• 한국실내디자인학회논문집
• /
• 제22호
• /
• pp.69-76
• /
• 2000

Contemporary architecture in Japan is entering an entirely new phase in the second half of the 1980s. In the late 1960s, doubts began to be expressed about Modernism, which until then had been the recognized mainstream of architecture. There was much discussion, but it was only in the early '80s that an active debate was initiated concerning Post-Modernism. Today, however, matters have gone beyond this, and the situation appears particularly significant. The Japanese architecture world was hitherto understand to be fundamentally very different from its western counterparts. There are several trends in current Japanese architecture which have still come out of the Japanese tradition of life, culture, region, climate itself. At the same time, stance of contemporary Japanese architecture start from a common basis in world's design stream which can be called Post-Modernism, Deconstructivism, Neo-Modernism. This study is aimed at analysis of 'Regional Characteristics' in Contemporary Japanese Architecture.

• 도시과학
• /
• 제9권1호
• /
• pp.75-90
• /
• 2020

Günter Behnisch is one of the architects who played a major role as a pioneer of German modern architecture after World War II. After experiencing the era of the oppression of the Nazi right-wing national socialist, he tried to break away from the high-pressure and arrogant architecture to control everything in the building and to create a building that was born in a democratic way of thinking. He thought that architecture showed us the way we treat ourselves and the world, and that architecture formed our world view backwards. In this way, architects can express their way of thinking about their society through their works. Behnisch judged that the educational facility was the most appropriate use for implementing his democratic mindset. He hoped that this would give students the characteristics of democracy through architecture. Schools are a place where small society is experienced, and it is thought to be a medium for him to implement democratic thinking in school architecture. This study analyzed the educational facilities of Behnisch by deriving the analysis elements through the educational space organization reflecting Prakash Nair's educational facilities and educational theory and his architectural philosophy. The various plans, sections and spaces, which are characteristics of the his school facilities analyzed in this study, are expected to be helpful as data for presenting variety to many educational facilities in Korea.

• 대한전자공학회:학술대회논문집
• /
• 대한전자공학회 2008년도 하계종합학술대회
• /
• pp.325-326
• /
• 2008

The telecom world is steadily converging with the IP world, the benefits of converged services are required by many traditional telecom users. The aim of this thesis is to study the functional architecture of NGN based converged service. This thesis also shows how the converged service could be implemented on NGN with IMS core architecture.

• 건축역사연구
• /
• 제7권1호
• /
• pp.81-92
• /
• 1998

According to Post-modernists including deconstructivists, as Modernism is changed into Post-modernism, the paradigm is shifted from consciousness to language. The paradigm of consciousness corresponds to representational language, and the paradigm of language to self-referential one. In post-modern age most of architects are wandering what kind of language architecture is. Some theorists contend that architecture is representational, and others that it is self-referential. Allan Colquhoun, who is known as one of the best architectural theorists inUnited States, accepts both the former and the latter, but fails to reveal the meaning and the limitation, of the two languages. Although he believes that the representational language of architecture ('figure') is the source of self-referential language of architecture('form'), he never clearly answers what kind of language architecture. In order to overcome the limitation and the meaning of Colquhoun's figure and form, and synthesize the two language, this essay appropriates Martin Heidegger's some concepts, 'ready-to-hand,' 'present-at-hand' and 'being-in-the-world' to make a theoretical framework for 'image' which prevails over and synthesizes 'form' and 'figure.' Since Image is based upon both 'being-in-the world' and 'ready-to-hand,' it is the source of 'form' and 'figure.' When 'image' is fragmented, the former and the latter emerge. Image is therefore both the former and the latter because it represents and self-refers a world as a reality.

• 대한건축학회논문집:계획계
• /
• 제35권6호
• /
• pp.69-80
• /
• 2019

This research focuses on 10 modern museums built in Europe near important cultural assets of UNESCO World Heritage level. This study aims to reveal the coexistence of European laminated history and contemporary architecture by considering various aspects of respecting the existing and maintaining their identity as modern buildings, using these cultural assets as a basic concept of planning while minimizing conflicts with the past. The four measures of respecting existing cultural heritage are arranged by showing respect by lowering oneself, sympathizing with others, preparing for harmony with modernity, and communicating by looking at. The measures that reveal the identity of modern buildings are confirmed by classifying them as modern and post-modern approaches, each with several options. Through this study, we have been able to extract useful lessons for us, as well, while the past and present coexist successfully, by taking history as a reliable guide to take a fresh leap from it, rather than as a solidified remnant of inertness.

• 한국항해항만학회:학술대회논문집
• /
• 한국항해항만학회 2009년도 추계학술대회
• /
• pp.141-144
• /
• 2009

우리나라는 국토 면적에 비해 해안선이 길어 해양공간 및 연안지역의 개발 잠재력이 높으며 플로팅 건축물의 활용 가능성이 매우 크다. 또한 세계 최고 수준의 조선 및 건축기술을 가지고 있어 플로팅 건축물 관련 설계 및 시공기술을 체계적으로 확립한다면 국내 외시장에서 충분히 경쟁력을 갖출 수 있는 여건이 마련되어 있다. 본 연구는 플로팅 건축물의 본격적인 기술개발에 앞서 국내외 시장현황을 살펴보고 관련 산업동향을 파악하여 플로팅 건축물의 기술개발 및 산업화률 위한 기초자료를 확보하는데 그 목적이 있다.

• 건축사
• /
• 통권618호
• /
• pp.142-145
• /
• 2020

• 한국실내디자인학회논문집
• /
• 제16호
• /
• pp.126-134
• /
• 1998

In Contemporary architecture we could find rough and stiff feeling expression as a special phenomena. This style is combined regionalism to the modern spirit that we could imagine such a phenomena of the modern design toward vernacular culture. it's conception is conformed to the regionalist architecture in that period and the 3rd world experiences, From 1930s resident house Le corbusier introduced vernacular phenomena that considered productional condition of the region and regional environment This tendancy attempted by few young architects. they built building in vernacular phenomena based on the 3rd world experiences and Le Corbusier's architecture. After Le Corbusier's unite d'hbitation in Marseille Ando finishing with diversified material. but Le Corbusier's intention concerned not only to finishing of material but also to practical and human building as he had experienced in vernacular architecture.

• 대한원격탐사학회:학술대회논문집
• /
• 대한원격탐사학회 2002년도 Proceedings of International Symposium on Remote Sensing
• /
• pp.117-122
• /
• 2002

In this paper, we propose Media GIS web service architecture using 3D geographical database and GPS-related data resulted from 4S-Van. We introduce a novel interoperable geographical data service concept; so-called, Virtual World Mapping (VWM) that can map 3D graphic world with real-world video. Our proposed method can easily retrieve geographical in-formation and attributes to reconstruct 3D virtual space according to certain frame in video sequences. Our proposed system architecture also has an advantage that can provide geographical information service with video stream without any image processing procedures. In addition to, describing the details of our components, we present a Media GIS web service system by using GeoVideo Server, which performs VWM technique.

• 한국실내디자인학회논문집
• /
• 제20권1호
• /
• pp.173-181
• /
• 2011

Contemporary architecture has shown interest in surface after breaking off the relation with structure. Also, the development of contemporary media has brought the great change to the surface of architecture. Interaction among the people, architecture, and environment is also the main point of interest in adapting the role of media to the architecture. But contemporary media itself have been applied on surface in architecture lately. So, it is purpose of the study to analyze the contemporary media characteristics application on the surfaces of EXPO pavilions based on the related characteristics of interaction effects. The categories and the contents for the frame of case studies were arranged through document research and field study. Case studies were focused on the pavilions of the World Exposition Shanghai China 2010. Surface can make the interaction between human and architecture more dramatically by the application the role of media. It was analyzed through the study that the interaction level of people is the important issue shared in digital or analog media application on surface of pavilion. The complementary relationship between surface of contemporary architecture and contemporary media can be manipulated and enriched by the application of various style of media on surface.