• Journal of Korea Multimedia Society
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• v.4 no.2
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• pp.97-107
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• 2001

In this paper, an illuminant estimation algorithm of a chromatic digital images proposed. The proposed illumination estimation method has two phases. First, the surface spectral reflectances are recovered. In this case, the surface spectral reflectances recovered are limited to the maximum highlight region (MHR) which is the most achromatic and highly bright region of an image after applying intermediate color constancy process using a modified gray world algorithm. Next, the surface reflectances of the maximum highlight region are estimated using the principal component analysis method along with a set of given Munsell samples. Second, the spectral distribution of reflected lights of MHR is selected from the spectral database. That is a color difference is compared between the reflected lights of the MHR and the spectral database that is the set of reflected lights built by the given Munsell samples and a set of illuminants. Then the closest colors from the spectral database are selected. Finally, the illuminant of an image can be calculated dividing the average spectral distributions of reflected lights of MHR by the average surface reflectances of the MHR. In order to evaluate the proposed algorithm, experiments with artificial and real captured color-biased scenes were performed and numerical comparison examined. The proposed method was effective in estimating the spectral of the given illuminant sunder various illuminants.

• Journal of Platform Technology
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• v.11 no.5
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• pp.59-71
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• 2023

This paper proposes a method of estimating the illumination chromaticity of a scene in which an image is taken. Storring and Bianco proposed a method of estimating illuminant chromaticity using skin color. Storring et al. used skin color distribution characteristics and black body locus, but there is a problem that the link between the locus and CIE-xy data is reduced. Bianco et al. estimated the illuminant chromaticity by comparing the skin color distribution in standard lighting with the skin color distribution in the input image. This method is difficult to measure and secure as much skin color as possible in various illumination. The proposed method can estimate the illuminant chromaticity for any input image by analyzing the relationship between the skin color information and the illuminant chromaticity. The estimation method is divided into an analysis stage and a test stage, and the data set was classified into an analysis group and a test group and used. Skin chromaticity is calculated by obtaining skin color areas from all input images of the analysis group, respectively. A mapping is obtained by analyzing the correlation between the average set of skin chromaticity and the reference illuminant chromaticity set. The calculated mapping is applied to all input images of the analysis group to estimate the illuminant chromaticity, calculate the error with the reference illuminant chromaticity, and repeat the above process until there is no change in the error to obtain a stable mapping. The obtained mapping is applied to the test group images similar to the analysis stage to estimate the illuminant chromaticity. Since there is no independent data set containing skin area and illuminant reference information, the experimental data set was made using some of the images of the Intel TAU data set. Compared to Finlayson, a similar theory-based existing method, it showed performance improvement of more than 40%, Zhang 11%, and Kim 16%.

• Journal of Broadcast Engineering
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• v.18 no.1
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• pp.21-30
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• 2013

It is a challenging problem to most of the image processing when the light source is unknown. The color of the light source must be estimated in order to compensate color changes. To estimate the color of the light source, additional assumption is need, so that we assumed color distribution according to the light source. If the pixels, which do not satisfy the assumption, are used, the estimation fails to provide an accurate result. The most popular color distribution assumption is Grey-World Assumption (GWA); it is the assumption that the color in each scene, the surface reflectance averages to gray or achromatic color over the entire images. In this paper, we analyze the characteristics of the camera response function, and the effect of the Grey-World Assumption on the pixel value and chromaticity, based on the inherent characteristics of the light source. Besides, we propose a novel method that detects important pixels for the color estimation of the light source. In our method, we firstly proposed a method that gives weights to pixels satisfying the assumption. Then, we proposed a pixel detection method, which we modified max-RGB method, to apply on the weighted pixels. Maximum weighted pixels in the column direction and row direction in one channel are detected. The performance of our method is verified through demonstrations in several real scenes. Proposed method better accurately estimate the color of the light than previous methods.

• KIPS Transactions on Software and Data Engineering
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• v.10 no.11
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• pp.457-464
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• 2021

The advent of the big data era has enabled the rapid development of deep learning that learns rules by itself from data. In particular, the performance of CNN algorithms has reached the level of self-adjusting the source data itself. However, the existing image processing method only deals with the image data itself, and does not sufficiently consider the heterogeneous environment in which the image is generated. Images generated in a heterogeneous environment may have the same information, but their features may be expressed differently depending on the photographing environment. This means that not only the different environmental information of each image but also the same information are represented by different features, which may degrade the performance of the image analysis model. Therefore, in this paper, we propose a method to improve the performance of the image color constancy model based on Adversarial Learning that uses image data generated in a heterogeneous environment simultaneously. Specifically, the proposed methodology operates with the interaction of the 'Domain Discriminator' that predicts the environment in which the image was taken and the 'Illumination Estimator' that predicts the lighting value. As a result of conducting an experiment on 7,022 images taken in heterogeneous environments to evaluate the performance of the proposed methodology, the proposed methodology showed superior performance in terms of Angular Error compared to the existing methods.

• Journal of Korean Society for Quality Management
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• v.44 no.3
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• pp.527-540
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• 2016

Purpose: The purpose of this study was to propose contrast metric which is based on the human visual perception and thus it can be used to improve the quality of digital images in many applications. Methods: Previous literatures are surveyed, and then the proposed method is modeled based on Human Visual System(HVS) such as multiscale property of the contrast sensitivity function (CSF), contrast constancy property (suprathreshold), color channel property. Furthermore, experiments using digital images are shown to prove the effectiveness of the method. Results: The results of this study are as follows; regarding the proposed contrast measure of complex images, it was found by experiments that HVS follows relatively well compared to the previous contrast measurement. Conclusion: This study shows the effectiveness on how to measure the contrast of complex images which follows human perception better than other methods.

• Journal of Broadcast Engineering
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• v.19 no.1
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• pp.75-82
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• 2014

This paper proposes an illuminant compensation method using a camera noise analysis without segmentation in the dichromatic reflectance model. In general, pixels within highlight regions include large amounts of information on the image illuminant. Thus, the analysis of highlight regions provides a relatively easy means of determining the characteristics of an image illuminant. Currently, conventional methods require regional segmentation and the accuracy of this segmentation then affects the illuminant estimation. Therefore, the proposed method estimates the illuminant without segmentation based on a conformity assessment of highlight regions. Furthermore, error factors, such as noise and sensor non-uniformity, can be reduced by the conformity assessment.

• Journal of Broadcast Engineering
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• v.17 no.1
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• pp.195-198
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• 2012

The N basis functions are typically chosen so that Surface reflectance functions(SRFs) and spectral power distributions (SPDs) can be accurately reconstructed from their N-dimensional vector codes. Typical rendering applications assume that the resulting mapping is an isomorphism where vector operations of addition, scalar multiplication, component-wise multiplication on the N-vectors can be used to model physical operations such as superposition of lights, light-surface interactions and inter-reflection. The vector operations do not mirror the physical. However, if the choice of basis functions is restricted to characteristic functions then the resulting map between SPDs/SRFs and N-vectors is anisomorphism that preserves the physical operations needed in rendering. This paper will show how to select optimal characteristic function bases of any dimension N (number of basis functions) and also evaluate how accurately a large set of Munsell color chips can approximated as basis functions of dimension N.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.37A no.12
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• pp.1054-1064
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• 2012

HDR (high dynamic range) tone mapping algorithms are used in image processing that reduces the dynamic range of an image to be displayed on LDR (low dynamic range) devices properly. The retinex is one of the tone mapping algorithms to provide dynamic range compression, color constancy, and color rendition. It has been developed through multi-scale methods and luminance-based methods. Retinex algorithms still have drawbacks such as the emphasized noise and desaturation. In this paper, we propose a multi scale tone mapping algorithm for enhancement of contrast, saturation, and noise of HDR rendered images based on visual brightness functions. In the proposed algorithm, HSV color space has been used for preserving the hue and saturation of images. And the algorithm includes the estimation of minimum and maximum luminance level and a visual gamma function for the variation of viewing conditions. And subjective and objective evaluations show that proposed algorithm is better than existing algorithms. The proposed algorithm is expected to image quality enhancement in some fields that require a improvement of the dynamic range due to the changes in the viewing condition.

• Journal of the Korean Society of Costume
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• v.60 no.3
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• pp.26-43
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• 2010

The inflow of digital technology into the art, especially in the Fashion Illustration since 1990, makes the new aesthetics of the beginning of the 21 century which the Software aesthetics can be called. The meeting of technology and the art make us recall a great scientist and artist, Leonardo da Vinci in the Renaissance that the notion of the art and skill was unified, same as the ancient history. This study is purposed to expand the concept of the art for the broad exchange of the digital technology and art and for the extensive expression method of the modern fashion illustration. Having views on science theory of the beginning of the 20 century, Theory of Relativity which had given a lot of influence in the philosophy, the litterature and the art, as well as all the science, it makes a connection with the history of art in the beginning of the 20 century and the story of the digital art in the beginning of the 21 century. Firstly, the Fauvism and 2D is based on the expression of the glowing and bright color by the Principle of constancy of light velocity. Secondly, the Cubism and 3D is associated with the Special theory of relativity in the cyberspace which the space and the time are totally accorded. Thirdly, the Futurism and 4D is compared with the General theory of relativity which contains the material and the gravity. They are gradually evolved into the Interactive art and the Kinetic art by the digital technology in the profound cyberspace.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.43 no.6 s.312
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• pp.1-10
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• 2006

Most display characterization methods, such as the gain-offset-gamma (GOG) model and S-curve model, generally assume that displays have two fundamental characteristics, channel -chromaticity-constancy and channel-independence. However, these assumptions are not so applicable in the case of liquid crystal (LC)-based mobile displays. Accordingly, modifications are required to enable the application of conventional display characterization methods to mobile displays. Therefore, this study proposes the modeling of distinct EOTFs in terms of the X, Y, and Z values for each channel to consider the differences among the EOTFs resulting from channel-chromaticity-inconstancy. In addition, to overcome the poor additivity property among the channels due to channel-interaction, the proposed method also models and uses the EOTFs of the X, Y, and Z values for the inter-channel components cyan, magenta, yellow, and gray Experimental results confirm that the mobile display color values predicted by the proposed characterization method are more accurate than those predicted by other characterization methods due to considering the channel-chromaticity-inconstancy and/or channel-dependence of the display.