• 한국디지털건축인테리어학회논문집
• /
• 제9권3호
• /
• pp.77-83
• /
• 2009

Van Doesburg founded the magazine De Stijl with Mondrian in 1917. De Stijl movement was influenced by Cubist painting as well as by the mysticism and the ideas about ideal geometric forms in the neoplatonic philosophy. De Stijl proposed ultimate simplicity and abstraction by using only straight horizontal and vertical lines and rectangular forms. Furthermore, their formal vocabulary was limited to the primary colours, red, yellow, and blue, and the three primary values, black, white, and grey. The works avoided symmetry and attained aesthetic balance by the use of opposition. Vertical and horizontal lines are positioned in layers or planes that do not intersect, thereby allowing each element to exist independently and unobstructed by other elements In 1924 their different concepts about space and time were split between Van Doesburg and Mondrian. Van Doesburg launched a new concept for his art, Elementarism, which was characterized by the diagonal lines and rivaled with Mondrian's Neo-Plasticism. The works of De Stijl would influence the Bauhaus style and the international style of architecture.

• 한국마이크로전자및패키징학회:학술대회논문집
• /
• 한국마이크로전자및패키징학회 2000년도 추계 기술심포지움 논문집
• /
• pp.23-27
• /
• 2000

Simultaneous Switching Noise (SSN) propagated through parallel power and ground planes in high-speed multilayer printed circuit boards (PCBs) causes malfunction of both digital and analog circuits. To reduce SSN, decoupling capacitors are generally used in the PCBs. In this paper, we improve the equivalent circuit model of decoupling capacitor in high-frequency range to analyze the effect of SSN reduction accurately. The analysis is performed by the microwave and RF design system (MDS) method and the finite difference time domain (FDTD) method. We compared the results by the ideal capacitor model with those by the proposed model.

• 한국멀티미디어학회:학술대회논문집
• /
• 한국멀티미디어학회 2000년도 추계학술발표논문집
• /
• pp.493-497
• /
• 2000

Fragile watermarking is a technique far autoentication/integrity of digital data. Unlike robust watermarking, il has to design to be vulnerable against some slight processing to verify the modification of digital data. Feature of fragile watermarking is to identify the modifications of data and to locate some places modification occurred at the same time, so it has to identify slight changes of small range if possible. In this paper, fragile watermarking is proposed that the changes of small range on image can be identified using the watermark sequence with period and the values of low bit planes in an image.

• 한국디지털건축인테리어학회논문집
• /
• 제3권1호
• /
• pp.9-14
• /
• 2003

The purpose of this study is to find out organizing strategy of de-composition works in modern plastic arts. Through investigating the development process of De Stijl painters and Rietveld's early works and analyzing the composition and disposition type of elements such as point, line, plane, color in the selected works, we can draw some conclusions. First, Rietveld pursues the dissolution of traditional volume and the de-composition of elements as Mondrian does through crossing-connection of three listels with quadrangular section. Second, Rietveld reorganized de-composition elements with detached lines and color planes. Third, Rietveld experimented possibility of new plastic space through displacing elements, opening space, making anti-gravity space.

• 한국디지털건축인테리어학회논문집
• /
• 제7권2호
• /
• pp.59-65
• /
• 2007

This study is aimed to find out the conception of planarity in Modern Architecture. Some architecture historians such as Hildebrand and Schmarsow indicated the planarity by which new idea of space in architecture was made. The characteristics of the planar was embodied and developed through the proclamation of the ideology and their works in the avant-garde art movement of Cubism and Neoplasticism. The planarity in modern architecture was embodied from various aspects -the perception of space, the pictorial art and the metaphysics- by means of imaginary plane, superposition of planes, oscillation of plane, deconstruction of mass and elimination of natural color.

• 대한치과교정학회지
• /
• 제38권2호
• /
• pp.95-103
• /
• 2008

본 연구는 한국인의 치아형태에 적합한 브라켓 베이스를 만들기 위해 임상 치관의 순,협측 곡률을 3차원적으로 계측하여 치관의 곡률 자료를 얻고자 하였다. 정상적인 해부학적 형태를 가지는 구강모형 30쌍을 3차원 디지털 모델로 제작한 후, FA점을 기준으로 수평 기준면과 수직 기준면을 설정하였다. 이 기준면에 대한 치면의 곡선을 형성한 후, 곡률을 이차방정식의 계수로 표현하였다. 수평면과 수직면의 곡률과 FA점을 기준으로 근심과 원심, 치은측과 교합면측의 곡률을 측정한 결과, 상악견치와 상악 제2소구치 외에는 남녀간 치면 곡률의 유의한 차이가 없었다. 하악 측절치, 상악 견치, 상하악 제1, 2소구치와 제1대구치에서 근원심 또는 치은교합면측 치면 곡률의 유의한 차이가 관찰되었다 (p < 0.05). 본 연구에서 얻어진 순,협측 치면의 곡률 자료는 한국인의 치아 형태에 적합한 Straight Wire Appliance 개발의 기초 자료로 활용될 수 있다.

• 화약ㆍ발파
• /
• 제26권1호
• /
• pp.57-66
• /
• 2008

발파에서 특정한 방향으로 균열 성장을 제어하는데 장약공 노치가 유효하다는 연구결과가 발표되어오고 있다. 본 연구에서는 장약공의 노치가 파단면 형성에 미치는 영향을 살펴보기 위하여 일반 장약공과 노치 장약공에 의한 파단면의 표면을 비교하였다. 암석시편에 노치를 형성하기 위하여 노치비트시스템이 적용되었다. 파단면의 표면은 디지털 영상 계측법을 적용하여 DEM 모델로 재구성하고, 표면 거칠기 지수를 사용하여 파단면의 거칠기를 평가하였다.

• Imaging Science in Dentistry
• /
• 제48권4호
• /
• pp.295-300
• /
• 2018

This report presents a clinical case of trauma due to assault with a knife, and describes the importance of using the correct imaging modality in cases of facial penetrating trauma involving the superficial and deep anatomical planes. Penetrating wounds in the maxillofacial region are rare and poorly reported, but can result in serious complications that are difficult to resolve and may compromise the patient's quality of life, especially when large blood vessels or other vital structures are involved. Thus, it is essential to determine the extent of the affected blood vessels and the proximity of the retained object to the anatomical structures. In this case, digital subtraction angiography was the imaging modality chosen. The use of appropriate imaging examinations allows a proper map of the surgical field, reducing the chances of vascular damage during the surgical procedure.

• 한국콘텐츠학회논문지
• /
• 제9권1호
• /
• pp.465-474
• /
• 2009

디지털 시대의 개막과 함께 교육의 패러다임은 변화하고 있다. 이렇게 변화해 가는 패러다임은 더 많은 상호 작용이 존재하는 디지털 교과서 콘텐츠를 필요로 한다. 우리의 목표는 편리한 인터페이스를 갖추고, 커팅효과가 추가되어 기존에 비해 상호작용성이 높은 타블렛 PC 기반의 디지털 교과서를 제작하는 것이다. 이러한 목표를 달성하기 위해서 여러 차례 디지털 교과서를 개발해 온 전문가들과의 회의를 토대로 설계한 인터페이스 및 학습내용에 대해서 설명한다. 그리고 사용자가 임의로 입력한 스트로크에 기반하여 다층 구조의 3D 객체의 단면을 생성하기 위해서 구현된 커팅 알고리즘에 대해서 설명한다. 마지막으로 우리가 개발한 콘텐츠를 시범서비스 했을 때의 결과를 설문 조사 내용을 토대로 하여 상호작용성이 높은 디지털 교과서의 교육적 효과에 대해서 토론할 것이다.

• KSII Transactions on Internet and Information Systems (TIIS)
• /
• 제11권1호
• /
• pp.360-373
• /
• 2017

This paper presents a novel digital video steganalysis scheme against the spatial domain video steganography technology based on a spatial temporal detector (ST_D) that considers both spatial and temporal redundancies of the video sequences simultaneously. Three descriptors are constructed on XY, XT and YT planes respectively to depict the spatial and temporal relationship between the current pixel and its adjacent pixels. Considering the impact of local motion intensity and texture complexity on the histogram distribution of three descriptors, each frame is segmented into non-overlapped blocks that are $8{\times}8$ in size for motion and texture analysis. Subsequently, texture and motion factors are introduced to provide reasonable weights for histograms of the three descriptors of each block. After further weighted modulation, the statistics of the histograms of the three descriptors are concatenated into a single value to build the global description of ST_D. The experimental results demonstrate the great advantage of our features relative to those of the rich model (RM), the subtractive pixel adjacency model (SPAM) and subtractive prediction error adjacency matrix (SPEAM), especially for compressed videos, which constitute most Internet videos.