• 한국실내디자인학회논문집
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• 제19호
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• pp.53-58
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• 1999

The goal of this paper is to understand the visual information process and the characteristics of behaviour of the architectural design process using visual protocol analysis through the actual experiment by the architect. The visual protocol analysis is developed on the basis of the theories of the visual information processing model and visual mental image, which can explain visual representation in architectural design process. A protocol study is reported in which the experimental data by architect is analyzed through the protocol analysis method. The whole design process is divided into the stage of 9 tasks which are classified into 18 visual representatiov. The results about visual cognition in cognitive science are reviewed and summarized, and these findings will help understand the architectural design nature.

• 디자인학연구
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• 제15권2호
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• pp.81-90
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• 2002

디자이너는 디자인과정에서 디자인에 도움이 될만한 시각적 정보를 취득함으로서 이 정보를 활용해 새로운 대안을 창출해내고 있다. 이때 디자인할 제품과 직접적인 이미지를 활용하는 것이 보다 세련되고 멋있는 디자인이 될까 아니면 간접적인 이미지를 취득하는 것이 더 효과적일까\ulcorner 본 연구에서는 이와같은 목적으로 시각정보의 특성에 따른 디자인대안의 특성을 밝히고자 하였다. 이에 A집단에게는 시각정보로서 직접적인 이미지를 제시하여 시각적 심상을 형성하도록 조작하였고 B집단에게는 간접적인 이미지를 제시하였다. 그리고 이 두집단에게 전화기를 디자인하시오 라는 과제를 주었다. 이 두집단에서 행한 디자인은 차별성, 세련성이라는 척도로 이루어진 설문을 통해 C집단에 의해 평가되었다. 실험결과 차별성 및 세련성 모두 두 집단간의 통계적 차이가 유의미한 것으로 밝혀졌다. 그러나 세련성은 통계적 차이는 유의미했지만 연구가설과는 반대의 결과를 보였다. 이 두가지의 실험결과로 기존제품과 차별되는 디자인개발을 위해서는 간접적인 이미지가 효과적이며, 세련된 디자인이 되기 위해서는 디자이너의 인지적 집중이 중요한 것으로 밝혀졌다. 이러한 두 실험을 통해서 디자인 프로세스에서 새로운 유형의 디자인을 도출하기 위해서는 간접적인 이미지가, 새로운 스타일의 디자인을 도출하기 위해서는 직접적인 이미지가 효과적임을 제시한다.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.104-111
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• 2006

Digital media changed not only our lifestyle and sense of value but also art and space design, and development of technology will accelerate the alteration. It provided limitless possibility and inspiration to art, architecture and design. In this 'image' era, media communicate with us mostly in visual method, which gets to he realized by visual interface. The purpose of this study is to analyze the tendency of visual interface of contemporary interior design cases in the standpoint of digital media characteristics and suggest directions for future space design. The characteristics of digital media and interface are defined, and how the concept unfolded in art, design is also discussed. In interior design, the concepts come out as various types of visual interface, showing the characteristics of composition of material and immaterial, interaction between visual information and space users and among users, realization of cyberspace and simultaneous coexistence of multiple space-time multi-layer.

• 한국주거학회:학술대회논문집
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• 한국주거학회 2003년도 정기총회 및 추계학술대회
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• pp.277-282
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• 2003

The purpose of this study is to investigate the architectural visual identity, and scheme of conceptional extent of architectural visual identity through literature research and sample analysis by design factors for apartment design. Korea National Housing Corporation's Mapo apartment put first caterer which is continued about 30 years to solve shortage of houses by beginning and the impact of IMF and the price decontrol on second half in the 1990s have changed the housing status to commercial goods. Construction companies have introduced brand concept to satisfy consumer's appetite in production of house goods including apartment under market situation. Importance of visual identity in apartment design occupies has risen in heftily. However most companies are in condition of stay on two-dimensional application that uses symbol, logotype, and character assistance. Several high position construction companies are trying architectural visual identity, but those are applied in partial element and those are not going forward to systematic classification and synthetic visual identity plan within peculiarity of apartment complex. This study is to grasp plan and design tendency to acquire identity of design element of construction field and goods through design examination. In conclusion visual identity in apartment design is architectural visual identity on all of 2 dimensions and 3 dimension for application. Architectural visual identity is a language of form that prescribe identity about external appearance in combination with brand image.

• 패션비즈니스
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• 제21권4호
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• pp.127-143
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• 2017

In this study, we examine a variety of influences in the field of design and analysis about the value of visual tactile design. In hair design, through study on visual tactility, creative design inspiration in the field of hair design enables development of quality research. Research methods use Internet publications such as local and foreign data, analysis, and related research and book forms, such as network searches. library goes for consideration by a literature search. Contents of this study used review of the case and by visual tactility design, for this study, expressive characteristics by color, texture and form of hair design, from 2014-2017 trend shown in the last three years the expressions of visual tactility being used through the analysis of design by date of the case. Result of this study is, visual tactile design appearing in the areas of hair design, that are not of the rules that are active, abstract form, texture, described as a visual feel the promotion of effective, and light and high brightness is sweet tactile impression, high saturation was cold, dark color was hard and heavy, red system is warm and the blue system is cold sense. In general, design trend in hair for three years from 2014-2017, visual tactility in 2014 is a high saturation and unstructured also soft and bright colors. 2015 is on the overall shape, color, texture, hybrid design configuration is more. As of 2016, 2017 is curved and straight texture, appearance of the hybrid mix to maximize the visual tactility.

• 국제교류와 융합교육
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• 제2권1호
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• pp.29-41
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• 2022

최근 시각디자인 전공은 많은 국가에서 생산적 가치를 창출하는 신흥 산업으로 부상하고 있으며 시각디자인 교사는 디자이너의 발전과 디자인 산업의 트렌드에도 영향을 미치는 핵심 요소가 되고 있다. 시각디자인 전공 교사들의 역할이 중요해졌다. 본 연구는 대학의 시각디자인 전공 교사를 연구대상으로 하며 그들의 직무를 수행할 때 갖춰야 할 역량의 구성 모델을 연구하고자 한다. 우선 문서 분류를 통해 지식 능력, 교학 능력, 실무능력, 관리능력, 직업윤리인 5가지 역량군을 기반으로 한다. 시각디자인 업계 전문가 10명과의 인터뷰와 2회의 델파이 방식 인터뷰를 통해 시각디자인 교사의 역량을 평가하기 위한 설문지를 개발하도록 한다.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 1998년도 가을 학술발표대회 논문집 디자인 학 연구
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• pp.58-59
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• 1998

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 1999년도 춘계학술발표대회 논문집
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• pp.106-109
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• 1999

This thesis is to measure visual mass sense in the language of visual expressing architecture designs. Also, this analyzes materials which effect visual design composition theory, forms, and those that act as important factors of architecture style history. Second chapter considers visual mass, then analyzes concepts of sense of visual mass and the way they are expressed in architecture. Third chapter investigates materials that are composition factors of architecture design and classifies materials that express sense of visual mass. Fourth chapter various projects are analyzed as examples. Also analyze and arrange materials which express sense of visual mass. This thesis studies materials expressing sense of visual mass and proposes possibility to approach theoretically the materials that participate in creativity of architecture design.

• 한국주거학회논문집
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• 제17권6호
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• pp.19-26
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• 2006

Along with the development of creative building design ideas, how to effectively sign design concepts is also an important consideration on environmental design. The research goals established in order to solve these problems are to develop structures of sign design and analyze the cases of it. This paper explains structures of sign design in two ways: the compositional elements of signs and the relationships of visual perception. Among various relationships among sign design compositional elements this study uses relationships based on the Gestalt theory, the balance theory by Rudolf Arnheim, and the optical away theory by Gibson. The design principles investigated on the basis of the visual perception theories include the relationships between compositional elements and background space, visual weight balance, horizontal and vertical balances, grouping, and visual layout patterns

• 디지털융복합연구
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• 제20권4호
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• pp.321-331
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• 2022

최근 중국 시각디자인 분야 기업들은 학교인재 양성의 질적 저하, 졸업생의 개인 능력은 기업의 요구를 만족시킬 수 없는 문제를 반영하고 있다. 이를 해결하기 위해서는 선진국처럼 완전한 시각디자인 분야 NCS 제도가 필요하다. 따라서 본 연구의 목적은 학생의 자기 평가, 기업의 직업 요구, 학교 교육 방식 세 가지 측면에서 분석하고 한국 시각디자인 분야의 국가직업능력표준을 참고해 중국 시각디자인 분야의 직업능역표준을 개발하는 것이다. 연구방법은 한국 시각디자인 분야의 국가직업표준을 바탕으로 중국 장쑤성 S 대학의 시각디자인학과 교육제도를 분석하고 시각디자인학과 졸업생들을 대상으로 설문조사를 실시하는 한편 중국 시각디자인회사의 직업요건을 참고해 중국 시각디자인 분야의 국가직업표준을 개발하는 것이다. 이를 분석해서 연구결과는 중국 시각디자인 분야 국가직업능력표준의 개발방안을 제시하였다.