• Journal of Korean Society for Atmospheric Environment
• /
• 제19권E3호
• /
• pp.137-148
• /
• 2003

In this study, we examined the influence of long-range transport of dust particles and air pollutants on the photochemistry of NO$_3$on Jeju Island, Korea (33.17 N, 126.10$^{\circ}$E) during the Asian Dust-Storm (ADS) period of April 2001. Three ADS events were observed during the periods of 10∼12, 13∼14, and 25∼26 April. Average concentration level of nighttime NO$_3$on Jeju Island during the ADS period was estimated to be about 2 x 10$^{8}$ molecules cm$^{-3}$ ( - 9 pptv). Decreases in NO$_3$levels during the ADS period was likely to be determined mainly by the enhancement of the $N_2$O$_{5}$ heterogeneous reaction on dust aerosol surfaces. The reaction of N20s on aerosol surfaces was a more important sink for nighttime N03 during the ADS due to the significant loading of dust particles. The reaction of $N_2$O$_{5}$ with NMHCs and the gas-phase reaction of N20s with water vapor were both significant loss mechanisms during the study period, especially during the NADS. However, dry deposition of these oxidized nitrogen species and a heterogeneous reaction of NO$_3$were of no importance. Short-term observations of $O_3$, NO$_2$, DMS, and SO$_2$in the MBL indicated that concentrations of most of these chemical species were different between the ADS and non - Asian - Dust-Storm (NADS) periods, implying that their levels were affected sensitively by the differences in air mass trajectories.

• 박물관보존과학
• /
• 제23권
• /
• pp.91-108
• /
• 2020

본 연구는 천안, 공주, 서산, 익산, 나주, 합천에서 출토된 금동관 7점을 중심으로 비파괴 분석법을 활용하여 재질 특성을 조사하였다. 금동관은 고깔 모양의 모관을 기본으로 하며, 전·후입식, 대롱, 수발, 영락 등의 장식을 가감하여 부착된다. 문양은 용문, 봉황문, 초화문, 타출문 등을 조금기법, 투조기법, 인각기법 등으로 시문하였다. 형태적 특징은 제작시기 및 출토 지역에 따라 차이를 보인다. 소지 금속은 순동과 소량의 납이 포함된 동으로 구분된다. 표면 도금은 아말감기법을 사용하였으며, 순금과 소량의 은이 함유된 금으로 분류된다. 옥전 23호 출토품의 은 함량이 높아 지역적인 차이를 보인다. 도금 두께는 백제 금동관에 비해 백제계 금동관인 옥전 23호분이 두꺼운 것으로 평가된다. 도금횟수는 1~2회인 반면 백제계 금동관인 합천 옥전 23호분 금동관은 최대 3회로 평가되며, 차이를 보이는 것을 알 수 있다.

• 고문화
• /
• 65호
• /
• pp.31-55
• /
• 2005

원환비는 한 개의 독립된 원환이 재갈멈추개의 역할을 하는 특징적인 재갈로서 삼국시대, 특히 6세기대를 중심으로 우리나라 중남부지방에서 유행하였다. 그 형태는 원환 자체 혹은 입문에 따라 다양하나 우리나라의 경우 입문이 없는 정원형 원환이 주류이다. 그래서 다양한 형태의 입문이 발달한 일본의 원환비와 좋은 대비를 이룬다. 원환비의 출현은 6세기1/4분기에 백제와 (대)가야지역에서 비롯되며 이로부터 신라, 일본으로 전파되면서 기존의 표비나 판비와 더불어 새로운 마장문화를 형성해 나갔다. 원환비의 변화는 함, 인수, 원환 등 각 구성요소와 이들의 연결방법을 통해 살필 수 있다. 각 구성요소의 경우 함은 3연식에서 2연식으로, 인수는 두가닥에서 한가닥으로 변하며 원환은 처음에 크게 제작되다가 점차 크기가 줄어드는 특징이 있다. 또한 철봉의 단면은 원형에서 방형으로 변해 나간다. 원환비에서 가장 주목되는 변화는 이들 구성요소의 연결방법이다. 처음에는 유환이 있고 원환이 함외환에 걸린 형식을 백제와 가야가 공유한다. 그러나 5세기2분기를 전후하여 백제에서는 유환이 없는 형식으로의 빠른 변화가 상정되며 이후 이것이 주류를 점한다. 또한 원환은 유환의 유무와 상관없이 함외환에 걸리는 특징이 있다. 이에 비해 가야에서는 일정기간 동안 유환을 더욱 활용한다. 그래서 함외환에 걸려 있던 원환을 유환에 걸기도 하며 때로는 유환의 기능이 극대화된 상황에서 이를 변모, 종국에는 유환을 원환화한 새로운 형식을 채용하기도 하였다. 그러나 이후 가야에서 점차 유환이 없는 형식이 유행하는데, 이를 통해 6세기대 백제마구의 가야 확산의 일면을 엿볼 수 있다.

• 헤리티지:역사와 과학
• /
• 제42권2호
• /
• pp.154-169
• /
• 2009

우리나라는 석탑의 나라라고 하지만 석탑이 발생하기 전에 고구려, 백제, 신라 삼국이 모두 목탑을 먼저 조영하였다. 석탑은 이후 삼국시대 후반인 7세기 초반에 이르러 석재로써 목탑을 모방한 미륵사석탑이 건립되었다. 우리나라 석탑은 목탑을 모방하여 발전되었다는 데는 아무런 제론이 없다. 또 석탑의 시원을 미륵사석탑이라는 데도 어느 누구도 이론이 없다. 600년대 백제와 신라 양국의 사찰창건과 조탑은 동일한 기술자들에 의해서 조영되었음에도 불구하고 백제에서는 석탑의 시원은 목탑에 두면서 신라에서는 석탑의 시원은 목탑에 두지 않고 전탑에 둔다는 것도 이해 할 수 없는 부분으로 지적하고자 한다. 따라서 필자의 견해는 신라석탑의 시원은 두 계보로 보고자 한다. 그 하나는 목탑에서 미륵사석탑과 정림사석탑을 거쳐서 감은사탑과 고선사탑으로 이어지는 계보이고, 다른 하나는 전탑에서 분황사모전석탑 - 의성탑리오층석탑 - 선산죽장동오층석탑 - 선산낙산동삼층석탑으로 이어지는 계보로 정리해 보고자 한다. 이렇게 석탑의 시원을 목탑에 두면서도 석탑옥개석 층급받침은 전탑 또는 고구려고분 천정에서 그 시원을 두기도 하여, 목조 공포의 약화된 표현이라는 의견과 논란이 가끔 있는데, 전탑의 층급은 같은 길이로 내밀고 있지만, 석탑 옥개받침은 처마부분을 더 많이 내미는 차이가 있다. 따라서 목조건물 공포에서 변형되었다고 주장하고자 한다.

• 건축역사연구
• /
• 제16권1호
• /
• pp.9-28
• /
• 2007

We investigated the changes in the species of the woods used for Korean ancient and historic architectures, which include prehistoric excavated relics and existing wooden buildings in South Korea. The species data were collected from various sources such as excavation and repair reports, journal papers, and a few unpublished documents. We divided the building Periods as Paleolithic, Neolitic, Bronze Ages, Iron Age/Three Kingdoms, Koryo, Joseon (early, middle, late) and modem periods. In prehistoric periods, hardwoods were major species. Oak (Quercus spp.) woods dominated (94 percent in average); the others (5%) were Juglans mandshurica, Platycarya strobilacea, Castanea crenata, and few softwoods(1%). During Iron Age and Three Kingdom periods, oaks remained as a major species (57%) and others Platycarya strobilacea(21%), Castanea crenata(13%), and Pinus spp. (6%). The oak woods decreased in Koryo period and they occupied only 1.1%. Instead of oaks, pine (Pinus spp., 71%) and Zelkova serrata (22%) dominated in Koryo. In early and middle Joseon periods, pine woods (73%) remain as a major species and the others were oaks (14%) and Zelkova serrata (9%). As late Joseon came, the pine woods occupied more than 88%. In the late 19th and early 20th centuries, a few boreal species such as larch (Larix spp.) and spruce (Picea spp.), which grow in cold area, were found. We believe they were transported from northern Korea. The existing buildings in Korea are mainly from Joseon period and a few from late Koryo periods. During these periods, pine woods were used for most buildings. For such reason, pine woods were known as 'representative materials for historic buildings'. but earlier times, broad-leaved trees, i.e., oak and Zelkova woods were major materials. The changes in building materials resulted from both climate and human impacts. The dry climate and disturbed forests induce more pines in the mountains. We also compared the wood qualities of the species and found that Zelkova woods were superior ones and deserved more planting for future demands in the repair for historic buildings.

• 자원ㆍ환경경제연구
• /
• 제26권3호
• /
• pp.287-317
• /
• 2017

경제성장과정에서 석면을 활용해왔지만, 석면이 치명적인 환경성질환을 유발하는 1급 발암물질로 지정되면서 전 세계적으로 엄격한 석면사용규제 조치를 실시하고 있다. 석면노출과 환경성질환의 발현 간에 수십 년에 걸친 장기 잠복기가 존재한다는 특성을 고려하여, 한국의 석면 소비량과 악성중피종 발병 간의 시차를 분석하고 장기관계를 추정한다. 이와 함께, 한국에 비해 상대적으로 석면규제가 오랜 기간 이루어지고 장기시계열 자료를 갖춘 영국과 미국을 대상으로 한 비교분석도 병행한다. 시차분석에서는, 3개 국가 모두에서 30년 이상의 장기시차가 존재할 때, 석면 소비와 악성중피종 발병 간의 교차상관성이 높은 것으로 나타난다. 또한 변수간 장기시차가 존재할 경우 석면 소비량과 악성중피종 발병 간에 장기균형관계가 존재한다. 그리고 시차분포모형을 활용한 결과, 석면 소비량이 장기시차를 두고 악성중피종에 유의한 정의 영향을 미치고 있다.

• 대한가정학회지
• /
• 제23권3호
• /
• pp.27-38
• /
• 1985

In KOREA, the history of weaving is so long even in prinitive, there are the traces of fabric emmision using Spindle already in the Neolithic age. And coming up to the period of Three States, becoming active of cultivation of fibers, it can be known the variety of kinds and the production of fine products by improvement of new method of weaving using weaving machine. In the period of shilla state, there is a record of making the fine fabrics with 28 bracts. But wearing of silks fabrics was limitted for only the nobility and common people were wearing native thick hemp clothes. Also in the period of Korea state, they were wearing the hemp clothes by cultivation of hemp. The good quality products were worn by the King or the nobility and women in KOREA made their best with whole efforts to pay to the authorities with woven products of hemp clothes, so in the 14th year of King Chung- Ryul, King prohibited the presentation of fine hemp clothes by his order. By the end of KOREA state, before the production, common people was mainly wearing the hemp clothes. Coming up to the Kingdom of Chosun the sericulture was promoted by establishment of the sericulture encouraging low. Therefore the working hours of women were highly increased. The products of Song-do, Chin-ju for cotton clothes, those of Han-san-the same now as in old times-for ramie clothes, those of Han-Kyung province and An-dong for hemp fabrics were estimated as the best qualities. And the hemp clothes of Kang-won province is not so fine but is very useful and famous for mourning clothes and summer clothes for the farmer. It is true that our history of weaving was begun with hemp as a continous and precious friend of common people during all the historical periods-even though for a while it went backward because of chinese silks.

• 건축역사연구
• /
• 제21권1호
• /
• pp.99-118
• /
• 2012

This study aims to classify the architectural formation of the Stylobate of and Staircase types of Post-Lintel Construction in Backje style and Silla style and also to figure out their specific elements by periods and transformation characteristics. The scope of this study was restricted to architectural remains between the Three Kingdom period and the Goryeo period. To progress the investigation, the study classified remains in a similar type by period and type, and then and analyzed its character based on formation method and specific factors of subsidiary materials. As a result, its type can be classified as Backje type(I), Silla type(II) and Mixed type(III). Regionally, it is found that Woongjin, Sabi and surroundings in the capital of Backje, Gyeongju and main towns in the capital of Silla, and Gaeseong and main towns in the capital of Goryeo. In particular, type III has the characteristics of type I and II simultaneously, which has one or two layers Jangdaeseok stone between the foundation stone of stylobate and plate stone, and tends to be decorative when Taengjuseok stone is installed. For types of staircase, it could be classified as 6~7C Backje type(I), 7~9C Silla type(II) and 9C Mixed type(III) according to the formation method of Somaetdol (banister of stone stair). And from the 9th century on, decorated Somaetdol stone type(IV) of 1/4 circle shape began to appear. The common feature of stylobate of post-lintel and staircase is that it became simplified, abbreviated and decorative. It seems to be intended to secure simplicity of construction or structural stability.

• 한국가구학회지
• /
• 제25권2호
• /
• pp.139-147
• /
• 2014

This paper researched the woodcraft in the Baekje kingdom since the study on the Baekje furniture has not been established due to the absence of the artifacts or remains related to the furniture in the Baekje period. Accordingly, the study focused on the excavated Baekje wooden products and wood crafts on the basis of ancient documents and investigated the ancient documents supposedly related to the Baekje furniture: The Chronicles of the Three States and Japan Scribe. As the result of the study, it could be summarized as follows. First of all, the woodcraft materials were wood, whagak, ivory, silver, gold and they were domestic or imported. Secondly, the woodcraft was finished naturally or lacquered with black or red color or varnishing with lacquer. Thirdly, the kinds of furniture used in the Baekje were a desk, a small portable dinning table, a table and folding stool. Even though there has been no heritage of the Baekje furniture and woodcraft and it is difficult to explain the characteristics or give an example of the Baekje furniture in detail, this study seems to be significant now that it researched the documents and related artifacts or remains which could give some hints or hypothesis of the furniture and woodcraft in the Baekje. What is more, there have been no sound studies on the Baekje furniture.

• 대한가정학회지
• /
• 제32권5호
• /
• pp.217-227
• /
• 1994

The Korean clothing industry according to historical documents has a long and deep history. We can deduce the fact that cloth in material was self reliant during the pre-historic period. Although we can not find evidence of clothing material trade from the Three Kingdom era we find active trade with Kang, Jin of China and Japan followed by the spread of Korean clothing material manufacturing skills to Japan. Meanwhile the actual progress of the clothing industry came with the manufacture of cotton stuff in the Koryo era and the official and unofficial trade which brought import and export activity to Korea. Also the manufacture of clothing material by women labor although backward as it may be can be seen as stroug evidence that women labor continuously kept up the development of Korean industry. After the Koryo dynasty trade in clothing material and other clothing items contined with other nations. In conclusion we must not think that the Korean clothing industry started active development from the Chosun dynasty. It is important that we realize this fact and looking at the continuous progress of the Korean clothing industry through historical documents from early history to the Chosun era we rightly evaluate history and be proud of this legacy and also reevaluate the wrong views held before.