'자는 다양한 의미를 내포하고 있다. 본 연구의 결과에 의하면, '심(心)'의 용례는 첫째 인간의 심장, 둘째 인체의 흉부, 셋째 마음을 의미한다. 넷째, 초월적인 개념의 깨달음, 다섯째 심포(心包), 여섯째 논리적인 사고, 일곱째 중심 또는 핵심, 그리고 마지막으로 별자리를 의미한다. 본 연구의 결과는 추후 『황제내경영추(黃帝內經靈樞)』 뿐만 아니라 고전 문헌들에서 '심(心)'의 의미를 파악하는 데 도움이 될 수 있을 것으로 생각된다.