• Physical Therapy Rehabilitation Science
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• 제11권4호
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• pp.585-590
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• 2022

Objective: The purpose of this study was to investigate the effects of neuromuscular training of ballet dancers with chronic ankle instability on ankle stability and posture controlability. Design: A randomized controlled trial. Methods: A total of Thirty-twoyoung female ballet dancers with chronic ankle instability have voluntarily participated in the study. The participants were randomized to the neuromuscular training group(n₁=11), elastic resistance squat group(n₂=11), and control group(n₃=10). The intervention was applied to a total of 18 exercises per six weeks and conducted in each group for one hour a day, three times a week. All subjects were evaluated for Cumberland ankle instability tool(CAIT), static balance at before-after intervention. Results: In the comparison of the effects within the groups, the effect of the intervention on CAIT and posture control was significantly increased in the neuromuscular training group and elastic resistance squat group (p <0.05). In the comparison of the effects between the groups, the neuromuscular training group, and elastic resistance squat group were found to significantly increase more than the control group (p <0.05). The effect of ankle stability is similar in neuromuscular training and elastic resistance squat training, neuromuscular training is more effective in improving posture control rather than elastic resistance squat training. Conclusions: When planning a rehabilitation training program for a ballet dancer with chronic ankle instability, neuromuscular training can be applied as an intervention method to improve ankle stability and posture control ability.

• Journal of Yeungnam Medical Science
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• 제41권3호
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• pp.196-206
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• 2024

Background: This study investigated the prevalence and associated factors of musculoskeletal pain among professional dancers who experienced a lapse in group practice due to coronavirus disease 2019. Methods: General characteristics, practice time, region of musculoskeletal pain due to injury using the visual numeric scale (VNS), and causative motion were surveyed among professional dancers. Pain of VNS 0 to 3 was categorized as "no or minor," 4 to 6 was categorized as "moderate," and 7 to 10 was categorized as "severe." The causal motions of musculoskeletal pain were analyzed according to body region. Factors other than motion associated with pain were also analyzed. Results: In total, 368 participants were included. In the univariate analysis, age and practice time were positively associated with "moderate" pain. Practice time, dance experience, and postural accuracy were positively associated with "severe" pain, as was performing Korean traditional dance. In the multivariable analysis, practice time, group practice, and age were positively associated with pain of VNS 4 to 10, and practice time, group practice, and Korean traditional dance were positively associated with pain of VNS 7 to 10. Conclusion: Among the factors related to dancer training, practice time, group practice, and dance type affect the occurrence of pain.

• 한국의상디자인학회지
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• 제6권2호
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• pp.111-121
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• 2004

The Mevelana sect is a spiritual Islamic group experiencing spiritual transaction with their god through a peculiar dancing as a form of religious ritual. The Mevelana, a sect of Islamic Sufism, has their head mosque in Konya in Turkey. Although Mevelana sect is regarded as heretic of Islam, it has exerted considerable influence on the Islamic religion through its peculiar religious worshiping form constituted in dancing and reciting poems. Nowadays, Turkey recognizes the Mevelana dancing as their precious cultural legacy of a long history, exerting public information efforts to give it for wider publicity of Turkey to the world. The Mevelana dress with ornament attired for the ritual dancing performance is regarded to symbolize a spiritual medium, which leads to conciliation with the eternity. The straight lines and curved line characteristic of the Mevelana dancer's trousers, skirt, jacket and such mirrors the image of the Orientals, which is in peculiar contrast with the white and gray colors of the dress with ornament. The impression of the spiritual Mevelana dressing in harmony with the dynamic dancing motion goes beyond mere a religious dressing. It is expressive of a graceful and sophisticated modern formative art, of which the mystic design gives an inspiration to the modern fashion. After Poiret, Islamic factors have emerged in the modern fashion. For instance, a hat with Arabic fashion lapel, a Fez hat of Turkish style, harem pants and such are still popular in the modern fashion. It seems probable that the Iraq War would far more activate the influence of Arabic culture to the modern fashion. By making an analysis on the religious background and formative characteristics of the Mevelana dressing, and by giving design examples on how the Mevelanan dressing has been applied to the modern fashion, this research suggests working out new designs by making a renewed application of their characteristics to the modern fashion.

• 한국콘텐츠학회논문지
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• 제12권3호
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• pp.161-170
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• 2012

본 연구는 선행연구에서 도출된 무용영재성 구성요인을 바탕으로 무용영재를 판별할 수 있는 구조화된 평가도구를 개발하는 것이 목적이다. 무용영재의 잠재성을 대변할 수 있는 적합한 문항을 개발하기 위하여 무용영재성 구성요인인 신체적 조건, 동작수행능력, 표현 및 창의성, 무용태도 요인을 바탕으로 초기문항을 개발하였다. 1차 기초조사는 무용을 전공자와 직업무용단 단원 등을 조사 대상자로 선정하여 총 206명에게 실시하였고, 설문조사 결과자료를 바탕으로 기술통계 분석과 신뢰도 분석, 그리고 탐색적 요인분석을 실시하였다. 그 결과, 4요인(신체적요인, 표현 및 창의성, 무용태도, 동작수행능력)과 20개의 문항이 선정되었다. 선정된 모형(4개의 구인과 20개의 문항)의 적합도를 알아보기 위하여 1차 설문조사 대상과는 다른 무용전공생과 직업무용단 단원 등을 선정하여 총 292명에게 2차 기초조사를 실시하였다. 설문조사 결과자료를 바탕으로 확인적 요인분석을 실시한 결과, 모든 적합도 지수가 기준치에 만족하는 것으로 나타났다. 본 결과를 통해 4요인의 20개인 문항에 대한 모형은 적합한 것으로 판명되어 최종으로 채택하였다.

• Composites Research
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• 제17권6호
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• pp.58-66
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• 2004

페놀 컴포지트(PC)의 실용화에 관하여 $\ulcorner$영국의 경우 $\lrcorner$ 에 대한 사례를, 지금까지 5회 본지에 보고했다. 이 이야기는 1987년 11원 18일 런던 지하철의 화재사고의 대책 끝에 채택한 $\ulcorner$착화ㆍ연소 방지와 화재의 검은 연기ㆍ유해가스 발생 방지$\lrcorner$ 에 관한 규정을 강화 시행함으로써 위험으로부터 시민을 지키는 혁신 정책이였다. 런던 지하철 당국의 $\ulcorner$단호한 실행$\lrcorner$ 은 영국시민의 지지를 얻어 런던지하철, 영국 국철을 시작으로 지하철 역구내, 선박, 학교, 병원 등 $\ulcorner$인간 생명 제일의 장소$\lrcorner$ 에 PC를 차례로 적용해 가는 상황을 보고했다. 이 $\ulcorner$PC의 적용$\lrcorner$ 에는 많은 $\ulcorner$검증$\lrcorner$ 이 필요했지만 필자의 한사람인 Ken L. Forsdyke 씨는 프로젝트 리더로써 약 10인의 협력자와 함께 $\ulcorner$기초 테마의 축적$\lrcorner$ 을 행했다. 이번 회는 그 일부를 소개하고 $\ulcorner$영국의 경우$\lrcorner$ 를 최종 정리했다. 그 후 그는 협력한 사람들과 미국으로 옮겨 PC에 따른 $\ulcorner$안전한 사회$\lrcorner$ 의 실현에 노력하고 있다. 그의 협력으로 英ㆍ美ㆍ日의 정보 교환은 더욱 진전되고 있다.

• 복식
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• 제53권1호
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• pp.1-15
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• 2003

This study as one of a series of systematic studies about dancing costumes will compare the costumes of the middle age with their normal style of dress. In brief, this study wants people to know about middle a9e dancing costumes and understand the culture in the middle ages. It was found that people's everyday clothes in the middle age such as Surcot. Surcot-ouvert, Pourpoint, Houppelande were used as dancing costumes. They were, however. changed from the public's clothes which were tight and long. Rather than wearing costume over others. dancers wore costumes which had slits on skirt or sleeves to increase motion. With the Wild Man of the Wood's which only nobles used for their dancing costumes. costumers highlighted the beauty of human body There were various costume materials used in the middle ages like silk. cotton fabrics, linen or brocade. These materials were used for Surcot and Pourpoint as dancing costumes. The naturalness of nature or geometric patterns also was expressed on the costumes. Further about those patterns, because the development of stained glass, vivid colors were used especially red, light green, blue etc. As for the hair styles used, dancers let their hair down and put a jeweled crown over their hair. In summation. dancers wore the same clothes that normal People did, but the costumes were different depending on social status and gender. The costumes of ordinary people's were based upon ordinary clothes that moved and emphasized the dynamic motion. On the other side, the court dancers' costumes were very fancy. symbolizing a measurement of nobles' from wealth and authority. as well as an expression of a sense of beauty, The main features of middle ages follows. : To emphasize vitality, there were long slits on the side of skirt. Hair decorations and jewels are more used than in the ancient age's. To hide a dancer's social status. they could use a mask. Wild Man of the Wood's was used for the body makeup. All these features of the dancing costumes must contribute to the progress of the dance in the middle age's.

• 한국의류산업학회지
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• 제15권2호
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• pp.202-209
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• 2013

This study suggests a new women's upper clothing based on traditional Korean costumes that utilize the Jatmulim. The Jatmulim is an example of the skill found in conditional Korean costumes and is of a small triangular shape. Jatmulim was developed in size, shape, and arrangement through the method of making and using children's Durumagi, the dancer's or shaman's Mongduri, and modern works. A total of five pieces of different women's clothing were suggested by applying the developed Jatmulim. In the first piece, the clothing is a woman's sleeveless blouse based on the construction of the Yoseon-Cheolik from the Joseon period and made with a larger sized Jatmulim in the back of the neckline and shoulders. In the second piece, the clothing is designed for a woman's jacket based on the Bansuui of the Joseon period with rectangular Jatmulim in the front neckline and at the end of the sleeves. In the third piece, the clothing is designed for a woman's sleeveless blouse based on the Danryeong with rectangular Jatmulim in the neckline. In the fourth piece, the construction of the Jeogori is applied to the clothing for making a woman's jacket that has a bigger sized Jatmulim in the front part as a decoration. In the fifth work, the clothing is designed for a sleeveless blouse based on the Dapho with a different sized arrangement of the Jatmulim in the neckline.

• 한국콘텐츠학회논문지
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• 제12권1호
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• pp.244-253
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• 2012

본 연구는 무용수의 성별, 연령, 경력, 소속에 따른 스트레스와 탈진의 노출 정도를 알아보고자 실시하였다. 이를 위해 무용에 종사하는 무용수를 대상으로 설문조사가 이루어졌다. 총 535부가 통계분석에 사용되었으며, 독립 t 검정과 일원변량분석을 실시하여 검정이 이루어졌다. 분석 결과, 무용전공자들의 성별과 전공, 경력, 소속에 따라 탈진 정도가 유의한 차이가 나타났고(p<.05), 성별, 경력, 소속에 따라 스트레스의 유의한 차이가 나타났다(p<.05). 스트레스 수준에 따라 탈진 하위변인인 정서적 고갈, 수행저하, 의욕상실에 유의한 차이가 나타났다(p<.01). 위의 결과를 바탕으로 무용수들의 심리적 안정감을 유지하고 무용수행력을 향상 시킬 수 있도록 제도적 장치가 마련되어야 한다.

• 문화기술의 융합
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• 제6권2호
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• pp.153-159
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• 2020

캐릭터 댄스는 발레 전공자나 무용수, 안무가의 표현력을 향상시킬 뿐만 아니라 창조적 움직임을 통해 공연의 생명력을 불어넣는다. 포괄적인 교육적 함의가 내포되어 있는 캐릭터 댄스는 발레교육 현장에서도 자료부족과 미비함으로 연구가 진행되는 데 어려움이 있었으며 통속적인 개념조차 정립되지 않은 상태에 존재하였다. 본 연구는 캐릭터 댄스의 개념 정립을 위해 시기적으로 발레공연에서 캐릭터 댄스의 도입부터 현재까지 나누어 살펴보고 형태를 범주화하였다. 또한 발전 발향을 모색해보고자 하였다. 체계적인 범주와 개념정립의 올바른 이해를 통한 캐릭터 댄스는 무용전공자와 유아, 아이들, 비전공자에게 다양하고 확장적인 교육형태를 제공해 주는 것이 가능하다. 캐릭터 댄스에 대한 교육적 함의에 대한 시론(試論)적 연구는 발레 교육뿐만 아니라 다방면의 기초자료를 활용될 것으로 생각되며 본 연구자는 차후 심도 있는 연구가 지속되기를 기대한다.

• 한국정보통신학회논문지
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• 제19권1호
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• pp.127-135
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• 2015

본 연구에서는 DIBR(Depth-Image-Based Rendering) 기법을 사용한 다시점 중간 영상 생성을 하는데 있어서 최종 중간 영상의 화질을 개선하기 위한 방법으로 깊이 정보의 확장과 메쉬 구성 (즉, 표면 재구성) 그리고 이 방법들을 교차 적용하여 어떤 것이 가장 좋은 결과를 낼 수 있는 지에 대해서 실험하였다. 마이크로소프트사에서 제공하는 브레이크 댄서와 발레 영상을 사용하여 실험 결과를 살펴보았고 다양한 틈새 영역 채움 알고리즘을 적용시켜 분석해 보았다. 실험 결과는 기존의 점 구름만을 활용하는 것보다 깊이 정보를 확장하는 방법과 메쉬 구성 방법을 모두 시켰을 때 가장 좋은 결과가 나타났다. 그리고 틈새 영역 채움 알고리즘을 적용하기 전에는 깊이 확장만으로도 충분히 화질이 향상됨을 확인할 수 있었다.