• 제목/요약/키워드: Visual & Interactive Media Design

검색결과 44건 처리시간 0.024초

디지털 패션영상에 나타난 가상성 연구 (Virtuality in Digital Fashion Images)

  • 김향자;김영삼
    • 한국의류학회지
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    • 제39권2호
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    • pp.233-246
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    • 2015
  • Focus on Digital Fashion Image, the conceptual framework for the thesis is established from Virtuality in Digital Art. Formative characteristics and aesthetic characteristics were studied by classifying the Digital Fashion Image applied and expressed by digital media and technology. A detective research method was used for a case study. A literature study for case-by-case data was analyzed with focus on the works expressing fashion that utilized digital media and technology since the 2000s. Through this study, the Digital revolution has created the socio-cultural impact of a Virtual representation to implement technology and fashion culture that finds ways to take advantage of the image shown in a Digital Fashion Media by understanding Virtuality. The results are as follows. First, it was a re-formation of the fashion culture through the experience of virtuality with mental zone parameters between the media 'Mediation Code'. Reflect the reality of the virtual environment as represented by a cultural image of fashion brands and fashion that reset the team relationship and formed a Homo Ludens cultural code. Second, 'Interactive Exchange' acts on the exchange interaction between the method of digital technology, the human and the machine as well as the technical interoperability of network elements and techniques. This exchange is applied to fashion images that express emotion. Forming personalized fashion items and the user interactively storage that expresses the interactive exchange to forward the identity of the emotional fashion by a change in the message delivery system fashion. Third, the emphasis on intuitive artistic expression 'Synesthesia Immersion' induces a sense of immersion and excitement through the fusion of the interconnected. Enhance a visual image in fashion sensory representation and maximize a tactile and visual virtual reality involvement.

미술교육에 있어서 시각적 미디어를 통한 조형교육에 관한 연구 (Visual Media Education in Visual Arts Education)

  • 박지숙
    • 조형예술학연구
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    • 제7권
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    • pp.64-104
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    • 2005
  • Visual media transmits image and information reproduced in large quantities, such as a photography, film, television, video, advertisement, or computer image. Correspondence to the students' reception and recognition of culture in the future. arrangements for the field of studies of visual culture. 'Visual Culture' implies cultural phenomena of visual images via visual media, which includes not only the categories of traditional arts like a painting, sculpture, print, or design, but the performance arts including a fashion show or parade of carnival, and the mass and electronic media like a photography, film, television, video, advertisement, cartoon, animation, or computer image. In the world of visual media, Image' functions as an essential medium of communication. Therefore, people call the culture of today fra of Image Culture', which has been converted from an alphabet convergence era to an image convergence one. Image, via visual media, has become a dominant means for communication in large part of human life, so we can designate an Image' as a typical aspect of visual culture today. Image, as an essential medium of communication, plays an important role in contemporary society. The one way is the conversion of analogue image like an actual picture, photograph, or film into digital one through the digitalization of digital camera or scanner as 'an analogue/digital commutator'. The other is a way of process with a computer drawing, or modeling of objects. It is appropriate to the production of pictorial and surreal images. Digital images, produced by the other, can be divided into the form of Pixel' and form of Vector'. Vector is a line linking the point of departure to the point of end, which organizes informations. Computer stores each line's standard location and correlative locations to one another Digital image shows for more 'Perfectness' than any other visual media. Digital image has been evolving in the diverse aspects, such as a production of geometrical or organic image compositing, interactive art, multimedia art, or web art, which has been applied a computer as an extended trot of painting. Someone often interprets digitalized copy with endless reproduction of original even as an extension of a print. Visual af is no longer a simple activity of representation by a painter or sculptor, but now is intimately associated with a matter of application of media. There is some problem in images via visual media. First, the image via media doesn't reflect a reality as it is, but reflects an artificial manipulated world, that is, a virtual reality. Second, the introduction of digital effect and the development of image processing technology have enhanced a spectacle of destructive and violent scenes. Third, a child intends to recognize the interactive images of computer game and virtual reality as a reality, or truth. Education needs not only to point out an ill effect of mass media and prevent the younger generation from being damaged by it, but also to offer a knowledge and know-how to cope actively with social, cultural circumstances. Visual media education is one of these essential methods for the contemporary and future human being in the overflowing of image informations. The fosterage of 'Visual Literacy' can be considered as a very purpose of visual media education. This is a way to lead an individual to the discerning, active consumer and producer of visual media in life as far as possible. The elements of 'Visual Literacy' can be divided into a faculty of recognition related to the visual media, a faculty of critical reception, a faculty of appropriate application, a faculty of active work and a faculty of creative modeling, which are promoted at the same time by the education of 'visual literacy'. In conclusion, the education of 'Visual Literacy' guides students to comprehend and discriminate the visual image media carefully, or receive them critically, apply them properly, or produce them creatively and voluntarily. Moreover, it leads to an artistic activity by means of new media. This education can be approached and enhanced by the connection and integration with real life. Visual arts and education of them play an important role in the digital era depended on visual communications via image information. Visual me야a of day functions as an essential element both in daily life and in arts. Students can soundly understand visual phenomena of today by means of visual media, and apply it as an expression tool of life culture as well. A new recognition and valuation visual image and media education is required to cultivate the capability of active, upright dealing with the changes of history of civilization. 1) Visual media education helps to cultivate a sensibility for images, which reacts to and deals with the circumstances. 2) It helps students to comprehend the contemporary arts and culture via new media. 3) It supplies a chance of students' experiencing a visual modeling by means of new media. 4) There are educational opportunities of images with temporality and spaciality, and therefore a discerning person becomes to increase. 5) The modeling activity via new media leads students to be continuously interested in the school and production of plastic arts. 6) It raises the ability of visual communications dealing with image information society. 7) An education of digital image is significant in respect of cultivation of man of talent for the future society of image information as well. To correspond to the changing and developing social, cultural circumstances, and the form and recognition of students' reception of them, visual arts education must arrange the field of studying on a new visual culture. Besides, a program needs to be developed, which is in more systematic and active level in relation to visual media education. Educational contents should be extended to the media for visual images, that is, photography, film, television, video, computer graphic, animation, music video, computer game and multimedia. Every media must be separately approached, because they maintain the modes and peculiarities of their own according to the conveyance form of message. The concrete and systematic method of teaching and the quality of education must be researched and developed, centering around the development of a course of study. Teacher's foundational capability of teaching should be cultivated for the visual media education. In this case, it must be paid attention to the fact that a technological level of media is considered as a secondary. Because school education doesn't intend to train expert and skillful producers, but intends to lay stress on the essential aesthetic one with visual media under the social and cultural context, in respect of a consumer including a man of culture.

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사용자 경험을 위한 인터랙션 공간디자인 표현에 관한 연구 - 디지털 미디어를 중심으로 - (A Study on the Expression of Interaction Space Design for User Experience - Focusing on the Digital Media -)

  • 김세영
    • 한국실내디자인학회논문집
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    • 제21권4호
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    • pp.48-56
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    • 2012
  • Digital technology in modern society is entering the era of digital convergence and ubiquitous computing, and is playing an important role to overcome the limitation of time and space. Based on new media method's rapid application development, a wide range of forms as digital design is made possible. A large part of our living such as information sharing, collaboration, production, recreation, working and various social activities has been realized from the space that digital media offer. As we see a much broader range, the digital media's diverse expressions affect, in interactive ways, not only the relationship between humans and things, between each individual human, and between humans and the environment, but also even emotional purification and realm of educational, cultural, and social aspect. In this study, the aim is to discuss the user-centered design considered for integration into the interaction space design method and is to concentrate on research on. Focusing on digital media, user-friendly interface features of the space environment, construction and utilization of digital media have been applied to try to analyze the interaction effect of space that is created for the design and application of various applications and will seek ways. Thus, various case-studies have been explored where interface space is developed, creating virtual reality through cognitive basis and 3-D interface space. For example, emotional expressions are embedded for the space of commerce, education and exhibition, enabling intercommunication through haptic interface, with changing sound and visual effects which are caused by the movement of people in a certain space. With consideration of the relationship between physical environment and objects, interactive design should be achieved by providing a human oriented interface based on social, cultural and environmental aspects.

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IT 환경 변화에 따른 인터랙티브 디자인 교육의 방향성 -대학교육을 중심으로- (Providing a Direction to Interactive Design Education According to the Changes in IT Environment -Focusing on College Education-)

  • 홍은정
    • 디지털융복합연구
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    • 제12권4호
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    • pp.265-276
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    • 2014
  • 본 연구는 변화하는 IT 환경에 따른 디자인 교육의 혁신 요구에 주목하여, 인터랙티브 디자인 분야의 학문적 가능성과 대학에서의 교육방안을 제시함으로서, 매체 및 기술의 변동에 따른 디자인 교육의 합리적인 방향성을 모색하였다. 본 연구는 사회적 요구에 따라 인터랙티브 디자인을 통한 고부가가치를 얻기 위해서는 그에 따른 연구와 학문적 기반이 갖추어져야 할 것이며, 특히, 대학에서의 독립적인 학문 영역 토대를 마련하고, 관련 교육과정의 구축이 선행되어야 할 것이라는 인식에 따라, 그 교육적 방향성을 제시하였다는데 의의가 있다. 본 연구를 통해 인터랙티브 디자인의 독자적 학문영역 구축의 필요성을 언급하였으며, 학문적으로 인터랙티브 디자인의 개념과 범위를 정립하였다. 인터랙티브 디자인학의 영역은 전통적인 기술만을 가르치는 것으로는 충분하지 않다. 따라서 전통적 디자인 교육의 보편적 한계를 넘어선 기술적 이해를 요구하면서, 복합적인 이슈를 다룰 수 있어야 할 것이며, 그에 따른 차별화된 교육방법의 모색이 요구된다.

Adjustive Media의 feedback을 수반한 작품 제작 방법 (The process for adjustive media as design method with feedback)

  • 조현승
    • 디지털융복합연구
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    • 제11권6호
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    • pp.311-317
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    • 2013
  • 기존의 인터랙티브 아트나 엔터테인먼트 시스템의 대부분은 다음의 세 단계로 구성된다. 체험자의 행동 촉구, 체험자의 행동, 그리고 시스템의 응답으로 이루어진다. 그들은 이러한 연속적인 프로세스가 지속과 반복을 수행하는 것을 전제로 하지 않는, 각 상호 작용의 개념을 표현하기 위해 설계되었다. 이와 반대의 접근 방식은 지속적이고 반복적인 경험을 작품의 개념을 전달하는 것이다. 본 논문에서는 이러한 접근 방식에 따라 작업 유형으로 "Adjustive Media"를 제안한다. Adjustive Media는 체험자가 그 작품 체험을 지속하고 반복 체험하는 것으로, 체험자 자신이 작가의 의도에 따라 체험에 접근 할 수 있는 작품 형식이다. 본 논문은 디자인 방법으로 Adjustive 미디어에 대해 3개의 디자인 프로세스를 제안하고, Adjustive 미디어의 프로토 타입을 소개하여 디자인 프로세스의 가능성과 새로운 사용자 경험을 제공하는 작품 형식의 제작 방법에 대해 고찰하고자 한다.

MPEG-4 기반 대화형 복수시점 영상콘텐츠 저작 시스템 (Interactive Multiview Contents Authoring System based on MPEG-4)

  • 이인재;기명석;김욱중;김규헌
    • 한국방송∙미디어공학회:학술대회논문집
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    • 한국방송공학회 2005년도 학술대회
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    • pp.209-212
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    • 2005
  • This paper introduces interactive multi-view contents authoring system based on MPEG-4. The MPEG-4 standard, which aims to provide an object based audiovisual coding tool, has been developed to address the emerging needs from communications, interactive broadcasting as well as from mixed service models resulting from technological convergence. Due to the feature of object based coding, it has been considered that MPEG-4 is the most suitable for interactive broadcasting content production. This feature is suitable for creation of the content which provides multiple views of object or scene in interactive manner. In this paper, we categorize the multi-view visual content into two types: panoramic multi-view content and object multi-view content. And design and implementation of the authoring system for interactive multi-view contents is presented. We believe that the proposed method can be effectively used for further deployment of MPEG-4 content to various interactive applications.

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인터랙티브 미디어를 이용한 거주자 요구 조사방법에 관한 연구 1 - 매체별 응답성향 차이분석을 중심으로 - (A Study on the Survey Method of the Residents′ Housing Needs Using Interactive Media - Focused on the Difference Analysis of Answer Disposition by Media -)

  • 김석태;오찬옥;박수빈;양세화
    • 한국실내디자인학회논문집
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    • 제13권5호
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    • pp.114-124
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    • 2004
  • Most previous studies, in general, related to housing needs have analyzed the data from self-administered survey or interview using questionnaire or simple 2D floor plan. This study was Intended to suggest how to increase the reliability and effectiveness of such survey methods in examining the residents' housing needs. In order to accomplish the purpose, the two kinds of surveys using Web based VR media and typical questionnaire were peformed. The same questions were used for these two surveys, and they included the furniture characteristics, use of each room, adjustment of room size, preferences for interior colors, preferred furniture in living room, space layout of floor plan, housing life style, and preference for housing characteristics. The answer differences between these two were analyzed. The subjects were 402 housewives who lived in apartment houses in Haeundae, Busan. Finding were as follows: first, the media method was more likely to be effective than typical questionnaire survey in explaining housing needs for the adjustment of room size in housing unit plan. Second, the media method was more realistic and reliable than the other in comprehending the needs for the interior colors. Last, the VR media tended to be more effective than the other in understanding the space layout of floor plan. This research sheds light on the utilization of visual instrument for the analysis of needs related to space use.

무안경식 Interactive 3D Display: 시청거리, 시청방위, 협응동작이 시각피로에 미치는 영향 (Glasses-free Interactive 3D Display: The Effects of Viewing Distance, Orientation and Manual Interaction on Visual Fatigue)

  • 김덕중;이형철;김신우
    • 방송공학회논문지
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    • 제17권4호
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    • pp.572-583
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    • 2012
  • 본 연구에서는 interactive 3D(i3d) 시스템을 사용하는 시청 환경에서의 시각 피로를 측정하고, 시각 피로에 영향을 주는 중요한 변인이 무엇인지를 연구하였다. i3D는 무안경식 디스플레이로 사용자가 화면에 제시되는 자극에 대해 손을 사용한 간단한 상호작용을 지원한다. 실험 1에서는 i3D 환경에서 시각피로를 측정할 수 있는 설문문항을 개발하기 위해, 개방형 설문을 실시한 후 사용자의 응답을 다시 설문문항으로 사용하여 요인분석을 통해 문항의 타당성을 검증하였다. 실험 2에서는 실험 1에서 도출한 피로측정 설문지를 사용하여 다양한 시청환경에서 피로를 측정하였다. 협응동작(유/무), 시청거리(1/2/4m), 시청방위($0/28/56^{\circ}$)의 세 변인을 사용하여 피험자내 요인설계를 통해 각 조건에서의 시각피로를 측정하였다. 그 결과, 시청거리가 멀어질수록 시각피로가 줄어드는 결과를 획득하였으며, 시청방위와 협응동작은 시각피로에 영향을 미치지 않는 것을 확인하였다. 실험조건 중 극단적인 시청환경 (예를 들어, 시청거리 1m, 시청방위 $56^{\circ}$)인 조건에서는 피로감이 줄어드는 결과를 획득하였으나 이는 무안경식 디스플레이의 한계로 인해 입체감이 사라져 참가자들이 이중상을 경험한 결과인 것으로 해석하였다. 본 연구의 제한점과 후속 연구에 대한 제안을 종합논의에 제시하였다.

'아날로그-디지털 인터랙션 흔적'에 관한 개념 연구와 미디어 아트에의 응용 (A study of the Concept of Analogue-Digital Interaction Trace and its Application in Media Art)

  • 최민아;권두영
    • 한국콘텐츠학회논문지
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    • 제11권9호
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    • pp.76-84
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    • 2011
  • 본 논문에서는 인터랙티브 미디어 작품 제작에 적용 가능한 개념을 제안하고 개념이 적용된 미디어 아트작품에 대한 사용자 경험과 그것에 대한 결과물을 통해 개념의 타당성과 그 가능성을 시험해보고자 한다. 이를 위해 사용자 인터랙션 흔적을 아날로그와 디지털 형태로 남기도록 하는 '에이디-트레이스(AD-Trace)'라는 개념을 세우고, 이를 적용한 다양한 인터랙티브 미디어 아트 작품 창작을 시도하였다. 에이디-트레이스는 디자인 요소로서 '아날로그 흔적(Analogue Trace)', '디지털 흔적(Digital Trace)', 그리고 두 요소를 연결하면서 사용자의 인터랙션을 유도하여 보다 의미 있는 흔적을 남길 수 있도록 지원하는 '인터랙션 메타포(Interaction Metaphor)'를 갖는다. 이 세 가지 요소는 본 연구자의 세 개 작품인 '에이디-피디(AD-PD)', '에이디-스타(AD-Star)', 그리고 '에이디-맵(AD-Map)'에서 각 작품의 콘셉트에 맞게 디자인 되었으며, 사용자 참여 후 얻어진 결과물을 통해 에이디-트레이스가 가질 수 있는 특성을 분석하였다.

체감형 스포츠 게임을 위한 프로젝터 캘리브레이션 매핑 기술 개발 (Development of Projector Calibration Mapping Technology for Physically Interactive Sport Game)

  • 길영익;서혜란;이현주;고일주
    • 한국게임학회 논문지
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    • 제19권5호
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    • pp.39-52
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    • 2019
  • 최근 체감형 스포츠 게임은 시각적 자극 통한 콘텐츠 몰입을 위해 다양한 연구가 진행되고 있다. 그 중 미디어 콘텐츠의 다면 영상 기술은 넓은 시야에 영상을 투사하여 몰입시키기에 적절하지만 캘리브레이션과 시야에 맞는 매핑 작업을 따로 거쳐야한다는 어려움이 있다. 본 논문은 누구나 쉽게 적용 가능한 캘리브레이션 매핑 기술을 개발하고, CAVE 형태의 체감형 필드아처리 게임 공간에 적용한다. 그 결과 콘텐츠의 해상도를 유지하고 왜곡 없는 영상을 통해 체험자에게 공간감 제공이 가능하다는 것을 확인하였다. 본 논문에서 개발한 기술은 소방 훈련 콘텐츠와 같이 높은 몰입이 필요한 훈련 및 교육 분야에도 활용 가능할 것으로 기대한다.