• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2018년도 춘계 종합학술대회 논문집
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• pp.151-152
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• 2018

컨셉 앨범(Concept Album)은 "The Beatles - Sgt. Pepper's Lonely Hearts Club Band", "The Who - Tommy" 등이 발매된 1960년대 이후로 계속해서 발전하고 있다. 장르적 발전과 형식적 발전을 거듭하고 있는데, 그에 비해 학술적 연구는 부족한 실정이다. 본 연구에서는 컨셉 앨범의 발전 경향을 알아보기 위해 컨셉 앨범의 시대적 구분 기준을 마련한다. 또한 이러한 시대적 구분에 따라 각 시대의 컨셉 앨범이 어떤 특징을 보이는지 살펴봄으로써, 2000년대 이후 다양해지는 컨셉 앨범에 대한 분석 기틀을 마련한다.

• 한국자원식물학회지
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• 제32권5호
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• pp.478-485
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• 2019

마이크로웨이브 균일분산 시스템을 이용하여 자연생태계에 영향을 주지 않고 잡초종자발아를 제어함으로써 토양 및 수질오염에 영향을 주지 않는 새로운 개념의 제초제 대안을 제시하고자 한다. 명아주(Chenopodium album var. centrorubrum), 쇠비름(Portulaca oleracea)과 한련초(Eclipta prostrata)의 식물에 대한 마이크로웨이브의 토양 함수량별, 깊이별 조사한 결과 균일 분사된 마이크로웨이브를 이용한 잡초 종자의 발아율 측정에서 마이크로웨이브는 토양 함수량에 따른 종자의 발아조절에는 토양 함수량 20%, 30%에서 최고의 효율이 나타났으며, 토양의 깊이에는 별 영향을 받지 않는 것으로 나타났다. 마이크로웨이브 조사시간은 30초 이상 조사시 잡초 종자의 발아를 억제 할 수 있는 것으로 나타나 적절한 토양 함수량(20~30%) 및 이에 따르는 30초 이상 조사한 마이크로웨이브의 균일분산 시스템을 통해 제초제를 대신하여 잡초종자발아를 조절할 수 있을 것으로 생각된다.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제5권7호
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• pp.1346-1367
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• 2011

As the size of camera modules is decreasing and as the computing performance of portable devices is improving, taking photos has become a part of daily life. However, existing photo management programs and products that manage such photos still require extensive user effort to facilitate the sharing and browsing of images. It is especially difficult for novice users to manage and share photos. In this paper, we develop a round-robin concept-driven user preference feedback mechanism for achieving direct photo sharing, instant display, and easy management using optimized user controls and user preference-driven classification. Compared with commercial photo management systems, our proposed solution provides new features: optimized user controls, direct sharing and instant display, and user preference feedback driven classification. These new features boost the round-robin concept-driven user preference feedback. This paper proposes a photo finder that automatically searches for photos in storage spaces or cameras. The proposed photo finder relies on user preference feedback to share photos by leveraging user preferences, and the round-robin connection transmits photos to the family's digital photo frame or web album by arbiter. The proposed method saves time and spares users the effort required for photo management. Moreover, this method does not merely direct photo sharing and simple photo management, but it also increases the satisfaction level of users viewing the photos.

• Asia Marketing Journal
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• 제22권4호
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• pp.117-149
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• 2021

Over seven years, BTS have organically embedded consistent mental health messaging and modelling of various mental health modalities, representing innovation within mental health discourse, within and outside the pop and K-pop culture and fandom. Their personal and artistic journeys have resulted in songs, imagery, and relationship dynamics within the group and within and between their fans ARMY, that organically model behaviours associated with mental health therapeutic modalities and normalize the discussion of mental health and well-being. This practice is vitally important in the effort to end stigma and encourage mental health well-being and recovery. BTS's authenticity establishes empathy with their audience ARMY and increases their ability to deliver these messages effectively. This includes fostering the creation of a peer support community within the group that extends to their fanbase ARMY, and from which fan-created mental health programs have emerged. BTS's innovation will be explored by examining content creation throughout their career, illustrating their consistent and organic messaging, culminating in overt and conscious mental health content in their latest album BE, which was released three weeks after the initial paper was presented, and provides proof of concept.

• 한국게임학회 논문지
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• 제5권1호
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• pp.45-52
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• 2005

조선시대의 기생의 기원과 제도, 기생의 역할, 평양기생학교를 통한 기생의 원래의 의미인 전통적인 조선시대의 아티스트(Artist)임을 재조명하고, 기생학교의 제도와 규칙, 교육과정, 수업시간표, 졸업 앨범, 각종 사진첩을 통해서 조선시대의 기생의 역할과 평양기생학교 등의 재조명 및 분석을 통하여 전통적인 문화를 디지털콘텐츠의 창작소재로 발굴하므로 이를 디지털콘텐츠인 게임콘텐츠, 디지털애니메이션, 드라마, 영화화 할 수 있도록 소재화 하는 것이 본 논문의 목적이다. 특히, 조선의 기생의 아름다움과 아트적인 재능, 사회제도 및 기생학교 등을 발굴하여 원화기획(컨셉 디자인) 및 디지털시나리오 화하므로 경제성이 강한 문화콘텐츠로 발전시키며, 평양기생학교의 교육시스템, 교육내용, 학생 현황 등을 발굴하여 육성 및 경영시뮬레이션 게임의 제작 컨셉 도출 및 게임제작, 애니메이션 및 TV드라마, 디지털 애니메이션 및 영화 제작의 문화콘텐츠의 창작소재로 활용할 수 있도록 제안한다.

• 한국의류산업학회지
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• 제19권6호
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• pp.671-680
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• 2017

Contemporary people can form a broad social sympathy on cultural products based on the present Korean image. K-pop is good material to use to share korean culture, and fans who are enthusiastic here are increasingly demanding cultural products. The visual materials of Bangtan Boys are collected from their album covers, and a concept book, and divided into specific and symbolic images. Based on this motif, three specific images: 'bulletproof vest', 'army house + superhero extract image', and 'Wings symbol', six designs were proposed. In addition, six motifs from the music videos for recent popular songs, 'Spring Day', 'Blood, Sweat and Tears' and 'Burning Up' were selected as symbolic images. Each selected image is divided into a normal line and a special line. The former is a relatively small, stable, and popular style, and the latter is a large, original, and bold style. By drawing and transforming extracted images and motifs using Adobe Illustrator CS6 and Adobe Photoshop CS6 program, a full-width umbrella design was developed. The messages that the Bangtan Boys wants to convey through their music are put into cultural products that contemporaries can sympathize with. By developing umbrellas, a variety of items and design goods can become desirable points of consumption as high-value products by domestic and foreign fandom. If designs that incorporate various elements of future K-pop contents as well as other Korean Wave contents are developed, it will be possible to develop original design products that will form global understanding.

• 영어영문학
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• 제55권2호
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• pp.293-314
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• 2009

Leslie Marmon Silko's Storyteller does not belong to a typical category of books, for it looks more like a family album with photographs, poems and Pueblo narratives as well as short stories authored by her. This 'book' without any chapters defies a traditional concept of books we are familiar with. In addition to refusing to be labelled as a conventional book, I argue, Storyteller defies the tradition of Western personal writing in that it shows the collective power of stories. That is, stories have the collective power which is impersonal beyond personal, internalized identity. It does not mean, however, the collective power comes from groups rather than individuals. It is not the conventional opposition of group and individual but that of group and collectiveness that matters here. I draw a distinction between group and collectiveness on the ground that the former actually groups individuals into categories with which individuals identify themselves. It is not group but collectiveness where stories find their power. "Storyteller," the first of eight short stories in the book, tells the story of an unnamed protagonist, a Yupik Eskimo girl, who takes revenge of her parents who died after drinking poisoned alcohol sold by a white storeman. There are four layers of stories in this short story. The first one is the old man's story of a blue glacier bear; the second one is a revenge story of the Yupik girl; the third one is a story told by the girl to the attorney after being arrested for the death of a storeman. And the final one is the story told to us by Silko, entitled "Storyteller." Although the structure of story within story resembles a technique of metafiction at a glance, it surely is a characteristic of Pueblo narratives in general, according to Silko. This kind of stories within stories refers to the collective power of story which, like a spider's web with many little threads radiating from the center and crisscrossing one another, is also a characteristic of stories on the Web today.

• 패션비즈니스
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• 제25권5호
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• pp.114-130
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• 2021

The purpose of this study is to analysis BTS's image based on Peirce's semiotics. Methodologies of this study are literature study to analyze the structure of idol image based on Peirce's theory of signs, case study and FGI analyzing the semiotic characteristics of BTS images. The research results of analyzing the semiotic features of BTS images by period of the BTS album are as follows. First, in the early days of their debut, they emphasized the image of hip-hop and expressed their will to resist and rebel against the older generation with a challenging and strong image. Second, during the 'The most beautiful day of life' period, image of wandering, rebellion, growth, and youth of teenagers was expressed. Third, in the 'Love Yourself' period, BTS showed various image changes between natural and pure image to splendid image by expressing the process of finding confidence during chaotic moment of growing. Fourth, during the 'Map of the Soul' period, the exploration and reflection on themselves were expressed in an outwardly splendid and bright manner, while at the same time expressing the inner darkness in a contrasting manner. Fifth, in the 'pandemic period', they expressed hopeful energy and willness with the image of mature and attractive man and bright and casual image. Their growth and change have been directly linked to the change of their image, and their image showed a successful signification with complementary combination of icons, indexes, and symbols.

• 디지털융복합연구
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• 제13권11호
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• pp.409-415
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• 2015

인터넷이나 소셜 네트워크 서비스 등의 매체가 발달함에 따라 아티스트는 자신의 개성을 확립하기 위해 예전보다 보다 많은 노력을 해야 하는 시대가 되었다. 과거의 아티스트가 가창력이나 무대 매너 등 표면적으로 드러나는 요소만으로도 충분했다면, 최근에는 음악성, 삶의 철학, 사회 참여 등 자신의 정체성과 관련된 많은 분야에도 세심한 주의가 필요하다. 이러한 관점에서 1990년대 발라드를 대표하는 아티스트중 하나인 이승환을 주목하고자 한다. 그의 음악에서 나타나는 특징은 록 사운드를 기반으로 한 다양한 악기를 활용, 월드뮤직 사운드, 대규모 합창, 새로운 스타일에 대한 도전, 삶이 담겨있는 가사 등 크게 다섯 가지로 나눌 수 있다. 이승환은 싱어 송 라이터로서 수많은 앨범을 자신만의 색으로 채우며 한 시대를 풍미했으며, 지금도 활발하게 활동하고 있는 현재 진행형 아티스트이다.