• 복식
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• 제52권1호
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• pp.117-128
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• 2002

This paper is extended the meaning and period of CONICAL HAT. That is, the race in Central Asia and Western Asia have worn the conical hat before Scytian appeared. One in conical hat puts on the clothes of two-piece style and has the lifestyle. a horse riding and nomadism. Besides the race originate into the Indo-European language family. On the whole the conical hat has relations with the region and is classified into two groups. Scytian and Klin-Yar style. First. the Scytian style of low hat forms the seam of two-piece and is discovered in Southern Russia. Central Asia and East-Northern Asia. Second, the Klin-Yar style of high hat forms the one piece and generally is discovered in Asia Minor and west of Altai. Until now the moaning of the conical hat has focused on the military. However, one in Central Asia and Western Asia is mostly a king. nobility and god. Therefore, in addition to the meaning of military. I estimate that the conical hat may be expressed as the noble status.

• 한국복식학회:학술대회논문집
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• 한국복식학회 2004년도 The 21st International Costume Congress
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• pp.252-260
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• 2004

• Journal of Acupuncture Research
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• 제35권3호
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• pp.145-148
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• 2018

The purpose of this case study was to use Korean medicine to treat posterior cruciate ligament avulsion fracture. The patient suffered left knee pain resulting from an avulsion fracture and was hospitalized for 59 days and treated with acupuncture and traditional Korean medicine. The effect of the treatment was evaluated using the Numerical Rate Scale, the Western Ontario and McMaster universities Osteoarthritis Index, and the European Quality of Life Five Dimensions. Following treatment of the pain in the left knee, scores for Numerical Rate Scale, Western Ontario and McMaster universities Osteoarthritis Index, and European Quality of Life Five Dimensions were improved. This study suggested that Korean Medicine could be an effective treatment for posterior cruciate ligament avulsion fractures. Further studies are needed to substantiate this conclusion.

• 한국지역사회생활과학회지
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• 제11권2호
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• pp.29-42
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• 2000

It has long been believed that European clothing style has been developed independently without the Eastern influence. This deductive assumption has limited the understanding about the contents of Eastern clothing style, and there has only been limited studies on the Eastern influence on the European clothing. The lack of understanding and interest made the traditional Eastern influence on the European clothing. The lack of understanding and interest made the traditional Eastern clothing to be considered as merely exotic and relatively unimportant. Therefore, a thorough study and understanding of the contents of the Eastern clothing style and its influence on the western world is very much needed. The objective of this study is to see how the clothing of the Islamic Osman Turk had influenced Europe during the Gothic and Renaissance period and to find the relationship between the development of the East and West clothing style. This study also has the purpose of re-evaluating the importance of the Eastern culture in the present multi-cultural global era of the 21 st century. The most typical clothing of the Osman Turk was kaftan and other traditional clothing included narrow pants and head dress. Through trade, war and other channels, the Turkish influence changed the styles and colors of previous European fashion that can be characterized by the simple designs of tunic and mantle into a dynamic dress culture. Cotehardie adopted the styles of the Turkish kaftan. The new weaving techniques enabled new clothing such as Pourpoint, Houpplelande made of brocade and velvet with elegant patterns come into European fashion. Also, head dresses, which before were not used except for religious reasons were widely worn. As such, Turkish fashion gave significant influence on the development of European clothing style.

• 복식문화연구
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• 제13권1호
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• pp.133-149
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• 2005

Western designers have long been inspired by exotic and mysterious looks and feelings of non-western countries in their design works. The influence of Orientalism has been prevalent not only in fashion but also in overall aspects of Western cultures ad it dated back to the B.C period. Orientalism has been interpreted differently in different ages. Orientalism has been in effect since the strong emergence of Western powers beginning in the 13th century. There have been produced many studies to analyze the tradition of Western fashion under the framework of Orientalism, but most of them have focused on women's wear and the researches on men's wear have hardly been productive, particularly on men's skirts. This paper aims to analyze the restoration movement of men's skirt fashion in Western societies such as tin America and European countries from the standpoint of Orientalism and attempts to forecast its future. The paper shows how we can reveal the identity of the tradition of men's skirt in Western fashion by making a critical comparison between the pictures of western men's skirts and those found in the folk fashion tradition in non-western countries.

• 한국농촌건축학회논문집
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• 제11권4호
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• pp.25-34
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• 2009

The modern philosophy of historic conservation focuses on the permanence of the material aspects of monuments as historic evidence of the artistic achievement of the past. However, so strongly are European attitudes to architecture and its conservation embedded in modern conservation, that it has skewed all conservation thinking towards the concept of the European-type monument which emphasizes visual beauty through its material substance. Thus, some basic ideas of modern conservation seem ill-suited to East Asian architecture which is conceived in a different spirit from its European counterpart. The purposes of the paper are to discuss the need for approaches which are different from the modern Western view of conservation for East Asian architectural heritage, and to make suggestions for developing conservation principles more suited to the unique values and aesthetic sense of East Asian culture and architecture. Conservation principles in the East Asian societies are determined in relation to the spiritual and naturalistic sensibilities of East Asian culture and architecture.

• 한국사회복지학
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• 제35권
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• pp.427-451
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• 1998

이 연구는 서유럽의 국가복지 발전의 역사를 살펴보고, 한국과 비교하는 작업을 통해 한국 국가복지 발전의 역사적 특수성을 밝히려는 목적을 가진다. 그를 위해 이 연구는 '맥락의 대조'라 불리우는 비교분석의논리를 가지고, (1)민족국가의 형성 (2)시민사회의 전개 (3)개입국가의 발전과 관련된 5개의 변수를 중심으로 서유럽 국가들과 한국을 대조해보았다. 우선, 전통국가의 지배유형과 사회통합 방식의 상이성은 복지제공 주체로서의 민족국가를 부각시키는데 있어 적잖은 편차를 파생시켰다. 또한 서유럽국가들에서 계급균열은 정치적으로 동원될 수 있었지만, 권위주의적 국가에 의한 철저한 노동배재적 정치질서를 지속해온 한국에서 계급균열의 부각과 정치참여는 봉쇄되어왔다. 복지정치의 제도화와 관련해서도 역시 큰 차이가 보인다. 서유럽의 복지국가들에서 복지는 정치적 갈등과 타협의 수단이었지만, 한국에서 고것은 철저하게 탈정치화되어 국가복지의 낙후성을 낳았고, 다시 거기에 제약된 사회성원은 복지와 관련된 이해관계를 공적인 영역에서 표출할 기회를 상실했다. 한국에서 국가복지의 낙후성은 이처럼 사회적 현실과 그것이 낳은 관성적 행위의 순환구조 속에서 지속적으로 재생산되어 왔다.

• 한국건설관리학회논문집
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• 제5권3호
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• pp.120-127
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• 2004

2004년 5월에 폴란드와 다른 동유럽 국가들이 EU에 가입되었다. EU에 가입 후에 폴란드는 도로부분의 투자 현실화를 촉진할 수 있을 것이고, 2005년에 도로 네트워크 상태의 중요한 개선을 이룰 수 있을 것이다. 폴란드 정부는 고속도로의 건설에 요구되는 전체 투자를 하는 것이 불가능하므로, 공공$\cdot$민간 파트너쉽에 기반한 프로젝트 투자의 최신의 기법을 개발하기를 원한다. 높은 품질의 교통 네트워크 없이는 경제적인 경쟁을 할 수가 없다. 이것은 EU에서 유럽 교통 네트워크를 구축하려고 하는 이유 때문이다. 유럽 교통 네트워크는 서유럽의 15개국과 폴란드와 같이 새로 가입된 회원국들 사이에 연결 고리를 제공해 줄 것이다. 그 결과로서, 폴란드는 향상된 교통 기반시설 네트워크를 확립할 것이다.

• 한국경제지리학회지
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• 제12권4호
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• pp.406-420
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• 2009

유럽연합의 경제적 통합과 지리적 확대는 역내 회원국간 교역흐름과 교역구조에 많은 변화를 가져왔다. 첫째, 유럽연합의 역내 교역량은 경제통합과 단일시장 확대로 지속적으로 증가해 왔다. 이러한 교역량 확대는 시장통합에 따른 회원국간 무역창출 및 무역전환효과에 의한 것이기도 하지만, 신규 회원국의 가입에 따른 시장확대에 의해 이루어졌으며 신규 회원국의 가입이 교역량 증대에 미치는 효과는 점차 약화되고 있다. 둘째, 경제통합과 단일시장 확대에 따른 무역확대로 서부유럽은 물론 남부유럽과 중 동부유럽의 역내시장에 대한 수출 입 의존도는 증대되었다. 특히 남부유럽 및 중 동부 유럽의 역내 수출 입 의존도가 상대적으로 더 높게 증가하였다. 셋째, 유럽연합의 역내 회원국간 교역구조는 상품의 자유로운 이동과 단일시장 확대로 규모경제가 가능해짐으로써 상품의 차별화에 의한 산업내 교역이 증가하였다. 산업내 교역에서도 수평적 산업내 교역은 감소하고 수직적 산업내 교역은 증가하였다. 그리고 산업내 교역은 서부유럽의 교역에서 높았으며 산업간 교역은 남부유럽 및 중 동부유럽의 교역에서 상대적으로 높게 나타났다. 그러나 남부유럽 및 일부 중 동부유럽국가의 교역구조도 산업간 교역에서 산업내 교역으로 변화되고 있다.

• 건축역사연구
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• 제5권2호
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• pp.53-68
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• 1996

This study is on the early historical background and the process of development of modern architecture in Thai, during the period from 1782(King Rama 1) to 1934(King Rama 7). Thai started tn form a connection with western nations from the late 18C, founded the Bangkok Dynasty. Since then, Thai was increasingly influenced by western civilization and this trend included an increasing influence of western architecture. In this paper, the centeral objective is to observe the architectural change during the period from King Rama 1(1782-1809) to King Rama 7(1925-1934). This can be divided into three period. During the first period, from King Rama 1 to King Rama 3(1824-1851), Thai architecture showed a tendency to follow the preceding traditional example and to imitate Chinese architecture. The second period is from King Rama 4(1851-1868) to King Rama 5(1868-1910). During this period, Thai architectural design was increasingly influenced by western concepts, specially European Neo-classicism Style. During the third period, from King Rama 6(1910-1925) to King Rama 7(1925-1934), Thu had been enjoying extensive commerce with western nations. The great developments in the field of architecture during this reign were apparent in the construction of public utilities and facilities. These buildings were designed by western architects. At this time, modern architectural concept of western was introduced.