Cotton and ramie fabrics were dyed with artemesia and gardenia dyeing solutions. The chroma values of the fabrics dyed with gardenia were higher than that of artemesia. The ramie fabrics dyed with gardenia showed higher chroma values than the cotton fabrics. The colors of fabrics were deeper in shade but their chroma values were improved no more by repetition of dyeing process in artemesia dyebath. The two ways of dyeing processes were carried out. In the first wan, each fabric was dyed in 5 different concentration(1∼5%) of gardenia dyebath to get the fabrics dyed in different shades. After then the gardenia dyed fabrics were dyed again in the artemesia dyebaths. In the second way, the 5 fabrics were dyed in different shades by repetition of dyeing process in artemesia dyebath. After then the artemesia dyed fabrics were dyed again with the gardenia dyebaths. When the artemesia dyeing process was added on the fabrics dyed in five shades with gardenia, the color differences between five samples were slight. But when gardenia dyeing process was added on the fabrics dyed in five shades with artemesia, the samples showed different hue of colors between yellow and green of Munsell color circle. Like almost of fabrics dyed with Plants materials, the colorfastness to light and laundering of the dyed samples were poor But the colorfastness to drycleaning was good.
Cotton and ramie fabrics were dyed with artemesia and gardenia dyeing solutions. The chroma values of the fabrics dyed with gardenia were higher than that of artemesia. The ramie fabrics dyed with gardenia showed higher chroma values than the cotton fabrics. The colors of fabrics were deeper in shade but their chroma values were improved no more by repetition of dyeing process in artemesia dyebath. The two ways of dyeing processes were carried out. In the first way, each fabric was dyed in 5 different concentration(1∼5%) of gardenia dyebath to get the fabrics dyed in different shades. After then the gardenia dyed fabrics were dyed again in the artemesia dyebaths. In the second way, the 5 fabrics were dyed in different shades by repetition of dyeing process in artemesia dyebath. After then the artemesia dyed fabrics were dyed again with the gardenia dyebaths. When the artemesia dyeing process was added on the fabrics dyed in five shades with gardenia, the color differences between five samples were slight. But when gardenia dyeing process was added on the fabrics dyed in five shades with artemesia, the samples showed different hue of colors between yellow and green of Munsell color circle. Like almost of fabrics dyed with Plants materials, the colorfastness to light and laundering of the dyed samples were poor. But the colorfastness to drycleaning was good.
This paper is to study the characteristics of fabrics dyed with astringent unripe persimmon juice. The cotton silk rayon and nylon fabrics were dyed with astringet unripe persimmon juice. The structures of natural fabrics dyed fabrics and dyed fabrics followed by washing were examined by scanning electron mi-croscopy. Surface reflexibility of VIS trans-mittance of UV VIS and NIR were analyzed. The study conclues as follows: 1. Colour of cotton fabrics dyed with persim-mon juice became darkended as a function of exposing time to sunlight. That colour was chaged after washing. 2. Blocking effect of ultraciolet light and visible ray was increased in all dyed fabrics. Especially dyed cotton fabric blocked UV light perfectly and the blocking effect was still remained after 9 washings. 3. Persimmon juice dyeing produced coating effect to fabrics besides dyeing effect accord-ing to the scanning electron micrographs. In a word the cotton fabric dyed with per-simmon juice has blocking effect of UV light stiffness. Therefore I think persimmon juice dyeing is a very useful textile finishing and ex-pect a wide application of the technique in fu-ture.
The main purpose of this exploratory research was to examine the characteristics of consumers who patronize natural-dyed clothes and their perceptions regarding natural-dyed clothes. Thirty three participants who have worn natural-dyed clothes were interviewed for the study. They were asked about the styles and price of natural-dyed clothes they owned, their evaluation on them, and the lifestyles of themselves. Existence of subculture among the interviewes and its characteristics were also probed. The results indicated that natural-dyed clothes are relatively high-priced, mostly of modified hanbok style, and became popular in recent years. Interviewees frequently mentioned uniqueness and comfort as the main benefits of natural-dyed clothes, and expressed dissatisfaction regarding color fastness, easy care and problem of coordination. The consumers of natural-dyed clothes appeared to have strong preferences for environment conservation and Korean traditional culture. They also seemed to form a subcultural group who have commonality in their involvement in Korean cultural activities, mainly tea ceremony.
The dyeability and antibacterial activity of fabrics dyed with lavender extract were analyzed. The results obtained are as follows. The surface color of all the dyed fabrics was tinged with green or yellow of a slight red tint. In the test results of dyeing colorfastness, the colorfastness to sunlight of the dyed fabrics which is both not treated with a mordant and treated with a K2Cr2O7 mordant was excellent with 4th grade of colorfastness. The others showed below 2nd grade. The colorfastness to laundry showed, as most of dyed fabrics were 4th-5th grade, relatively excellent results. The colorfastness to perspiration showed different results respectively according to the kind of both dyed fabrics and mordants. The colorfastness to crocking of the dyed both cotton and silk fabrics showed the excellent result of 4th-5th grade. The colorfastness to dry cleaning of all the dyed fabrics was excellent with 4th-5th grade. In the test results of antibiosis, the dyed fabrics of both cotton and silk didn't show the significant decrease rate for the fungus called Klebsiella pneumoniae. For the fungus called Staphylococcus aureus, the dyed cotton fabric showed the decrease rate of $98\%$ and the dyed silk fabric showed the decrease rate of $50\%$. For the fungus called Chaetomium globosum, the dyed fabric of cotton didn't show the significant antibacterial efficacy, but the dyed fabric of silk showed the significant antibacterial efficacy for the mold fungus called Aspergillus niger.
This study was conducted to develop fabrics using non-toxic and eco-friendly natural dyes made from curcuma and coffee extract. The natural dyes were applied to non-printed cotton fabrics using the dip dyeing method, and the pattern was hand-printed onto the dyed fabrics to make dyed printed-fabrics. The four types of developed fabric samples were compared to analyze the effects of the dyeing materials and printing on the hygienic properties of curcuma- and coffee-dyed fabrics. The findings were as follows. First, air permeability of both curcuma- and coffee-dyed fabrics was greatly affected by the presence of patterns, although the type of dye did not seem to have an effect. Printing greatly reduced air permeability of the fabric, and coffee-dyed fabric showed greater reduction of dyeing method than curcuma-dyed fabric. Moisture regain also tended to decrease with printing, but the change was much smaller compared to air permeability. Second, increased UV blockage was observed in curcuma- and coffee-dyed fabrics with patterns compared to non-printed fabrics, showing that printing enhanced UV blocking. Third, deodorization rate tended to increase sharply for both curcuma- and coffee-dyed fabrics until 30 minutes and gradually increased thereafter to yield 30% for curcuma and 50% for coffee at 120 minutes, demonstrating higher deodorization of coffee dye. Coffee-dyed fabric showed an antibacterial rate about twice as high as that of curcuma-dyed fabric, and the observed data suggest that curcuma-dyed fabric had an insignificant level of antibiosis. Fourth, printing significantly enhanced wash, sunlight, and compound colorfastness of the two types of dyed fabrics. The effect of printing was most dramatic on sunlight and compound colorfastness, which are aspects in which natural dyed fabrics perform poorly in general. Eventually, the development and application of biologically- and environmentally-friendly fabrics with natural dyes correspond with increased interest towards the wellness and healthy attitudes of modern society.
This study analyzes the textiles design of natural indigo dyed products in Korea and Japan. In this study, a total of 556 Korean natural indigo dyed products, and 2,730 Japanese natural indigo dyed products were used for analysis. The subjects of this study were 556 natural indigo dyed products and 2,730 Japanese natural indigo dyed products selling natural indigo dyed products which were found using search engine keywords of natural indigo dyeing and natural dyeing. Research and analysis was treated regarding the products, items, patterns, and the representation techniques of the patterns. The results of this study are as follows. In the pattern used for natural indigo dyed products, 71.4% of Korean products have no pattern, but 77.1% of Japanese products have patterns. On the representation techniques of the patterns, Korean products used tie-dyeing and a dip patterned fabric. While in the Japanese products, the most frequent patterning techniques were paraffin dye, followed by tie-dyeing, yarn-dyed and weaving, screen printing, and yarn-dyed and knitting. Regarding the kinds of patterns for natural indigo dyed products, only 8 kinds of patterns were used in Korean products; however, over 50 kinds of various patterns were used in Japanese products. Most patterns in the Korean products were ion patterns made by tie-dyeing. While in the Japanese products, the most frequent patterns were stripe patterns, followed by flower, dot, and ion patterns. Based on these research results, the problems of the textile design of Korean natural indigo dyed products were that most of the products have no pattern, and even though there were patterns, they lacked variations between the products. While in the case of Japan, they used the traditional and modem patterns of various textile representation techniques.
To get the variety of color by natural dyeing, cotton and silk fabrics were dyed with natural indigo and safflower in turn. The two ways of dyeing processes were carried. First, silk and cotton fabrics were dyed repeatedly in safflower dyebath to five times to get the five fabrics dyed in different shades. And then indigo dyeing process was carried on the top of the dyed fabrics with safflower. In second way, the fabrics were dyed in five stages of shade by repetition of dyeing process in indigo dyebath. And then safflower dyeing was carried on the top of the dyed fabrics with indigo. When indigo dyeing process was added on the top of the fabrics dyed in five shades with safflower, the color differences decreased between five shades of fabrics, their color values got similar in hue, shade and chroma. When safflower dyeing process was added on the top of the fabrics dyed in five shades with indigo, the fabrics showed different hue of colors between red and blue of Munsell color circle such as RP, P and PB. Like almost of fabrics dyed with plants materials, the lightfastness and laundering fastness of dyed samples were poet and drycleaning fastness were good.
To study Antimicrobial activities of wool and silk dyed by Impatiens balsamina extract with concentraion and times of dyeing, its leaf and stem was extracted by water. Wool and silk dyed by extracts were their microbial inhibition activities against Staphylococcus aureus KCTC 1928. The more concentration, The more times of dyeing their microbial inhibition activities were increased. Fabrics dyed by leaf estracts were higher microbial inhibition activities than fabrics dyed by stem extracts. Silk dyed by the leaf and stem extracts were higher microbial inhibition activities than wool dyed by the leaf and stem extracts. the more dye uptake, microbial inhibition activities of dyed fabrics were incresed.
This study analyzed differences between Jumchi-Hanji papers not dyed and dyed with persimmon juice (50% concentration) in five strength properties (tensile, wet tensile, tearing, bursting, and folding strengths). For the analysis, the undyed and the dyed Jumchi-Hanji papers were made by Jumchichigi during 40 minutes and made with the Dakji of different layer (a layer, two layers) and Choji method (Oebal-teugi, Ssangbal-teugi). Differences between Jumchi-Hanji papers dyed with the different concentration of persimmon juice (20% vs 70%) in the five strengths were also identified. For this examination, Jumchi-Hanji papers were made with two layer Dakji (Oebal-teugi Choji method) and by Jumchichigi during 60 minutes. Jumchi-Hanji papers made in this study were used as test samples. As a result, Jumchi-Hanji papers dyed with persimmon juice had higher tensile strength (CD), wet tensile strength (MD, CD), and bursting strength than those of undyed Jumchi-Hanji papers. However, tearing strengths (MD, CD) of dyed Jumchi-Hanji papers were lower than undyed Jumchi-Hanji papers. Folding strengths (CD) of dyed Jumchi-Hanji papers were low but the folding strengths (MD) of them were high compared to undyed Jumchi-Hanji papers. In addition, the concentration of persimmon juice influenced the five strength properties of Jumchi-Hanji. The tensile, wet tensile, and bursting strengths of Jumchi-Hanji papers dyed with a 70% concentration were higher than those one of Jumchi-Hanji papers dyed with a 30% concentration while the tearing and folding strengths of Jumchi-Hanji papers dyed with a 70% concentration were lower than Jumchi-Hanji papers dyed with a 30% concentration.
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