• 가정과삶의질연구
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• 제23권5호
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• pp.79-92
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• 2005

The purpose of this study was to explore the various perspectives to read micro-history of Korean housing after the period of Opening the Port for foreigners. This study were designed to adapt original theory for exploring the unique housing perspectives without using strict basic assumption which were already developed in the area of sociology, history, anthropology and philosophy. Research method applied was literature review. Each perspective might give useful insight to read the micro-history of Korean housing on the way of change after the Period of Opening the Port in Korea. Adapted perspectives to housing history were critical theory perspective, microsociological perspective, everyday life perspective(phenomenology tradition, symbolic interaction tradition, Marxist tradition), discourse perspective, exchange theory perspective, conflict theory perspective, and life course perspective. Conclusively, each perspective must be adapted multi-supportively to read the housing phenomena, because housing change derived from complex causes and factors. The fruit of this study was to ensure the adaptable viewpoint to housing were useful to read the micro-history of housing change.

• 한국정보시스템학회지:정보시스템연구
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• 제16권4호
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• pp.131-155
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• 2007

The purpose of this thesis is to study on the philosophical analysis model and its methodological application of information systems research evaluation from critical realist perspective. Fist of all, I examine ontological epistemological methodological assertions of critical realism. Because the philosophy of critical realism is an opportunity for information systems study. I examine Dobson and Mutch's critical realist perspective on actors-structure model. I suggest a critical realist actors-praxis-structure model. This model provides the potential for a new approach to social investigations in its provision of an ontology for the analytical separation of structure and agency. Of most importance might be the incorporation of non-humans into the analysis of social interaction and of technology into the elaboration of structures. I also examine Tsoukas's critical realistic meta-theory of management. I suggest a critical realist IS management model. This model elucidate the nature of management and delineate the scope of applicability of various perspectives on management. The causal powers of management reside in the real domain and, taken together, their logics are contradictory, the effects of their contradictory composition are contingent upon prevailing contingencies. I analyze Carlsson's theory of design knowledge. His framework builds on that the aim of IS design science research is to develop practical knowledge for the design and realization of different classes of IS initiatives, where IS are viewed as socio-technical systems and not just IT artefacts. The framework proposes that the output of IS design science research is practical IS design knowledge in the form of field-tested and grounded technological rules. The IS design knowledge is developed through an IS design science research cycle. In conclusion, I think that IS actors-praxis-structure model, meta-theoretical IS management model, and IS design knowledge model according to critical realistic approach are very useful for IS research evaluation. Nevertheless, important problems are left not resolved.

• 한국가정과교육학회지
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• 제31권1호
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• pp.169-192
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• 2019

본 연구는 미래 사회에 대한 조망하는 관점을 비판적 시각에서 검토하고, 이러한 변화를 이끌어갈 수 있는 가정교육학의 방향을 비판과학 관점에서 탐색하는 데 목적을 두었다. 이를 위하여 Habermas의 비판이론에 대한 이해를 도모하고, 가정교육학이 비판이론에 기초한 비판과학 관점을 취했을 때 어떤 장에서 미래 사회를 이끌어 나갈 수 있는 실천을 하여야 하는지 그 방향성을 탐색하였다. 방향성은 개인, 가족과 사회가 상호호혜적이고 상호작용을 통하여 지속해가는 것을 비판이론에 기초하여 생활세계의 사적 영역, 생활세계의 공적 영역과 체계의 영역에서 탐색하였다. 비판과학 관점에서 가정교육학의 실천은 IFHE의 옹호활동과 정책참여 활동의 사례를 통해 발견되었다. 결론적으로 비판과학으로서의 가정교육학이 가정생활의 비판적, 참여적 변화를 가져올 수 있도록 생활세계에서 뿐만 아니라 사회·정치·경제체계를 바람직한 조건으로 형성해 나가고 학문적 영역, 일상생활의 영역, 사회적 영역에서 전문활동을 실천해나가야 할 당위성을 지지하였다.

• 벤처창업연구
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• 제3권3호
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• pp.67-88
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• 2008

Innovation has become a key distinct feature of modern industrial society. It is generally recognized that new knowledge and technology are one of the most important sources of innovation. However, because of their limited resources, firms can not pursue all the promising new knowledge and technology that have possibilities to be developed into critical innovation. In this article, using the stakeholder theory, we try to establish a new conceptual model that can be used for understanding knowledge creation and innovation in society. In a society, there exist diverse socio-economic groups that have conflicting values and interests. Our stakeholder theory perspective on innovation claims that innovation can occur only when new solutions can satisfy their idiosyncratic stakeholder' values and interests better than current existing solutions. From the viewpoint of stakeholder innovation theory, there could be three different types of innovation: value improvement innovation, non-traditional value Innovation, and innovation for non-traditional stakeholder.

• 정보보호학회논문지
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• 제34권2호
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• pp.347-363
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• 2024

국가정보통신기반시설을 대상으로 하는 사이버공격이 꾸준히 증가함에 따라, 많은 국가들이 관련정책 및 법제도의 제정과 개정을 통해 국가정보통신기반시설의 보호를 강화하고 있다. 이에 본고는 국가정보통신기반시설 보호체계를 구축하고 있는 미국, 영국, 일본, 독일, 호주 등의 국가를 선정하여, 국가별 국가정보통신기반시설 보호정책의 추진체계를 비교·분석하고자 한다. 국가정보통신기반시설 보호체계를 사이버보안 체계와 비교하고 추진 구조를 분석하고 앨리슨 이론(Allison's theory)과 나카무라&스몰우드 이론(Nakamura & Smallwood's theory)을 수정한 정책모형이론에 근거하여 정책결정과 정책집행의 관점에서 국가별 추진체계모형을 분석하였다. 미국, 일본, 독일, 호주의 정책추진 모형은 정책결정과 정책집행이 모두 국가정보통신기반시설 보호 중심으로 체계화된 체계강화모형이며, 영국, 한국의 정책추진 모형은 보다 정책집행에 초점이 맞춰진 집행중심모형으로 나타났다.

• 미술이론과 현장
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• 제1호
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• pp.71-92
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• 2003

This study examined the condition of an educational discourse, relating the concept of creativity, culture, culture-centered, and critical thinking, to explore Culture-based Art Education(CBAE). In particular, art education practice was examined using interpretations of creativity and critical theory positions from the field of education. Discourse analysis was used as the research method to contextually situate and analyze the ways in which art education theory and practice of creativity and of critical studies encoded meanings. The study helped build an understanding that creativity was formed as a modernist discourse in the humanistic stance. In education, creativity became the fundamental concern for progressive educators who pursued innate ability of individuals. The way to enhance creative potential of students was to induce their motive, as was the same case in art education, while in artist training, free expression was its main method. In this way, as creativity was intimately connected with the concept of expression, in art education art making is the only course for enhancing creativity. However, because creative process cannot intelligently be regarded as logically distinct from the creative product, and creativity can only be said by product, it seems valid to think that creativity is the quality not to be achieved by teaching. Furthermore, its emphasis on art making resulted in unbalance of art making and art appreciation in art education. It was the late sixties when several alternatives for creative education were made their appearance. Critical studies in art adopted critical theory as its theoretical background has developed as an alternative of creative art education, when research and theory for creativity could not be adequate to deal with the problem of practice. Critical theory is a broad and diverse field of theory and practice drawing on aspects of the modernist perspective of the later Frankfurt School, feminism, Freirean pedagogy, postcolonial discourse as well as postmodernism to construct a practical approach to education. It is very this eclectic nature to provide the mosaic that need to experience cultures from different perspectives in a pluralistic society. Because one's personality is formed by multiple aspects of culture which is very complex and is made up of what we do and value, creativity cannot make part of educational discourse with the philosophy of culture centered. On the other hand, critical studies, as a school art program of critical theory, can perform the role of CBAE, because it would have to deal with the investigation of social and cultural issues form multiple personal, local, national, and global perspectives.

• 대한수학교육학회지:수학교육학연구
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• 제27권1호
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• pp.113-135
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• 2017

본 연구는 비판적 수학교육의 관점에서 수학교과서를 분석하기 위한 분석준거 개발을 목표로 하여 이루어졌다. 이를 위한 첫 단계로서 비판적 수학교육의 이론적 근간이 되는 비판 이론과 비판적 교육이론에 대한 문헌분석을 통해 비판적 수학교육의 철학적, 인식론적 기저를 고찰하였다. 또한 비판적 수학교육에 대한 국내외 문헌을 분석하여 비판적 수학교육의 개념화 논의, 실제 수업사례 등을 종합하여 '비판적 수학교육 관점에 따른 수학교과서 분석준거 안'을 구성하였다. 이후 제시한 준거 안에 대한 타당도를 검증하기 위해 전문가 델파이 조사를 실시하였다. 델파이 조사 분석 결과에 따라 제시한 준거 안을 수정, 보완하여 '고전적 지식', '공동체적 지식', '대화적 지식', '정치적 지식' 네 범주로 이루어진 '비판적 수학교육의 관점에 따른 수학교과서 분석준거'를 최종적으로 개발하였다.

• 논리연구
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• 제17권2호
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• pp.349-358
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• 2014

불완전한 지식의 문제는 오랫동안 인간이 해결하려는 것이었다. 인공지능에서 불완전한 지식의 문제를 다루기 위해 파블락은 러프집합론을 1982년에 제안하였다. 러프집합론은 다음과 같은 두 가지 흥미있는 성질을 가지고 있다. 먼저 하나의 러프집합은 지식기반에 따라 같은 집합이 아닌 다른 집합으로 간주된다는 것이다. 그리고 서로 다른 러프집합도 어떤 지식 기반에서 보면 서로 같은 집합으로 여겨진다는 것이다. 이러한 성질은 의미있는 철학적 해석을 낳는다. 즉 하나의 개념이나 사건은 다른 철학적 관점에서 다른 것으로 이해되기도 하고, 서로 다른 개념이나 사건도 어떤 관점에 따라서는 같은 것으로 간주될 수 있다는 것이다. 본고에서는 이러한 러프집합의 성질은 비판적 실재론이나 과학철학에서 관찰의 이론적재성을 지지하는 수학적 모델로 취급될 수 있다고 주장한다.

• 패션비즈니스
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• 제26권6호
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• pp.94-104
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• 2022

The purpose of this study is to analyze the art world's perspective on popular art and the contact point with pure art and to present the requirements of fashion as a popular art. To analyze the artistic value of fashion, this study analyzed and presented the requirements of art by linking the innate characteristics of fashion premised on mass consumption of popular art. The research method consisted of content analysis focusing on books and papers on art and fashion. A critical perspective on expansion of the artistic field amid the blurred boundaries of art is the basis of a critical comparison between popular art and avant-garde art and a critique of popular art as opposed to value-oriented art. Conversely, as a point of contact with popular art with fine art, art is discussed against the ideological strategy of fine art and the shift in hegemony brought about by erosion of the barrier between art and everyday life. In addition, the non-essentialist perspective contradicts the division theory of popular art. The requirements of fashion as a popular art were analyzed based on the value of self-expression through the aesthetic pursuit of creativity and aesthetic expression, discourse as art, and expansion of modern art from the inessentialist perspective of popular art.

• 영어어문교육
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• 제12권1호
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• pp.1-27
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• 2006

This study investigated how EFL readers critically read texts which are written in English. Although critical reading has been discussed in advanced EFL and ESL contexts there has not been much research on the critical reading of beginning EFL learners. Many educators are recommending that a critical perspective be adopted so that L2 learners can become empowered rather than indoctrinated. In this study, the researcher has examined the critical reading practices of five beginning level EFL readers in Korea and five first language readers of English in the United States as they read a news editorial article. The significant findings were discussed related to critical reading practice of L2 readers. The findings of the study can help the educators in English education in improving the curriculum, the teaching methodology and the learning theory for EFL reading for critical reading.