• Title/Summary/Keyword: ancient documents

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The Bodongbiyo Medical Stuffs Quoted in Uibangyuchwi (『의방유취(醫方類聚)』에 인용된 『보동비요(保童秘要)』의 본초(本草) 고찰을 통해 본 조선(朝鮮) 전기(前期) 소아의학(小兒醫學))

  • Lee, Gha Eun;Ahn, Sang Woo
    • The Journal of Korean Medical History
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    • v.20 no.1
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    • pp.30-40
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    • 2007
  • Uibanyuchwi, published in 1477, includes the contents of many lost ancient Korean and Chinese medicine documents. Through studying Uibanyuchwi, the ancient Korean pediatry medical document Bodongbiyo could be restored. Bodongbiyo was Korea's representative medical document of the pediatry field that was used until early Chosun dynasty. It was influenced by China's Big medical text, Taepyungseonghaebang and many mineral and animal medical stuffs are listed there. This was influenced by its contemporary factors.

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A Study of Names Used on Seals in the Age of Civil Wars in China (중국전국시대 인장(印章)에 반영된 인명 특징 연구)

  • Moon, Byung-soon
    • Cross-Cultural Studies
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    • v.19
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    • pp.25-38
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    • 2010
  • The "Name" is not only representative of a person but also a cultural heritage containing national cultures. Therefore, we can easily find some cultural value from the square inch sized seal texts. This article is a comprehensive study of the characteristics of names appeared on the seals in the Warring States Period. In the Warring States Period, single name is generally used for naming and this style can be divided into 13 categories. Except unavoidable cases, such as using the name of place, the name of person or the reason of physical characteristics, using double name is very rare and this style can be categorized by 8 kinds. In result, using double name is defined as a fringe method of naming in the Warring States Period. In addition, we can find a big difference between the names of Warring States Period and those of Post-Qin and Han Dynasties in the structural aspects. In conclusion, understanding of the characteristics of names from the Warring States Period can be a great help to better understanding of ancient books and unearthed documents.

'고(古)'의 시대구분(時代區分) 고찰(考察) - 《설문해자(說文解字)》 및 그 연구서류와 관련 자전류(字典類)에서의 의미 해석(解釋)

  • Lee, Gyeong-Suk;Mun, Chi-Ung
    • 중국학논총
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    • no.67
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    • pp.43-60
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    • 2020
  • This paper explores the upper and lower contexts of the literature, and examines the meaning that the context intends to say and the era indicated by '古'. This not only helps to objectively and concretely recognize and interpret the "old" era, it can also be used to dig deeper into the meaning of the literature. In particular, such research is expected to play an even greater role in the literature that needs to clarify historical facts. '古' can be specified differently depending on the literature. In this paper, in particular, focusing on this point, in order to examine more closely how the periodic interpretation of '古' was done, the interpretation and usage examples of '古' were intensively examined. Notable items in the meaning of '古' are the meanings of beginning, ancestor, always, forever, and so on. In particular, in historical literature, the first beginning of civilization was viewed as 'old'. It is emphasized that the age of pay wages is viewed as the "old" at the base point.

A Study on the Origin of "Myeongnyundang(明倫堂)", the Common Name of the Main Lecture Halls at Confucian Schools -Based on Chinese Historical Documents- ("명륜당(明倫堂)" 명칭의 유래에 관한 연구 -중국의 역대 고문헌을 중심으로-)

  • Baik, So-Hun
    • Journal of architectural history
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    • v.30 no.2
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    • pp.7-18
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    • 2021
  • This paper studied the origin of Myeongnyundang(明倫堂), the common name of the main lecture halls at confucian schools in ancient China. Through an extensive investigation of local chronicles, biographies, decrees and construction essays, it found the first Myeongnyundang were titled on the main hall of a local school in the early Southern Song(南宋) period, and it might become the most popular name due to Zhuxi (朱熹), a famous confucian scholar in the Southern Song dynasty. In Yuan(元) period, it almost become the fixed name for the main lecture hall at local confucian schools, and even the official government documents began to use it as a common noun since the beginning of Ming(明) dynasty.

A Study of Distorted Document Image Restoration using Structured Light (Structured Light를 이용한 왜곡된 문서 영상 복원에 관한 연구)

  • 곽규섭;채옥삼
    • Proceedings of the IEEK Conference
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    • 2000.11d
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    • pp.235-238
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    • 2000
  • This paper describes the implementation of document image restoration system for the geometric distortion using structured light. To get accurate document images, the bounded book must be flattened by pushing down the book with a class plate. However, most of ancient documents are too fragile to be pushed. The proposed system restores the distorted character image due to geometric distortion.

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A bibliographical analysis on the studies of history of Korean women (우리나라 여성사연구의 서지적 고찰)

  • 유소영
    • Journal of Korean Library and Information Science Society
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    • v.35 no.2
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    • pp.115-133
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    • 2004
  • The literature on Km women's history from ancient times to the end of the Japanese occupation is collected and analyzed The total number of documents treated in this paper is 369. The documents, all written by 2003 include books, theses for master's and Ph. D. degrees, journal articles, and digital papers on the Internet home pages. The results shows that the favored themes of the researchers were women's status, education, and arts. Other subjects include women's activities, daily life, biographies, and religion. The most preferred period was the Chosun Dynasty and the least preferred period was the Koryo Dynasty. The usual method of these documents is narrative. There are few attempts to compare women's history of Korea with that of other countries.

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A Study on Musical Theory of Ancient Score and Anthology in 19th Century - Focused on - (19세기 고악보(古樂譜) 가집(歌集)의 음악론(音樂論) 고찰(考祭) - <서(序)>를 중심(中心)으로 -)

  • Moon, Joo-Seok
    • Sijohaknonchong
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    • v.26
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    • pp.187-222
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    • 2007
  • Out of total 39 documents to research musial theory appearing in the introduction of ancient score and anthology in 19th century, ancient scores including introduction were $\ulcorner$GeumboJeongseon(琴譜精選)$\lrcorner$ $\ulcorner$ChilhyeonGeumbo(七絃琴譜)$\lrcorner$ $\ulcorner$HyeongeumOeumTonglon(玄琴五音統論)$\lrcorner$ $\ulcorner$HyeongaGuebeom(絃歌軌範)$\lrcorner$ and $\ulcorner$JukchwiGeumbo(竹醉琴譜)$\lrcorner$ and anthologies were $\ulcorner$GyobangGayo(敎坊歌謠)$\lrcorner$ $\ulcorner$SeungpyeongGok(昇平曲)$\lrcorner$ $\ulcorner$GagokWollyu(歌曲源流)$\lrcorner$ and $\ulcorner$GeumokChongbu(金玉叢部)$\lrcorner$. The results of this study are summarized as followings ; First, the introduction of ancient score reads that musicians should have inherent character and right mind and harmonious sound exerts influence on human being. It emphasized that the proper expression of music is the stabilized mind and right idea. Second, the introduction of anthology lays stress on proper meaning, that is, lyrics that is not indecent nor loose. It asserted that right lyrics should not be pressing nor frivolous, but rather slow. Lastly, the introduction of both ancient score and anthology commonly present 'recovery of ancient music'. It was confirmed that the ultimate purpose of intellectuals and musicians in 19th century was to aim at slow, but harmonious and right music.

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The Study of Ancient Hat on The Oracle Bone Inscription and Bronzeware Script (갑골문(甲骨文)과 금문(金文)의 고대(古代) 관모(冠帽) 고찰(考察))

  • Kim, Jin Seon;Cho, Woo Hyun
    • Journal of the Korean Society of Costume
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    • v.67 no.2
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    • pp.101-115
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    • 2017
  • Ancient documents, characters, and relics are the utmost important materials when it comes to researching ancient clothing. Of these, the ancient characters explain the contents of the time, which makes it an objective historical record. China has hieroglyphics, such as oracle bone inscription and bronzeware script, which existed in Sang[Eun] Ju era. This character is formed by a simple line and detailed drawing, showing the object or the concrete form and characteristics, so the reader can understand the meaning. Oracle bone inscription and bronzeware script, which are written in pictograph, include contents that help to grasp the original shape and form of ancient official hats. Chinese characters Geon(巾, 건) Byun(㝸, 변) Myun(免, 면) Mo(冒, 모) Ju(冑, 주) and Kwan(冠, 관), which are the names of the official hats, have been researched, and Mi(美, 미) Ryung(令, 령) Wang(王, 왕) and Hwang(皇, 황), which are the characters related to the official hats, have been studied. Geon(巾, 건) switched its form from shape of material around waist to wraping wearer's head. Byun(㝸, 변) is a hat with decoration, and Myun(免, 면) is in form of a helmet with ornaments. Mo(冒, 모) in bone script looks like a hat with decorations on each sides, but in bronzeware script, it is more like a simple round hat Ju(冑, 주) covers one's head and has decorated ornaments, and The Kwan(冠, 관), which is now a common name of official hats, is not shown in oracle bone inscription or bronzeware script, It might have been used later than the other two types of hats. As for the related Chinese characters, Mi(美, 미) is in the shape of a feather decoration, Ryung(令, 령) is similar in shape to the letter 'A', and Wang(王, 왕) is in shape of simple hat from 령 with decorations. Hwang(皇, 황) is like a Wang(王, 왕) hat, but with fancier decorations. Oracle bone inscription and bronzeware script show the original form and shape of ancient hats.

The geometry of Sulbasu${\={u}}$tras in Ancient India (고대 인도와 술바수트라스 기하학)

  • Kim, Jong-Myung;Heo, Hae-Ja
    • Journal for History of Mathematics
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    • v.24 no.1
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    • pp.15-29
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    • 2011
  • This study was carrying out research on the geometry of Sulbas${\={u}}$tras as parts of looking for historical roots of oriental mathematics, The Sulbas${\={u}}$tras(rope's rules), a collection of Hindu religious documents, was written between Vedic period(BC 1500~600). The geometry of Sulbas${\={u}}$tras in ancient India was studied to construct or design for sacrificial rite and fire altars. The Sulbas${\={u}}$tras contains not only geometrical contents such as simple statement of plane figures, geometrical constructions for combination and transformation of areas, but also algebraic contents such as Pythagoras theorem and Pythagorean triples, irrational number, simultaneous indeterminate equation and so on. This paper examined the key features of the geometry of Sulbas${\={u}}$tras and the geometry of Sulbas${\={u}}$tras for the construction of the sacrificial rite and the fire altars. Also, in this study we compared geometry developments in ancient India with one of the other ancient civilizations.

A Study on the Lime of Government Constructions Based on the Analysis of Construction Reports in the Late of Joseon Dynasty(17~19c) - Emphasized on the production, provision, and application of lime - (산릉(山陵).영건의궤(營建儀軌) 분석을 통한 조선후기 관영 건축공사의 석회에 관한 연구 - 석회의 생산.조달.적용을 중심으로 -)

  • Lee, Kweon-Yeong
    • Journal of architectural history
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    • v.18 no.6
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    • pp.23-46
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    • 2009
  • The history to have used lime in building construction was much long without distinction of the East or the West. The ancient nations of korean peninsula had used lime as construction material. The witness was discovered in the kings' tombs of fifth century. In the Joseon dynasty(15~19c), what applied several developed lime compounds to the kings' tombs have been recorded in 'Sanleong-Uigwe(山陵儀軌)' & 'Yeonggeon-Uigwe(營建儀軌)' of those days documents. Therefore, this paper is to examine the whole procedures from the product and provision of lime to its application through those days documents. Following conclusions have been reached through the study. Three lime compounds to be developed for the kings' tombs was extendedly applied to residential government buildings step by step within the current of time. These compounds to be used in the kings' tombs of the Joseon dynasty had been correlated to those of the ancient nations, which were nations of korean peninsula in narrow range, chinese and orient nations in broad range. These compounds have possibilities of development as the environmental-friendly building material. And these compounds should provide a standard specification for conservation & restoration of the traditional and cultural properties. I could confirm that the whole procedures had not been developed within limited space-time of the specified nation & period, but within interactions of the nations & periods. In the periods which disturb its interaction, the expansion of productivity in building construction was interfered.

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