• 한국염색가공학회지
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• 제23권1호
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• pp.35-42
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• 2011

For high quality DTP products, it is important to optimize the parameters of media, pre- and after-treatment, ink, printer, etc. This study investigated the effect of types of fabrics(media) as a DTP parameters. Especially, the effects of media properties such as yarn twist and knitted fabric structure, on printability and color difference were examined. Two types of cotton yarn twist(830 and 1630 twist/meter) and five knitted structures of media were prepared with a single circular knitting machine. The K/S values of hard-twist samples were higher than those of normal-twist samples in every media structures. It is more effective to use the knitted fabrics of a hard-twist yarn to obtain dark color in the printing above input level value 60 where the printability improvement was most pronounced in case of plain structure. Among the five media structures a plain structure was the highest and that of corduroy was the lowest in terms of K/S values. Also ${\Delta}E$ values and lightness of the hard-twist yarn samples were smaller than that of normal-twist yarn samples when ${\Delta}E$ values were tested by using a standard of a normal twist yarn sample with a plain structure, which was increased in the case of corduroy structure.

• 한국생활과학회지
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• 제15권5호
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• pp.803-809
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• 2006

Korean traditional paper 'Hanji' made from the bark of the paper mulberry tree is a good handicraft material because of its high viscosity, durability, dyeability, toughness, flexibility, plasticity, and manipulability. Hanji has been used as a textile material such as cotton wool for protection and keeping us warm from cold weather. However, Hanji has many limitations, while other textile materials have many advantages of such as washability, being sunproof, and fast coloring. The purpose of this study is to review physical properties, formation ability, and dyeability of Hanji as a material of fashion accessary. The contents of this study are composed of 5 parts: 1. To introduce the necessities of this study, 2. To review a historical background of Hanji and to identify its physical characteristics as a fashion accessary material, 3. To review and to compare techniques such as bonding, quilting, knitting, creasing and holding, twisting, folding & braiding, paper pasting, coloring & cutting, and outwashing(?) in making Hanji fashion accessaries, 4. To review dyeing and finishing techniques to increase commercial value, 5. To identify the best fashion accessary materials made of Hanji. The most important characteristics of Hanji as a fashion accessary material are its toughness in a wet state, fast color fixing, and flexibility. Especially weaving and knitting are considered as the most desirable techniques to make fashion accessary products stronger and more practical.

• 복식
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• 제43권
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• pp.259-282
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• 1999

To analyze the characteristics of Orientalism which is expressed in the fashion of the 1990's this study was examined according to three aspects such as form textiles and pattern and the aspects was considered with regard to Chinese Indian Japanese Korean, Southeas Asian and North African style. 1. In form Orientalism which is influenced by latest other fashion trend; Naturalism and Minimalism is expressed as a comfortable casual style which simplifies the way of wearing and mixes the characteristic elements of folk costume with western costume. The way of layerd wearing like knotting wrapping draping and the symbolic from which is inspired by the unique are of each country are shown. 2. In textiles Chinese Japanese and Indian silk as well as Southeast Asian and North African cotton show a splendid oriental impression using vivid color. On the other hand the linens of Korea like hemp and ramie emphasize natural characteristics and show a simple and unartificial oriental beauty. But in the use of material and color it shows a remarkable tendency to break the preconceived idea by coordinating a luxurious silk with a practical denim or harmonizing technical new-masterials with traditional materials. 3. In pattern the decorative elements of Orientalism such as a traditional pattern skills to dye embroidery and other decorations are emphasized on the form of western costume. The sketchy patterns of Chinese Korean and Japanese styles which include the pattern of a flower a bamboo and a butterfly are expressed using embroidery or textile printing. The geometrical seriate patterns of Southeast Asian and North African styles use traditional dyeing methods like Batik. Also the Indian technique of decoration like Mirro Work satisfies handcrafted royalty and feminine romantic taste in modern minimal fashion. The Orientalism expressed in the fashion of 1990's emphasizes the characteristics of people wearing colthing which break the preconceived idea by simplifying the form harmonizing differences between oriental and western cultures and mixing the elements of traditional costumes among countries. Most of all. Ethno using geonmetrical seriate pattern and technical new metal material and Romantic Ethnic using flower embroidery precious stones and beads are appearing as a distinctinve feature.

• 패션비즈니스
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• 제26권2호
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• pp.15-27
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• 2022

The purpose of this study is to perform research of ecology concepts expressed in fashion and to propose a new ecology fashion design based on the results. As a specific research method, first, to determine the concept of ecology, the contents related to ecology were extracted and organized through literature research, and then a fashion collection research was conducted to acquire basic design data, such as silhouettes, materials, details, and colors. From WGSN, and a total of 57 images were selected and used as basic data for the design suggestions. As a result of collecting the collection images, it was found that cotton or denim fabrics were mainly used, and in particular, the frequency of use was high mainly for bright tones. The use of chambray, lace, and wrinkles, was also frequent, and the use of expression techniques using burn-out, bleach, and bleaching effects or parts, or entire dyeing was often noticeable. The colors showed neutral and pastel-toned characteristics, and the silhouette was mainly composed of long silhouettes centered on maxi, such as a top or calf based on the knee, rather than a mini. Fabrics for the final designs were linen and sappan wood, and they were used for the dye and red was used as the overall color. The silhouettes were simplified, and care was taken to prevent unnecessary waste, such as paper or materials, from being generated during the production stage. We tried to achieve the purpose of eco-logy by refraining from excessive trimming, except for essential subsidiary materials, such as zippers.

• 복식
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• 제14권
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• pp.145-165
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• 1990

This study examine closely conditions of costume between the Modernized period and Liberation with newspaper materials. Because newspaper generally appear society conditions in those days on rapid and across-the boad basis. The Modernized period is extremely change among history of costum (ordinance prohibiting top knots, allowance of foreign clothes putting on). Because this change have been spontaneously not by internal desired but Western input by the strong nation of imperialism to enclose Chosun, they was accepted by the general public later under the rule of Japaneses Imperialism. Consequently, study of costume play an important part periods between the Japanese annexation of Korea and Liberation. This study apply to newspaper characteric for costume, and closely examine an important costum condition of those days next time, and present costume material in those days that composed the account catalog appeared periods between the first publication(1920) of the Dong A II Bo, and in the year 1945, it is as follows. 1. Foreign clothes of men generally accept the general public on look at from form change, in the 1920's had come short Jackets and narrow throusers into fashion, in the 1930's had come trousers of generous waist band with broads shoulder and long Jackets. Catalog of Major clothes is as follows; Spring coat, Jacket, Vest, Shirt, etc. While pants had come trousers into fashion 2. Functional characteric of Foreign clothes was the possible acceptance of women's foreign clothes. It relate with much discussion to improve Korean development in those days and substitute foreign clothes for Korean clothes because of institence in those days to improve functional clothes life. 3. An improvement women's Korean clothes generally take aim at women's nipple liberation, substitute vest waist for skirt waist, appear seamless one-piece skirt of shade length, and long dress length of Jacket. 4. Children's clothes give an account of functional and sanitary conditions, handling method, washing method. 5. Clothes materials give account of foreign clothes material, artificial silk, furs, cotton fabrics, and etc. 6. Clothes management give an account of washing, keeping method, washing method of foreign clothes, and keeping of furs. 7. The hair generaly had come short hair into fashion in men's case, while accounts on long hair fashion of foreign nation effect in case of women. 8. Describing on beauty care manage primary beauty care, reform, plastic operation, and shade beauty care. Ideal beauty care deal with natural and dignified buauty care. 9. Accesaries (hat, handbag, handkerchief, gloves) change with fashion of clothes, it rapid more than clothes fashion. 10. On encouragement of abolition of white clothes and putting on dyeing clothes, because of economic defect of white clothes, psychology and beauty consequently, white clothes is on the rise abolition. In national level almost substitute dyeing clothes for control and improvement of people of all social standings consequently, dress and its ornaments conditions in those days analyzed account of Dong-A II Bo accept the foreign clothes that introduced internal country of the whole century, and substitute dyeing for white clothes. Costume condition in those days appear the mixed conditions of Korean clothes and Foreign clothes. In the 1920's is the first consideration dress and its ornaments form of Korean clothes. As later goes on foreign is given much weight in the whole clothes life. Account of foreign clothes managemental ways appear in the 1920's, while those facts prove the point that appeared the account that always dealed with concrete content of foreign fashion in the 1930's.

• 복식
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• 제62권5호
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• pp.125-137
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• 2012

This study examines the stage costumes of the creative musical 'Hyecho', which was performed six times in the Chung Ang Art Center hosted by Chung-Ang University's performance & media agency from December 20 to 22 in 2006. The stage costumes were made based on these basic design elements of stage costumes that were dyed : line, silhouette, material, and color. First, the creative musical 'Hyecho' presents a new form of fusion theatre, which blends Korean traditional music and dance with videos. Thereby, the musical has opened a new phase in Korea's creative performing arts. Second, in musical performances that combines dance and songs, stage costumes should be made not only to attract the audience's eyes, but also not to interrupt actors' vocalizations and movements by taking their physical features into account. Also, costumes should be made in consideration of their relationships with visual elements, including stage settings and lighting. Third, the musical features fusion-style stage costumes, which combines Hanbok, the Korean traditional costume, and Indian traditional costumes with modern costumes. For the line and silhouette, costumes show the beauty of curves through the curves of Hanbok and India's traditional costumes and also through irregular pleats of pants. Also, by using cotton materials, which is easy to dye and not readily deformed, costumes feature colors that are found in nature through a gradation dyeing technique. In doing so, it offers visual amusement to the audience by making stage costumes look like a beautiful painting. Fourth, the stage costumes of the chorus feature costumes that use lining and pleated skirts using belts, and various accessories, including necklaces that use strings in order to express evil spirits. Since there is not much time to change costumes during a performance, using such items are helpful to show the unique characteristics of actors effectively during the limited time. Also, coordinating with the lighting director allows the costume designer to make better costumes for the chorus and make the performance more dramatic. Finally, it was not necessary to wash the costumes of the chorus of the fusion musical Hyecho 2006 since it was performed only six times. However, when using dyed costumes for the long-term performance, it might cause problems such as bleaching that result from the washing of costumes and low durability that can result in the deformation of costumes. As performing arts are made in various forms and are diversified, it is needed for stage costumes to change accordingly through new attempts and various ways of expression.

• 감성과학
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• 제19권3호
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• pp.3-14
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• 2016

본 연구에서는 천연염료와 직물종류, 매염유무의 세 가지 조건에 대한 천연염색직물의 물리적 색채 특성을 측정하고, 심리적 색채감성평가를 실시하였다. 이에 대하여 염료의 종류, 직물의 종류, 매염제의 유무에 따른 물리적 색채 특성 차이를 살펴보기 위하여 분산분석을 실시하였으며, 상관관계분석을 통해 물리적 색채 특성과 심리적 감성간의 관계를 분석하고, 회귀분석을 이용해 천연염색에 대한 예측식을 도출하였다. 최종적으로, 천연염색직물에 대한 감성 이미지 맵을 제안하기 위하여 다차원 척도법(Multidimensional Scaling: MDS)을 이용하였다. 이를 통해, 대표적으로 남성적인(masculine)인 이미지에는 무거운, 딱딱한 색채감성을 갖는 치자염색이, 여성스러운(feminine) 이미지에는 밝고 투명하고 부드러우면서 가벼운 색채감성을 갖는 소목과 락, 치자청을 사용한 염색이 적합하다. 내츄럴(natural)한 이미지를 나타내기 위해서는 은은한 색채감성의 쑥 염색이 적절하고, 화려한 색채감성의 쪽으로 염색을 한다면 액티브(active)한 이미지를 가질 수 있을 것이라 예측 가능하다.

• 한국염색가공학회:학술대회논문집
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• 한국염색가공학회 2011년도 제44차 학술발표회
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• pp.34-34
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• 2011

PET/면, 나일론/PET, 나일론/면 등 다양한 복합섬유소재를 염색하기 위해서는 복합섬유소재를 구성하는 각각의 섬유소재에 따라 적합한 염료를 선정하고 그에 맞는 염색방법을 사용하여 진행되고 있다. 하지만 이런 경우 색상과 견뢰도 등의 물성을 맞추기 위한 복잡한 염색공정 및 긴 염색시간에 의한 생산비용 상승 등 여러 문제점이 있다. 이러한 문제점을 해결하기 위해 하나의 염료를 이용하여 다양한 섬유를 염색하는 방법에 대한 많은 연구가 이루어지고 있다. 새로운 염료합성의 경우 섬유와 결합할 수 있는 반응기를 분산염료구조에 도입하여 염색조건에 따라 다양한 섬유를 염색할 수 있는 universal dye의 개발에 초점이 맞추어져 있다. 반응성염료와 분산염료의 특성을 동시에 만족시키기 위한 일환으로서 염료의 분자 구조 내에 상기의 염료특성을 동시에 발휘하는 소위 "반응성 분산염료"의 개발이 이에 속한다. 본 연구의 목적은 화학구조가 다른 네 종류의 sulphatoethylsulphone기를 갖는 반응성분산염료들을 합성하고 이들의 나일론, PET, 면 및 교직물에 대한 염색성을 분석하는 것이다. 면 섬유에 대한 Dye 1~4의 염색온도에 따른 염색성을 살펴보면, 각 염료들의 염색성은 염색온도에 따라 큰 영향을 받고 있음을 알 수 있으며, Dye 1, 4는 염색온도가 높을수록 K/S 값이 증가하고 Dye 2, 3은 염색온도가 낮을수록 K/S 값이 증가함을 알 수 있다. Nylon에 대한 Dye 1의 염색속도는 pH 4 > pH 5 > pH 8 > pH 7 > pH 6의 순서로 나타나 pH 6에서의 염착 평형이 pH 4보다 40분 정도 늦게 도달하였다. 나일론과 PET의 동욕염색에 있어 Dye 1은 나일론의 경우 초기부터 빠른 흡착을 보이며 $100^{\circ}C$가 되는 60분에는 K/S값이 16에 도달하여 염착 평형에 근접한 것을 알 수 있으며, PET는 $100-200^{\circ}C$ 사이에서 염색속도가 빨라지며 본격적으로 흡수하였다. N/C 교직물에 대한 Dye 2, 3의 빌드업성은 두 염료 모두 염료농도의 증가에 따라 K/S 값 역시 선형적으로 증가하는 것으로 나타났다. 나일론 섬유는 네 가지 염료로 우수하게 염색되었고, 면 섬유는 수용성기를 가진 Dye 2와 3, 그리고 PET 섬유는 소수성이 높은 Dye 1과 4가 적합하였다. N/P 및 N/C 교직물의 염색에 있어 나일론 성분으로 염료가 더 많이 흡착하여 나일론섬유가 더 진하게 염색되지만 교직물의 직물조직에 의하여 표면과 이면은 각각 거의 동색으로 보였다.

• 보존과학회지
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• 제30권4호
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• pp.353-364
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• 2014

포름알데히드는 전시 수장 공간에서 농도와 발생빈도가 높아 전통직물(천연염색)에 대한 손상 개연성이 있다. 본 연구는 견, 면, 모시, 삼베의 무염색, 천연염색(적색, 황색, 청색, 흑색) 시편을 대상으로 포름알데히드 0.5, 1, 10, 100, 500ppm 농도에서의 손상, 손상농도 500ppm에서 온습도 조건에 따른 손상과 열화상태에서의 손상을 광학적, 화학적, 물리적 측정방법으로 평가하였다. 이 결과, 포름알데히드 농도 500ppm에서 일부 직물의 색차, 변퇴색등급, 포름산이온 농도, pH가 변화하였으며, 고온 고습조건($30^{\circ}C$, 80%), 고습조건($25^{\circ}C$, 80%)에서는 색차, 변퇴색등급, 포름산이온 농도가 2배 가중되었다. 그러나, 열화직물은 열화정도, 열화 생성물질로 인해 포름알데히드에 의한 손상변화가 미미하였다. 이를 통해 포름알데히드에 의한 전통직물의 손상, 손상농도, 손상가중 조건, 열화상태에서의 손상을 확인하였으며, 포름알데히드는 적색직물의 황변, 열화직물의 황변 탈색, 포름산은 전체직물의 탈색에 영향을 미치는 것으로 나타났다.

• 보존과학회지
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• 제29권3호
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• pp.197-207
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• 2013

이산화질소($NO_2$) 농도에 따른 전통직물의 손상특성을 정량적으로 확인하고자 가스 열화실험을 수행하였다. 견, 면, 모시, 삼베의 무염색직물 시편, 천연염색(적색, 황색, 청색, 흑색)직물 시편을 온도 $20^{\circ}C$, 습도 50%, 환기횟수 1/hr 조건의 가스부식시험기 챔버 내에서 $NO_2$ 0.01, 0.1, 1, 10, 100, 1000 ppm 농도로 각각 1일 노출한 후 광학적, 화학적, 물리적 측정방법으로 손상도를 평가하였다. 이 결과, 전통직물은 $NO_2$ 1 ppm/day에서 색차 증가, 변퇴색등급 저하가 나타났고, 10 ppm/day에서 질산이온($NO_3{^-}$) 농도 증가, pH 감소, 카르보닐기 및 C-$NO_2$ 작용기 증가가 나타났으며, 100 ppm/day에서 인장강도 감소가 나타났다. 또한 무염색직물에서는 견, 삼베의 색차 증가, 삼베의 $NO_3{^-}$ 증가 및 인장강도 감소가 크게 나타났고, 염색직물에서는 청색, 황색직물의 색차 증가, 황색직물의 $NO_3{^-}$ 증가, 삼베, 모시의 인장강도 감소가 크게 나타났다. 이를 통해 $NO_2$에 의한 전통직물의 광학적, 화학적, 물리적 손상농도는 각각 1 ppm/day, 10 ppm/day, 100 ppm/day임을 도출하였다.