• 제목/요약/키워드: Traditional elements

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전통건축논의에서 나타나는 움직임의 담론적 이해 - 안영배의 "한국건축의 외부공간"을 중심으로 - (Understanding on the Movement in Discourse of Traditional Korean Architecture - Focused on Ahn Yung Bae's "Exterior Space in Traditional Korean Architecture" -)

  • 서정연
    • 한국가구학회지
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    • 제24권3호
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    • pp.293-301
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    • 2013
  • Through 1960 and 1970s, there had been constant endeavor in order to succeed the korean traditional architectural heritages. Among those efforts Ahn Yung Bae's book "Exterior Space in Traditional Korean Architecture"presented unique methodology utilizing abstraction of space and movement of subject. His method doesn't refer traditional form of architecture. He ignores formal elements. Instead, he reads space through subject's movement and this reading act creates meaning of space. So, he constructed knowledge not about the object of traditional architecture but the subject of today. Ahn's book opens new discourse based on traditional korean architecture. His analyses didn't deal with the form of traditional space, but the experiences of observer. However many historical documents related to architecture had not been interpreted until nineties and the succession of heritage became to be broken by modernity through 20th century. In this situation his book showed the unavoidable method, that is, the modernization of tradition.

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Analysis of Visual Art Elements of Game Characters Illustrated by the Case of Glory of Kings

  • He, Yangyang;Choi, Chulyoung
    • International Journal of Internet, Broadcasting and Communication
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    • 제12권3호
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    • pp.213-219
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    • 2020
  • Visual art elements can most intuitively express the information expressed by a game character and play an important role in shaping a successful game character. We compares and analyzes the role design in the skins of the "Five Tiger-like Generals" series in Glory of Kings in terms of color, line, graphic and other visual elements. Different visual elements form different visual impacts and influences, which brings people different psychological feelings and presents different emotional colors. The reasonable use of visual elements gives people a refined visual experience and a comfortable psychological feeling, adding more influencing factors to the "immersion" of the game. It not only can strongly attract the attention and love of players, but also spreads traditional culture of the nation and the country. Therefore, whether the visual art elements of a game character can be appropriately used is an important part of the success of the game work. The analysis of visual art elements of game characters has important learning and research value.

디자인의 원리에 의거한 레스토랑 프로젝트의 공간구성에 관한 기초연구 (A Basic Study on the Space Organization of Restaurant Projects Based on the Principles of Design)

  • 김용립
    • 한국실내디자인학회논문집
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    • 제21권5호
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    • pp.122-134
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    • 2012
  • The purpose of this study is to comprehend how traditional design theory, 'design elements and principles' have been applied to space design, taking interior designs of restaurants as the subjects of the research. Furthermore, this study intends to provide practical help to the restaurant designers and students who major in interior design, by summarizing the applications case by case. For the analysis, 10 restaurant projects were selected to which 'design elements and principles' were well applied. In order to widen the scope of application cases, this study selected four Korean restaurant projects, and three US and Japan restaurant projects, respectively. Through the analysis, it was found that many unexpected results can be produced when various elements composing a space are combined together, including not only two-dimensional elements such as plane and color, texture, and pattern but also three-dimensional elements and architectural elements composing interior space. Moreover, I became to have confidence that 'design elements and principles' would sustain the value in most design parts including interior design in the future as well.

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The Impact of a Traditional Culture Seminar on the Output of College Students' Chinese Creative Writing

  • Hou, Nai-ming;Cui, Xiang-zhe
    • International journal of advanced smart convergence
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    • 제11권4호
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    • pp.206-215
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    • 2022
  • For a long time, traditional culture has been regarded as one of the sources of the inspiration, method and language of Chinese writing. In this article, we studied the medium- and long-term impact of a traditional Chinese culture seminar attended by college students on the output of creative writing. The seminar included traditional Chinese philosophy, history, literature, art, etc. It spanned three years (22 months) and held lectures lasting for approximately two hours once a week. The subjects of the prospective cohort study included 130 first-year college students who participated in the seminar and 130 controls. From September 2016 to June 2018, 72 lectures were held. We measured the creative writing output from the first lecture (September 2016) to December 2021 (64 months in total), including novels, essays, poems, and plays. Two indicators, the total number of words (TNW) and the quality of yield (QY), were evaluated by a 15-member panel. Although the TNW and QY of the participants and their controls were similar before the seminar, we found that the participants have higher TNW and QY than the controls after participating in the seminar. The difference in TNW became significant after month 51 (p<0.05), and the difference in QY became significant after month 46 (p<0.05). After these dates, the differences stabilized. In addition, text analysis indicates that by month 64, traditional cultural elements in the works of the participating group had a higher frequency (p<0.001). The research shows that the traditional culture seminar not only enhanced the yield of college students' creative writing but also improved the quality of their work. The traditional cultural elements enriched the works of the seminar participants.

한칸형 전통 사각정자의 지붕부 연구 (A Study on the Roof Components of the Traditional Single-Room Square Type Pavilion)

  • 정다인;김충식
    • 한국전통조경학회지
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    • 제39권3호
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    • pp.56-64
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    • 2021
  • 정자는 전통 조경에서 중요한 경관적 장치이자 공간을 구성하는 대표적인 시설이다. 전통 조경공간에 대한 해석과 계승을 위해서는 전통 정자의 형상과 구조에 대한 연구도 동반되어야 한다. 하지만 전통 정자의 양식과 구조에 관한 연구는 찾아보기 어렵다. 이에 본 연구는 정자의 형상을 결정짓는데 가장 비중이 큰 지붕부를 대상으로 구조적 특성의 규명을 목적으로 하였다. 연구결과는 다음과 같다. 구조를 파악할 수 있는 15개의 한칸형 전통 사각정자를 대상으로 분석한 결과 한 칸 정자의 지붕부의 유형을 구분짓는 주요 부재는 보, 종도리, 동자임을 확인하였다. 지붕 부재의 유무에 따라 정자는 보, 보+종도리보+동자, 종도리, 동자 등 5가지 유형으로 분류되었다. 또한 지붕부의 형상 분류를 토대로 보에 작용하는 하중과 결구를 분석한 결과 한칸형 전통 사각정자에서 보가 수장과 하중의 균형을 이루는 역할을 하기 위한 것임을 확인하였다. 본 연구는 정자 지붕부의 형태와 부재의 역할과 기능에 대해 크기, 비율, 하중 등으로 면밀하게 해석을 시도하였다는 점에서 의의가 있다.

몽골 겔 건축의 공간구성과 구조적 구성요소에 관한 연구 (A Study on Spatial Composition and Elements of Ger Architecture in Mongolia)

  • 정건채
    • 한국농촌건축학회논문집
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    • 제16권1호
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    • pp.111-117
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    • 2014
  • The aim of this study is to find out the pattern of Ger form, inner spatial composition of Mongolian Ger house, and to take a dig at the structural or symbolic elements of nomadic architecture of Ger. To the point of view of corresponding to living and space of housing, remarkable characteristics of Ger Architecture is able to pull down and recombine the structures of nomadic house. Even though urbanization of Mongolia has spreading rapidly in a whole nation, most of people preserves traditional housing pattern within Ger. The ways of survey are to study of traditional home of Mongolia, and then field work at residence or mountain area in Ulan Bator and Gorkhi Terelj National Park area. This survey contains the form, size, structure, spatial composition of living space, structure, and materials. There are three results as follows: First, the form of Ger house is like a pyramidal or crown roof style to approximate to the round shape of it. Usually they had lived in nomadic way of life, so the Ger had a movable and flexible structure. Second, the Ger is easy to build up and deconstruct to move or find a new pasture. Third, the Mongolian Ger structure is composed by mainly five elements that are Khana, Khaalga, Toono, Bagana, and Uni. It has a hierarchy of internal spaces which are classified to gender, orientation, and property.

중국 한푸(汉服) 요소를 스캠퍼(SCAMPER) 기법에 적용한 힙합 패션디자인개발 (Development of Hip-hop Fashion Design by Applying Chinese Hanfu Elements to SCAMPER Technique)

  • 진가인;서승희
    • 패션비즈니스
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    • 제25권1호
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    • pp.108-132
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    • 2021
  • The objective of this study is to develop and present the modern men's hip-hop fashion designs using the design elements of Hanfu which is a traditional culture of China as a motif by applying the SCAMPER technique. In the research methods, this study conducted the literature review and work production. In the process of work development, first, after setting up the concept, a design map was produced. Second, the characteristics of hip-hop fashion style and the design elements of Hanfu were organized. Third, this study developed the hip-hop fashion designs reinterpreting the design elements of Hanfu into modern hip-hop styles by applying the SCAMPER conception list. Fourth, Fourth, of the developed designs, the finally decided upon designs were produced into real six articles, which included a T-shirt, shirt, zippered sweater, jumper, denim jacket, long jumper, denim pants, baggy pants, and short pants. This study offers the possibility of developing Chinese hip-hop fashion design targeting the emerging Chinese hip-hop fashion market by suggesting hip-hop fashion designs with the characteristics of Chinese traditional culture.

조선조 가구의 풍혈을 활용한 PE 휀스 디자인 연구 (A Study on PE Fence Design Using Pung-hyeol of the Joseon Dynasty Furniture)

  • 김정호;강호양
    • 한국가구학회지
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    • 제24권2호
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    • pp.148-155
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    • 2013
  • Appear on the furniture design concept of the Joseon Dynasty Pung-hyel design was developed that is imaged by implication. Was enough of our culture, tradition and the wisdom of our ancestors to the development of a design that reflects the traits to fit the purpose of each form to proceed. Based building materials, technology, and how to identify and develop products as competitive PE fence, and at the same time to develop an international product design is based. Was designed with functionality and mass production to be faithful as a function fence productivity. Formative elements where you can rub shoulders with the modern urban environment alive excavated features leads in the traditional culture, aesthetics, design emphasized a new sense of harmony. Improvements were becoming increasingly aware that traditional culture of Korea's own traditional forms of social concern of modern design. Other products and take advantage of the traditional pattern, with figurative motifs and differentiation, and faithful to its original function as a fence brings out the basic elements of the visual motif has a distinctive beauty.

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한중일 전통가구에 나타난 표현과 의미의 기호학적 분석 - 17~19세기 수납가구를 중심으로 - (Semiotic Analysis of Expressive Features and Structural Meanings in Traditional Furniture of Korea, China and Japan - Focus on the Storage Furniture from 17th to 19th century -)

  • 김은정;박영순
    • 한국실내디자인학회논문집
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    • 제22권1호
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    • pp.183-193
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    • 2013
  • The study aimed to find the fundamental differences of aesthetics in Korea, China, and Japan by analyzing expressive features and structural meanings of the storage furniture from $17^{th}$ to $19^{th}$ century. The study was performed in four steps; analysis of expressive features, isotopic analysis, semantic structure analysis, and comprehensive interpretation. The results showed that three countries had linear shapes with curvilinear elements, closed forms with open spaces, natural material hues with change of tone or color, and symmetrical forms with asymmetrical patterns and structures in common. Korea comparatively accented on the natural material colors and wood grains. China stressed on the big and wide faces using three-dimensional carving. Japan accented on the linear elements with strong color contrast and decorative metal fixtures. These features were caused by the traditional thoughts and according aesthetic principles. Korea and China were affected by the Confucianism focused on establishing the order of rank. Meanwhile, Japan was more influenced by the Buddhism emphasized on the individuality and communication. Therefore, the differences of the expressive features in furniture among the three countries were inevitable consequences of the different ideologies.

전통예술자료 아카이빙을 위한 보존 메타데이터 설계에 관한 연구 (Designing Preservation Metadata for Archives of Korean Traditional Arts)

  • 오삼균;권기성
    • 한국문헌정보학회지
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    • 제41권4호
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    • pp.387-412
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    • 2007
  • 광범위한 분야에 걸쳐 다양한 형태의 대상자원을 지닌 전통예술분야의 아카이빙을 위한 보존 메타데이터 스키마를 설계하였다. 이를 위해 OAIS참조모델과 PREMIS 데이터 사전 그리고 다양하게 개발된 보존 메타데이터 규격들을 참조하고 한국전통예술자료의 특성을 조사하고 분석하여 기존 규격과의 호환성을 유지하는 것을 대원칙으로 하고 전통예술자료 도메인에 대한 특징적 정보를 기술하여 보존과 활용에 필요한 최적의 보존메타데이터 스키마를 설계하려 노력하였다. 모든 메타데이터 요소에 어떤 네임스페이스에서 온 것인지를 선언하여 지속적인 관리를 꾀했으며 참조한 모델의 원래 규격을 최대한 준용하였고. 국악원의 자료의 특성과 새로운 서비스의 제공에 필요한 요소를 새로 생성하여 기존 스키마를 확장하고 수정하여 전통예술자료의 아카이빙을 위한 최적의 메타데이터 스키마를 제안하게 되었다.