• 보존과학연구
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• s.33
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• pp.19-32
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• 2012

Paper relics, which are made of natural ingredients, are more likely to be damaged by a compendium of complicated causes (e.g., physical, chemical, and biological causes) rather than by a sole cause. In December 2009, Culture Heritage Conservation Science Center discovered several damages in paper relics related to Chungmugong Yi Sunsin, and requested for conservation treatment from the Hyeonchungsa Shrine office. By conducting a comprehensive research to determine the damage level of each artifact, the center was able to establish a proper conservation method, and for two years after its completion of such research in 2010, it has been conducting treatment. This study suggests the proper ways to select adequate conservation treatment based on the type of paper relics - Documents and Books - through the case of artifacts related to Chungmugong Yi, Sunsin. Even though the conservation treatment on paper relics can suppress damaging speed and prevent another damages, it is impossible to stop aging process of relics. Therefore regular inspection is essential for prevent second damage.

• Korean Journal of Heritage: History & Science
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• v.44 no.3
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• pp.62-77
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• 2011

Yi Sunsin's artifacts had been exhibited at Hyeonchungsa in Asan-si, Chungchungnam-do. These artifacts include Janggeom(Long swords), Okno(Jade ornament of Korea traditional hat), Yodae(Waist belt) and Dobae(Peach shaped wine cups) Gudae(Yodae's saucers). These were covered with dust and corroded due to long term display. Condition of these artifacts was examined for a re-opening of Yi Chungmugong Memorial Pavilion on 28 March 2011. Before conservation treatment of the artifacts, scientific analysis was conducted to identify the material of the artifacts. The result showed that the red paint on the hilt of the sword is composed of two layers. Pigments of two layers were found to be hematite and cinnabar mixed with red lead respectively. Mixed layer was assumed to have been applied recently. Also it was found that the blade of the sword was repainted using chrome yellow($PbCrO_4$). Considering the time limit, conservation treatment focused on stabilization of damaged area and prevention of futher risk during display.