• 제목/요약/키워드: The worship space

검색결과 61건 처리시간 0.028초

스페인문화정체성을 통해 본 가우디의 건축 및 디자인 - 가톨릭 문화와의 연계성을 중심으로 - (Gaudi's Architectural Designs from Perspective of Spanish Cultural Identity - Focusing on Its Relationship with Catholic Culture -)

  • 양세은
    • 한국실내디자인학회논문집
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    • 제14권4호
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    • pp.11-18
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    • 2005
  • This study investigates and analyzes Catholic cultural traits in Gaudi's architectural designs on the assumption that the cultural identity of Spain has been built heavily on Catholic cultural tradition. Through examining thoroughly six residential buildings Gaudi designed, Catholic cultural traits were found in their interior ornaments, space formation, and expression of form. This study shows, first, that by making good use of interior ornaments, Gaudi sought to Catholic cultural uniformity among buildings that have different cultural characteristics. Second, with regard to space formation, he tended to build a chapel or an oratory inside structures which encouraged residents to worship in their home. Also, as for expression of form, his designs, expressing Catholic cultural features in various ways, succeeded to form visual uniformity among buildings and structures with a variety of styles. Lastly, by using properly Catholic cultural elements explained above and making those traits easily recognized even from a long distance, his architectural works represent very well the importance of Catholic culture as a foundation of Spain culture.

한국 호상(胡床)의 시원(始原)과 조형에 관한 연구 (Study on Origin and Creative Design of Korean Folding Stool)

  • 홍선아
    • 한국가구학회지
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    • 제24권2호
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    • pp.156-182
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    • 2013
  • In this paper, the origin, development and features of a Korean folding stool are studied. A folding stool is a piece of collapsible seating furniture with its legs crossed in the form of the letter "X" and no back attached. In China, the folding stool was introduced from the West around the second century A.D. The folding stool of Korea was influenced by that of China. It is known from the records that the king used the folding stool from the Three Kingdom period. During the Koryo period, Chosun period and the modern period, the folding stool was used to show the authority of the king and nobleman. The folding stool was also used at outside places such as a hunting ground, a ceremonial walk, a battlefield, a garden etc. due to its portableness. Buddha worship policy of Koryo period supported the usage of the folding stool for shanding (禪定) by ascetics of Buddhist temple, or aristocrats. In a contemporary period, the folding stool is continuously produced and used as one kind of a folding chair due to its functionality, movability, storability and efficient space utilization. This research will serve as a momentum to investigate the origin and development of the East Asian seating furniture culture, and contribute to the further study and manufacturing of Korean seating furniture.

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일본의 가정에서 모시는 신 연구 - 시즈오카현 우쓰노야 마을을 중심으로 - (A study of the gods worshiped in the Japanese homes of Utsunoya Village in Shizuoka)

  • 김덕묵
    • 헤리티지:역사와 과학
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    • 제54권4호
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    • pp.212-231
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    • 2021
  • 본 연구는 우쓰노야(宇津ノ谷) 마을의 가정에서 모셔지는 신의 유형과 모셔지는 공간, 의례와 제물, 의례 때의 장식물, 그리고 주민들의 신앙관과 변화상을 검토하였다. 또한 도심에서 떨어진 촌락인 우쓰노야 마을과 달리 시즈오카 도심의 주택에서 모시는 신을 비교해봄으로써 동시대 두 공간에서 모셔지는 신의 차이점 및 변화에 대해 살펴보았다. 오늘날 우쓰노야 가정에서 모셔지는 신은 아마테라스오카미(天照御大神), 조상, 에비스신·다이코쿠신(えびす·大黒), 코우진(荒神), 가와야가미(厠神), 지신(地神), 이나리신(稲荷), 수신 등이며 섣달 그믐에서 정초 3일간, 정월 보름, 오봉, 10월 마을 신사에서 마쓰리가 있을 때, 10월 19일과 20일 에비스신을 위한 날 등에 신격의 성격에 맞추어 제물을 올리고 의례를 행한다. 일본인의 가신 신앙은 다신적 성격을 띠며 가미다나(神棚)를 통한 국민적 정체성, 부쓰단(仏壇)과 연계된 조상 숭배를 통해 가족적 정체성을 유지하는 장치로서 가정 생활의 거점인 주택을 배경으로 확고하게 자리 잡고 있다. 일본인의 주택은 '신과 함께' 공존하는 종교적 공간으로서의 성격이 짙고 주민들은 신과 함께 거하는 문화적 전통을 가지고 있다.

메타버스의 교회교육 적용을 위한 탐색적 연구 (An Exploratory Study for the Application of Metaverse in Church Education)

  • 남선우
    • 기독교교육논총
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    • 제71권
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    • pp.241-276
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    • 2022
  • 21세기 초반 스마트 혁명으로 시작된 4차 산업혁명으로 인해 우리 사회는 초연결(Hyper-Connectivity), 초융합(Hyper-Convergence), 초지능(Hyper-Intelligence)이 가속화되고 있다. 이런 변화는 시간과 장소라는 제한적인 공간을 물리적 공간과 가상적(디지털) 공간의 경계를 뛰어넘어 융합적인 새로운 공간으로서의 메타버스(Metaverse)를 만들어내고 있다. 메타버스는 1980년대 초반부터 1990년대 중반에 출생한 밀레니얼 세대(M Generation)와 1990년대 중반부터 2000년대 초반에 출생한 Z 세대(Z Generation)을 통칭하는 MZ세대와 맞물려 계속 확산되고 있다. 교회교육도 코로나19의 확산으로 예배로 모일 수 없을 때 메타버스를 활용한 다양한 시도가 있어고, 이를 통해 교회교육의 새로운 공동체 공간으로써 활용 가능성이 확인되었다. 그뿐만 아니라 메타버스를 교회교육에 활용하면 실제적이며, 체험할 수 있는 더욱 발전적인 교회교육 공간으로 활용될 수 있을 것이다. 그러나 교회교육이 더욱 발전하기 위해서는 공간적인 개념을 뛰어넘어 교회교육 방법의 발전이 필요하다. 특히 메타버스와 MZ세대의 공통된 특징 중에 하나인 사용자 중심성이 강조된 학습자 중심의 교육방법이 교회교육에 적용될 때에 메타버스 시대 속에 교회교육은 더욱 발전적인 방향으로 나갈 수 있을 것이다.

중국 하북성 마을제 연구 - 하북성조현범장이월이룡패회중룡신적여인(河北省趙縣范庄二月二龍牌會中龍神的與人) - (A Study of Local Festival for the China Hebeisheng)

  • 박광준
    • 헤리티지:역사와 과학
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    • 제36권
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    • pp.347-377
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    • 2003
  • China is a country with large agricultural areas and subject to frequent calamities. Drought is the top of them. It has been a key problem for development of agriculture in the country. In the long struggle against drought, Chinese have accumulated many rational and irrational experiences. The Dragon Kings Belief, which is popular in North China and discussed in a thesis, is one of their irrational experiences. The belief was passed together with Buddhism from India to China in the Tang Dynasty. After it settled down, it was incorporated with the local five dragons belief and a set of beliefs in dragon kings came into existence. The emergence of the dragon kings belief ended the history that the title of rain got was not clear in China and Dragon kings finally got the status. Irrigation is the lifeblood of agriculture in China. In a Chinese mind, Dragon kings are the most important gods who take charge of rain and thus offer the lifeblood. In understanding the nature and characteristics of Chinese traditional culture, it is important for us to make clear the origin and evolution of the belief, find out its nature, function and operation. In the every year beginning of February of the Fanzhuang calendar in the people of Hebeisheng Zhaoxian, would all hold a festival to offer sacrifices to the $^{{\circ}TM}^{\prime}longpai$. Longpai was regarded as the core of the temple fair, thus the native sons came to call this festival; "longpaihui". In this region the'Fanzhuang longpaihui'developed into a well knownand grand temple fair. It was able to attract numerous pilgrims with its special magic power, occupying a place in $China^{{\circ}TM}$ 'eryueer'festival with festive dragon activities. The dragon is a common totem among Chinese nationals. The belief worship of the dragon dates from the start time of primitive societies. Dragon oneself the ancients worship's thunder lightning. In the worship of the great universe, at first afterwards this belief with the tribe's totem worships to combine to become the animal spirit. In ancient myths legends, along with folk religion and beliefs all hold a very important position. The longpaihui is a temple fair without a temple; this characteristic is a distinction between longpaihui and other temple fairs. As for longpaihui must of the early historical records are unclear. The originator of a huitou system has a kind of organized form of the special features rather, originator of a huitou not fix constant, everything follows voluntarily principle, can become member with the freedom, also can back at any time the meeting. There is a longpaihui for 'dangjiaren', is total representative director in the originator of a huitou will. 'banghui' scope particularly for extensive, come apparently every kind of buildup that help can return into the banghui, where is the person of this village or outside village of, the general cent in banghui work is clear and definite, for longpaihui would various businesses open smoothly the exhibition provides to guarantees powerfully. Fanzhuang longpaihui from the beginning of February to beginning six proceed six days totally. The longpai is used as the ancestry absolute being to exsits with the community absolute being at the same time in fanzhuang first took civil faith, in reality is a kind of method to support social machine in native folks realize together that local community that important function, it provided a space, a kind of a view to take with a relation, rising contact, communication, solidify the community contents small village, formation with fanzhuang. The fanzhuang is used as supplies for gathering town, by luck too is this local community trade exchanges center at the same time therefore can say the faith of the longpai, in addition to its people's custom, religious meaning, still have got the important and social function. Moreover matter worthy of mentioning, Longpai would in organize process, from prepare and plan the producing of meeting every kind of meeting a longpeng of the matter do, all letting person feeling is to adjust the popular support of, get the mass approbation with positive participate. Apart from the originator of a huitou excluding, those although not originator of a huitou, however enthusiasm participate the banghui of its business, also is too much for the number.

중국 전통 사찰원림의 문화경관 특성 - 장전불교사원의 공간구획 및 원림의 가치를 중심으로 - (A Cultural Landscape Charactertistics of Traditional Temple Garden in China - Focusing on the Spatial Division of Buddhist Temples and the Value of Gardens -)

  • 신현실;이행열
    • 한국전통조경학회지
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    • 제39권3호
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    • pp.15-21
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    • 2021
  • 본 연구는 중국 서남지역의 서장지역에 위치하고 있는 사원의 공간구성과 원림의 형태에 관하여 그 가치를 연구하였다. 중국의 중원과 인도를 통해 유입된 불교가 서장의 민간신앙과 열악한 환경을 통해 융합되는 과정을 당대의 역사, 문화, 정치의 중심지 역할을 수행하였던 사원의 공간구획, 건물배치 및 원림을 통하여 장전불교와 장전불교사원의 영향관계를 고찰하여 장전불교 사원의 가치를 살펴보았다. 이를 위해 대표적 장전불교사원인 포달랍사원, 라포림가사원, 대소사를 통해 장전불교사원의 공간과 원림에 대한 가치를 도출하였다. 첫째, 서장은 만년설과 녹지가 공존하는 독특한 환경으로 인해 서장의 대표적 장전불교 사원인 포달랍사원, 라포림가사원, 대소사사원은 토속신앙과 불교의 자타불이와 만다라에 근거하여 계곡과 산맥에 기대어 자연에 순응하는 형태로 넓게 분포되어 있다. 둘째, 대상지들은 크게 상부공간과 하부공간으로 분리되어 진다. 상부는 예불을 위한 건물들이 위치하고 하부는 수행을 위한 공간과 원림이 위치하고 있다. 원림은 크게 2가지 형태로 존재하였다. 셋째, 수행하는 공간의 중심에 위치하고 보리수를 식재하여 석가모니와 같이 수행을 통해 이집의 분별에서 벗어나 배진합각의 진리의 세계로 벗어나자는 이상적 구조를 지니고 있었으며 사원 주변 수림을 조영하여 명상과 교류가 이루어지는 원림이 존재하였다. 수림들에는 상록 침엽수림이 주로 식재 되어 있다.

한국전통 실내공간의 구성방법과 요소 분석을 통한 의미 고찰 - 조선조 추사고택을 중심으로 - (An evaluation of the composition and elements in Korean traditional interior space - On Choosa-Gotack in the Chosun dynasty -)

  • 천진희
    • 디자인학연구
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    • 16호
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    • pp.101-110
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    • 1996
  • 추사고택은 조선조 상류주택의 전형적인 사례로서 실내공간의 구성방법과 요소를 분석해 본 결과 다양한 요인을 배경으로 한 분화과정 속에서 다기능을 수용할 수 있는 융통성을 가진 전형화 된 공간의 특성을 지니게 되었다고 요약할 수 있다. 계단식의 입면을 구성하는 엄격한 계층성에 의한 장소 성을 표현되는 일례가 되며, 마루와 온돌의 높이는 신분상의 위계질서와 음양사상을 나타내고 있다. 입면을 구성하는 목가구식 구조의 노출천장과 창호는 4계절의 기후변화 속에서 에너지를 효율적으로 관리하기에 적합하며, 자연미와 전통적 조형미가 어우러져 한옥 고유 미를 창조하고 있다. 추사고택에서 천장 고와 입면을 구성하는 요소들의 치수를 조사해본 결과, 대청의 입면 적 척도는 각 부재의 치수와 함께 사용자의 인체치수와 관계가 있었다. 평면 구성상의 특징은 규격화이며, 이것은 칸의 개념으로 설명할 수 있다. 기둥 간격 차이는 성별, 인체 치수 차이로 추측할 수 있다. 또한 1칸을 기본 모듈로 하여 규칙적인 공간 단위를 병렬로 증식시켜 확장한 것은 주인의 일상생활이 하인의 도움을 받아 이루어졌기 때문에 동선을 그리 중요하게 여기지 않은 결과이다. 추사고택 안채는 폐쇄적인 ㅁ 자형, 사랑채는 개방적인 ㄱ 자형으로 구성되어있는데, 이는 조선조의 남녀 지위차등과 내외사상, 그리고 자연 환경 적 요인이 복합적으로 주거의 평면 구성에 영향을 미쳤음을 보여주는 것이다. 그러나 본 연구가 조선시대 상류 주택 중 한 사례에 한정되었으므로, 현존하는 많은 사례 조사가 지속적으로 이루어져 본 연구의 미비점이 보완되어 더욱 체계적인 연구가 되어야 할 것으로 사료된다.

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City Festival in Tainan during the Colonial Period: Focusing on the Restoration of Mazu

  • Sunagawa, Haruhiko
    • Journal of East-Asian Urban History
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    • 제2권2호
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    • pp.235-271
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    • 2020
  • Tainan was the capital of Taiwan and was the largest commercial city in Taiwan with a significant number of ports. However, after the end of the Qing era, the functions of the capital and major ports were shifted to Taipei and Kaohsiung, thus leading Tainan to lose its position. This article focuses on festivals in the city. The Qing dynasty administrative agency set up a local government that grouped multiple villages based on the religious beliefs which were closely related to the concept of the urban space as the primary temple. Mazu is an object of worship that attracted the attention of city residents from the Taisho era to the colonial era. At the Mazu temple in Tainan, which has acquired a new mystery, a Mazu festival was conducted with Mazu patrols. This festival was conducted from 1915 to 1937, when it was canceled due to the temple reorganization movement. At the festival, multiple participating groups used to compete to earn the luxury of running the pavilions. The procession ran through the north side of the city on the first day and the south side of the city on the second day. During this festival, in addition to going around the villages of the old city, a touring route was planned for the procession to pass through major landmarks related to the colonial administration and the Ginza-dori Shopping Street, which was newly created during the Taisho era. Therefore, this procession was unique because it ensured that people could explore the old and new streets that were transformed through urban remodeling during the colonial period. Moreover, passing through the licensed quarters called Shin-machi, which was relocated through urban remodeling by the administrative agency, allowed people to visualize the urban structure of colonial Taiwan. Tainan city was renewed through remodeling during the colonial period, thus leading to the formation of a new commercial area. The spirit of the people in Tainan city can be gauged based on the fact that the festival was financially and religiously supported by the merchants who promoted it. The restoration of Mazu during the colonial period indicates the restoration of urban commerce in Tainan, which had fallen from its position as the primary port city in Taiwan since the end of the Qing period. Therefore, it can be considered to represent the restoration of the city.

Residents' Participation and Common Activities in an Intentional Community: The Case of the Mindlre Community

  • Cho, Jeong-Hyun;Lee, Dong-Sook;Choi, Jung-Shin
    • International Journal of Human Ecology
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    • 제9권2호
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    • pp.107-116
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    • 2008
  • A new movement in forming community villages for better living standards is becoming popular. In order to sustain a proper community, it is essential to design proper community programs and facilities, which can encourage the proactive participation of residents. In this study, detailed aspects of the Mindlre (Dandelion) community (including formation process and management of the village) are investigated. The Mindlre community is a successful community village in Korea concerned with residents' participation and community activities. The community is located in Sancheong, Gyungsangnamdo province in Korea. The study methods are references, field trips, and interviews with residents. Six areas were surveyed and investigated: the physical environment of the Mindlre community and eco-friendly elements, respondents' background and the motivation to join, residents composition, residents' participation in the formation process of the community, self-management systems and common activities, and residents's life satisfaction. The mindlre Community was founded on Christian religions faith. The primary idea of this village was building a new hope for rural areas without discrimination. The size of the village was expanded with housing for teachers and students who were linked with the Mindlre School (substitution school). When the community was founded, existing shapes of the village were preserved. The village was physically renovated based on the original environment, in addition nature friendly materials and methods were used. The residents were proactively involved in the community through regular meetings, self-regulation, and community worship. Although the survey results should that most residents were highly satisfied with living standards, there seemed to be no clear division between community facilities and private houses. A systematic and detailed space planning technique was required. In addition, various community facilities are required due to the expansion of the community.

버버리 인스타그램에 나타난 디지털 패션이미지 아우라 (Digital Fashion Image Aura represented in the Burberry Instagram)

  • 서성은
    • 복식
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    • 제67권3호
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    • pp.115-132
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    • 2017
  • This study recognizes the importance of the social network platform as a new fashion media, and analyzes the significance of various digital fashion images, based on the 'Aura' theory of Walter Benjamin. The concept of "Disappearance of Artistic Aura" can be summarized into three discussions: 1) the change in the way of artistic perception, which is changes in value from worship to exhibition. 2) the change in the way of artistic acceptance, from personal to mass. 3) the emergence of new artistic concepts such as camera and film. By reviewing characteristics of the $21^{st}$ digital replication era, the study tried to discover and evaluate the expanded significance of the 'Aura' represented on digital fashion images, which are infinitely generated, modified, reproduced, transmitted, and shared in social network environments. The 'Burberry Instagram' was chosen as the subject of the study. The study reviewed around 2,500 images, which were uploaded from February 2011 to July 2016, and selected 200 images deemed the most representative of Burberry, and categorized and analyzed by the extended concept of 'Aura'. The study results as follows: First, the 'Aura' in digital fashion image appearing on social network platforms signifies the expansion of product value in fashion, and it also represents inherited traditions and modernization of images. Second, it also signifies the democratization and globalization of fashion through the open replication and sharing as well as the interaction of criticism and acceptance. Third, it signifies the personalized taste and fashion as everyday lifestyle, through personalized services, securing playful space, and real-time updates.