• 한국콘텐츠학회논문지
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• 제19권8호
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• pp.653-666
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• 2019

본 연구는 현행 국가정책으로서의 무형문화재 보호제도를 살펴보고 이북5도위원회 소속 무형문화재의 정책적 지원현황을 토대로 전승지속 차원에서 근본적인 문제점을 분석하여 미래비전을 제안하고자 하였다. 연구문제는 첫째, 이북5도무형문화재 예능보유자자의 고령화와 불완전한 전승체계의 극복 둘째, 국가적 차원에서의 전승 보호정책 및 재정지원의 당위성 셋째, 이북5도무형문화재를 활용한 문화콘텐츠의 개발과 문화자원화를 위한 창의적인 발전방안 제시이다. 연구방법은 문헌연구와 인터뷰자료 그리고 해당 기관의 자료 등을 분석하고 이를 적극 활용하였다. 연구결과 첫째, 고령화된 예능보유자의 예우와 동시에 전승능력이 인정되는 보유자의 복수지정제도 적용 둘째, 전승의 지속성을 위한 전승자들의 육성체계 확립 셋째, 교육프로그램과 학교교육 현장의 확장으로 이북5도무형문화재 전승의 중요성 인지 넷째, 기록화를 위한 시스템 구축과 응용체계에 이르는 영역연구가 필요한 것으로 나타났다. 결국 이러한 발전방안이 효율적으로 실행되기 위해서는 정부의 적극적인 지원정책이 절실히 요구된다.

• 한국교육학연구
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• 제23권1호
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• pp.231-260
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• 2017

4차 산업혁명은 우리의 삶에 급진적인 변화를 예고하고 있다. 디지털 혁명으로 불리 우는 4차 산업혁명 시대에서는 유비쿼터스 학습을 토대로 한 개별화 학습이 강조된다. 학습내용은 서술적 지식이 아닌 절차적 지식을 중심으로 구성될 것이며 학습 영역 간 경계가 허물어지는 융합 교육이 이루어질 것이다. 무엇보다 4차 산업혁명 시대의 학습자는 비판적 사고와 문제해결능력을 갖추어야 한다. 자기 주도적이고 능동적인 학습을 효과적으로 수행하기 위해서는 자기조절 능력과 인지적 유연성을 토대로 하는 메타인지가 중요하다. 또한, 창의성을 기반으로 하는 협업 활동과 사회적 조망 능력, 사회 정서기술 역시 중요한 필수 역량이다. 따라서 4차 산업혁명 시대에서 학습자에게 개별화된 학습 내용을 제공하기 위해서는 개인적 특성인 학습자의 자기효능감, 흥미, 호기심과 창의성을 토대로 하는 학습 패러다임으로 전환하여야 한다. 이와 더불어 변화하는 교수 학습 방법에 따른 평가 양식을 다양화 할 필요가 있다. 이와 같은 교육 혁신을 이끌어 나갈 교사를 양성하기 위해서는 교수역량에 대한 재 개념화가 필요하다. 미래의 교사는 학습 현장에서 테크놀로지를 능숙하게 활용하여 창의적인 수업을 구성할 수 있어야 한다. 이뿐만 아니라, 타 학문과의 융합을 도모하기 위한 협업 능력과 인지적 유연성도 갖추어야 한다. 이러한 논의와 함께 교육의 변화 방향과 함께 정책적인 개입의 필요성을 제시하였다.

• 인터넷정보학회논문지
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• 제23권3호
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• pp.35-45
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• 2022

현대에도 일부 소외된 지역에서는 의료 인력의 부족으로 인해 위·중증 환자에 대한 치료가 지연되는 경우가 많다. 의료 데이터에 대한 분석을 자동화하여 의료 서비스의 접근성 문제 및 의료 인력 부족을 해소하고자 하는 연구가 계속되고 있다. 컴퓨터 비전 기반의 진료 자동화는 훈련 목적에 대한 데이터 수집 및 라벨링 작업에서 많은 비용이 요구된다. 이러한 점은 희귀질환이나 시각적으로 뚜렷하게 정의하기 어려운 병리적 특징 및 기전을 구분하는 작업에서 두드러진다. 이상 탐지는 비지도 학습 전략을 채택함으로써 데이터 수집 비용을 크게 절감할 수 있는 방법으로 주목된다. 본 논문에서는 기존의 이상 탐지 기법들을 기반으로, 흉부 X-RAY 영상에 대해 이상 탐지를 수행하는 방법을 다음과 같이 제안한다. (1) 최적 해상도로 샘플링된 의료 영상의 색상 범위를 정규화한다. (2) 무병변 영상으로부터 패치 단위로 구분된 중간 수준 특징 집합을 추출하여 그 중 높은 표현력을 가진 일부 특징 벡터들을 선정한다. (3) 최근접 이웃 탐색 알고리즘을 기반으로 미리 선정된 무병변(정상) 특징 벡터들과의 차이를 측정한다. 본 논문에서는 PA 방식으로 촬영된 흉부 X-RAY 영상들에 대한 제안 시스템의 이상 탐지 성능을 세부 조건에 따라 상세히 측정하여 제시한다. PadChest 데이터세트로부터 추출한 서브세트에 대해 0.705 분류 AUROC를 보임으로써 의료 영상에 대한 이상 탐지 적용의 효과를 입증하였다. 제안 시스템은 의료 기관의 임상 진단 워크플로우를 개선하는 데에 유용하게 사용될 수 있으며, 의료 서비스 접근성이 낮은 지역에서의 조기 진단을 효율적으로 지원할 수 있다.

• 미술이론과 현장
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• 제9호
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• pp.93-121
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• 2010

This study is about Yoo Young-kuk's early works which show constructivism, especially focus on his debut painting, for the 7th Dokuritsu Bijutsu Kyokai(獨立美術協會, the Independent Fine Arts Association) in Tokyo in 1937. The work was painted 2 years after he had started his study in Japan in 1935. It was the first painting that applied Constructivism. played an important role for Constructivism to be a leading art in his abstraction. After this picture, Yoo was soon devoted to the principles of Constructivism-- Faktura(material), Tektonika (tectonics), Tekhnika(technique), space, construction-- in his painterly reliefs. This article examined why Yoo concentrated on Constructivism for , what the characteristics were, and what influences were on other works from 1935 to 1949. In addition, I investigated in which period was painted and how Constructivism was spread in 1930s and early 1940s in chapter 2. I scrutinized Rhapsody in chapter 3. When Yoo created Japan was under the Fifteen Years War(1931-1945), and a major discourse was the Japanese Spirit at that time. It was connected with construction of an ideal nation which the Japanese ultra-national fascism pursued. This ideological pursuit was intended to unite the Japanese people for total war system and to restore a national dignity which had been fallen down due to Manchurian Incident(1931). Thus, on the hand, Kokusai Bunka Shinkokai(國際文化振興, The Society for International Cultural Relations) and the Nippon Kosaku Bunka Renmei(日本工作文化連盟, Japanese Werkbund) were supported financially by the Japanese government. On the other hand, the government enacted regulations to opposing parties which would distract Japanese people's unification. As for the Japanese art world, the merge of art groups was carried out through remodeling of Teikoku Bijutsuin(帝國美術院, The Imperial Fine Arts Academy) in 1935. This brought out continuous dispute and disorder. Young artists who felt difficulty of entering an entry of Imperial Fine Arts Exhibition repeatedly grouped and disbanded for small art groups to build their standing, which they pursued Surrealism and Abstract art. Among them Constructivism was considered as the latest trend and was popular in craft, design, architecture as well as fine arts. In the year before he painted , Avant-garde theatres including Constructivism theatre were introduced in a feature article of September, 1936 in Atelier, which was dealing with mainly avant-garde arts. Books related with Constructivism were translated into Japanese, and Gestaltung Education had become active since the publication of A Compendium of Gestaltung Education("構成敎育大系"(1934)), Salvador Dali(1904-1989) was also introduced, so Surrealism was drawn more attention by young artists. reflected popular trends. Yoo analyzed the Japanese avant-gardists' archaic taste in the Independent Art Association that he submitted his painting to. And then he entitled 'Rhapsody' which derives from Ancient Greek's epic poetry and deliberately set up images in a scene. In chapter 3, I examined a theme which was planned carefully by sorting favorite images from the Japanese Surrealism. was a result that Yoo Young-kuk observed objectively the phenomenon that young artists dreamt of Utopia or longed for Nostalgia passively and lethargically under wars. And then he otherized himself from that circumstance. First of all, for he used the typical icons of Japanese Surrealism such as the horizon, flowing clouds, and vast plain that were considered stereotypes of Arcadia. He, however distinguished himself form those Japanese Surrealists. He made his own vision about Utopia by referring Lyubov Popova(1889-1924)'s stage design. His objective point of view was expressed by positive and dynamic images of structure and human's actions. Constructivism which was attempted in had an effect on other early constructive works, and the principles of Constructivism were sought hard in reliefs, paintings, and photos.

• 디자인학연구
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• 제20권
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• pp.279-291
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• 1997

The history of modern design begins with the arts and crafts movement(1860). The importance of the movement which decorated the outset gave birth to all the trends of thought which would occur under the circumstances within it, and is deemed that the ideas of the figures who played an active part in the movement might be ceaselessly continued through the works and ideas of their outstanding juniors or purpils as a doctrine of the philosophy of design. Therefore, it might be a prerequisite that the significance and spirit of the movement, and its developing process should be addressed in detail in the first place, but for the limited space of this paper, it was intended to desvribe only the part which can be interpreted in duplicate, linked with post-impressionism. The subject of this thesis is about a theory of art in which both ideas of the movement(1860) and the post-impressionism(1910) are comparatively reviewed. The genre, strictly speaking, is classified into the history of painting, and there is a gap fo about an half century between the issues which are comparatively discussed here. Both the movements began in a same environmental place of England, specially the movement at Milieu in England, and since there is a common point that the representative runners of each movement, William Morries(1834-1896) and Roger Fry(1866-1934), belong to a same race of Engol-Saxon, their ideas coincide with an aesthetic scholar, H. Tanie's aesthetic interpretation method and the more important is, as being elucidated in the comment and aesthetic theory for which Roger Fry gave effort and activity in his later life, that when he read intensively Ruskin's books, $\ulcorner$Modern Painters$\lrcorner$and$\ulcorner$Stones of Venice$\lrcorner$he had solidified his idea of post-impressionism while giving approval and criticism on them. After all, as in a co-painter, Windyham Lewis's reference of 'Roger Fry's Too Late Morris Movement', he, inspired by the actual activities of Morris, played activities similar to that of Morris in which exhibiting and selling some of his decorative art works signed by him and the works of post-impressionism through (1913-1920). Herein, that is wished to add a remark by this author is a point that the author of$\ulcorner$Vision and Design$\lrcorner$, Roger Fry, has not be made a subject of discussion specially in the Korean world of design. So, with this case of a thesis, it's wished that many latent awakened, design persons in korea give efforts to researching into Roger Fry so that their findings could be officially announced in the would. By the way, what is tried to describe in this paper from now on is to analyse and review the origin of post-impressionism which idea was first coined in the art world through the 1st and 2nd exhibitions of 'Manet and Post-impressionism' which were opened each at the Grafton Gallery in 1910 and 1913 by him. And also, it is intended to review it through the art journals and some references by critics of the day in which favorable criticism or severe criticism were ready to comment through the opinions and influences of the coworkers of Roger Fry, say, Clive Bell, Desmond Maccarthy, etc. and of himself as a main axis, on the art ideas of Gauguin, Gogh, Matisse, and Cezanne whose works were the typical ones participated and exhibited in those 1st and 2nd exhibitions.

• 헤리티지:역사와 과학
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• 제57권1호
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• pp.82-108
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• 2024

고고 자료의 기록방식이 아날로그 기록에서 디지털로 전환되면서 3D 스캐닝 기술의 도입은 본격화되었다. 현재 3D스캔과 사진측량을 이용한 고고 자료의 디지털 기록에 대한 연구와 도입은 지속적으로 이루어지고 있다. 하지만 비용, 인력 문제 등으로 인해 대부분의 매장문화재 기관에서는 적극적인 디지털 기술의 도입을 주저하고 있다. 본고는 3D 스캔 방식 중 효율성이 가장 높다고 평가되는 사진측량 기술을 이용하여 오픈소스 소프트웨어를 활용한 유물의 디지털 실측 방법을 제시하고자 한다. 유물의 디지털 실측 절차는 크게 3D 모델 획득, 3D 모델 편집 및 입단면도 제작, 전자도면 작성의 세 단계로 이루어진다. 디지털 기술 적용의 접근성을 살펴보기 위해 전 과정은 오픈소스 소프트웨어만을 이용하였다. 연구 결과 정량적 평가에서 실제 유물과 3D 모델의 수치 데이터 간 계측의 편차가 크지 않았다. 또한, 오픈소스 소프트웨어와 상용 소프트웨어 간 정량적 품질 비교분석 결과 유사도가 높았다. 다만 데이터 처리시간은 상용 소프트웨어의 성능이 우위에 있었다. 이는 지속적인 알고리즘 개선으로 인한 연산속도 향상의 결과로 판단된다. 정성적 평가에서는 메시 및 텍스처 품질의 차이가 일부 발생하였다. 오픈소스 소프트웨어로 생성된 3D 모델은 메시표면에 노이즈가 다수 발생하거나 메시의 표면이 부드럽지 않고 유물의 제작흔, 문양의 표현을 확인하기 어려웠다. 하지만 일부 프로그램에서 정량적·정성적 평가에서 상용 소프트웨어에 견줄 만한 품질을 획득할 수 있었다. 3D 모델 편집을 위한 오픈소스 소프트웨어에서는 사진실측 결과물의 후처리, 정합, 병합뿐만 아니라 유물 실측에 필요한 스케일 조정, 입단면도 제작 및 이미지 렌더링까지 가능하였다. 이후 오픈소스 캐드 프로그램에서 트레이싱하여 최종 도면을 완성하였다. 고고학 연구에서 사진실측의 적용은 발굴과정부터 보고서 작성 그리고 3D 모델 데이터의 수치정보를 이용한 연구 등 활용 가능성이 매우 높다. 컴퓨터 비전의 획기적인 발전으로 오픈소스 소프트웨어의 종류도 다양해졌고 성능도 상당부분 개선된 것으로 확인되었다. 누구나 쉽게 디지털 기술의 적용이 가능한 현재 고고 자료의 3D 모델 데이터의 획득은 문화유산의 보존과 연구 활성화를 위한 기초자료로 활용될 수 있다.

• Asia pacific journal of information systems
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• 제20권3호
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• pp.139-166
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• 2010

The supply chain management (SCM) systems have emerged as strong managerial tools for manufacturing firms in enhancing competitive strength. Despite of large investments in the SCM systems, many companies are not fully realizing the promised benefits from the systems. A review of literature on adoption, implementation and success factor of IOS (inter-organization systems), EDI (electronic data interchange) systems, shows that this issue has been examined from multiple theoretic perspectives. And many researchers have attempted to identify the factors which influence the success of system implementation. However, the existing studies have two drawbacks in revealing the determinants of systems implementation success. First, previous researches raise questions as to the appropriateness of research subjects selected. Most SCM systems are operating in the form of private industrial networks, where the participants of the systems consist of two distinct groups: focus companies and vendors. The focus companies are the primary actors in developing and operating the systems, while vendors are passive participants which are connected to the system in order to supply raw materials and parts to the focus companies. Under the circumstance, there are three ways in selecting the research subjects; focus companies only, vendors only, or two parties grouped together. It is hard to find researches that use the focus companies exclusively as the subjects probably due to the insufficient sample size for statistic analysis. Most researches have been conducted using the data collected from both groups. We argue that the SCM success factors cannot be correctly indentified in this case. The focus companies and the vendors are in different positions in many areas regarding the system implementation: firm size, managerial resources, bargaining power, organizational maturity, and etc. There are no obvious reasons to believe that the success factors of the two groups are identical. Grouping the two groups also raises questions on measuring the system success. The benefits from utilizing the systems may not be commonly distributed to the two groups. One group's benefits might be realized at the expenses of the other group considering the situation where vendors participating in SCM systems are under continuous pressures from the focus companies with respect to prices, quality, and delivery time. Therefore, by combining the system outcomes of both groups we cannot measure the system benefits obtained by each group correctly. Second, the measures of system success adopted in the previous researches have shortcoming in measuring the SCM success. User satisfaction, system utilization, and user attitudes toward the systems are most commonly used success measures in the existing studies. These measures have been developed as proxy variables in the studies of decision support systems (DSS) where the contribution of the systems to the organization performance is very difficult to measure. Unlike the DSS, the SCM systems have more specific goals, such as cost saving, inventory reduction, quality improvement, rapid time, and higher customer service. We maintain that more specific measures can be developed instead of proxy variables in order to measure the system benefits correctly. The purpose of this study is to find the determinants of SCM systems success in the perspective of vendor companies. In developing the research model, we have focused on selecting the success factors appropriate for the vendors through reviewing past researches and on developing more accurate success measures. The variables can be classified into following: technological, organizational, and environmental factors on the basis of TOE (Technology-Organization-Environment) framework. The model consists of three independent variables (competition intensity, top management support, and information system maturity), one mediating variable (collaboration), one moderating variable (government support), and a dependent variable (system success). The systems success measures have been developed to reflect the operational benefits of the SCM systems; improvement in planning and analysis capabilities, faster throughput, cost reduction, task integration, and improved product and customer service. The model has been validated using the survey data collected from 122 vendors participating in the SCM systems in Korea. To test for mediation, one should estimate the hierarchical regression analysis on the collaboration. And moderating effect analysis should estimate the moderated multiple regression, examines the effect of the government support. The result shows that information system maturity and top management support are the most important determinants of SCM system success. Supply chain technologies that standardize data formats and enhance information sharing may be adopted by supply chain leader organization because of the influence of focal company in the private industrial networks in order to streamline transactions and improve inter-organization communication. Specially, the need to develop and sustain an information system maturity will provide the focus and purpose to successfully overcome information system obstacles and resistance to innovation diffusion within the supply chain network organization. The support of top management will help focus efforts toward the realization of inter-organizational benefits and lend credibility to functional managers responsible for its implementation. The active involvement, vision, and direction of high level executives provide the impetus needed to sustain the implementation of SCM. The quality of collaboration relationships also is positively related to outcome variable. Collaboration variable is found to have a mediation effect between on influencing factors and implementation success. Higher levels of inter-organizational collaboration behaviors such as shared planning and flexibility in coordinating activities were found to be strongly linked to the vendors trust in the supply chain network. Government support moderates the effect of the IS maturity, competitive intensity, top management support on collaboration and implementation success of SCM. In general, the vendor companies face substantially greater risks in SCM implementation than the larger companies do because of severe constraints on financial and human resources and limited education on SCM systems. Besides resources, Vendors generally lack computer experience and do not have sufficient internal SCM expertise. For these reasons, government supports may establish requirements for firms doing business with the government or provide incentives to adopt, implementation SCM or practices. Government support provides significant improvements in implementation success of SCM when IS maturity, competitive intensity, top management support and collaboration are low. The environmental characteristic of competition intensity has no direct effect on vendor perspective of SCM system success. But, vendors facing above average competition intensity will have a greater need for changing technology. This suggests that companies trying to implement SCM systems should set up compatible supply chain networks and a high-quality collaboration relationship for implementation and performance.