• 제목/요약/키워드: crown-like headgear

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몽골인의 남자 관모에 관한 연구 - "집사(集史)"를 중심으로 - (A Study on the Mongolian Male Headgear - focused on Jip-Sah -)

  • 김미자
    • 대한가정학회지
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    • 제44권1호
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    • pp.151-157
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    • 2006
  • Ten types of male headgear-Kwonwoonkwan, crown-like headgear, hats with a square flap, hats with feathers, crowns with plumes, Ballip, hats with flat crowns, Somo, turban, and fur hats-were described in Jip-Sah, which was published in the 14th century. Mongolian people used summer headgear, winter hats, and crown ornaments, which had been used until the Ch'ing dynasty of China. From the late 12th century to 1304, the headgear styles remained the same, suggesting that the Mongolian people kept their tradition. Kwonwoonkwan, crown-like headgear, and Somo, presented in Jip-Sah, were also described in U. Yadamsuren's album, a pictorial depiction of the 20th century Mongolian headgear.

부적절하게 수복된 stainless steel crown에 의해 야기된 하악 제1대구치 이소맹출의 치험례 (TREATMENT OF ECTOPIC ERUPTING MANDIBULAR FIRST PERMANENT MOLAR CAUSED BY IMPROPERLY RESTORED STAINLESS STEEL CROWN : CASE REPORT)

  • 박주석;최병재;손흥규
    • 대한소아치과학회지
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    • 제27권1호
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    • pp.98-102
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    • 2000
  • 이소맹출이란 영구치열의 발육 과정중에 국소적 맹출장애로 인하여 정상적 위치에서 벗어난 치아의 맹출을 말한다. 일반적으로 이소맹출은 $2\sim6%$정도의 이환율을 보이고, 제1대구치에서 호발하며 주로 상악에서 많이 나타나고 하악에서는 드물다. 이소맹출의 원인은 국소적 원인으로 부적절한 치열궁 길이, 상악 후방부의 성장 부족, 제1대구치의 근심 맹출, 비정상적으로 큰 제 1대구치 등이 있고, 유전적인 원민으로 나타날 수도 있으며, 부적절하게 형성된 stainless steel crown에 의해서도 유발될 수 있다. 이소맹출된 치아중 66%는 가역성이므로 $3\sim6$개월 정도의 관찰 기간이 요구된다고 하였으며, 비가역성 이소맹출인 경우에는 brass wire나 elastic separator를 이용한 비교적 간단한 치료 방법, 제2유구치의 distal discing, Humphrey appliance 등과 같이 제2유구치를 유지하면서 치료하는 방법 및 제2유구치 발거후 가철식 장치나 cervical traction headgear를 이용하는 방법 등이 소개되고 있다. 본 증례는 연세대학교 치과대학병원 소아치과에 내원한 7세된 남환아로 구강 검사 및 방사선 사진 검사 결과, 4년전 개인 치과의원에서 수복된 우측 하악 제2유구치의 stainless steel crown에 우측 하악 제 1대구치가 고착되어 근심으로 심하게 경사된 양상을 보였다 원인이 stainless steel crown을 제거하고, Humphrey appliance를 제작하여 장착하였으며, 약 10주 후에 고착 상태가 해소되었다. 본 증례에서와 같이 이소맹출은 부적절하게 형성된 stainless steel crown에 의해 일어날 수 있으므로, stainless steel crown의 수복 치료에 있어서, 적절한 크기의 선택, trimming 및 contouring 등이 매우 중요하다.

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스키타이계(係) 복식(服飾)에 대(對)한 연구(硏究) (A study on the Scythian costume)

  • 김문자
    • 패션비즈니스
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    • 제11권4호
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    • pp.204-220
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    • 2007
  • The background of Korean Ethnical Costume was originated from those northern mounted nomadic groups, which was Scythe style Costume Culture. Through the antique records and paintings of tombs bequests hereby describe the forms of Scythian Cotume (1) Headgear : There was Conical Cap(or Pointed Cap), Feathered Cap, and Crown. (2) Clothes : Both Men and Women wore Jacket as upper garment with leftsided collars, narrow sleeves to the length of the hip line. As lower garment, they wore the tight Trousers and Kungo(:窮袴)that was attached with gusset. (3) Belts and Boots : On the upper garment bound the leather Belts that was hanged a hook that was shaped of animal form at the end. Scythian Buckles was divided into six groups, animal-shaped, animal's head shaped, animal fight-shaped, rectangle-shaped, rectangle openwork-shaped, genre scene shaped Buckle. To the Boots, they wore leather boots. (4) Ornaments : Ornaments divided into Dress Trimming(:Gold plaques), Earrings, Necklaces(;Torques), Bracelets, Rings. Scythian Gold Plaques were divided into several types according to the shape, animal style(curved beast shape, profile shape, head reversed over its back shape), round shape, quadrilateral form, star shape, flower shape, crescent shape, bundle shape, human appearance. Earrings consisted of a plain ring and pendant ring was a middle ornament hung from it to a pendants which hung was made of heart shaped leaves of the tree, beads-linked. Scythian Torques were divided into several types according to the shape, Torque with Terminal style, Spiral style, Layers style, Crescent-shaped pectoral style, Crown style. Scythian Bracelet were divided into 4 styles according to the shape, Bracelets with ends shaped like beasts style, Spiral style, Layers style, Crown with openwork style. Rings were rhomb-shaped and animal shaped styleRings (5) Animal motifs used in Scythian ornaments appears that in some cases the work was intended to be purely ornamental, while many times the motifs had symbolic meaning (such as the successful dominance of the aggressor over the victim portrayed in the attack scenes). Magical use of symbols may have been inten-ded to guarantee the power of the aggressor.