• Title/Summary/Keyword: The form of openness

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당대 향문화 연구 (A Study on the Culture of Incense in the Period of T'ang)

  • 전혜숙;이애련
    • 한국의상디자인학회지
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    • 제7권3호
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    • pp.113-127
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    • 2005
  • From the ancient times, incense was used for various usages including a means of beauty expression with flavor, a medicine for disease treatment and a device for religious event or ritual. The period of T'ang was the times when cultural and material exchanges with foreign countries were very actively made under the political openness of the Chinese nation. Here the exchanges were made mainly through inland trade, called Silk Road(絲綢之路) and marine trade routes, Incense Road(香料之路). This indicates that incense was one of the main items actively traded at that time. In addition, literatures of the T'ang period show that in the Chinese nation, a wide range of classes from the imperial family to the public used incense for many different purposes. This suggests that the culture of incense was deeply prevailed and very socially significant in T'ang. This study investigated social factors that promoted the incense culture of T'ang and the applications and types of incense widely used in the period of T'ang. First, influential religions and the openness of sex culture were main social factors that made incense culture flourish in the period of T'ang. Above all, two main religions of the Chinese nation, Buddhism and Taoism became secularized under political protection by the imperial family. As Buddhism was popularized, the Buddhist ritual of incense burning made a contribution to making public incense culture. Providing its doctrines of eternal youth and eternal life, Taoism necessarily used incense to form a Taoistic climate. The flourishment of the foresaid religion in T'ang added more fuel to that of incense culture in the Chinese nation. The openness of sex culture brought about the Inauguration of the empress, improvement in female position and free relationships between man and woman. It was accelerated by sexology as a method of eternal youth provided by Taoism. The opened culture also developed the culture of kibang where female entertainers called kinyeo consumed lots of incense for decoration and sexual desire stimulation. These open climates of T'ang society made a great contribution to making incense culture, especially for decoration, prevailed throughout the Chinese nation. Second, types of incense prevailed and widely used in the period of T'ang included olive incense, germander(廣藿香), olibnum(乳香), myrrh Resinoid(沒藥), jia Xiang(甲香), clove(丁香) and Shen xian(沈香), all of which were imported from foreign nations and had various applications. Specifically, olive incense, germander(廣藿香), olibnum(乳香) and myrrh Resinoid(沒藥) were used for religious purposes while, jia Xiang(甲香), clove(丁香) and Shen xian(沈香) for the purposes of religion and decoration. In conclusion, a number of social factors including political, religious and medical purposes and the openness of sex culture set fundamentals on which the culture of incense was extensively developed and established as a social trend in T'ang. In the Chinese nation, incense culture was not just an option for taste, but a part of life style social members needed to know. People of T'ang not only enjoyed incense mainly for purposes of religion, pleasure and make-up, but also had the wisdom to know various effects of incense, curiosity about such new things and the will to imitate and pursue alien culture, resultantly flourishing incense culture. Thus the culture of incense represented many social aspects of T'ang.

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상복에서의 상징성 연구 - 상복저고리를 중심으로 - (A Study on the Symbolism of Mourning Dress - Focused on Mourning Dress -)

  • 정옥임
    • 복식
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    • 제54권4호
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    • pp.55-62
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    • 2004
  • The ceremonies were roughly categorized into four: coming of age, marriage, funeral and ancestral worship. Among them, the funeral was a representative example to show ancestral worship. As it symbolizes the worship to ancestors, its procedure was complicated and formalized. It was undoubtedly certain that formalized mourning dresses and complicated table setting for sacrificial services to ancestors were burdens. Although what was symbolized by mourning dresses was different depending on the wearers purposes, it was thought that no clothing had such unusual symbolism as mourning dress. When the composition of mourning dress was examined, it was shown that Taoism, family relation of Confucianism or symbolic clothing system of Shamanism were combined. Mourning dress first represented the Confucian idea of ancestral worship. For the composition of clothing in which a shamanistic element was inherent, forms of birds were used to guide the dead soul to the other world. In cutting out mourning dress, opposite concepts of Yin and Yang, and closure and openness were used to show a harmony between heaven and the earth. Male and female were represented through sewing techniques. The period of observing the mourning period depended on the degree of kinship. The degree to which the clothing was loose indicated the degree of sadness and kinship. Load blocks and tear pads indicated the degree of sadness. In considering the above indicators, family relation and filial piety to ancestors had a great effect on the form and details of mourning dress. Shamanistic elements as well as Confucian ones were inherent in mourning dress, which resulted in the combination of Taoism and Confucianism.

리차드 마이어(Richard Meier)의 미술관건축 공간구성 특성연구 (A Study on the Characteristics of Space Organization of Richard Meier′s Museum Project)

  • 이성훈
    • 한국실내디자인학회논문집
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    • 제26호
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    • pp.79-87
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    • 2001
  • This study is focused on three major museum projects completed during 1990's by Richard Meier who is known as the romantic modernist as well as one of the architects who continue their devotion on completing the fourth dimensional spatial concept through the practice. Main focus of the study will be analyzing the space and design elements shown in the Museum of Contemporary Art (Barcelona, Spain, 1986-95), Museum of Television & Radio (Beverly Hills, CA., 1994-96) and the Getty Center(Los Angeles, CA., 1984-97), and find out the new meaning of museum design suggested by the architect. The analyzation was done based on the actual sight visits and through the acquired references. The museum designs done by Richard Meier show consistency between visual language, use of 'light, space and form' as the design elements to connect interior and exterior to create openness and harmony with surrounding condition. Additionally, greatness of the architectural elevation, efficient use of interconnecting space, adoption of natural light, affective use of the space, careful consideration to the exhibiting items, spread of information centers, balance between large and small exhibition spaces, and his concept on providing choices to the viewer within the museum are the main issues in designing the museum in order to give various spatial experience to the visitors.

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Changes of Gagye Hair Style Reflected on Gache Prohibition Order in Chosun Dynasty

  • Yim, Lynn;Kim, Eun-Jung
    • International Journal of Human Ecology
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    • 제7권1호
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    • pp.67-76
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    • 2006
  • This study delves into the Gache Prohibition Order during the Chosun Dynasty and researches the changes of the Gagye style caused by Gache Prohibition Order comparing both the pre-prohibition order and post-prohibition order and analyzing its related remains, old documents, and other researches about the Gache Prohibition order. The Gache Prohibition order during the Chosun Dynasty had contributed to the changes of the Gagye styles such as Sseu-gye, Hwan-gye, and Eoneun hair styles. Dae-su and Eo-yu-mi Gache in Sseu-gye style had been rarely used while Hwa-gwan and Jok-du-ri were often used in the Sseu-gye style. In the Hwan-gye style, Hwan-gye of Geo-du-mi was replaced with wood. Form and bulk in Eoneun hair had been minimized and changed into new types of The Gache Prohibition order of the Chosun Dynasty had affected the Gagye style in the following ways: First, in the aspect of style, the Gagye style was used to decrease volume. Second, the Practical science of the Chosun Dynasty had affected clothing in terms of actuality, convenience, simplicity, and openness. Third, the Gache Prohibition Order affected the Gagye style as well as the re-understanding of the beauty of clothing.

전라남도 한옥보존마을 및 행복마을 한옥의 평면유형에 관한 연구 (Analysis on Plan types of Hanok in Hanok Conservation Village and Happy Village, Jeollanam-do)

  • 이창재;최일;김정규;유창균
    • 한국주거학회논문집
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    • 제21권5호
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    • pp.35-42
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    • 2010
  • This study examines and analyzes plan of Hanok which has been newly built at rural areas in Jeollanam-do province and is to present the direction in setting architectural plan of Hanok at rural areas. For the purpose of this study, analyzed the types of Hanok based on the topological characteristics of main house and main spaces including room, living room and kitchen. Five types of 105 Hanoks, type-I, type-II, type-III, type-IV and type-V were drawn on the based of the shape of main house and topological characteristics of main rooms including room, living room and kitchen. Type-I had spatial composition of main rooms in a row and showed similar shape of main house with traditional private houses in Honam region, type-II showed placement of living room in center and main rooms beside it, type-III showed change of type-II and placed kitchen and annex behind living room and similar plan composition with type-III and secured the area of living room and rooms by enlarging the number of rooms, and type-V had the shape of main house with twisted form and placed living room in the center and each room at side or twisted part to ensure openness of living room.

르네상스 수도원 체르토사의 공간 구성에 관한 연구 - 체르토사 디 파비아의 셀 공간을 중심으로 - (A Study on the Space Composition of Renaissance Monastery Certosa - Based on the Cell Space in Certosa di Pavia)

  • 임종엽
    • 한국실내디자인학회논문집
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    • 제34호
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    • pp.106-113
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    • 2002
  • Certosa, a representative Monastic Architecture of Renaissance era, has been well preserved. And it has worked as a symbol of the space form & style revealed by monad, sell, arcade and court, which are characteristic of a monastery. A court is divided into large court and small one, and it connects each units and each sells through the annex with clarifying each space identities. And arcade and pillar is not only to derive a unitary space from entire space, but also to try openness and extension applying a different height in spite of physical closure of style. Especially planned by monad and cell, the routine space of monks, a structure of rational space is a yardstick of moderation and frugality, showing affluent space which occupy essential areas without extra space. And the space appears self-sufficiency, honest poverty, and affluence with order and eternity based on elementary principles of the Cartusio order in composition and plan of the space. Keeping strong linking with entire sells in the monastery, Each sell symbolizes entire sells, and the inverse is the same. And it is the universe advocating eternity and it is also a small city which provides the monks with accurate modules and scales in the very recluse space.

Nexus between Indian Economic Growth and Financial Development: A Non-Linear ARDL Approach

  • KUMAR, Kundan;PARAMANIK, Rajendra Narayan
    • The Journal of Asian Finance, Economics and Business
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    • 제7권6호
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    • pp.109-116
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    • 2020
  • The study examines the nexus between financial development and economic growth in India during Q1: 1996 to Q3: 2018. This study employs time-series data of real GDP and ratio of broad money to GDP as a proxy for economic and financial development, respectively. The data are obtained from RBI database on the Indian economy. All variables are seasonally adjusted using X12-arima technique and expressed in natural logarithm form. Non-linear Autoregressive Distributed Lag (NARDL) bound test has been used to check for cointegrating relationship of these two variables. Empirical findings suggest that, unlike in the short run, in the long run financial development does impact economic growth positively. Further, a symmetric effect of positive and negative components of financial development is found for the Indian economy, whereas the effect of control variable like exchange rate and trade openness is in consonance with common economic intuition. Exchange rate is in consonance with intuitive economic logic that a fall in exchange rate makes exports cheaper and increases the quantity of export, which improves the balance of payment and leads to a rise in aggregate demand, hence improves economic growth. This paper contributes to the existing literature on India by breaking down financial indicator into positive and negative components to examine the finance-growth relationship.

Does CO2 and Its Possible Determinants are Playing Their Role in the Environmental Degradation in Turkey. Environment Kuznets Curve Does Exist in Turkey.

  • RAHMAN, Zia Ur
    • 웰빙융합연구
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    • 제2권2호
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    • pp.19-37
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    • 2019
  • Over the last few decades, the atmospheric carbon dioxide emission has been amplified to a great extent in Turkey. This amplification may cause global warming, climate change and environmental degradation in Turkey. Consequently, ecological condition and human life may suffer in the near future from these indicated threats. Therefore, an attempt was made to test the relationship among a number of expected factors and carbon dioxide emissions in the case of Turkey. The study covers the time series data over the period of 1970-2017. We employed the modern econometric techniques such as Johansen co-integration, ARDL bound testing approach and the block exogeneity. The results of the Johansen co-integration test show that there is a significant long-run relationship between carbon dioxide emissions and expected factors. The long-run elasticities of the ARDL model show that a 1% increase in the GDP per capita, electric consumption, fiscal development and trade openness will increase carbon dioxide emissions by 0.14, 0.52, 0.09 and 0.20% respectively. Further, our findings reveal that the environmental Kuznets curve (EKC) hypothesis and inverted U-shaped relationship between carbon dioxide emission and economic growth prevails. Therefore, the EKC hypothesis is valid and prevailing in the Turkish economy. The diagnostic test results show that the parameters of the ARDL model are credible, sTable and reliable in the current form. Finally, Block exogeneity analysis displays that all the expected factors are contributing significantly to carbon dioxide emissions in the Turkish economy.

공간적 측면에서 본 미스 반 데어 로에의 경구 "less is more"의 의미에 관한 연구 (A Study on the Meaning of Mies van der Rohe's Aphorism that "Less is More" in Terms of Space)

  • 김란수
    • 건축역사연구
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    • 제16권2호
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    • pp.43-58
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    • 2007
  • This paper attempts to interpret the meaning of Mies van der Rohe's famous aphorism that "less is more" in terms of space. From his assertion that the art of building is the spatial execution of spiritual decisions, one can presume that his art of building was revealed through his spatial execution consciously guided by creative principles. One of his spatial principles was less is more a representative motto for the creation of sparsely furnished space with few objects and little perceptible architecture. After his awareness of an open plan, Mies intended to create less architecture by designing a minimal form of structural frames and maximum openness of open plans and glazed walls. This study posits that Mies created more potential space, for which he intended his open plans and neutral frames to be viewed as less. His building was designed to serve as the background of works of art and the changing nature outside so restrained its own existential voice in favor of the achievement of total harmony.

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노인요양시설 활동공간 이용의 활성화를 위한 요소 분석 (The Analysis of the Elements for the Lively Use of Activity Areas in the Elderly Nursing Facilities)

  • 이민아
    • 한국생활과학회지
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    • 제18권4호
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    • pp.971-984
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    • 2009
  • The purpose of this study was to analyse the relations among the residents' characteristics, the policy of the facility, and the physical characteristics of activity areas, and to understand the elements for the lively use of activity areas in the elderly nursing facilities. The results of the study are as follows: First, there was a relationship between the characteristics of semi-public activity areas and the residents' management-control policy. The facilities having semi-public areas of living room type showed more flexibility in time and place and more respects for the residents. Second, the activity areas of connection type were much more used than the compartment type, especially in the facilities having more residents incapable of walking. On the other hand, the facilities having high control for the residents showed high using rate in public activity areas, and all those did not have semi-public areas or showed low using rate in there. Third, in the analysis of the relationship between the physical characteristics and the using rate of activity areas, the public activity areas having compartment type in the spatial composition and hall as a form were likely to have multiple usages. On the whole, the various form of activity areas, the area per residents, openness, accessibility and centrality were having interactions each other for high using rate in activity areas. Especially, many stimulations and the furniture arrangements that were good for the residents' interactions had a function of compensation for the poor physical characteristics of activity areas. This study investigated only the using rates to understand the lively use of the space. For the future study, it is suggested that the detail using behavior of the residents should be examined to understand the influential elements.