• 감성과학
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• 제12권2호
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• pp.193-204
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• 2009

최근 마케팅 분야에서 기업 이미지디자인의 중요성이 부각되고 있다. 그런데 기업의 이미지를 대표하는 마크 중 로고타입은 심볼마크와 로고마크에 비해 상대적으로 소홀히 다루어져 왔다. 로고타입은 심볼마크와 함께 기업의 개성과 특성을 함축적으로 나타내는 것이어야 하고, 이를 위해서는 형태에 의한 이미지 표현이 중요시되며, 따라서 시각디자인의 조형적인 측면이 중요하게 고찰되어야 한다. 그런데 로고타입과 로고마크에 관한 조형적 측면에서의 연구, 특히 글꼴의 형태와 이에 대한 소비자의 반응에 관한 연구가 부족한 실정이다. 이에 본 연구에서는 소비자들이 선호하는 한글 로고타입의 시각적인 형태와, 기업에 따라 선호되는 로고타입의 형태에 관해 살펴보았다. 연구 결과 기업의 업종에 따라 선호되는 로고타입의 형태요소에 차이가 있었는데, 건설회사 로고타입에서는 돋음체 계열의 몸통에 줄기 굵음, 돌기 없음, 사선형 맺음, 직선곡선형 맺음이 선호되고, 은행의 로고타입에서는 돋음체 계열의 몸통에 돌기 없음, 사선형 맺음, 한쪽곡선형 돌기, 줄기는 중간이 선호되며, 연구소의 로고타입에서는 돋음체 계열의 몸통에 사선형 맺음, 줄기 굵음, 직선형 돌기가 선호되는 것으로 나타났다. 건설회사, 은행, 연구소의 로고타입 형태에 공통적으로 적용해야 할 요소는 사선형 맺음으로 나타났고, 곡선형 맺음과 줄기 얇음은 피해야 될 것으로 나타났다. 반면 돌기, 맺음, 굴림은 기업의 업종에 따라 다르게 적용해야 하는 것으로 나타났다.

• 한국콘텐츠학회논문지
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• 제19권7호
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• pp.304-313
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• 2019

본 연구에서는 중국내 판매되고 있는 재스민 차의 10대 브랜드 "장이위엔"(張一元), "우위타이"(吳裕泰), "이푸탕"(藝福堂), "수밍룬"(蜀茗潤), "티엔푸밍 차"(天福茗茶), "춘룬"(春倫), "징화"(京華), "비탄피야 오쉐"(碧潭飄雪), "샤오관차"(小罐茶), "중차"(中茶)를 중심으로 패키지 디자인의 4가지 요소(로고, 칼라, 레이아웃, 형태)를 요약하였으며, 이를 바탕으로 소비자 선호도에 대한 설문지를 작성하여 신뢰도와 타당성을 분석하였다. 조사 결과에 따르면, 가장 소비자들의 인기를 얻은 로고는 "샤오관차"이고, 총 6가지 칼라에서 가장 소비자의 인기를 얻은 칼라는 회색 계열이다. 재스민 차 패키지의 레이아웃 디자인의 8가지 레이아웃에서 가장 소비자들의 인기를 얻은 레이아웃은 유형2(세로 포장, 2통)이고 가장 큰 인기를 얻은 패키지 형태는 형태2(장방형)이다. 끝으로 설문조사 결과에 따라 각 요소에 대한 소비자들의 선호도를 분석하였다.

• 한국실내디자인학회논문집
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• 제22권4호
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• pp.70-77
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• 2013

This study has analysed the composition elements in a cafe space where visual transfer-elements are filled and the perceptual characteristics of facade designs with the purpose of drawing any important elements to advertisement and their related items for uniqueness of designs. For the analysis of the perception process shown in the consecutive situations of observing and visiting cafes, the cafe facade was grouped and stereotyped for the analysis of perceptual characteristics and significant composition elements for better designing of cafes through survey with representative facades as subjects. The conclusions from this study are the followings. First, for the uniqueness specific to cafes to be integrated into facade, memory was chosen first as the most significant advertisement factor followed by interest as with male and attention as with female. The memory has much to do with furniture and finishing material of Clause (4), Chapter 4.1 and the types having effects on perception of Clause (1) and the atmosphere having effect on that of Clause (2) were found to be major factors to attention and interest. Second, it was found out that women preferred horizontally stable partition and men clearly divided facades. The factor of shape was observed first among the constituents of facade followed by color. There was no difference with 'shape' between men and women and color was found to be a space constituent having a lot of effects on women. Third, the memory of experience from visiting a cafe was very likely to offer the motivation of visiting it again, on which furniture had the most effect followed by finishing material and color. Such elevation elements as facade and logo were found not to have effect on the memory or the re-visit. Any intention of visiting again seemed to be influenced by such comprehensive images as atmosphere rather than by any concrete facade, furniture, or appliance. From the above viewpoint, facade design should have any uniqueness or impressive feature as well as the effect of making passers-by drop in and attracting them into the shop. The analysis of attributes of facade constituents revealed that the abstract images in addition to the configuration of facade had much to do with interest or behavior.

• 한국포장학회지
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• 제20권3호
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• pp.113-120
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• 2014

오늘날 패키징은 '셀프서비스(self-service)적' 판매방식의 시장구조에서 소비자의 제품 구매에 따른 의사결정에 중대한 영향을 끼치는 마케팅적 역할을 요구받고 있다. 패키징의 마케팅적 기능에 관한 선행연구는 주로 리커트(likert)척도를 이용하여 각 패키징 요소의 영향력을 측정하고 이를 통계적으로 분석한 방법이 이용되고 있다. 본 연구에서는 AHP 기법을 이용하여 각 패키징 요소가 가진 마케팅적 영향력을 수치를 통해 보다 정량적으로 분석, 측정하였다. 본 연구에서는 패키징 요소가 소비자의 제품 선호도에 미치는 영향을 측정하기 위해 가격이나 브랜드의 영향이 비교적 적은 제품, 다양한 패키징 재질 및 디자인 등이 적용 가능한 제품으로 비타민워터를 선정하였다. 또한 선행연구를 참조하여 비타민워터의 패키징 요소를 '용기의 재질', '용기의 형태', '라벨의 색', '로고의 레이아웃'으로 대분류하였으며, 분류된 패키징 요소는 다시 세부 패키징 요소들로 분류하였다. '용기의 재질'은 '플라스틱'과 '유리', '금속', '종이'로 분류하였고 '용기의 형태'는 '원기둥형태', 허리가 잘록한 '커브형태', '사각기둥 형태'로 분류하였다. 또한 '라벨의 색'은 'cyan', 'magenta', 'yellow', 'black'으로 분류하였고, '로고의 레이아웃'은 '세로 레이아웃'과 '가로 레이아웃'으로 분류하였다. 분류된 비타민워터의 패키징 요소들에 대한 응답자의 선호도는 주관적 판단에 따른 오차를 최소화하기 위해 계층분석방법(Analytic Hierarchy Process: AHP)을 이용하여 측정, 수집하였다. 각 패키징 요소들에 대한 소비자의 선호도를 산출한 결과 '라벨의 색'(0.370)이 소비자의 선호도에 가장 큰 영향을 미치는 것으로 나타났으며, '용기의 형태'(0.246), '용기의 재질'(0.230), '로고의 레이아웃'(0.154)의 순으로 나타났다. 세부 패키징 요소에 대한 소비자의 선호도는 '용기의 재질'에서는 '플라스틱(0.405)', '용기의 형태'에서는 '원기둥형태(0.423)', '라벨의 색'에서는 'magenta(0.329)', '로고의 레이아웃'에서는 '세로 레이아웃(0.572)'의 선호도가 가장 높게 나타났다. 본 연구는 소비자의 구매의사결정과정에 미치는 패키징의 마케팅적 영향을 AHP기법을 이용하여 응답자의 주관적 판단의 최대한 배제하고 보다 정량적으로 측정하는 것에 의의가 있으며, 이를 기반으로 AHP기법뿐만 아니라 이를 기반으로 보다 과학적이고 정량적으로 패키징의 마케팅적 역할을 측정하는 연구가 진행될 수 있을 것이다.

• 디자인학연구
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• 제20권
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• pp.1-10
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• 1997

90년대 들어서 국내 패션시장은 소비자들의 생활수준향상, 라이프 스타일의 변화와 함께 해외 라이센스 브랜드 도입의 증가와 대기업은 물론 중소기업들의 신규참여 또한 증가하는 추세에 있다. 이러한 급변하는 시장환경 속에서 오랜 전통과 기술력을 가지고 있는 선발 패션업체로서 주식회사 세정의 인디안 브랜드는 90년대 현 상황에서 타 브랜드들과의 경쟁에서 상대적 우위를 선점 하고 미래의 소비자들을 충족시킬 수 있는 새로운 이미지 정립이 절실히 필요한 상황이다. 이러한 시점에서 (주)세정의 인디안 브랜드 이미지 제고를 위하여 경영환경의 입체적 마아케팅 조사를 실시, B.I. 컨셉을 설정한 후 시각적 이미지 표현작업에 착수하였다. 그 후 설문조사를 통해 Logo mark를 결정한 후 인디안 B.I의 주요 디자인 항목인 기본 요소와 응용요소를 전개, 전체 디자인 시스템을 완성하였다. 그리고 브랜드 이미지 통일의 효과를 극대화하기 위해 보완되어져야 할 요소로는 디자인 조형상의 원칙준수와 철저한 관리, 브랜드 관련 전체 구성원들의 사고와 행동의 일치, B.I의식 실천을 위한 지속적인 교육프로그램의 실시 등이 요구된다.

• 복식
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• 제52권7호
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• pp.103-121
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• 2002

This study intended to analyze the transition of design of Korean soccer player's uniform according to development of the society and changes in formative elements, and examine features inside them by considering designs of soccer player's uniform by ages ranging from the introduction of soccer up to now. Results of the study are summed up below. First, as a result of analyzing designs of soccer player's uniforms from 1920 to 2002 Korea-Japan WorldCup based on formative elements of the style of dress. \circled1 it is shown that basic shape has been kept but changes in only color. cutting, trimming, logo and symbol have existed. \circled2 Colors of the uniforms have been different according to ages but red, blue and white colors have been used most and sometimes black was employed. so it is known that colors in the Korean national emblem have been all used. \circled3 In the beginning of the uniform there was a limitation in its design due to absence of functional materials but now highly-sensitive textile products and highly-functional textile materials guaranteeing optimal condition and highest activity of a soccer player have been utilized in various ways. \circled4 It is known that symbols modelling the image of Korea have been used in diverse ways but effected much by directions toward images pursued by designers of sponsors. Second, the meanings represented by designs of the uniforms are classified into a degree of symbolizing Korea, tradition, superiority and dynamics. That is to say, \circled1as colors and symbols coming from the emblem have been used in the uniforms. they have symbolized one nation and possessed the meaning representing even Korean national spirit. \circled2As traditional colouring and symbols have been used in the uniforms, they have shown the Korean sense of a beauty. \circled3 Colors, tones and designs overwhelming the mood of play have been used in the uniforms, so that they have played a role in making players of other team flinch mentally and making Korean players gain an advantage over them. \circled4 Thanks to strong symbols or comparative effects of colors. they have shown the dynamics representing power and energy.

• 한국의상디자인학회지
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• 제17권1호
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• pp.1-11
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• 2015

Fashion and architecture essentially have structure to build space for a form of three dimensions. This study defines the form in which structure in itself becomes design as structural simplicity and investigates design paying attention to only structure. It is one of efforts in order to display new design required in the age of a flood of design and it is considered that before developing design through the fusion of architecture and fashion, understanding structure which is the most fundamental element to constitute the form of the two genres will be a groundwork to develop proper fusion design. This study elucidates similarities between architecture and fashion through literature review and investigates structure meant in architecture and fashion, and after that, collects corresponding examples through related literature and fashion information site. For structural simplicity in architecture, structure of a building in itself is a form and decoration at the same time, and it appears as a form of minimizing other elements and stressing the structure only. Structure in fashion means composition line which essentially exists to embody two dimensional materials onto three dimensional human body. As elements of geometric lines are creatively expressed by a designer in order to constitute three dimensional form from structural simplicity, they connote a variety of functions and exert decorative effects as well. And the shape of structure expressed like this is employed as a tool to show off the designer's techniques.

• 한국의상디자인학회지
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• 제14권1호
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• pp.31-42
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• 2012

This study focuses on the establishment of the medical practitioners' brand image through uniforms design developments and the need for recognition, which follows the globalization and evolution of the medical industry. It also embodies public healthcare management services, as well as works to develop a unified design for nurse uniforms at the Gyeonggi provincial medical center in order to place it as a foothold hospital in the region. The results of the study are as follows: First, the symbols of nurse uniforms were divided into external and internal definitions. However, when comparing the uniforms of university hospitals and Gyeonggi provincial medical center, the nurses of the Gyeonggi provincial medical center preferred a uniform that had a strong symbolic meaning. Second, the functionality of nurse uniforms included management of uniforms, sewing, and measurements as important elements. Also, it was found that medical center nurses prefer materials with high functionality. Third, the aesthetics of nurse uniforms and decoration, which includes the external shape and popular influences, were displayed. Also, medical center nurses have a higher preference in external aesthetics than university hospital employees. The results of this study were used as the basis for the development of the design for the Gyeonggi provincial medical center nurse uniforms, which are as follows. First, in terms of symbolism, active application of the Gyeonggi provincial medical center's brand image and medical practitioners such as the Gyeonggi provincial medical center's logo were applied to establish a unified image. Second, in terms of functionality, consideration of the special working conditions and activities were taken into place through the use of functional materials and details to create superior application and efficient work performance. Third, in terms of beauty, bright and neat colors as well as pleasantries were emphasized to create a professional image that will reel in confidence from the patients.

• 한국실내디자인학회논문집
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• 제23권1호
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• pp.61-68
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• 2014

Recently, there have been increasing attempts to pursue and express feelings such as sensibilities, emotions, and impressiveness in commercial spaces. One of such methods is to apply 'storytelling' to space designs. Applicability of storytelling to a space suggests that the contents of a space can be expressed through various mediums. Portraying events and situations through a single time continuity of a story is referred to as 'narrative'. The movement of users and sequence of contents are determined by a narrative. It provides different storytelling and a sense of place to each space through various roles, such as wide association, engraving, and image formation. A narrative can lead users to engage in different perceptions and behaviors even in spaces with the same content. Thus, this study is intended to examine the impact of space marketing in line with design narratives, assuming that narratives of commercial space designs will influence the formation of brand identity. The research methods are as follows. First, the definition of narratives in space design was established by examining narrative architectures. Second, design analysis tools for commercial spaces were established from the perspective of narratives through preceding studies. Third, the design narratives of different shops under the same brand were comparatively analyzed through a case study. To carry out a case study, a commercial space of 'O'sulloc' was selected, and its brand identity was studied from the narrative standpoint. The case study involved interior designs of 7 road shops of 'O'sulloc.' Among the 7 road shops, two of them with the biggest difference in design narratives were selected, and an observation survey was done on the users as a second analysis. Through the observation survey, actual design narrative experience was analyzed in 4 steps of introduction, development, turn, and conclusion. The findings are as follows. The design method of each shop varied, and different design elements were emphasized. Among various elements, the ones that reflect the brand identity of 'O'sulloc' the best were logo, product, and shape. During the process of narratives, the characteristics of each shop and user recognition and behavior varied depending on the degree of emphasis on a particular element. It suggests that space design narratives can influence the formation of brand identity. This study provides ideal directions of developing space designs necessary for forming brand identity from the standpoint of Korean traditional culture modernization. Future studies could discuss the economic feasibility of such designs.