• 한국산학기술학회논문지
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• 제22권2호
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• pp.188-198
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• 2021

본 연구는 기술의 발전에 따라 현대적인 3차원 디지털 기술의 활용을 통한 디지털 자료를 구축하며, 다양한 콘텐츠 활용에 3차원 디지털 기술이 적용될 수 있도록 현재 콘텐츠별 기술들을 국내외 사례들을 통해 조사, 분석하였다. 첫째 건축 문화재의 3차원 디지털 기술의 활용은 문화재 복원 형태에서 활용하는 형태로 변화하고 있다. 둘째 제작한 콘텐츠 중 일부 콘텐츠들의 활용도가 매우 낮은 것으로 나타났다. 셋째 콘텐츠의 유형이 체험+전시의 형태로 변화하고 있는 추세이지만 온라인을 통한 접근 방식은 적었다. 넷째 국내 IT기술을 활용한 디지털 복원은 해외 문화유산을 복원 하는 기술로도 사용되고 있다. 다섯째 콘텐츠 유형과 3차원 디지털기술의 관계를 분석한 결과 현재 국한된 기술의 사용을 알 수 있다. 본 연구를 통해 현재 디지털 건축 문화재의 현황 및 3차원 디지털 기술의 적용 방안에 대해 분석 하였으며, 3차원 디지털 기술 적용 및 콘텐츠를 적극적으로 개발·활용하는 기반을 마련하고자 한다. 향후 디지털건축문화재의 활성화를 위한 다양한 계층 및 디지털기술에 대한 후속 연구가 필요할 것으로 보인다.

• 충청수학회지
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• 제27권4호
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• pp.707-720
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• 2014

We get a theorem which shows the existence of at least three solutions for some elliptic system with Dirichlet boundary condition. We obtain this result by using the finite dimensional reduction method which reduces the infinite dimensional problem to the finite dimensional one. We also use the critical point theory on the reduced finite dimensioal subspace.

• 한국의상디자인학회지
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• 제14권3호
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• pp.37-49
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• 2012

The purpose of this study is to provide basic data of dress design by researching three-dimensional decorative techniques representing flowers, a popular motif in dress design. This study analyzed 44 dresses that were presented in Valentino collection. The result of this study is as follows: First, the detailing expression method can show various patterns and colors through embroidery technique, sub-materials, and bonding techniques in embroidery, beads flower, and ribbon flowers. Second, the fabric flower technique expressed flower image in three-dimension in more various images than do either the ribbon or beads flower technique. Fabric flowers are mostly made from the same material as dresses. The expression technique of fabric flower is classified into the following three classifications: 1) A technique underlying a flower image with one, two and three large flowers, 2) a technique decorating a large area with a number of an identical motif, and 3) a technique highlighting a part of the body or design line by attracting eyes to one point, creating a corsage decorated where a designer wants to emphasize. Third, a silhouette technique realizes a flower image with a silhouette of a dress like sculpted structure and it is thus used less than a detailing expression technique. A flower image is expressed by making use of body lines or emphasizing the face. Finally, flower images on a dress were realized as a full blossomed flower, through visually streamlined shapes and curved lines.

• 대한토목학회논문집
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• 제43권4호
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• pp.525-533
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• 2023

산지가 많은 부산시의 지형적 특성상 가용토지가 부족한 상황에서 경부선 철도까지 도심을 가로지르고 있어 생활권의 단절과 도심발전을 저해하고 있다. 이에 토지 확보를 위하여 입체개발의 필요성이 제기되고 있으며, 최근에는 경부선 철도의 지하화로 양분화 된 도시를 연결하고 토지를 효율적으로 사용할 수 있도록 하는데 관심이 증가하고 있다. 본 연구에서는 토지의 입체개발의 사례를 통해 개발유형을 분석하고, 부산시내 경부선 철도의 지하화 사업 시 메인이 되는 4개 권역(사상역, 구포역, 가야역, 부산진역)의 입체개발로 발생하는 가용토지에 효과적인 활용을 위한 시민인식조사 결과를 바탕으로 입체개발 유형별 개발방향 설정하였다. 또한 대상지 지역이 가지고 있는 지역적 특성과 현재 진행되고 있는 도시재생사업을 반영하여 철도에 의해 양분된 지역생활권의 단절 해소 및 철도시설 부지의 효율적 토지이용을 통한 입체적인 개발을 통해 철도 부지의 수평적, 수직적 공간활용의 설계방안을 제시하고자 한다.

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 1997년도 춘계학술대회 논문집
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• pp.96-100
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• 1997

The shadow moire is one of the optical techniques which is able to give contour lines of an object with respect to a master grating plane. The moire patterns are issued from the superposition of a master grating and its shadow projected on the surface of an object. In case of the classical shadow moire method, the sensitivity was a few tenths millimeters. generally, it is difficult to use a phase shift method in shadow moire because it is impossible to obtain uniform phase shifts on the whole field. But in this study we use the fact that if the depth of object is much less than the distance between the observer and the master grating, and the object is displaced perpendicularly to the grating plane, phase shifts are almost uniform. Finally we obtained a better resolution by using a phase shift procedure and applied the phase shifting shadow moire to three dimensional shape measurement.

• 제어로봇시스템학회논문지
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• 제13권3호
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• pp.224-229
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• 2007

This paper presents a camera calibration method using several images for three dimensional measurement applications such as stereo systems, mobile robots, and visual inspection systems in factories. Conventional calibration methods that use single image suffer from errors related to reference point extraction in image, lens distortion, and numerical analysis of nonlinear optimization. The camera parameter values obtained from images of same camera is not same even though we use same calibration method. The camera parameters that are obtained from several images of different view for a calibration target is usaully not same with large error values and we can not assume a special probabilistic distribution when we estimate the parameter values. In this paper, the median value of camera parameters from several images is used to improve estimation of the camera values in an iterative step with nonlinear optimization. The proposed method is proved by experiments using real images.

• 한국CDE학회논문집
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• 제1권3호
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• pp.224-233
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• 1996

An automatic mesh generation scheme with triangular finite elements on three-dimensional surfaces has been developed. The surface triangulation process is performed as follows. To begin, surfaces with key nodes are transformed to two-dimensional planes and the meshes with triangular elements are constructed in these planes. Finally, the constructed meshes are transformed back to the original 3D surfaces. For the mesh generation, an irregular mesh generation scheme is employed in which local mesh densities are assigned by the user along the boundaries of the analysis domain. For this purpose a looping algorithm combined with an advancing front technique using basic operators has been developed, in which the loops are recursively subdivided into subloops with the use of the best split lines and then the basic operators generate elements. Using the split lines, the original boundaries are split recursively until each loop contains a certain number of key nodes, and then using the basic operators such as type-1 and type-2, one or two triangular elements are generated at each operation. After the triangulation process has been completed for each meshing domain, the resulting meshes are finally improved by smoothing process. Sample meshes are presented to demonstrate the versatility of the algorithm.

• Nuclear Engineering and Technology
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• 제53권9호
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• pp.2775-2787
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• 2021

At present, most of the widely used system codes for nuclear safety analysis are one-dimensional, which cannot effectively simulate the flow field of the reactor core or other structures. This is true even for the system codes containing three-dimensional modules with limited three-dimensional simulation function such as RELAP-3D. In contrast, the computational fluid dynamics (CFD) codes excel at providing a detailed three-dimensional flow field of the reactor core or other components; however, the computational domain is relatively small and results in the very high computing resource consuming. Therefore, the development of coupling codes, which can make comprehensive use of the advantages of system and CFD codes, has become a research focus. In this paper, a review focus on the researches of coupled CFD and thermal-hydraulic system codes was carried out, which summarized the method of coupling, the data transfer processing between CFD and system codes, and the verification and validation (V&V) of coupled codes. Furthermore, a series of problems associated with the coupling procedure have been identified, which provide the general direction for the development and V&V efforts of coupled codes.

• 한국BIM학회 논문집
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• 제13권4호
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• pp.45-53
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• 2023

The educational benefits and potential of XR as a new medium are well recognized. However, there are still limitations in understanding the specific effects of XR compared to the more widely utilized representation of images on computer monitors. This study therefore aims to demonstrate the differences in effectiveness between the two technologies and to draw implications from a cognitive comparison of three-dimensional objects represented on a flat surface and virtually. The study was conducted a quantitative research method with an experiment involving two independent groups, and the results were tested using regression analysis. The results showed that for low-level, two-dimensional objects, the computer monitor method may be more effective, but above a certain level of complexity, the effectiveness of learning through the monitor tends to decrease rapidly. On the other hand, the group that used extended reality technology showed relatively high comprehension compared to the monitor group even as the complexity increased, and in particular, unlike the monitor group's rapidly decreasing comprehension level, the extended reality technology group showed a trend of decreasing comprehension with the level of complexity, suggesting the potential for compatibility and predictability in the use of technology.

• 건축역사연구
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• 제15권3호
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• pp.27-42
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• 2006

Many contemporary architectural avant gardes tend to use painting as a medium to create architecture which goes beyond the rationalized spatial conception of modem architecture represented by perspectivism. They produce non perspective drawings to represent spatial Ideas, and expand it through poetic imagination to create an unexpected architectural form and space. This paper attempts to analyze the historical origin and background of dominance of drawing in the production of architecture. It was with the invention of perspective that architectural representation became important tool for architectural production. Thereafter, drawing was considered prior to actual building and architecture was considered a three dimensional realization of two dimensional drawing. Modernist avant gardes such as Cubism shattered the rationalized pictorial space of perspective and found a new pictorial space. They tried to extend it to three dimensional space through parallel projection largely based on the Hildebrand's theory of pure visibility. However, due to the ambiguity of the position of the viewing subject, their attempts could not succeed in creating a new architecture. The new architectural avant garde of the 70's rediscovered the early 20th century avant gardes in their attempt to create a new architecture which can register the fragmented spatial condition of contemporary society, and used painting as a medium to create architecture. Their difference from the early avant gardes was that they used poetic imagination rather than parallel projection in the process of projecting three dimensional space and form from the painting. However, their architecture cannot escape the scopic field of perspectivism in that they rely on the picture plane and the distance between object and viewing subject. Therefore, I conclude that in order to create architecture which goes beyond the rationalized space of modern architecture, it is necessary to resort to other tradition of modern architecture than visual one.