• 한국의상디자인학회지
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• 제15권4호
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• pp.157-173
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• 2013

In the pleats of the statue in the ancient Greece, a vivid expression is included about clothing, which has organic relationship with a human body. This study examined about diverse expressions of pleats that were shown in the Greek sculpture, based on understanding about a pleat meaning and function, and clothes. As a result, the clothes, which were shown in the statue in the ancient Greece, were reflecting spirit and fashion of the times. The pleats, which were expressed in clothing, are closely related to a human body and simultaneously are those that a sculptor showed own creative intention in a work by reflecting a historical demand, thereby having become an important element of dominating the image in the whole clothing. Also, a change and development in expression were being progressed according to a flow of each period. Amidst what expressiveness based on lines are excellent, the unity and the dynamic formative characteristic were forming the mainstream. The design-based elements related to these characteristics are judged to possibly give many inspirations to designers in the modern fashion design sphere, which is mixed diverse styles, and are considered to be able to be helpful even for establishing newer and more creative design.

• 한국수학사학회지
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• 제30권4호
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• pp.221-232
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• 2017

In this paper, we discuss how ancient Egyptians find out the area of the circle based on $\ll$Ahmose Papyrus$\gg$. Vogel and Engels studied the quadrature of the circle, one of the basic concepts of ancient Egyptian mathematics. We look closely at the interpretation based on the approximate right triangle of Robins and Shute. As circumstantial evidence for Robbins and Shute's hypothesis, Egyptians prior to the 12th dynasty considered the perception of a right triangle as examples of 'simultaneous equation', 'unit of length', 'unit of slope', 'Egyptian triple', and 'right triangles transfer to Greece'. Finally, we present a method to utilize the squaring the circle by ancient Egyptians interpreted by Robbins and Shute as the dynamic symmetry of Hambidge.

• 미술이론과 현장
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• 제14호
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• pp.7-32
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• 2012

The exhibition was started in 2010 in the New Acropolis Museum of Athens and embarked a journey since 2011 as a travelling exhibition inside Greece and abroad. The main purpose of the exhibition was to draw attention of the general public to the value of the 'rescue excavation' and of cultural heritage of Greece, by presenting the reconstruction bust of a girl whose skull was found in Kerameikos cemetery of ancient Athens. The new Kerameikos excavation was initiated by the construction of Metropolitan Railway lines in the center of Athens between 1992 to 1998. It revealed a pit of a mass burial where about 150 people were inhumed in a very hasty way without proper funeral rites or offerings. These bodies are identified as the victims of the infamous plague of Athens in the first years of the Peloponnesian War(430-426 BC). The epidemic disease killed almost one third of the city population including Pericles, and brought extreme fear and panic to the Athens society. The traditional funerary rites were totally disrupted, and the social decorum and the morality among the citizens became enfeebled. The plague and the civil war were the decisive factors to end the Golden Age of Democratic Athens. However, the exhibition organizers did not focus on the tragic aspect of this disaster and its casualties. Their main concern was to simplify the scholarly works of archaeological excavation and microchemistry analysis so that the exhibition viewers will easily understand and empathize the living value of the scholarly works of ancient Greek civilization. The centripetal element of the exhibition was the vivid face of an 11 years old ancient girl 'Myrtis', which was carefully reconstructed based on both the scientific data and artistic imagination. Also the set up of the exhibition was structured in order to stimuli cognitive and emotional experience of the visitors who witnessed the rebirth of a vibrant human being from an ancient debris. The museologists' continuous efforts to promote projects of contemporary artists, publications, and school programs related to the exhibition indicate that the ulterior motive of this exhibition is the cultural education of the present and future generation through the intimate experiences of ancient Greek life. Also this is the reason why the various museums that held the travelling exhibition try to make the presentation as a gesture of memorial service for an anonymous Athenian girl who deceased circa 2400 years ago. The pragmatic efforts of Greek scholars and museologists through exhibition show us a way to find a solution to the continuous threat of cultural resources by massive construction projects and land development, and to overcome public indifference to the history and cultural heritage.

• 한국의류학회지
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• 제22권1호
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• pp.49-60
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• 1998

This study found through that Fortuny's art world with design aesthetics was devided into historicism, purism, exoticism and mysticism of color. \circled1 Fortuny's aesthetic observation dazzled at that time and he apply well-grounded opinion in historicism of his all creation and then accomplish on the whole mysticism of art and technique dwelled creativity, \circled2 Fortuny's Delphos gown realized new creation of beauty intact by that the simplicity and contingency was inquired into the art at that time. He revived that aesthetic was included in the drapery of ancient Greece, so indirectly express outline of the human body and realized pure image used a natural curved line of the human body. \circled3 Fortuny's creations included a exotic special quality. His clothes expected so many characteristics of 20C fashion and exotic, visionary fashion revolution in addition influenced on stage costume. ㉧ Fortune created new color specially "Tempera" and expressed mysticism of color that found a harmonious color character and texture through the ancient techniques included experimental mind of a multilateral try.teral try.

• 한국도서관정보학회지
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• 제53권4호
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• pp.1-23
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• 2022

기록은 인간의 삶과 지식 세계에 대한 수상인 동시에 지문이다. 기록의 대명사로 간주되는 책은 인류 역사를 추적하는 통로이자 그것을 음미하는 창이다. 그리고 책의 가장 원시적인 형태는 고대 그리스·로마의 고전이고, 압권은 필사본이다. 그것은 파피루스 두루마리, 양피지, 종이 등에 기록한 원본과 그것을 번역·중역한 사본을 총칭한다. 장구한 지식문화사를 반추하면 서양 필사본은 자연적 재해뿐만 아니라 인위적 문화반달리즘과 비블리오코스트로 인하여 시공간을 유동하는 강물처럼 이합집산을 계속해 왔다. 이에 본 연구는 고대 그리스에서 중세 르네상스 시대까지 서양 필사본의 유량과 도서관 보존을 추적하였다. 그 결과, 왕조와 제국, 군주와 재상, 장군과 정복자, 귀족과 부유층, 성직자와 학자를 불문하고 고전 필사본을 수집하고 번역하는데 혈안이었다. 고대 그리스·로마의 석학들이 파피루스와 양피지에 지식과 지혜를 기록하지 않았으면, 중세 비잔티움 제국·이슬람 제국이 고전을 수집·번역하고 재생산하지 않았으면, 책 사냥꾼들이 고전을 추적하지 않았으면, 르네상스 인문주의자들이 지적 엑소더스를 통해 고전을 복원·재해석하지 않았으면, 그리고 역사도서관이 사력을 다해 고전과 번역본을 수집·보존하지 않았으면, 현대인은 고전 지식을 접할 수 없었을 것이다. 그럼에도 불구하고 고전 필사본의 추적은 역사적 유동, 지리적 유랑, 언어적 변용으로 인해 많은 난제와 모순이 중첩되어 있는 아포리아다. 새로운 필사본이 발견·해석되면 수정과 보완이 불가피하므로 후속연구를 통한 고전 필사본의 유랑과 귀환에 대한 추적은 계속되어야 한다.

• 농업생명과학연구
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• 제43권6호
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• pp.53-57
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• 2009

동양꽃꽂이는 고대에 신에게 헌화한 공화양식으로 좌우대칭의 삼존형식의 엄격한 삼각형의 조형미를 갖추고 있었으며 침봉을 사용하여 꽃을 고정하므로 쉽게 꽂을 수 있었다. 서양꽃꽂이는 이집트시대에 꽃을 연속반복으로 쌓아 올려 원추형의 형태를 이루어 현재 vertical form의 근원으로 보고 있다. 그리이스 시대에는 부드러운 S라인 형식을 주로 사용하였고, 로마시대에는 꽃들의 중심을 풍성하고 화려하게, 갈수록 낮고 가늘며 긴 수평형으로 연결하였다. 페르시아 시대에는 동양의 삼존형식과 비슷한 triangular 조형을 나타내고 있다. 그리고 르네상스 시대에 꽃꽂이도 고전의 바탕위에 기본형이 창조되었으며, 19세기말 동양미술의 온화한 색과 단순미, 사실적 묘사 등에 영향을 받아 20세기 미국을 중심으로 양적 mass에서 공간미학까지 꽃꽂이의 영역이 광범위하게 표현되는 art nouveau 시대로 이어졌다. 서양꽃꽂이는 조형성에 기초를 두는 것은 동양꽃꽂이와 같으나 자연성이 거의 무시되고 실용성에 근거를 삼는 것이 특징이다.

• 대한수학교육학회지:수학교육학연구
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• 제25권3호
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• pp.367-379
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• 2015

고대 그리스에서 '수학적 대상이 존재하기 위한 조건'으로 사용된 diorism을 통하여 수학적 대상의 존재성에 대하여 살펴본다. Diorism이 제시된 대표적 예인 "유클리드 원론" I권 정리 22를 중심으로 삼각형의 존재성을 "원론"이 어떻게 다루었는지에 대하여 논의한다. 정의한 대상의 존재성을 공준이나 명제로 증명하는 "원론"의 구조를 통하여 수학적 대상의 존재성은 인식가능성이고 공리체계 내에서 증명가능성임을 밝힌다. 이러한 관점에서 작도는 "원론"에서 존재성을 보증하는 주요 방법이다. 또한 diorism의 맥락에서 전개도가 다면체를 구성할 수 있음을 살펴보았다. 이러한 내용을 바탕으로 수학적 대상의 존재성에 대해 학교수학에서 시사하는 점을 논의하였다.

• 공학교육연구
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• 제23권4호
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• pp.22-27
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• 2020

We propose and execute an introductory engineering course for investigating the history of technology and the philosophy of technology. Soft engineering, to explore proper technology and appropriate ways of exercising engineering, has been explored. Creative cases for technology are presented following the most creative, successful periods-the ancient greece, the Renaissance and Silicon Valley era. Ancient greek technology has been investigated in terms of "techne" with the origin of technology and/or art, and their equivalences. The Renaissance period has been investigated in terms of "Uomo universale (polymath)" with Firenze geniuses. The successful drives for the Silicon Valley creativeness have been investigated following "entrepreneurship". To overcome the difficult goal to grasp course subject-technology issues, we take a stance as a tourist guide and tourists utilizing offline onsite experiences and online informations. Categorized course materials are surveyed at the beginning of each period and presented following the preferences of the students to maintain the students' interests. Team efforts including group discussions and project executions have been encouraged to seek the aspects of creativeness and/or technology. This paper summarizes the 3-lecture experiences over 2 years for Korean students and/or foreign students conducted at Pusan National University.

• 대한금속재료학회지
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• 제48권6호
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• pp.551-556
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• 2010

In this report, we describe mold materials that were used to produce movable metal type by the investment casting method during the Joseon dynasty period in Korea. Samples were obtained from the Wibuinja collection, which is held by the National Museum of Korea. Most of the mold material remnants were found in the depressed areas of the movable type specimens, and we therefore performed non-destructive analyses including XRF, EDS, and XRD. Through these analyses, we were able to identify the mold remnants as hydrocerussite [trilead dihydroxide dicarbonate, $Pb_3(CO_3)_2(OH)_2$] formed in platy hexagonal crystallites. Hydrocerussite was first used to make white pigments and cosmetics in ancient Greece, but this is the first report of hydrocerussite used as mold material applied around a disposable pattern for investment casting. The results of this study will further the understanding of the production process for early movable metal type and ancient casting technologies.

• Journal of Sport and Applied Science
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• 제4권4호
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• pp.7-17
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• 2020

Purpose: This study started with interest in sport culture and is meaningful as an exploratory study to help with the basic understanding of sport culture research. Research design, data, and methodology: The approach of this study is the exploratory approach by literature reviews. This study carried out exploratory research on thinking about diversity of sports culture and the development process of sports culture by human history periods. Results: First, in thinking about cultural diversity, cultural absolutism and cultural relativism were identified. The characteristics of sports culture can identify universality, individuality and diffusion, and the attributes of sports culture included sharing, learning, accumulation, whole systematic relationship and change. Second, the characteristics of sports culture were identified by the approach of each historical era. The historical stages were divided into ancient civilizations, ancient Greece and Rome, middle ages and early modern period, and late modern period. Sports have historically been found to have a British-centered European origin or popularized in the United States. Conclusions: with the characteristics of modern sports culture, the globalization of sports culture, the prominence of sports industry and sports space marketing, and the symbiotic influence relationship of sports and mass media were examined and future directions were discussed.