• 복식
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• 제2권
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• pp.9-21
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• 1978

The object of this article is to examine the shapes and the development of the costume worn in the early and middle Yi Dynasty from the viewpoint of the history of customes with the excavated clothing from Chung-Ju (1530 A.D.), Wool-San (1650 A.D.), An-Dong (1650 A.D.) etc. The study of the history of costumes of the early years of the Yi Dynasty has been mainly dependent upon fiblirographical records sofar. So I have arranged in order some excavated clothing of the early Yi Dynasty, which gives us some means for the study of Korean historical costumes. It is noticeably remarkable that the daily wear of the early Yi Dynasty period was excavated for the first time from Chung-ju. The results drawn from this research are: It is argued that the original from of Chul-nik(天翼) has been excavated. This is the remnants Mongolian clothing of the Koryo Dynasty, and it is sketched in the Dai-Myong-jib-lei(大明集禮) as Yo-sun-o-ja which the lower classes usually put on. The similar clothing is also handed down as a Dan-po(緞袍) from the ming Dynasty, and we can presume that Chul-nik was a common clothing regardless of the social status of their wearer. It is also remarkable that even women at those times wore the Chul-nik. The length of the Cheo-go-ri of the early Yi Dynasty was the middle hip length, and the edge of the sleeves was very wide which called Cham-soo, and it was handed down to the middle period of the Yi Dynasty which can be seen in the coat (po) of women(直領袍). The systems of the straight-collar Po(袍) during the early Yi Dynasty were discovered for the first time. This Po(袍) which would represent the po-system of the early years of Yi Dynasty, is handed down even to the middle of Yi Dynasty. The collars of the Po(coat) of the early Yi Dynasty are mostly double collars(二重衿) and these give us the advantage in reconsidering of the cheo-go-ri(赤古里) of the Kingdom of Shin-la, or Koryo Dynasty. The edge of the women's Ba-ji(袴) of the early Yi Dynasty was wide and the Ba-ji had a shoulder belt which connect the front part with the back one, which showed the practical point of Ba-ji. The men's Ba-ji of the middle Yi Dynasty was the same as can be seen today and it is clear that the Mongolian Ba-ji dated to B.C. 1 was the same one also. In the system of the Chi-ma(常), there seems to be no differences between the ancient styles and those of these times.

• 복식
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• 제5권
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• pp.185-196
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• 1981

This study concerns Jeugo-ris' collar patterns according to the pictures of the actual measurement of the bequests in Yi dynasty. In early Yi dynasty not only outside collar but also inside collar was the Mog-pan collar. In middle Yi dynasty many Jeugo-ris' bequests has been discovered. The form of the collar was various In before and after the 1590's, the Mog-pan collar and Kal-collar, Dang-ko callar was coexisted. But after the 1700's Jeugo-ris' collar pattern was fixed to the Dang-ko collar. In early and middle Yi dynasty the width of the collar was three or four times as wide as it on these days. In late Yi dynasty the inside collar length was longer than the outside collar length and the width of the collar was gradually narrow. The same thing as the form of the collar on these days had been appeared from the 1900's.

• 복식
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• 제5권
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• pp.83-101
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• 1981

This study is to research and analyse the Musicians' Costumes in Yi dynasty. Each costume for the musicians was, at that time, different in its design and style in accordance with what class the musicians were belonging to and what ceremony they were playing for, and the form and substance of them were changed according to the ages. In the early of Yi dynasty, the musicians wore their costumes imitated from the Song dynasty's. Especially in the 13th year of King Sae-Jong(1431), they divided the costumes into A-ag-Seo Jeon-ag Gwan-bog(雅樂署 典樂冠服) and Jeon-ag-Seo Gwan-bog(典樂署冠服). Meanwhile the musicians had to put on their different kinds of costumes according to the sorts of ceremonies they were playing for since January of the 16th year of king Sae-Jong(1434). It is widely known that confucianism was made a national policy in Yi dynasty. Compared the musicians' costumes for sacrificial rituals, however, with those for every kind of ceremony, one was simpler and shabbier without any strictly established forms than the other. At the same time, the musicians' costumes for ceremonies were, instead, designed in more gorgeous forms; it means that the sacrificial ritual was very lightly dealt at that time. It is very difficult to define, by standard pictures the whole style and form of the musicians' costumes in Yi dynasty in this study. Since we haven't shown any examples of the costumes, this attempt will be keepful.

• 한국의류학회지
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• 제2권2호
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• pp.277-286
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• 1978

The history of the women's veil which was used to hide their face in Yi-Dynasty was discussed. The similar fashion of wearing veil was popular in T'ang China as Myok-li and Yoo-Mo, then it might have influenced the fashion of the women's dress of the Silla Dynasty. It was also found out that the custom was most popular in Koryo and then continued to Yi-Dynasty. The confucianism of Yi-Dynasty requested very strict moral obligation toward women that veil had to be worn by them whenever going out. It might not be their popular fashion but obligation. There were several types of veil so called; Neoul(라원) Jangott(장의) Suege-China(쓰개치마) Chun-eue(천의) Sak-kat(삿갓) Chun-mo(천모)etc., which were used as a part of formal dress for women. From the late 1930, when the new society started to accept women's activities, the customs of wearing veil had been vanishing from the women's dress.

• 한국비블리아학회지
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• 제6권1호
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• pp.111-131
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• 1984

The W$\v{o}$njong Kongsin Nock$\v{o}$n (原從功臣錄券) is a kind of the official document to granting a privilege and stipend which was awarded in 1395 to Kim Ch$\v{o}$lni (金天理). devoted his master who was latter set on a throne of the first King Taejo of Yi dynasty. In the present study are concretely verified that the Nock$\v{o}$n is bibliographically invaluable archives of early Yi dynasty in the viewpoint of the followings: 1) Unique material of biographies covering those meritorious retainers to deserving the foundation of Yi dynasty. 2) Worthy material of history including the meritorious examples on the founding of a new Kingdom which were omitted in the true record of the Yi dynasty. 3) Priceless material of philology written in the Korean ancient languages to use the letter of Yi-du (吏讀).

• 한국조경학회지
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• 제19권1호
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• pp.99-121
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• 1991

A purpose of this study is to identify the concept formation and classify the diverse concepts which related to Kyoung(景) in the Classical Korean Poems(Chong, Chol(鄭澈, 1536-1593), Pak, Inno(朴仁老, 1561-1642), Yun Sondo(尹善道, 1587-1671) on the Yi dynasty period and to construct the direction of the use of that concepts in the future. The results were as follows ; The type of landscape concept was 9 types and had the following frequencies in order ; Kyoung(景)(3), Pung-Kyoung(風景)(2), Kyoung-Chi(景致)(2), Yeo-Kyoung(麗景), Cheong-Kyoung(淸景), Jin-Kyoung(眞景)(1), Mo-Kyoung(暮景)(1), Ka-Kyoung(佳景)(1), Kyoung-Mul(景物). Types of landscape concepts in Yi dynasty period were classified into 9 according to the many characteristics ; personal situations, faith, religion, confucianism in the specific time of Yi dynasty. The most popular type of landscape concepts in general was Kyoung(景). The word, "Pung-Kyoung(風景)" was used in expressing personal thoughts and feelings in one's recollection in terms of landscape elements. The word, "Mo-Kyoung(暮 景)" was used in expressing specific time and the dejection in one's heart in that time. The words, "yeo-Kyoung(麗景)" and "Ka-Kyoung(佳 景)" was used in expressing the landscape elements. The nine concepts had a grest deal to do with defining and perpetuating a personal characteristics, the place and landscape elements, and a society's character in the Yi dynasty period.ty's character in the Yi dynasty period.

• 복식
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• 제5권
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• pp.207-218
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• 1981

This study is the investigation of dressing the deceased Kings and the King's robes in the coffin in the Yi Dynasty of Korea. The Authentic Records of the Yi Dynasty and the Diaries of Sung Jung Won (承政院日記) are mainly referred to as the research materials. The Concrete contents are the robes of the 20th King Kyung long (景宗 : $1720{\sim}1724$) to the 23rd King Soon Cho(純祖 : $1800{\sim}1834) in the Yi Dynasty. As the result of the study, the kinds of the robes in dressing the decreased Kings and the Kings' robes in the coffin are more than forty. The kinds of textile fabrics are about fifty-seven, the kinds of colours of textile fabrics are twenty-nine. All the kinds of costume-from the Kings' ceremonial robes to the Kings' ordinary robes are generally collected, and these kinds of costume are of help for the study of the costume history in the Yi Dynasty. In this study I intend to end in presenting the research materials, and in the later study I have a mind to study each costume in the concrete.

• 동양고전연구
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• 제50호
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• pp.211-232
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• 2013

가의는 서한 초기의 만연한 빈부격차의 심화와 음란하고 사치스러운 풍속이 유행하는 사회적 풍조와 농업생산 인구가 감소하는 한편 생산 활동에 종사할 수 없는 인구가 증가하고 있는 상황에 직면하여 심각한 문제의식을 갖게 된다. 가의가 갖게 되는 문제의식은 바로 서한 사회의 사회경제적 질서의 붕괴와 도덕적 타락에 대한 염려와 국가재정 고갈의 위험성에 대한 것들이었다. 가의는 서한 초기 사회가 직면한 사회적 경제적 폐해현상에 대한 반성에서부터 착수하여 자신의 경제정책에 대한 청사진을 제시한다. 즉 가의의 경제사상은 한나라 초기의 무위자연의 방임주의적인 경제정책의 폐해를 개선시키기 위해서 제기된 것으로 중농억상 정책을 구체적인 개혁의 청사진으로 제시하는 한편 화폐제도에 대해서도 구체적인 개혁의 시나리오를 제시한다. 이러한 두 가지의 개혁방안은 가의의 경제사상에 있어서 이론적 근간이 되는 것이라고 말할 수 있는 것이다. 이러한 가의의 경제정책 청사진에 대하여 본문에서는 중농억상 정책과 민간에서의 화폐주조 금지 정책을 중심으로 조명해보았다.

• 복식문화연구
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• 제3권1호
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• pp.157-190
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• 1995

This report aims at studying on marriage extravagancies in Yi Dynasty and modern time in Korea. The author argues that we have to do the reform of consciousness and our reflection, with regard to the marriage extravagancies in Yi dynasty and modern times in Korea. In the way, we have to be illuminated by the seminar for the house wives of high class, by the discussion on marriage extravagancies or on the prohibition law of that which can keep.

• 한국도서관정보학회지
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• 제21권
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• pp.431-457
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• 1994

The aim of this thesis is to attempt a bibliographical analysis of mathematical materials that were published during Yi-Dynasty. In this study, matters that were treated concretely are the same as follows: 1. Formulation of a system about mathematical materials that were published from Three Kingdoms to Yi-Dynasty. 2. Background of each period about compilation and publication of mathematical materials. 3. Investigation to transition, block book and domain of subject of mathematical materials through analysis on each period of publication. But it was not easy to contrast materials on each catalogue with existed books one by one. In further, we must a new chance for better a n.0, ppreciation about Yi-Dynasty's mathematical materials through continuous studies to this field.