• 대한건축학회논문집:계획계
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• 제34권2호
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• pp.95-106
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• 2018

This study aimed at revaluating Frank Gehry's freeform constructions. To this end, the study analyzed the way the space composition and circulation system of general constructions are connected with newly extended parts in the Art Gallery of Ontario and, based on this, comparatively analyzed freeform constructions before and after the art gallery, finding out what changes were made in the exterior and interior spaces of freeform constructions built after the art gallery. The results of the study are as follows. First, starting from extending the Art Gallery of Ontario, Gehry came to use glass instead of metal as main material of freeform constructions. In order to create the circulation connecting the existing building and the extended mass, Gehry applied continuing circulation for the first time to the gallery. Third, in addition to design motives, such as the woodblock print depicting a carp by Hiroshige, still life depicting a glass bottle by Morandi and the crease of the shawl in Vermeer's paintings, which Gehry applied to freeform constructions, the design motif which was recently acquired from Pyrenees rock was added. Fourth, the trend of mall construction appeared before and after the Art Gallery of Ontario. Finally, Gary used the shape of fish as a design motif for his work at an important turning point in his Freeform Architecture.

• 중국학논총
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• 제27호
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• pp.147-166
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• 2009

New year pictures prevailed from 1660s to 1860. Especially, the reign period of Emperor Qianlong(r. 1736-1795) was the period of prosperity. The period of 1660s when new year pictures were started to be popular was the reign period of Emperor Kangxi(r. 1662-1722) was just started and corresponded to Emperor Kangxi's promulgation of "Sacred Edict." Chinese operas such as Peking opera were very popular among common people in the period from 1660s to 1860 when new year pictures prevailed. Qing emperors as foreign ruler chose the way of ruling their people by means of cultural influence in stead of military power. However their culture effort was not efficient toward the majority of illiterate people. New year pictures offered every information about the world through visual icons to the illiterate people at that time who perceived the world by means of seeing. They met the world through visual information offered by new year pictures. New year pictures were the stronger visual medium to spread and educate "Sacred Edict" to illiterate subjects than any other guide books published by elite officers.

• 한국비블리아학회지
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• 제21권4호
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• pp.95-105
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• 2010

주자의 "자치통감강목"은 조선의 역대 왕들이 중요하게 여긴 역사서였다. 중종 이후 사림이 중앙정계에 등장하고 지방의 서적수요가 늘어나면서 지방관들이 서적을 간행하여 보급하는 현상이 점차 일반화 된다. 김천 직지사에서 간행된 "자치통감강목"은 간행의도와 판각과정이 상세하게 수록된 발문이 있어 가치가 높다. 이 판본은 지방의 여러 곳에서 나누어 판각하여서 직지사에 모아 간행하였고 중앙의 교서관으로 이송되었는데 이 과정이 "조선왕조실록"과 "미암일기"에 상세하게 기록되어 있다. 직지사에서 간행된 "자치통감강목" 발문에 "조선왕조실록"과 "미암일기"의 기록을 연결하면 기획에서 소장에 이르는 출판전 과정이 일목요연하게 드러나 16세기 후반 지방출판의 양상을 알 수 있다.

• 한국문헌정보학회지
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• 제15권
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• pp.267-280
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• 1988

After the Koryo government moved to Kanghwado Island to escape the invading Mongols, Ch'oe I who was the government irstman ordered in 1239 the recarving of Nanmingchuan Huoshangsung Chengtao-ko (남명천화상송증도가) widely used by an adherent of Son Buddhism to gain a greater understanding of Son principles. Ch'oe I's postscript indicate that the original edition printed with metal type was no longer available and woodblocks were carved to produce facsimiles of that edition. It is assumed that the copies of the original edition were limited in number due to the primitiveness of printing skills and had either not been taken to Kanghwado Island in the flurry of evacuation or were almost all used up. Demand for the book seemed to have surged sharply due to need for spiritual solace during the period of invasion. It is believed that the original edition of Chengtao-ko was published with metal type in Kaegyong(개경), the capitial, before the government took refuge on Kanghwado Island. Two copies of the recarved woodblocks were recently found in the collectiion of Kim Chong-gyu(김종규). and Park Tong-sop (박동섭). It is presumed that one of the copies was recarved again the other one some time, But the carving of the woodblocks were very sophisticated and faithfully reproduced the characteristics of the original metal type edition; first, there were many slanted characters; second, the lines of the main text were not straight but wavy; third, no bottom stroke of any character overlaps the upper stroke of the following character; and fourth, the characters are relatively uniform in size and shape. The printing techniques reflected in the woodblock reproduction were much better than that at the end of the Koryo dynasty and the beginning of the Yi dynasty. It can be assumed that printing with official type had reached a high level of skill before the transfer to Kanghwado Island.

• 대한한의학원전학회지
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• 제26권4호
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• pp.203-221
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• 2013

Objectives : The Major Essentials of Huangdi's Internal Classics Plain Questions (黃帝內經素問大要, MEHP) is one of the late-Chosun's literate physician Lee Gyoojoon (李圭晙, 1885-1923)'s main work, which is known to have logically proofread the Huangdi's Internal Classics Plain Questions (黃帝內經素問, HP). This study aims to examine two elements of the text: (1) the types of MEHP currently in circulation; (2) the types of publications of HP to be the MEHP's original script. Methods : In this study, basically bibliographical analyses of the form and contents was utilized about the types of MEHP and HP. However, to compare the sentences and phrases between prints, I've used 20 examples that Qian Chaochen (钱超尘) had proposed in his preceding studies. Also, regarding Lee Wonse (李元世)'s proofreading on the MEHP in 1999, I've used interviews of his students. Results : First, I've discovered that there are three versions MEHP in circulation: the woodblock printed version; Lee Wonse's handwritten version; Lee Wonse's proofreading version; and confirmed that Lee's proofreading version should be regarded as good version of MEHP. Also, I've discovered the possibility of other types of printed versions of the MEHP in existence, which is considered Lee's handwritten version's original draft. Second, I've confirmed that the original script of HP, which Lee Gyoojoon utilized for MEHP, is indeed not Gu Congde (顧從德) printed version HP, however, is the Chosun's bureau for military drill (訓練都監) printed version HP. Conclusion : Through this study, I've provided strong evidence that Lee Gyoojoon's MEHP is a unique and original research completed within the traditional realm of Korean medicine, which possesses the universality of Eastern Asian medicine represented by Huangdi's Internal Classics (黃帝內經).

• 만화애니메이션 연구
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• 통권17호
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• pp.205-218
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• 2009

예술작품의 복제는 오래전부터 광범위한 유포와 이익을 위해 이루어져 왔다. 최근 디지털 복제 매체의 발달에 따라 물질적 복제화와 함께 예술작품 내에 그 개념이 개입되며 의미가 더욱 확대되고 있다. 본 논문에서는 근래 두드러지고 있는 디지털 예술작품의 복제성이라는 개념을 현대 대중문화와 연관지어 고찰하고, 기계 매체 시대의 복제성과 비교하며, 또한 새롭게 정립할 수 있는 그것의 특성을 연구하였다.

• 한국의사학회지
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• 제26권2호
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• pp.1-7
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• 2013

There are three kinds of books written by different authors in different regions in the 19th century. These books include "BonChoYuHam (本草類函)" (1833), "BonChoBuBangPyeonRam (本草附方便覽)" (1855) and "BonChoBang (本草方)" (1860?). However, these books are very similar in terms of content and format. They were written in the format of large medical books and they contained prescriptions made up with 1-2 kinds of herbals depending on diseases. These three books which could not affect each other appear to have these commons. The reason is that these books were newly edited based on Bubang (附方) in "BenChaoGangMu" depending on diseases and "BenChaoWanFangZhenXien" (1712) written by Cai, lie Xian (蔡烈先) was used as the reference. Woodblock printed book of "BenChaoGangMu" viewed by medical practitioners in Joseon Dynasty in the 19th century mostly had "BonChoManBangChimSun" which could be called '"BenChaoGangMu" Bubang index' as the appendix. All authors of three books tried to make 'reorganization of "BenChaoGangMu"' by using "BonChoManBangChimSun" as the important reference. Work of 'reorganization of "BenChaoGangMu"' focusing on symptoms being made in the 19th century was made a few times in the 20th century. "YangMuSinPyeon" and "SuSeBiGyeol" published in 1928 were outcomes of these works in the 20th century. 'Reorganization of "BenChaoGangMu"' being made in 19th-20th centuries showed great interest for "BenChaoGangMu" in the medical community in the late Joseon Dynasty. In addition, the practical scholarship of Joseon Dynasty gave "BenChaoGangMu" the value as the collection of prescriptions rather than the concept of book for herbal medicine. Prescriptions of reorganized "BenChaoGangMu" have been spread out to many books in the late Joseon Dynasty. Thus, the impact of "BenChaoGangMu" on society in the late Joseon Dynasty seems to be much larger than what has been known so far.

• 복식
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• 제53권6호
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• pp.11-23
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• 2003

Japonese woodblock printing has been accepted with a great curiosity at first, and it has been called as 'Japonisme' or 'Japonaiserie' in which the school of Impressionism accepted the Japanese type of art and developed it in Europe. The term of Japonisme is the concept that does not refer to one style but to the taste for Japanese painting, craft, fashion and the like in Europe proved as the historical phenomenon through Japanese works. That is, it means every Japanese disposition including all artistic techniques and contents relating to Japanese tastes in Europe. Fashion of dress as Japanese expressed in European painting works not only symbolizes the 'modernity' expressive of the aspiration and nostalgia for Japan but presents the Japan of exotic taste as the inquisitive object of sexual interest. And the expressive method of the peculiar the beauty of the body was described in Japanese painting works because of the fashion characteristics that the frontal side of Japanese clothing was presented in a more decorative and formative way than its reverse side due to decorative design and belts. It could be found that this was introduced actively into the painting works of the impressionist school. This study attempts to discuss the expressive style including the pictorial style, technique and theme shown in the accommodating process of Japanese painting in the Impressionistic school and investigate the phenomenon of Japonisme that was conducted in the western Europe. Accordingly, this study attempts to find out that clothing takes an important place as the aesthetic category of one historical point in time by investigating the Japanese clothing of the times shown in impressionist painting works and that clothing forms the stylistic characteristics and formative characteristics of painting. It could be found that dress existed not only as the instrument capable of illustrating the aesthetic attitude or will of the human being as visual identity but as plastic art and became the prime mover for reinterpreting and changing the plastic style of art frontier.

• 디자인학연구
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• 제14권
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• pp.321-333
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• 1996

<심청전 목판 체>는 질박·고졸하며 간결하고 강한 맛을 내는 멋스러운 글자꼴이다. 특히 이 글자꼴은 조선후기 사대부 취향의 도서로서 만족할 수 없었던, 서민층의 욕구를 충족시키기 위해 판매를 목적으로 발행된 방각본 소설에 사용되었다. 이 글자꼴은 한글 창제 초기의 기하학적이고 원리적인 한글 꼴이 붓이라는 필기도구의 영향을 거쳐 목판의 칼 새김 맛과 목판 인쇄 특성에 따라 서민적인‘허튼 꼴’로 정착한 것이라 할 수 있다. <심청전 목판 체>의 특징은 전체적으로 납작한 형태로, 가로줄기·보가 가늘고 세로줄기·기둥이 두텁다. 그 자소 단위의 쪽 자는 최대한도 허용된 자리를 차지하고 살리면서도 공간 이용에 짜임새가 있고, 단순하면서도 변화를 추구하는 형태적 특징을 갖는다.

• Journal of the Korean Wood Science and Technology
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• 제27권1호
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• pp.1-8
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• 1999

해인사 고려대장경판을 보관하고 있는 건물 기둥 108개의 수종을 분석한 결과는 다음과 같다. 중첩기둥 6개를 포함한 114개의 기둥 중 느티나무가 73개 64%, 잣나무가 17개 14.9%, 소나무 16개 14%, 전나무가 5개 4.4%, 상수리나무류가 2개 1.8%, 리기다소나무가 1개 0.9%의 순이다. 수다라장에는 여러 가지 수종이 검출되었으나 법보전은 48개 기둥 충 47개가 느티나무이었다. 검출된 수종의 특성으로 불 때 법보전은 적어도 고려중 후기 이전에 건조된 것으로 추정되며 다음이 수다라장, 동 서사간장은 이 보다도 훨씬 후대에 건조된 것으로 생각된다.