• 제목/요약/키워드: and painting

검색결과 1,571건 처리시간 0.033초

자동차 도장공정의 생산성 향상을 위한 시뮬레이션 분석 (Analysis of the Productivity of Automobile Painting Process Using Computer Simulation)

  • 김원경
    • 한국시뮬레이션학회논문지
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    • 제8권2호
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    • pp.73-85
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    • 1999
  • In this paper, the productivity estimation of the painting line in an automobile plant is studied. To improve the bottleneck and the weak point of the process, computer simulations are performed. In determining the system specification, the status of the conveyor lines and the other physical facilities are considered in order not to intervene with each other and to satisfy the painting facility restrictions. As simulation parameters, production performance ratio, number of hanger and dolley, down time, speed of conveyor and the pitch of a painting body are chosen on the basis of exhaustive field evaluation to study their effects on the capacity of the process. The results of the simulation show that we can improve the capability of they system without additional investment to the plant facility. The best condition for the maximum capacity of the process is selected by comparing the alternative computer simulation results. As a simulation language, Promodel is used which is very useful and easy to use in manufacturing oriented simulation.

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왕세자출궁도의 복식 연구 I - 입학례를 중심으로- (The Study of Costumes in Wangse ja chulgungdo - Centering around Its Ceremony-)

  • 임재영
    • 복식
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    • 제28권
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    • pp.169-186
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    • 1996
  • Wangeja Chulgungdo (The Painting for a Crown Prince's Outgoing for Schooling to Sungkyunkwan) for this study which is held by the Korean university Museum is a kind of documentary paintings which not only have the value of art history but also give a glimpse of the court ceremonies for a Crown Prince. This painting offers various historical clues to understand the procedure for a Crown Prince's official entrance of Sungkyunkwan participants of the ceremony and other ceremony-related items$\ulcorner$Wangseja chulgungdo$\lrcorner$ was the painting drawn for a series of court procedures of Crown Prince Munjo's official en-trance of Sungkynkwan. When he was old enough to begin learning Sohak on March 11. 1817 that is ; he held Heonjakrye(a ceremony for offering drinks to the ancestors) at Munmyo passed Iphakye(a ceremony for en-trance of school) at Myungryundang and received Suharye the next day. $\ulcorner$Wangseja Chulgungdo$\lrcorner$ had the strong char-acteristics of documentary paintings in terms of art history which was intended to leave the historical event of a Crown Prince's entrance. It reflected the traits of documentary painting style in late Chosun Dynasty; a technique that strongly relieved the ceremonial scenes against the background such as mountains and rivers; a painting that not only captured the vivid actions of personalities ar the crucial moment of the ceremony but also depicted the cer-emonial vessels and items very realistically. Authors could confirm the ceremonial think-ing of the traditional society through a Crown Prince's entrance which controlled the details of every part of the performances of the court ceremony.

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코팅재로서 MMA 개질 폴리머 페이스트의 내구성능 평가 (Evaluation of Durability on MMA-Modified Polymer Paste for Coating materials)

  • 연규석;이현종;주명기;김성기;이지원
    • 한국콘크리트학회:학술대회논문집
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    • 한국콘크리트학회 2005년도 추계 학술발표회 제17권2호
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    • pp.807-810
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    • 2005
  • In this study, MMA-modified paste of coating material for protecting the concrete structures was developed. The coating material was applied to cement concrete specimens by brush, roller and spray in each of which one, two and three layers to survey, by the cold-hot iterative test, the neutralization test, the chloride ion permeation test and the ante-abrasion test, the affect of painting methods and layers influencing on the durability of coating material. Results of the cold-hot iterative test showed that, regardless of the painting methods and layers, the defects such as crack or fuzz on surface were not produced. As the number of painting layers increased, the neutralization prevention as well as the chloride ion permeation prevention effects were increased. On the other hand, no difference was found between the painting methods. Reducing weight by abrasion of polymer paste coating material was $20\%$ comparing to that of cement mortar.

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노면사인 도색로봇 시스템의 제어 알고리즘 (Control System of Roadway Sign Painting Robot)

  • 신현호;이우창;유지훈;홍대희;최우천;김태형
    • 한국정밀공학회:학술대회논문집
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    • 한국정밀공학회 2003년도 춘계학술대회 논문집
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    • pp.1723-1726
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    • 2003
  • Clean and well maintained roadway signs are important for preserving driver's safety. The existing signs on the roadway must be periodically re-painted in order to maintain clean state. However, current sign painting operations are manually performed now. These are very slow and workers are exposed to very dangerous and hazard working environment. In this paper, we present the method for automating this job with gantry robot and spray system. In addition, we suggest two design concepts to resolve the problem that it is impractical to make the gantry system so big as to cover whole lane width. In order to show the validity of this system, the painting operation is simulated and experimentally executed.

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감로왕도 불교세계관과 로그라이크 게임요소 융합 연구 (A Study on the Convergence for the Nectar Ritual Painting of Buddhist Worldview and Game Elements of Rogue-like)

  • 이영숙
    • 한국게임학회 논문지
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    • 제20권2호
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    • pp.35-44
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    • 2020
  • 본 연구에서는 불교세계관을 게임에 융합하는 방안 제안을 목적으로 한다. 분석대상으로 로그라이크(Rogue-like)게임 던그리드(Dungreed)와 감로왕도(甘露王圖)를 선정하였다. 다음으로, 감로왕도의 불교세계관 특성과 로그라이크 게임 던그리드를 비교 분석하였다. 그 결과, 본 연구는 불교세계관의 특성에서 나타난 로그라이크 게임요소를 제안하였다. 향후, 불교세계관을 통해 게임의 확장성을 살펴보고자 한다.

색상 기반 회화 감성 추출 방법에 관한 연구 (A Study on Method for Extracting Emotion from Painting Based on Color)

  • 심현오;박성주;윤경현
    • 한국멀티미디어학회논문지
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    • 제19권4호
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    • pp.717-724
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    • 2016
  • Paintings can evoke emotions in viewers. In this paper, we propose a method for extracting emotion from paintings by using the colors that comprise the paintings. For this, we generate color spectrum from input painting and compare the color spectrum and color combination for finding most similarity color combination. The found color combinations are mapped with emotional keywords. Thus, we extract emotional keyword as the emotion evoked by the painting. Also, we vary the form of algorithms for matching color spectrum and color combinations and extract and compare results by using each algorithm.

Studies on Sized Silks for East Asian Painting Background

  • Lee, Boyoung;Ryu, Hyo Seon
    • 보존과학회지
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    • 제35권1호
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    • pp.1-10
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    • 2019
  • This study provides a comprehensive evaluation of general characteristics of sized silk fabrics for the painting purpose. Two particular types of silk fabrics used for painting background were compared: a recreation of historical material and a mass produced material of present day. The sizing process made the surface characteristics of the silk fabrics more suitable for painting. The dyeing properties of the fabrics were related to the surface area of the fabrics, and had no significant effect on their mechanical properties. The antibacterial activity of the tannin-based natural dyestuffs were maintained after the sizing. The performance assessment by the KES-FB system showed that the fabrics are more prone to deteriorate after the sizing because the glue layer receives the most of the physical stresses.

Digital immersive experiences with the future of shelf painting -From "Kandinsky, the Abstract Odyssey."

  • Feng Tianshi
    • International Journal of Advanced Culture Technology
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    • 제12권1호
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    • pp.123-127
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    • 2024
  • In the early 20th century, Walter Benjamin analyzed the changes in the value of traditional art forms under the industrial era and the changes in the aesthetic attitude of the masses. A century later, in the contemporary multi-art world, the traditional medium of shelf painting is once again experiencing a similar situation as the last century. Emerging technology display modes such as digital virtual reality and digital immersive experience can achieve digital reproduction of paintings on shelves and reach a certain level of performance, which once again shocks the public's aesthetic perception. This paper attempts to illustrate the outstanding characteristics of the new art form after digital reconstruction by exploring the transformation and sublimation of digital technology to shelf painting. We predict that art research on future reality and augmented reality according to the artificial intelligence era will be conducted in depth in the future.

들뢰즈 회화론의 공간인식에 의한 렘 쿨하스 건축의 실내공간에 관한연구 (A Study on Interior Space in Rem Koolhaas' Architectures through Space Recognition of Deleuze's Painting Theory)

  • 홍선미;김문덕
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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    • pp.115-120
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    • 2006
  • This study concentrates on a new idea that is formulated as a creative space recognition in contemporary architecture and painting. It is stimulated from Deleuze's philosophy, which is expressed with the philosophical instrument, "Non-Representation". After discussing the concept of non-representation used in Deleuze's philosophy, case example in contemporary architecture are analysed to comparatively Investigate the relationship between the architectures by Rem Koolhaas and painting by Francis Bacon. Therefore, he founds expressions of "diagram" and "movement" in painting of F. Bacon. Diagram meansit is a power that is comprised of various points of wiew with the kind experiences that one has in life. Movement that were extracted form the Instrument in space recognition of Deleuze's panting theory were of topology, insertion of geometry, reiteration of layers, transparency and translucency, reflection effect.

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강화액 소화약제에 의한 목조 문화재 단청의 훼손에 관한 연구 (A Study on the Damage of Red and Blue Painting of the Wooden Cultural Assets by Using the Loaded Stream Extinguishant)

  • 이창우;최돈묵
    • 대한안전경영과학회지
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    • 제11권1호
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    • pp.59-65
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    • 2009
  • The aim of these studies is to confirm the red and blue painting damages during the fire suppression of wooden cultural assets by using the loaded stream charge extinguishant. As a results of these experiments, the ingredients of extinguishant existing on the surface of wooden cultural assets were perfectly eliminated by the water washing only. Any changes on the surface of wooden cultural assets couldn't be detected. Moreover, any color changes of the red and blue painting didn't occur.