• 정보과학회 논문지
• /
• 제42권3호
• /
• pp.341-360
• /
• 2015

패턴은 소프트웨어 개발에서 얻은 경험을 구조화한 것으로 문제해결에 이용되는 반면, 문제틀은 소프트웨어 문제를 분석하는 방법이다. 문제틀은 해법이라기 보다는 문제 도메인에 중점을 두고 있기 때문에 문제를 이해하는데 유용하다. 문제틀과 소프트웨어 아키텍처를 연결하는 기존 연구들은 주어진 문제를 이해하는데 치중하여 문제틀을 이용할 뿐 문제틀과 품질속성 모두를 고려하면서 아키텍처 패턴을 도출하고 있지 않다. 본 논문에서는 문제틀과 아키텍처 패턴의 매칭을 통한 소프트웨어 패턴 기반 아키텍처 설계 방법을 제안한다. 먼저, 문제틀 방법에 따라 문제 모델을 개발한 후 기능 및 품질속성 관점에서 문제 모델을 아키텍처 패턴 후보와 매칭한다. 논문은 기능 매칭을 위해서는 문제틀 다이어그램을 이용한 아키텍처 패턴의 문제 모델을, 품질속성을 고려하기 위해서는 새로운 분석 템플릿을 사용하여 아키텍처를 설계하는 방법을 제안한다. 또한, 사례연구를 통해 제안한 방법이 올바른 아키텍처 패턴을 결정하는 체계적인 프로세스이며 잘 정제된 소프트웨어 아키텍처 설계를 위한 기초가 됨을 보인다.

• 한국의상디자인학회지
• /
• 제14권2호
• /
• pp.157-169
• /
• 2012

The aim of this study is to serve as a stepping stone to outlook changes in men's fashion based on gender characteristics and the design proposal as a reference to shirts design for men's wear brands. This study is a theoretical work extracted from related books, dissertations, and web- resources referenced. Research method is as followed. It is based on the four main collections from S/S 2001 to S/S 2010 and selected designer brands among the most influential foreign men's fashion designer brands which have show cased their collections of 19 seasons in the last 10 years. These are what the study has found out. Firstly, the shoulder-line which used to be straight and hard in men's dress shirt has changed to comfortable curved line which falls from the shoulder to sleeve. Silhouettes were mainly shaped to an hourglass or slim silhouette representing the body curve line. Unlike how the masculine beauty was emphasized through the straight line, men's dress shirts nowadays used curved line for softness. Secondly, there were various designs with decorations added to the basic structure, making it no different from women's blouse and blurring the line between men's and women's fashion. Thirdly, colors were normally in bright ones. Tones were often in pale tone which used to be the women's color. Also choosing shades of yellow or red was a remarkable change in men's wear. Fourthly, through varying patterns and texture there were many shirts that gave clear visual effect. There were approximately equal portions of patterns with feminine image like natural patterns, abstract patterns, or small patterns and patterns with masculine image.

• 한국의상디자인학회지
• /
• 제16권1호
• /
• pp.53-64
• /
• 2014

The main objective of this research was to understand the characteristics of printed geometric patterns through the statistical & qualitative analysis of fashion appeared in contemporary female collections 2011 S/S to 2013 A/W. Data collection of 294 was done through review of 'pr$\hat{e}$t-$\grave{a}$-porter Collections' of three major fashion cities; Paris, Milan and NY. Statistical analysis of frequency was conducted. Also qualitative interpretation of natural print design' characteristics were completed. The main findings were as followed; 1,636 of the total 15,852 designs were printed patterns in 12 Collections and the occurrence rate of printed geometric patterns in three collections were 8.6% in Milan, 9.2% in Paris and 12.9% in N.Y. Most geometric patterns were the types of compact or medium density in a front patterns with a variety of sizes and mainly applied to the one piece dress or two piece clothing item combination styles. Formative Characteristics of printed geometric patterns were classified into four types. First, a variety of thicknesses and shapes, such as a line or a rectangle shape to take advantage of the types of the typical geometric pattern. Second types were using the motifs which inspired by geometric shapes such as point, circle star and other special geometric shapes and arranging them regularly with various sizes and density. The third was repeated particular motifs which based on complex and sophisticated mathematical formulas. Fourth were the specific diagram types of bold and free shapes or dividing the flat and arranging them without rules, or the combination type of various geometric motifs.

• 한국의상디자인학회지
• /
• 제25권2호
• /
• pp.135-150
• /
• 2023

The purpose of this study is to understand the formative characteristics of futuristic virtual fashion revealed in virtual fashion platforms targeting the human body. First, the current status of fashion in the metaverse and futurist fashion were reviewed and summarized by referring to prior research. Next, among the items posted on DRESSX, "futurism" was searched and those resturning a positive result were collected as research subjects. The characteristics were organized into design elements: colors, shapes, materials, and patterns. Futuristic aesthetic characteristics were derived from the characteristics of each design element. As a result, color showed the characteristics of achromatic, vivid and neon colors, multi-color and gradation, multi-color due to reflected light, and color conversion. As for the form, a body-concious look or exaggerated silhouettes, spatial expressions in geometric structures, forms imitating living things, and fluid silhouettes using clouds were prominent. Materials showed the digitization of universal clothing materials, application of industrial materials, use of metal materials, and unrealistic materials. In the patterns, geometric abstract patterns, patterns that reveal the digital world view, and moving fluid patterns appeared. The aesthetic characteristics of futurism in virtual fashion were revealed in four categories: visual dynamics, high-tech sensibility, variability, kineticisim. Visual dynamics were revealed in geometric forms, and intense neon colors. High-tech sensibility was prominent in the use of metal and industrial materials, light emission, and patterns of the digital world view. The expression of multiple colors by reflected light and the change showed the variability of futurism. The use of unrealistic materials, such as clouds and fire and fluid silhouettes expressed kineticisim. The infinite expressiveness of virtual fashion made it possible to actively express the aesthetic characteristics of futurism.

• 한국의상디자인학회지
• /
• 제17권1호
• /
• pp.53-68
• /
• 2015

The purpose of this study is to analyze check pattern of nail art from 2011 to 2013. The results of this study are as follows; 1) Check pattern of nail art is total 257 patterns, and there are 84 argyle, 29 tartan, 24 harlequin, 24 over, 23 window-pane, 15 stitcheds, 13 hound tooth, 10 block, 10 madras, 8 gingham, 8 gradation, 7 shepherd, and 2 tattersall check patterns. Through this result, in nail art, the relatively simple patterns such as a vertical pattern, a horizontal pattern, and cross or overlap diagonal line are used more than elaborate and complex check patterns of a fibrous tissue from a weaving process. 2) In check pattern of nail art, N-affiliated color and R-affiliated color are remarkably well-used, because of the effects of argyle, tartan, window-pane, harlequin, stitched, over, and hound tooth check patterns used the most during the past three years. Especially, most tartan, harlequin, over, and hound tooth check patterns use their own special colors such as R-affiliated colors and N-affiliated colors as it is, and argyle, window-pane, stitched, and over check patterns use well by arranging N-affiliated colors and R-affiliated colors. 3) The most used expressive technique is hand painting to express check pattern in nail art, because new products related to UV gel are well launched. These materials can draw fine line that is hard to express by existing polish easily and simply, and not only have set quickly hard, so procedure time is very short, so it is compatible to draw check pattern personally, but also it is well covered, so check pattern is more clearly expressed.

• 패션비즈니스
• /
• 제19권1호
• /
• pp.17-33
• /
• 2015

This study aimed to develop basic pants patterns reflecting somatotype characteristics of the women in their 20s. In order to develop basic pants patterns for women in their 20s, wearing tests were conducted. With the results of wearing tests, drafting methods were applied by using regression equation for the parts that were found to improper. For the parts where regression equation was not applicable, the results of wearing tests were applied. The results and the conclusion of development of basic pants patterns for women in their 20s were as follows. The waist height was applied for the regression equations of waist to hip length, crotch length, and knee length, and the hip circumference was applied for the regression equations of front leg opening. Also, back leg opening, front knee width and back knee width were calculated based on the front leg opening. For the waistline the ease of 2cm was added, and for the hipline the ease of 4cm was added. H/16 - 1cm was applied for the drafting of front crotch width, and H/8 was applied for the drafting of back crotch width. Pants patterns for women in their 20s on the methods mentioned above were tested for the $2^{nd}$ research wearing tests, and they received good ratings on the items and demonstrated that the developed pants patterns had excellent body fit.

• 한국콘텐츠학회논문지
• /
• 제20권5호
• /
• pp.545-557
• /
• 2020

K-fashion에 대한 세계적인 관심이 증가함에 따라 한국 패션의 세계화를 촉진하기 위해 우리나라 고유의 정체성을 표현할 수 있는 아이템의 개발이 중요한 시점이라 할 수 있다. 이에 본 연구는 다양한 형태와 뚜렷한 시각적 특성으로 한국적 이미지를 효과적으로 나타낼 수 있는 단청문양을 활용한 가방을 디자인함으로써 전통문양의 현대적 활용 가능성을 제시하고, 패션상품의 영역을 확대해 보고자 하였다. 이를 위해 단청문양을 재해석하여 현대의 패션 경향에 맞도록 표현하는데 중점을 두었고, 문양에 공예적인 감성과 입체감을 주기 위해 직조나 디지털 프린트가 아닌 레이저 커팅 기법을 이용, 가방을 제작하였다. 연구 결과, 디자인적인 측면에서 형(形)과 구성(構成) 방법을 중심으로 섬세한 문양의 특성을 표현할 수 있었고, 기법적인 측면에서 레이저 커팅(Lazer Cutting)을 사용하여 가죽 상품 디자인 개발의 영역을 확장할 수 있었다. 또한 산업적인 측면에서 우리 민족의 고유한 정서를 표현한 차별화된 상품 개발이 한국 디자인의 세계화를 위해 필요한 영역임을 알 수 있었다.

• 한국의상디자인학회지
• /
• 제17권2호
• /
• pp.185-205
• /
• 2015

The modern trend in costumes, influenced by postmodernism, is to use of various patterns and images borrowed from diverse cultures of many ethnic groups. The Yi tribe studied in this paper is miner ethnic group in China, whose traditional costume is very splendid and modern. In addition, its embroidery or $appliqu{\acute{e}}$ pattern have a high artistic value in that its shapes are diverse, splendid and each one has its own peculiar elegance. As for the research method, I examined the Yi tribe's history, culture, traditional costumes and patterns through related books, research papers and inter web sites. As for the result, the Yi tribe's costumes consisted of a jacket, trousers or a skirt, an apron and a belt. Although the favorite color of the costume is black color, there are splendid embroidery or $appliqu{\acute{e}}$ decorations with the colors of red, yellow, green and purple on the chest or shoulder part of a jacket, the adjusting lines, cuffs or a part of a trousers and aprons. Patterns in their traditional clothing also show details that depict traditional cultural ideas that have long been formed in various fields, such as aesthetics, religion, philosophy, and customs. Moreover, most patterns displayed in their traditional clothing contain nature motifs and represent unique and beautiful designs; some patterns are even reminiscent of abstract paintings by modern artists. In conclusion, the traditional patterns of Chinese ethnic minorities reflect the values and notions of these races as well as decorative magnificence and a unique spiritual image. In other words, traditional patterns indicate the spiritual depth or symbolic stories beyond mere formative beauty.

• 정보처리학회논문지:소프트웨어 및 데이터공학
• /
• 제12권7호
• /
• pp.285-294
• /
• 2023

다양한 산업에 영향을 미치고 있는 소프트웨어의 규모와 복잡도가 높아지면서 소프트웨어 아키텍처의 역할이 매우 중요해지고 있다. 소프트웨어 아키텍트는 이러한 아키텍처를 설계할 때 종종 경험적 직관에 의존한다. 그럼에도 아키텍처 설계에 관한 방법론이 다양하게 연구되고 있으나, 시스템에 여러 아키텍처 패턴(architectural pattern)을 적용하는 구체적인 방법이나 적용 순서에 따른 효과에 관해서는 다루고 있지 않다. 본 연구에서는 먼저, 같은 아키텍처 패턴 세트(set)를 동일 시스템에 적용할 때, 적용 순서에 따른 아키텍처 설계 결과의 상이성에 관해 설명한다. 이러한 현상적 논리를 바탕으로 아키텍처 패턴 적용이 필요한 요구사항들을 사전에 식별하고, 적용할 패턴을 분류하는 방안을 제시한다. 또한 분류한 패턴들을 효율적으로 적용하기 위해 적용 순서를 정할 수 있도록 요구사항의 우선순위를 정하는 절차를 제안하며 사례연구를 통해 아키텍처 패턴 유형을 기반으로 요구사항을 우선순위화하는 것이 품질 속성 측면에서 효율적인 소프트웨어 아키텍처 설계에 도움이 됨을 보인다.

• 한국의류학회지
• /
• 제36권5호
• /
• pp.573-582
• /
• 2012

This work is to develop a T-shirt by adopting a unique cloud pattern (a good auspicious sign as design material) from traditional native Korean patterns for application to various cultural products and textile design cloth patterns; subsequently, a T-shirt design was processed based on this. As a research method, computer design programs Adobe Illustrator CS3 and Adobe Photoshop CS3 were used along with a literature examination as part of motive for design development and pattern realization. Three basic motives were selected as a new formative image in this work, utilizing graphical elements such as abridgement and simplicity of pattern, where flower-shaped cloud pattern, uprising cloud pattern, and 卍-shaped or swastika-shaped pattern of traditional cloud patterns were selected. Each motive diverged into two motives via the shape transformation and the application of different colors. The newly developed basic motive was further processed into a combination of one-time repeat pattern, stripe pattern, and application pattern with mixed cloud motives (that were previously developed), which altogether turned out to be 36 pieces of textile design. In addition, with newly developed motive designs and textile designs, a total of 12 shirt designs for 4 pieces were developed for these three each. The shirt design was developed into a shirt blouse, sleeveless T-shirt, half-sleeve T-shirt, and sports T-shirt among others in order to fit various uses and purposes.