• 보존과학회지
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• 제28권2호
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• pp.101-112
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• 2012

동관왕묘(보물 제142호)는 조선시대(1602)의 건축물로서 관우, 장비, 우장군, 주창 및 조자룡 등의 소조상이 안치되어 있다. 이 소조상들의 채색층은 먼지 등 무기오염물로 인해 안료의 원색이 손상되었으며, 수차례의 보수 및 덧칠로 인해 원형이 훼손되어 있다. 소조상의 채색안료에 대한 정밀분석을 위해 X-선 회절분석, SEM-EDS, P-XRF 및 색도 측정을 실시한 결과, 적색과 갈색의 안료는 진사, 석간주, 연단이며, 연적색은 석고를 첨가하여 조색하였다. 흑색과 금색은 각각 흑연과 금(Au)박이 사용되었으며, 녹색 안료에서는 공작석, 염화동 및 해록석이 동정되었다. 매우 선명하게 발색된 청색은 현대 안료로 보채한 것으로 판단되며, 백색은 백악, 석고, 연백이 모두 검출되었다. 석황과 밀타승은 각각 황색과 연황색 채색에 사용되었다.

• 보존과학회지
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• 제30권1호
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• pp.81-93
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• 2014

철원 도피안사 철조비로자나불좌상, 동해 삼화사 철조노사나불좌상, 평택 만기사 철조여래좌상은 통일신라에서 고려시대에 조성된 철불로서 균열, 탈락, 박리박락, 각종 오염물 등이 발생하였다. 방사선 투과촬영을 활용한 철불의 손상도 평가 결과, 철불 내부에서는 균열, 이격, 탈락, 주물공, 보수물질 등이 확인되었다. 그러나 철의 강도로 보아 외부로부터 큰 충격이 가해지지 않는 이상 현재의 상태를 유지할 수 있을 것으로 보인다. 철불의 제작에는 내형과 외형을 철심과 못을 사용하여 고정하였으며, 표면의 이음선과 양각된 명문, 따로 주조되어 결합된 손으로 보아 초중자주조법으로 조성되었을 것으로 판단된다.

• 건축역사연구
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• 제16권6호
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• pp.47-66
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• 2007

$Lokap{\bar{a}}las$ are understood as the deities of four directions in Buddhism: $Dhrtar{\bar{a}}stra$ in the East, $Vir{\bar{u}}dhaka$ in the South, $Vir{\bar{u}}p{\bar{a}}ksa$ in the West and $Vai{\acute{s}}ravana$ in the North respectively. Their common name is, therefore, called as the "Four Guardian Kings", whose function is to prevent demonic forces from entering into its sacred world. Although the position of $Lokap{\bar{a}}las$ is to the lowest level in the hierarchy of the minor deities in Buddhism, the cult of $Lokap{\bar{a}}las$ was widely spread and prominent in the countries of Northern Buddhism. It played a significant role in terms of the state-protecting Buddhism, on behalf of it's esoteric and magic power. More than 20 Gateways of the $Lokap{\bar{a}}las$ and $Lokap{\bar{a}}la$ statues were still well preserved in Korea, and they were believed to be constructed after the Japanese attack in 1592. After war, monks had concentrated on restoring ruined temples and building many new Gateways of the Four Guardian Kings over the Korean peninsular. Under such circumstances, even though the $Lokap{\bar{a}}las$ played a significant role as the subject of cult in Korean Buddhism. they might have a small chance to be taught traditional Lama iconography exactly. The purpose of this essay is to examine the relation of orientation of the Gate way of $Lokap{\bar{a}}las$ and allocation of each Kings inside the gate.

• 동아시아식생활학회지
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• 제1권1호
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• pp.17-29
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• 1991

The Hong's-Zu-Bang-Moon, although it is not know when and by whom it was written, is estimated to have written in the middle of 1800, but has not been published yet. In general, other cooking books in Yi's Dynasty were on the cooking methods of a variety of foods. But the book deals solely with brewing, which is the trait of it. The book comprises a total of 36 items, among which So-Gog-Ju wine was excluded because only a part of it was recorded. Another item deleted, written vaguely and difficult to understand was, on a closer analysis of its content, 'Song-Soon-Ju wine'. According to the analysis of this book, the cereals used for brewing were 59 percent of regular rice and 41 percent of sticky rice including other 12 kinds of special materials. As for the processes, the precesses using Jee-Ae-Bop was dominant. The processing technique whose special words and expressions were analyzed in this study, were divided into 18 preparation methods, 45 processing ones, and 7 heating ones. The temperature processing whose expressions were analyzed here were divided into 6 cooking processes, 7 medium ones and 3 heating ones. The measurement unit of 'Doe' was most often used. It tried to show relatively accurate measurements but showed just approximate ones. There were 19 kinds of brewing utensis. Urns were most often used, but it was impossible to discern and kind. As for the tast of the wines, the writer showed his subjective expressions. The margianal point in this study is that it was very difficult to interpret the book. The closing up of twings of on azaled over the urn had no scientific base but said something of korean folkways at that times.

• 수산경영론집
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• 제15권2호
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• pp.1-23
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• 1984

In fisheries financing before the liberation of Korea, the accommodation of funds through modern monetary facilities was hardly benefited to most of small-scale Korean fishermen except Japanese fishermen living in Korea and some large-scale Korean fishermen. In fact, since Korean economy was only in the beginning stage of capitalism free from natural economy in the end of Yi Dynasty, it was natural that the supply of funds should be lacked. But after the opening of ports in Korea, the external shapes in Korean society were slowly changed according as heteronomous modernization was pushed forward by means of western capitalism and the intentional invasion of Japanese was gradually weighed. Thus all kinds of fishing equipments and technique were developed by dint of modernization, and modern monetary facilities also came into being. But most of Korean fishermen were hardly benefited by modern monetary facilities. Fishermen who were faced with destitution of funds were forced to rely upon high interest loans in order to make a living or maintain fisheries, and they were severely exploited by usurers. The situation was the same in the period of Japanese imperialism. Japanese felt the necessity of advancement of Korean fisheries and established fisheries institution suitable for all kinds of colonial fisheries policy toward Korea so that they could build up the foundation according to the development of capitalism and carry out the Russo-Japanese War and the Sino-Japanese War. There were a series of bottlenecks in financing on account of the deficiency of fisheries institution in the beginning of Japanese imperialism, but the financial pressure was lightened because the arrangement of institution greatly contributed to the smoothness of fisheries financing in the latter part of it. Despite such improvement of financing, the benefit of funds could not equally reach to all the fishermen. It only reached to Japanese fishermen living in Korea and some large scale Korean fishermen. Thus most of korean fishermen could not free themselves from destitution of financing and the pressure of high interest loans. This phenomenon took place because Korean fisheries had the antinomic characteristics that financial restriction was excessive owing to the industrial speciality of fisheries, on the other hand there was a large financial demand in fisheries in the character of industry.

• Korean Journal of Acupuncture
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• 제27권2호
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• pp.35-47
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• 2010

Objectives : Chim-Gu-Kyung-Heom-Bang(CGKHB; 鍼灸經驗方) is the needle and moxa specialized document written by the doctor specialized in needle and moxa treatment of Joseon(朝鮮), Heo Im(1570-1647). The document was published in April 1644(22nd year of King Injo). CGKHB contains the needle and moxa treatment techniques accumulated by the Joseon Dynasty as well as the personal experience of Heo Im. The aim of this study is to restore the past treatment method as a method of Needle Insertion Method at CV12(NIM-CV12, needle to penetrate blood vessel technique) in CGKHB.. Methods : Through Dong-Yi-Bao-Gam(DYBG; 東醫寶鑑), the implication of Korean medicine study of the Jungwan(CV12) has been studied. Next is the contemplation of the NIM-CV12 of CGKHB with the Acupuncture Treatment Using Jungwan(中脘鍼法) of Park Tae-won and Acupuncture Treatment for Byeokjeok(癖積鍼法) of "Geup Yubang". Results and Conclusions : 1. CV12 is one of the acupuncture points representing stomach(脾胃), middle energizer(中焦), phlegm-fluid retention(痰飮) and greater yin(太陰). 2. NIM-CV12 of CGKHB is the technique to penetrate the needle into the CV12 strictly relying on tactile sense of a person who give the penetration. This CV12 administration was carried out at intervals of every 7 or 8 day. During the administration period, the patient was not allowed to intake excessive amount of food. 3. The Acupuncture Treatment Using Jungwan(中脘鍼法) of Park Tae-won and Acupuncture Treatment for Byeokjeok(癖積鍼法) of "GeupYubang", existed in the same era of the NIM-CV12 of CGKHB, have similar linkage to the NIM-CV12 of Heo Im.

• 고전문학과교육
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• 제35호
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• pp.47-85
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• 2017

공간은 작품의 배경으로서 문학교육의 관심사이고, 또한 지리교육의 주교육 대상인 점에서 문학교육과 지리교육의 공동의 대상이다. 이러한 전제에서 <춘향전>을 제재로 한 두 교과의 교육에서 공간을 중심으로 문학교육과 지리교육의 공동 영역을 모색하였다. 구체적으로 공간의 실체, 공간의 역할, 공간 의식, 공간 체험, 공간 재구성 등을 항목으로 <춘향전>에 이들이 어떻게 구현되어 있는지를 분석하고 아울러 그 지리교육적 의의를 살펴보았다. 그 결과 <춘향전>은 실제의 지리 공간을 서사 전개에 효과적으로 활용하고 있으며, 또한 등장인물들의 공간 의식, 장소감 등을 잘 형상화하였고, 나아가 작품이 그 배경인 실제 공간을 변화시키는 전형적 사례임을 확인하였다. 또한 이러한 작품 내 외적 현상에 대한 학습은 작품의 심도 있는 이해를 추구하는 문학교육의 목표와 지리적 안목의 성장을 추구하는 지리교육의 목표를 동시에 수행할 수 있는 교육 자료가 됨을 확인하였다. 앞으로 공간을 중심으로 한 문학교육과 지리교육의 소통과 공동 영역의 구축을 통한 교과 융합을 추구하기 위해서는 두 교과의 교육 목표 체계의 비교와 연계 요소의 확인 위에서 공동 영역의 체계를 수립하는 작업이 선행되어야 한다고 본다.

• 교육녹색환경연구
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• 제18권3호
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• pp.39-49
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• 2019

유학자들의 유교적 이념들은 서원의 공간구성에서 강하게 발현되어 '예(禮)'를 기본으로 하는 독특한 질서를 형성하였다. 유학자들은 중국 고대의 삼대(하(夏) 은(殷) 주(周))를 이상적인 사회로 인식하고 각기 신분에 맞는 이상적인 고대의 건축제도인 '묘침제(廟寢制)'를 실제 조선사회에 접목하려고 하였다. 그러나 기원전의 건축형식을 16세기의 조선에서 적용하려다보니 많은 문제가 발생하였기 때문에, 학자별로 다양한 견해를 제시하여 묘침의 관계를 정립해나갔다. 기호사림이 실천주의적 입장에서 고제에 따라 황산서원, 돈암서원, 신항서원, 상현서원, 만동묘 등의 영건에 묘침제를 적용했던 것과 다르게 영남사림에서는 신식의 문암서원을 제외하고는 실제 적용을 위한 실험들이 적었다. 이는 고대의 중국제도와 17세기 조선의 현실에 대한 분명한 차이를 전제하는 실용주의적 태도에서 비롯되었다. 서원의 건축형식은 이러한 인식들의 발발로(發露)인 것이다.

• 헤리티지:역사와 과학
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• 제35권
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• pp.100-118
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• 2002

Originally, Gyeongcheonsa pagoda was located in Busosan, Jungyeon-ri, Gwangdeok-myeon, Gaepung-gun, Gyeonggi-do,but it has suffered from being taken out to Japan illegally in 1907 and being returned to Korea in 1918. After returned to Korea, Gyeoncheonsa Pagoda had been neglected and restored in 1960. It had been exhibited outside the Gyeingbokgung Palace after restoration, but many problems were raised. It was taken to pieces in 1995 and it is conservation and restoring today. However, the top of pagoda is necessary to be researched about its archetype because the shapes of stupa in 1902 and in 1960(the shape of pagoda after restoration) are all different from its archetype. According to picture datum in 1902, the top of pagoda was a Korean building type on a 10 layered roof stone. On the other hand, when it was restored in 1960, cement suspected as a anda was taken place between Korean building type and a 10 layered roof stone. Therefore, I am going to examine Restoration of Gyeongcheonsa pagoda in this thesis. When we examine historical records of Geongcheonsa and datum of parts, we can know that the pagoda was established in 1348(Goryeo Dynasty) but it is difficult to know the truth of its establishment and demolition of Gyeongcheonsa-temple. Three ways to restore the top of the pagoda of Gyeoncheonsa Pagoda can be c o n s i d e r e d . First, Korean building type made by metals is located on a 10 layered roof stone, which is same to picture datum in 1902. Second, the shape of and a type, which is similar to the shape when it was restored in 1960's. Also it is similar to Lamapagoda type. Third, to restore the top of pagoda of gabled roof type, which is similar to the top of pagoda of Wongaksagi P agoda. However it is necessaray to exmamine functions about circle grooves hollowed out in a 10 layered roof stone in restoration. Also we need to find out the archetype of dragon sculpture through the dragon claws left on an edge of a 10 layered roof stone.

• 산업진흥연구
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• 제7권1호
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• pp.89-93
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• 2022

이 연구는 『적천수』에 대한 다양한 판본들을 비교하고 분석하여 한가지 원문을 두고 평주한 시각에 따라 달라져 있는 주석에 대하여 어떤 해석이 더 타당한 것인가를 확인하고자 하는 데 목적이 있다. 『적천수』는 뜻이 감추어져 있는 매우 잘 다듬어진 시부(詩賦)의 문장이어서 명리이론들을 깨닫기가 쉽지는 않다. 시각들이 다양하게 존재하다 보니 평주들을 읽는데 사람들에게 혼란을 더 가중시킨다. 임철초가 증주를 추가로 저술하고 512개의 많은 명조 사례를 인용하여 『적천수』의 내용을 세분화시켜 구분하고자 한 점은 명리학의 큰 공헌이라 할 수 있다. 『적천수』의 전반을 관통하는 명리이론의 핵심을 억부론(抑扶論)이라고 보는 관점은 지배적이다. 억부론을 처음으로 언급한 문장은 '체용(體用)'이었으며 함께 짝을 이루는 문장으로 '정신(精神)', 그리고 '쇠왕(衰旺)', '중화(中和)'를 들 수 있다. 중반부에 이르러서 이어지는 명리 각론 중의 '강유(剛柔)', '중과(衆寡)'에서도 『적천수』의 억부론은 이어지며 계속 논의된다.