• 한국식품영양학회지
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• 제19권2호
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• pp.143-152
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• 2006

청주시민 1,390명에게 기존에 향토 음식으로 조사되었던 89개 음식에 대하여 청주시의 향토 음식으로 적합한 것을 10개씩 선택하라고 설문조사를 하여 연령별, 성별, 직업별로 분석하였다. 성별 성별 결과에서 남자는 1위 올갱이국(282), 2위는 도토리묵밥(174), 3위는 콩국수(164), 4위는 삼겹살과 해장국(158)을 나타냈고, 여자는 1위 올갱이국(520), 2위는 도토리묵밥 {322), 3위는 콩국수(272), 4위는 삼겹살(271), 5위는 해장국(262)이 차지하였다. 남녀를 합한 결과는 1위는 올갱이국(802명), 2위는 도토리묵밥(496명), 3위는 콩국수(436), 4위는 삼겹살(429명), 5위는 해장국(420명), 6위는 산채 비빔밥(323명), 7위는 보신탕(322명), 8위는 닭도리탕(321)이 차지하였다. 성별 직업별 결과에서 주부는 삼겹살을 적게 택하였고, 회사원은 산채 비빔밥을 적게 택한 대신 다른 직업에서 적게 택한 보신탕과 닭도리 탕을 많이 택하였다. 그러나 이들 중 콩국수와 산채 비빔밥, 보신탕은 여름에만 먹거나 여름에만 재료가 나므로 향토 음식으로 보기에는 무리가 있다.

• 지역과문화
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• 제6권4호
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• pp.23-45
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• 2019

본 연구는 전 세계의 관심을 받는 한반도의 판문점과 주변 DMZ의 가치를 제대로 보여줄 원천 스토리 발굴과 콘텐츠 개발 및 활용방안에 관한 연구이다. 판문점과 주변 DMZ의 고품격 브랜드화를 위한 연구로 세 가지 방법을 사용하였다. 첫 번째는 조셉 캠벨의 '영웅의 여행'이론을 이용, 여행 사이클을 통한 예비 방문객의 흥미 유발 부분이다. 두 번째는 현대 여행의 트렌드인 주관적 여행과 감성 자극 부분에 롤랑 바르트의 '제3의 의미'를 접목해보았다. 세 번째는 케빈 린치의 이론을 도입해 핵심장소인 판문점이라는 공간에 경로, 경계, 구역, 교차점, 랜드마크의 다섯 가지 요소를 배치해 보았다. 연구를 통해 판문점과 주변 DMZ의 콘텐츠 발굴은 역사적 사건의 정리와 더불어 관련 인물들의 이야기를 듣는 직접인터뷰 방식을 이용해 제3의 의미까지 수집할 필요가 있다. 80세 이상의 대상자를 우선순위로 진행하며 적어도 3번 이상 그리고 3대에 걸쳐 인터뷰가 이루어져야 한다. 이를 아카이브로 구축하고 스토리를 선별한 후 문화 콜라주 작업을 거치며 네트워크화와 브랜드화로 이어지는 과정은 5단계에 걸쳐 이루어진다. 이를 통해 원천 스토리 발굴-스토리텔링을 통한 콘텐츠 가공-콘텐츠 활용-지역 일자리 창출-지역경제 활성화라는 선순환의 구조를 만들어 낼 수 있다. 콘텐츠 개발은 시간성, 역사성, 장소성, 고유성, 진정성을 살리면서도 감성을 건드릴 수 있어야 한다. 관광과 여행, 개발과 훼손의 우려 사이에서 중심을 잡으며 신중하면서도 장기적인 계획과 다량의 원천 스토리 발굴이 이루어져야 하고, 적절한 스토리텔링이 필요함에 대한 공감대 형성이 요구된다.

• Journal of Communications and Networks
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• 제4권4호
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• pp.282-291
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• 2002

3GPP (Third Generation Partnership Project) is defining UMTS (Universal Mobile Telecommunication System) releases which span the transition from GSM/UMTS coexistence to All-IP UMTS networks. The deployment of an UMTS network depends, in the first place, on the intended service offerings and the release an operator chooses to start service with. Other key decisions in-fluencing UMTS deployment relate to the timing of the functional enhancements and capacity increases along the economic life of the network. This paper gives an overview on the architectural and technical options for UMTS deployment. It also outlines the methodology underlying the business plan aimed at estimating the returns from investments in the UMTS infrastructure, thus helping to tune operators’ strategies for UMTS deployment.

• 한국철도학회논문집
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• 제16권4호
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• pp.348-351
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• 2013

The aim of this research is to analyze and periodize the relationship between railroad and river transportation as one aspect of the transformation of the land transportation system in Korea. As a result, three phases can be observed: a first phase of equality and interdependence (1910s); a second phase, subordinating rivers to feeder lines under railroad's dominance; and a third phase when trucks and buses became a major means for local transportation in place of traditional shipping routes. River ports were among the main planned destinations during the first and second phases, but such plans were changed or withdrawn after the third phase. This relationship between river and rail illustrates one geopolitical factor relating to the development of Korea's rail transportation network.

• 한국문헌정보학회지
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• 제45권2호
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• pp.75-96
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• 2011

이 논문은 고려 초조대장경 각판(刻板: 雕造)과 관련한 발원(發願)의 장소(發願地) 및 그 일자(發願日)의 문제를 규명한 연구이다. 연구의 결과는 다음과 같다. 1) 초조대장경 각판 발원의 단서는 이규보의 <대장각판군신기고문>에서 '초조대장경의 초창지단(初創之端)'의 내용에 입각하였다. 2) 거란군이 침략하고, 현종이 남순(南巡: 몽진)하다가 다시 개경(開京)으로 환궁하기까지의 기간 사이에, 군신(君臣)이 함께 거란군(契丹軍)을 물리치기 위한 대규모 행사의 개최 또는 신명(神明)이 보답하는 제사(報祠)를 올린 기록을 "고려사"와 "고려사절요"에서 검색하였다. 그 결과, '"고려사절요" 제3권, 현종 2년(1011) 2월 정사일(丁巳: 13일)'條의 내용이 <대장각판군신기고문>의 초조대장경 각판 발원의 내용과 일맥상통함을 파악하였다. 이에 따라 <대장각판군신기고문>의 내용 또한 역사적 진실(史實)을 담고 있는 기록임을 파악하였다. 3) "고려사절요" 현종 2년(1011) 2월 13일의 기록 즉, '거란군이 스스로 물러가도록 신명(神明)이 보답할 수 있는 제사를 올렸다'는 사항은 바로 2월 15일에 청주 행궁(行宮)에서 거행된 <연등회(燃燈會)>의 의식 및 제사를 말하는 것이며, 이 연등회의 제례(祭禮)에서 신명께 기고(祈告)한 내용은 곧 '초조대장경 각판의 발원'이었을 것임을 입증하였다. 4) 그리하여 초조대장경 각판의 발원장소는 청주행궁(淸州行宮)이며, 그 발원일자(發願日)는 1101년(현종 2) 음력 2월 15일임을 규명하였다.

• 한국주거학회논문집
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• 제8권2호
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• pp.113-122
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• 1997

This study analyzes behavior characteristics of illegal urban stall keepers scattered in the metropolitan area and their effects to urban life. The main findings of this study are follows. First, the stall keepers are different in terms of 1) items 2) opening hour and 3) user characteristics depending on locational environment of market boundaries. Second, the stall keepers exit in any time and any place if demand exists. Third, the effects of stall keepers to urban life are twofold ; they facilitate urban life by providing cheap and various commodities/services and they bring about negative effects such as obstacle to traffic flows, waste generation, and so on.

• 한국실내디자인학회논문집
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• 제23권5호
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• pp.67-75
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• 2014

Architecture is not only coming out of the making of a building room but also contributing to the making of an urban room. "The inside is not a contradiction of the outside...architecturally opened". (De Carli, 1967) The urban room is felt as a sense of rapport between building and city because architecture makes the building room closed simultaneously open toward the city. Architecture exists between both rooms. There is the possibility of integrating, by the conception of interior, architecture and urbanism and thus, the possibility of giving a theoretical ground to Interior Architecture/Design; "all architecture is interior architecture". (Ottolini, 1996) It is in line with the idea of the "Fusing: Landscape/Urbanism/Architecture". (Holl, 2009) The paper deals with, through literature review, a possibility of the fusing: Interior/Architecture/Landscape/Urbanism. The first site explores the meaning of the urban place as a thing, which gives a possibility of combining the building interior and the urban interior. The second site illustrates the idea of the urban interior for dwelling. The urban interior is definitely a place of dwelling to keep human inhabitancy, which takes place in a united interior of the building interior and the urban interior. The third site clarifies the idea of the urban interior. While the building interior gives human being with the private stage, the urban interior provides him with the public stage of city life. The two different interiors constitute an interior world for his trajectory of dwelling. The last site traces the conceptual development of the urban interior. The trace comes to a conclusion that architecture, landscape, and urbanism can be unified by the conception of interior and the urban interior is an object of "Interior Architecture/Design". This paper is theorized as a twofold singular of the building interior and the urban interior. Ultimately, it is relevant to the theoretical principle of fusing interior/architecture/landscape/urbanism, and aims at offering a departing point to consider the urban interior as an object of "Interior Architecture/Design" and for the future studies of the urban interior.

• 한국실내디자인학회논문집
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• 제19권5호
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• pp.95-104
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• 2010

One of 21st century's main paradigms is a 'Culture', and people started to express their 'cultural desires and demands' regarding public environments. Accordingly central and local governments are paying attention to these demands from their citizens and trying to establish the policies to meet these needs. This research is done to suggest the strategy programming model to support the executions of culture-centered public designs which are based on the local resources and identities. The entire research contains three sub-topics. First topic is setting the prototype phases of strategy programming. Second topic is analyzing the associated indices for each prototype phase. Third topic is suggesting Matrix Model in which the prototype phases and their associated indices are linked. Among three topics, this paper deals with the first one - the prototype phases of strategy programming. It studies this subject in relation with Place Marketing which emphasizes the local resources and identities. The prototype phases are comprised of 3 steps for Place Strategy and 4 steps for Marketing Strategy. Place Strategy should be considered prior to Marketing Strategy because in culture-centered public design, locality has priority over other concerns. The phases for Place Strategy includes 'Resource_analyzing of local resources', 'Mission_setting a purpose', and 'Targeting_segmenting target groups'. The phases for Marketing Strategy involves 'Organization_instituting the main body and/or partnership', 'Image Positioning_setting an unique local image', 'Point_realizing the product', and 'Channel_deciding the sales promotion tools'.

• 한국조경학회지
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• 제30권6호
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• pp.109-118
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• 2003

This design is for the landscape of Busan Yeonje Post Office. The design requirements were: the preparation of an open space, the expression of regional identity, total design concept, and application of environmentally-friendly materials. The Busan Yeonje Post Office is not a just post office building but also a place for people including a communications center, rental offices, and a post office, facilities which require publicity, functionality, and symbolism. Therefore, this design reflected the design requirements, and considered the following to include the theme of "Pleasant messages and a pleasant post office with vitality and comfort. First, the open space was to be increased in the adjacent public vacant lot and street park by pulling back the construction line. In this way, the publicity, accessibility, and spatiality of the prepared open space were strengthened. Second, a sense of place for the landscape was expressed through the image of a wave representing Busan, a coastal town. Recognition of the space was strengthened, while regional identity and the concept of transmission of information were expressed. In addition, Citrus junos Sieb., representing 'Happy news' was Planted as a symbolic tree to denote a meaningful resting Place. Third, with respect to the design of reception facilities, considering the general purposes of the construction, post office stamps, envelopes, and postal delivery persons were portrayed on the walls, decorative walls, and environmental formations respectively The flooring was decorated with stamps and waves in keeping with of the total design concept. Fourth, to select environmentally-friendly materials, soil block and eco-grass block were introduced as major paving materials, and folk kinds of trees were included on site. According to the aforesaid plans, the researcher attempted to convert the public agency and office space characterized by feelings of dullness and rigidity into a soft and vivid outdoor space. It is expected that the location will be an open place in the downtown area and be recognized as a 'shared' space for citizens of Yeonje-gu.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.11-21
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• 2013

The development of modern industry and the production of new materials of architecture have recognized as an important aspect. This study intended to discuss about the meaning of main elements of the architecture materials, its implications for properties, and, highlighted meaning of the properties of modern interior design. The purpose of this study is to analyze the case studies of Place and Physical materials of synaesthesia of modern architecture as well as modern architecture is not only concentrated in the visual aspect but also the larger ramifications of sensory. Synesthesia in architectural space can be called experiential existence that built in the space of human perception and based on the human emotion that targeted by physical architectural space. Accordingly, these case studies are to consider about how the materials being passed by any effect in a modern interior space presented, In order to find the essential meaning in modern interior space, this studies focused on Swiss architect Peter Zumthor's cases. Following analyze of Peter Zumthor's place of architectural space and materials, this study structured by the six kinds of synesthesia characters. First, time and remember to infer changes, Second, traditional and regional ingredients involve the substitution of one empirical space, Third, non-materiality through the neutralization, Fourth, auditory memory through the embodiment of everydayness, Fifth, trail through the sense of smell for the presence, Sixth, the relationship of natural and industrial products. Peter Zumthor's characteristics of these works are result of factors on the synesthetic relationship with the human response to architecture, the five senses, memories, experiences, and temperature. Also it is a synesthetic result of all human emotion to clarify of the architecture materials and non-material mediums by which light by a compound.