• 건축역사연구
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• 제24권3호
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• pp.43-56
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• 2015

Researches on the pit dwellings in the Joseon Dynasty era have been constantly conducted in the archeology field since the beginning of the 2000s. Most of the related researches in the past have been on the classification and chronological record of dwelling types in archeology, but architectural researches on the dwelling history that is connected from the prehistoric age to the Joseon Dynasty era are insufficient. There are no big differences between the excavated pit dwellings of the Joseon Dynasty era and those of the prehistoric age, so pit dwellings were considered to have been used as dwellings for common people until the Joseon dynasty era. This fact is confirmed by the frequency and density of pit dwellings. In this research, what space composition of the pit dwellings that are equipped with the Korean floor heating system is shown according to the plan types was examined and the development and transition process from pit dwellings to Folk houses were analyzed and their correlations with the Folk houses of the Joseon Dynasty era were examined. The Folk house form did not start with the form of the house on the ground but originate from the introduction of Ondol, the Korean floor heating system, to pit dwellings. As the Korean floor heating system is used, the room and kitchen space are composed in the pit dwelling, and the kitchen is expanded to the one that separates the fireplace for cooking to avoid heating that is unnecessary for the summer season. As the size of the dwelling was getting bigger, the division of the space is made by the pillars that support the interior space. Also, the dwelling is expanded into a single row house and a double row house according to the progress direction of Ondol. In other words, the pit dwellings in the Joseon Dynasty era develops with making up diverse floors through the combination and expansion of Ondol and kitchen according to the dweller's convenience and life style and surrounding environment. This research is significant in the sense that it helps understand the formation and development process of our traditional Folk houses and fills the gap between the pit dwellings, which have been dealt with inadequately, and traditional Folk houses in the Korean dwelling history.

• 건축역사연구
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• 제13권2호
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• pp.57-70
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• 2004

Since Korea disclaimed to open the ports, Korean architecture has met the impetuous transformation. Although there would be various factors of this transformation, the new-coming architecture by missionary seemed to be a significant one, and many researches have been carried out on this theme in diverse viewpoints. However, because these researches have preponderated on the Catholic tradition, it is deficient for clarify the whole history of mission architecture. Therefore, this research has the meaning to enrich the history of Korean modern architecture by making balance. First of all, this paper is focused on the activities of one missionary, Graham Lee. He is a practical missionary at the beginning, his architecture made a critical influence in Korean traditional architecture. Graham Lee was born in Rock Island, Illinois, 1861, and he determined to become a missionary through grown up. He spent his boyhood by working as a plumber for his purpose and studied in a university afterward. Graduating of McComick Theological Seminary, he was nominated as a pioneer of Pyeng Yang Mission Station and set foot in Korea, September of 1892. Since then he started to erect missionary facilities in Pyeng Yang, such as Well House(1898), Pyeng Yang Central Church(1900-1901), Pyeng Yang Academy(1902). These all his works are designed with eclectic style which shows western and Korean traditional style intermingled. This unique characteristic made a profound influence to the Korean mission architecture afterwards. Especially, the L-type plan of Pyeng Yang Central Church, which is first shown by him, is recognized very unique, and this plan type had been spread all over the country. Therefore the L-type plan became the peculiar feature of the early Korean churches. Furthermore, working with Korean carpenters, he taught them new skills of modem buildings. After that, they were expanded out northern part of Korea and took the roles of master builders. According to this expansion, his particular style had got spread and had been settled as a unique eclectic style in Korean modern architecture. In the conclusion, he is evaluated to be a critical pioneer missionary, who left a big influence on the frame work of Korean modern architecture in the transitional times.

• 한국주거학회논문집
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• 제19권2호
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• pp.115-124
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• 2008

This study explores the beneficial methodology to increase cultural values of urban style Hanok, Korean traditional residence. Based on the literary geographical approach, this study defines the physical identities of special Bukchon Hanok area in Seoul. The explored physical identities are to provide basic fundamentals for supplying and maintaining new Hanok buildings, including how to preserve and restore the traditional Hanok areas. They are also to develop various Hanok related cultural products and to encourage Hanok popularization. In addition, this study is to add more the humane values and significances to the previous relevant researches. With these perspectives and through above mentioned methodology, the study draws the physical identities of Bukchon Hanok area and meanings as belows: The first one is the collective identity. Bukchon Hanok area is mainly composed of organic spaces with its collective scenary. Narrow alleys and curved lanes created by collective gaps between Hanok buildings, provide residents and visitors with abundant choices of moving path. The second one is the formal identity. Bukchon Hanok maintain their unique layout patterns. The basic units of Chae are combined in specific ways such as 'ㄱ', 'ㄷ', 'ㅁ' types and result typical formal expression of the area. The third one is grounding identity which represent the relationship between the earth and every-day living space. Each Chaes of house always surround Madang, Korean traditional court yard with rare vegetation. And the connection to the ground is transferred to the memories of its dwellers. Lastly, the current Hanok still preserve similar characteristics of past time Hanok such as materials, structure and styles by using unique building technics and exposing traditional ornamenting styles.

• 대한가정학회지
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• 제19권2호
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• pp.11-24
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• 1981

The objectives of the study were to determine 1) if energy consumption and conservation vary in clothing, food, and housing with independent variables-size of household, homemaker's age, employment, and level of education, level of living, type of house, electricity use, and all energy use, and 2) if there is a correlation among energy conservation practices in clothing, food, and housing. Questionnaires wee given to the randomly selected homemakers in Seoul in July, 1980. Data from 620 responses were analyzed by F-test (Analysis of Variance) and Correlation. The results are as follows: 1. Clothing (1) the scores of the conservation practices I clothing were generally high. /However, it was found that a) they did not practice in wearing heavy under clothes and behavior outer clothing to cope with cool room temperature in the winter, b) they did not use bleach for laundry, but they used boiling method, and c) they did not have enough knowledge on Permanent Press finish. (2) energy conservation practices in clothing were significantly related to level of living and homemakrer's level of education. a) The higher the level of living, the higher scores in the knowledge were found. b) the higher the homeakcer's level of education, the higher scores in the knowledge and ironing were obtained. 2. Food (1) The scores of the conservation practices in food were generally high. However, it was found that scientific cooking methods were not performed such as a) to use measuring spoons, cups, and timers, b) to practice a simple method in using solor energy for warming water, c) to use thermos for the hot water tea or coffee, but they boiled water whenever necessary, and b) to use the pressure cooker whenever possible. (2) Energy conservation practices in food were significantly related to homemaker's employment and type of dwellings. a) The scores of full-time homemakers (not gainfully employed) were higher than gainfully employed homemakers. b) Families in traditional Korean dwellings revealed higher scores than those in apartment or western style dwellings. 3. Housing (1) The scores of the conservation practices in housing were generally high. However, it was found that a) they did not install fans in the kitchen, bathroom, and attic in the summer, b) they did not install a humidifier for tolerating a lower room temperature in the winer, c) they did not practice to make plans for the door of the refrigerator remained open for the shortest time, d) they did not install or use a local lighting with a general lighting for reading and cooking, and e) they usedaluminum foil without the knowledge of the heat reaction of its shiny and dull sides. (2) energy conservation practices in housing were significantly related to homemaker's employment and level of education, economic status, types of dwelling, and all energy use, a) Full-time homeakers had higher scores than gainfully employed homeakers. b) the higher the homemaker's level of education and economics status, the higher scores were obtained. c) Homeakers with their own house scored higher points than those with rented houses. And families in apartment or row houses scored higher points than those in traditional korean or western style dwellings. d) The higher the consumption rate of electricity and all energy, the higher scores were revealed. 4. correlation there was a significant correlation among energy conservation practices I clothing, food, and housing.

• 대한공업교육학회지
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• 제38권1호
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• pp.259-274
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• 2013

19세기 이후에 문화의 개념은 좋고 나쁨의 차별적 개념이 아니라, 한 집단의 삶의 방식이 다른 것과 구별되는 행동 양식으로 사용되었다. 이러한 문화는 이미 우리 생활에 깊숙이 배어있으며, 목가구도 생활이고 문화이다. 이 논문에서는 조선 시대 전통 목가구에는 선조들의 어떤 문화가 스며들어 있는지 탐구하고 하였다. 따라서 이 논문의 목적은 우리나라 전통 목가구에 스며있는 문화적 함의를 탐구하는데 있으며, 구체적인 내용에 해당하는 연구 질문은 다음과 같다. 1) 가옥 구조 문화가 전통 목가구에 어떻게 반영되었는가? 2) 실내 공간 문화가 전통 목가구에 어떻게 투영되었는가? 3) 생활 양식 문화가 전통 목가구에 어떻게 투영되었는가? 4) 오늘날의 현대 생활 문화와 전통 목가구는 어떤 조화를 이루고 있는가? 이 연구의 목적을 달성하기 위하여 조선시대 목가구와 관련된 문헌 자료를 집중 탐구하였으며, 중요무형문화재 소목장의 면담을 통해 자료를 수집하였다. 이 연구의 결론은 다음과 같다. 첫째, 가옥 구조 문화의 측면에서, 좁은 실내 공간을 최대한 활용하기 위하여 목가구를 벽에 붙이고, 눈높이 맞는 가구를 만들어 전면 조형의 미를 추구하였다. 둘째, 온돌 문화의 측면에서, 낮은 가구들을 벽에 붙여 사용하였으며, 열과 습도의 대류 현상을 반영하여 가구의 다리는 풍혈구조로 반영되어 독특한 구조를 하고 있다. 셋째, 생활양식 문화의 측면에서, 평좌식 문화의 영향으로 안방의 모든 가구는 앉아있는 눈높이에 맞추어 그 크기와 높이와 비례로 짜여져 있고, 좌식형으로 정면이 시야에 들어오는 상자형 가구로 반영되었다. 또한 목가구의 장식에 사용되는 문양은 자연물과 수복강령을 기원하는 형태이며, 마감에 자연미를 극대화하여 표현되었다. 마지막으로, 현대 생활 문화의 측면에서, 전통 목가구를 어느 공간이나 장소에 두더라도 옆에 놓여 있는 가구를 억누르거나 하지 않고, 본래 그 자리에 있었던 것처럼 존재감을 드러내어 조화를 이루고 있다.

• 건축역사연구
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• 제21권6호
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• pp.19-34
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• 2012

This paper focuses on the spatial analysis of traditional houses in Huizhou during the Ming and Qing period in China. It first reviews the spatial characteristics of the houses in Huizhou. Typical configurations, spatial elements and spatial compositions of the houses are briefly examined. It then discusses how those spatial characteristics are applied to the houses. To do so, the review of existing research and literature on the houses was conducted. For a detailed analysis of the houses, a field survey was performed to collect research materials of the houses and to assess the application of the characteristics in the houses. At times, the plans of the houses were redrawn for a further analysis of the spatial compositions of the houses. Attempts have been made to understand the underlying principles of their spatial organization. For example, Jin (2010) examined the spatial organization of unit plans. Boyd (1989), Berliner (2003) and Dan (2005) similarly categorized the organizational typology of its varying designs. Son(1995) further interpreted the spatial relations of the variety of houses in a comprehensive manner. Nevertheless, their analytic methodology falls short of a complete explanation of the spatial expansion and transformation in the houses. Therefore, this paper examines the basic principles behind the spatial expansion and transformation of a variety of traditional houses in Huizhou. In doing so, it strives to make logical sense of design variations in the houses and reveal the theory behind them.

• 한국농촌건축학회논문집
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• 제18권3호
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• pp.17-24
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• 2016

The aim of this study is to build an architectural landscaping design ways of vulnerable community in rural area. I surveyed scenery structures, public buildings and single home forms, and fence types of house in twelve villages which have undertaken improving environment of rural community in four provinces. They all have an inferior surroundings to live in rural village, because they were isolated from the city, located on the mountain or island, and made a living under the slate materials of roof. The central government has been driving to reform the conditions with local office, so that they may increase their living qualities and village environment to get to the general level of rural area. There are three results of this study as follows: First, the scenery of the village surveyed has a remarkable views of locality and hierarchy of layers between field and mountain, which is very identified as a typical image of Korean rural topology. Second, the public buildings and single homes and outside wall of houses were personally designed or reformed as a various types like a flat slab style and different architectural structure, because they followed only to keep the architectural code rather than to make a harmony with other traditional style buildings. When they have to remodel it again through SaethulMaul project, they are needed to consider of both architectural code and design guideline for the local landscape design image. Third, to make a different landscape view of each village and improve housing conditions, it should be taken a people participation design way.

• 한국농촌건축학회논문집
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• 제5권3호
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• pp.22-33
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• 2003

I recognized necessity of the space planning to three-generation dwelling because of preservation of wholesome society sense of values of the younger generation indicated often to the point at issue by the change to nuclear family of present and by way to hand down thought of respect for the aged which is our traditional public morals. I wish to present basic data for storage space planning that resident's request and consciousness are reflected in such background. I investigated records in general concept, which is utilization pattern of storage space to achieve the function of these culture intermediation. The object of research is three-generation dwelling, such as 3L-K and 3L-DK as national residences that appear most generally in chongju city. The method of research was question investigation method to write utilization actual conditions and requirement of storage space directly. So I proposed suitable planning to resident's life style analyzing frequency, percentage and average distribution. When supply apartment house hereafter, it should be reflected wide selection by resident's characteristic and needed systematic storage space planning in consideration of user mainly. Also continuous and diversified researches that can improve quality of residence are required.

• 대한가정학회지
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• 제40권5호
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• pp.25-37
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• 2002

(1) 와가는 안체에 정지가 있는 안거리 정지형과, 정지 전용건물이 있는 정지거리 별동형의 두가지로 나타났고, 초가는 안거리 정지형만 나타났다. (2) 가사노동공간은, 와가에서는 조리공간인 정지, 식사공간인 챗방, 저장공간인 고팡이 세 곳으로 나타났고, 초가에서는 정지와 고팡만 있고 챗방은 존재하지 않았다, (3) 정지 수는, 와가는 1개로 부모세대와 기혼자녀세대간에 공동취사가 이루어졌으며, 초가는 1~2개로 기혼자녀세대는 이웃에 분가하여 독립적인 생활을 하였다. 밖거리에 정지가 있는 두 개의 초가에서 안.밖거리 개별취사를 한 경우는 고용인이나 임차인이 기거하는 경우이었다. 고팡 수는, 와가는 1~3개이고, 초가는 1~2개로 와가의 고팡수가 초가보다 많았다. (4) 공간의 기능분화는 와가에서 뚜렷하게 나타나 정지에서 음식을 조리하고, 챗방에서 식사행위가 이루어졌다. 그러나 초가는 정지에서 조리와 식사행위가 이루어져 와가에 비해 낮은 분화수준을 나타냈다. (5) 공간별 동선관계는 와가와 초가의 차이는 없고, 정지거리 별동형은 고팡->상방->챗방->마당->정지의 동선으로 나타났다. 안거리 정지형은, 와가는 고팡->상방->챗방->정지의 동선으로 나타났고, 초가는 공팡->상팡->정지로서, 정지거리 별동형 와가의 동선이 가장 길었다. (6) 가사노동공간의 면적 비율은, 와가는 전체 건물면적 중 평균 30%를 나타냈고, 초가는 21%로 와가보다 9%정도 낮게 나타났다.

• 건축역사연구
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• 제10권3호
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• pp.77-91
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• 2001

The study is the analysis on Oe-am village which is designated as a folk-preservation village in 1988 and is included in the fact of the dwelling change through Spot-Survey and Case-Investigation in the last decade from now(2001), The result shows the main change on the stand-up dining room installation, the place with the boiler and bathroom installation, the additional expansion through the combination of the small twice or third space, the using change, the prototype restoration. The reason of this change is shown the following. 1. There is the dual structure that the villager repairs that because the repairing operation is biased the prototype restoration since the government construction. 2. The internal change is come from more at thatched house than at tiled house and the order of the main element's change is Kitchen (35%), main room (30%), living room (24%) and other rest room (11%). 3. The change of the dining room in the internal composition material is the strongest and the change is included in the using change, the installation of the new sub-division in the spot and the expansion of the outside if necessary. The reason of the main change is life-style's. Therefore we can know the change of the dwelling structure and we are able to make a modern-life. Also, If the restoration or repair is necessary, the change element on that must be considered.