• 사회복지연구
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• 제44권3호
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• pp.113-145
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• 2013

본 연구는 여성의 생애맥락적 관점을 유지한 채 이들이 알코올 의존에 이르게 되는 과정에 대하여 알아보고자 한 현상학적 사례연구이다. 참여자들의 생애맥락에서 가장 먼저 드러나는 현상은 '불완전한 관계'라는 현상이었고 이는 알코올 의존 현상을 추동하고 있었다. 특히 본 연구자들은 참여자들의 생애 첫 음주를 주목하였는데, 이들에게 생애 첫 음주는 '고유한 상징체계'로서 독특한 의미가 부여되고 있었다. 참여자들이 술을 선택하는 과정에서 드러난 현상은 일상 사건의 연장이라는 '일상성'의 현상이었다. 참여자들의 일상성의 맥락에서 본 알코올 의존 현상은 '침습' 혹은 '침투'라는 과정을 거치게 된다. 이러한 과정을 거쳐 여성들의 알코올 의존 체험은 '현실의 무성화'와 '현실의 신기루화'로 나타났다. 이러한 연구결과를 바탕으로 여성 알코올 의존자들에 대한 개입을 위한 실천적 함의를 도출하였다.

• 방송공학회논문지
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• 제26권6호
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• pp.799-808
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• 2021

재난문자의 빈도가 재난문자의 차단 행위를 유발시키고 있다. 이 행위를 방지하기 위해서는 재난문자의 빈도를 조절할 필요가 있다. 본 연구는 재난문자의 문제적 빈도 유형이 재난문자 조절기대에 미치는 영향에 대해 분석하였다. 문제적 빈도 유형으로 일상성 빈도, 타 지역 빈도, 유사성 빈도를 선정하였다. 리서치 회사를 통해 총 1,212명을 대상으로 온라인 설문조사를 시행하였다. 연구 결과, 재난문자 조절기대에 일상성 빈도, 타 지역 빈도, 유사성 빈도가 정적으로 영향을 미치는 것으로 나타났다. 개별변인의 고유기여도는 유사성 빈도, 타 지역 빈도, 일상성 빈도 순 으로 나타났다. 이러한 연구 결과는 재난문자의 빈도를 개선하는 기본 자료로 활용될 수 있다는 점에서 의의가 있다.

• 한국콘텐츠학회논문지
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• 제20권12호
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• pp.103-111
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• 2020

이 글은 이른바 '사회주의 리얼리즘 영화'를 대표하는 감독으로 알려진 켄 로치의 <레이닝 스톤>(1993)을 연구대상으로 선정해 일상(생활)과 소외의 논제를 탐구하고자 했다. 이를 위해 일상(생활), 일상성, 사회 공간, 일상공간, 소외와 관련된 주요 이론들과 앙리 르페브르의 논의를 이론적 배경이자 연구방법론으로 활용했다. 연구결과에 의하면, 켄 로치 감독은 <레이닝 스톤>의 공터나 주차장 같은 공적인 사회공간과 가정(집) 등의 사적인 일상 공간에서 발생하는 자본주의의 병폐들을 비판함으로써 일상(생활)의 변혁 가능성을 제시한다. 또한 '돌비'를 맞을 수밖에 없는 노동자계급의 소외가 당연시되는 현실과 그런 현실로부터의 탈소외가 일상(생활)에서 이루어질 수 있다는 역설을 강조하기도 한다. 이와 같은 연구결과는 일상의 사회 공간이 일상(생활)의 일상성을 변화시킬 수 있는 기반임을 뜻한다고 할 수 있다.

• 한국생활과학회지
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• 제22권4호
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• pp.619-635
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• 2013

The purpose of the study was to qualitatively analyze how entrepreneurs would succeed in business from the consumer perspective of entrepreneurial. In particularly, this study understood what has made the entrepreneurs do their own business, learning contextual and mediating conditions. In order to achieve the research goals, the study conducted in-depth interviews to a total of 11 entrepreneurs and based on data from the interviews, carried out a grounded theory analysis. According to the results, the successful entrepreneurship process paradigm model from the consumer perspective of entrepreneurial was observed with some central phenomenon, 'change of course', via casual circumstances as 'self-realization' and 'material value realization.' For the contextual conditions, there found 'anxiety for survival', 'organic motive', 'confidence in a market' and 'relational role element' as well. The interaction strategies consisted of 'internal capability improvement', 'internal and external activity directivity growth' and 'marketability judgement ability.' The mediating conditions were observed to be 'strategic cognition improvement' and 'growing of desire to succeed'. The analysis results reported that there were two different aspects as 'increase of stable dailiness' and 'productivity enlargement'. In terms of the core category, it was 'securing of stable dailiness and competitiveness in the market as well by developing characteristics and abilities of an individual for the life value realization.' Those results confirmed that once pleasure and satisfaction in daily life increase, the confidence of the entrepreneurs improves too, which would encourage them to continue the business.

• International Journal of Human Ecology
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• 제8권1호
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• pp.53-66
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• 2007

The purpose of the study is to microscopically re-clarify the reality of renovation and conflicts that females faced within their families since the modernization period. The research method is the literature review. Families have been considered based on the formation of individual spaces for housing by husband and wife. The study will analyze changes in daily lives and housing consciousness to understand how such housing areas are transforming. The results of the study are as follows. From the perspective of symbolic interaction, in a traditional society, Korean females have been experiencing alienation and isolation in private areas in their daily lives due to family centrism and male chauvinism. Since industrialization, the female's role as the major consumer has been emphasized. Also, in terms of housing space, the symbol of family interaction was influenced more by utility, rationality, and equality than spatial hierarchy. From the perspective of the dailiness of phenomenological traditions, the modern girl's housing consciousness, which appeared during modernization under colonial rule, is considered as revolutionary from traditional society. Soon after in industrialized society, females appeared as leaders of 'sweet home'. They also became the main body to create the space for living by giving meaning to the interior of housing. Considering dailiness from the Marxist perspective, under the colonial social system, females became the subject of colonization through education, socialization, and the labor market. The modern public system presents the female as 'a wise mom and good wife' or laborer causing the colonization of her life. After industrialization, the socialization of housing and prioritization of spending caused the daily lives of females to become colonized by the consumption market.

• 복식
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• 제63권6호
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• pp.84-96
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• 2013

In researching the ontological status of fashion, a good grasp of fashion can decide the direction of fashion study. Fashion is sometimes considered an area of industry far from art from a point of view of purity of art, in spite of its aesthetic value and expression. However, art properties can be differentiated from the purity of art in modern aesthetics, and fashion properties which were the reason for that fashion to be considered as non-art can be affirmed as the same with properties of contemporary art properties. Therefore, the purpose of this study was to suggest the possibility that general properties of fashion can be accepted in the art arena through justifying art properties deviating from the purity of art. It can provide a boost to fashion's cultural status. For the research method, a literature review and case analysis were carried out through specialty publications related to art history, aesthetics, and fashion, regular publications and websites specializing in fashion, and art museums. Through the research, art properties deviated from the purity of art, which are; tactile sense, impermanence, dailiness, and commercial viability, were justified as being the same as fashion properties. These art properties were not general properties of fine art in modern aesthetics, but the ones occurring in contemporary arts. These properties, now present in contemporary art, can no longer disqualify fashion as a non-art.

• 건축역사연구
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• 제21권4호
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• pp.59-70
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• 2012

This study aims to find methodical similarities between pop art and Robert Venturi's works. Pop art and Robert Venturi's works gave attention to periodical changes and wanted to communicate with the public. This study approaches a topic from psychological viewpoints, especially visual dissonance. The results are as follows: 1. Manufactured Products ; Commercial Ornaments ${\rightarrow}$ Character Changes in Experienced Stimulation 2. Daily Elements ; Traditional Elements(Classic) ${\rightarrow}$ Contextual Effect of Canonic Representation In these cases, visual dissonance attracted a lot of public attention, and people would develop new meanings of objet. Pop art and Robert Venturi's works indicated value change in post-industrial society, therefore, this study can help to understand the correlation.

• 한국지역지리학회지
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• 제19권1호
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• pp.111-129
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• 2013

도시는 우리의 삶과 직결된 일상공간이며 삶터다. 일상공간은 문화의 총체적 산물이자 재현의 대상이다. 도시의 노후주거지역은 고유의 역사와 함께 서민들의 일상의 삶이 담겨있기 때문에 경제적, 정치적 시각으로만 바라보아서는 안되는 장소다. 광주광역시 북구 중흥동의 와우산 일대는 도시노후주거지역의 특성과 경관을 잘 유지하고 있는 곳으로서, 본 논문은 이 지역의 사례 연구를 통해 일상문화와 장소성 간의 밀접한 관계, 장소성 형성요소와 과정 그리고 장소가 가지고 있는 진정성 등 도시노후주거지역이 갖고 있는 의미와 가치를 도출해내고자 한다. 와우산 일대는 조선시대 경양역(景陽驛)을 기반으로 400여년의 역사적 가치와 구릉지 지형의 주거지역 환경, 근현대 서민들의 주거지역으로서 골목과 텃밭이 만들어내는 독특한 경관보유, 골목을 기반으로 한 서민들의 일상성이 살아있는 공간이라 할 수 있다. 이를 통해 도출해낸 장소의 진정성은 도시노후주거지역은 소통하고 배려하는 인간적 삶과 비정형성의 문화적 다양성이 살아있는 장소, 환경과 인간이 공존과 조화를 이루는 장소, 거주민의 공동체적 일상성이 살아있는 장소라는 점이다.

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.30-39
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• 2012

The essence of brand identity is to draw an interrelation between user and brand based on user's desire. The housing cultural center is focused on brand identity for satisfaction of user. The purpose of this study is to inquire out the expression characteristics of brand Identity in housing cultural center according to analyze previous studies and case studies. The results of this study are summarized as follows. 'Uniqueness' is directly expressed through brand name or logo or through brand colors. 'Experience' is expressed as auditive expression through stimulation using a body and providing music. 'Relationship' has provided a communication environment or created relationship with brand by leading interaction with others. 'Estheticism' has increased visual satisfactory level by aesthetically sublimating lighting direction or form. 'Functionality' is expressed by providing various programs through smooth flow plan and grafting with the latest technology. 'Non-dailiness' has affected memory territory by inducing curiosity and astonishment through space modification or new and contrasting direction. The housing cultural center needs to be planned as a space where interaction of user and brand will be initiatively activated sensationally and psychologically by pursuing user-oriented brand identity.

• 복식
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• 제60권3호
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• pp.110-122
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• 2010

The purpose of this study is to analyze the expressional traits and internal meanings of fake design in the 2000s' fashion, based on study of art and design area. For achieving the purpose, this study performed related research works and a demonstrative analysis of fashion collection photographs. The scope of this study is from 2000 to 2009. The results are as follows. Fake design uses trompe-l'oeil which is an art technique related to the meanings of 'deceive or fool the eye'. This eye-deceiving technique has been used for a long time in the art, and particularly noticed as one of techniques of Surrealism. Art works using trompe-l'oeil express familiar and unreasonable world at the same time, and also the fusion of reality and fabrication. Fake design in design area of the 2000s makes people take daily life in unfamiliar way by unusualness and breaking the boundary between real and fake. By fake design, people can enjoy fun and a sense of freedom with amusement rather than unpleasant of being deceived. Fake design in the fashion of the 2000s uses eye-deceiving technique and also focuses on the concept of 'fake'. The expressional traits were categorized as realistic expression, surrealistic expression and fake value expression. The internal meanings were analyzed as breaking boundary between real and fake, rediscover dailiness, new attitude to traditional thinking. In conclusion, fake design in the fashion of the 2000s gives playfulness, fun, feeling of release and will be pursued continually.