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A Study on Orientalism in the Paintings of Delft School in 17th Century Netherlands (17세기 네덜란드 델프트 학파 회화에 나타난 동양풍 연구)

  • Kim, Myung-Eun;Bae, Soo-Jeong
    • Journal of the Korean Society of Costume
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    • v.65 no.8
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    • pp.136-150
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    • 2015
  • The purpose of this thesis is to elucidate the exchange between the East and the West during the 17th century through analyzing the oriental influences described in paintings in Delft school, a trade port of East India Company. The scope of this study focused on the 37 pieces of works by Johannes Vermeer and 31 pieces of the paintings by Pieter de Hooch, which are all the existing work, as analysis targets. The resources of this study were from previous papers about the history of costumes, paintings and culture, Internet sources and other qualitatively analyzed articles. The items that the study looked into were Delft porcelains and Delft tiles, Turkey carpets, costumes and accessories pearl earrings and headdresses. The study looked into oriental factors observed in each of these items, and analyzed them. In terms of oriental factors that are frequently observed in paintings, porcelains (100%), Deft tiles (100%), pearl earrings (100%) and (most) carpets (92.3%) turned out to have oriental nature, but this was not the case with head dresses (7.7%) and clothing (0.3%). These results happen to coincide with the previous investigation in that the oriental factor was reflected in the culture first, while the effects on costumes significantly lagged behind. This progress in cultural exchange can be seen through the noted use of Chinoiserie, a technique that is representative of the Chinese culture, in the 18th century. Through Japonism, the influence of Japanese culture into Europe was introduced, in detail, in 19th century. These results suggest that there are sufficient amount of sources that could be used to study the effect of orientalism to the Western culture. This study intends to look at how the oriental culture affected those of Europe by researching the Delft school of Netherlands during the 17th century.

A Study on the Walls Recorded in the Yeonggeon-and Sanreng-uigwes in the 17th-19th Centuries - Focusing on the composition of wall and mixing ratio of plaster materials - (17세기~19세기 영건 및 산릉의궤에 기록된 벽체에 관한 연구 - 벽체의 구성 및 미장재의 혼합비를 중심으로 -)

  • Hwang, Hee-Young;Kwon, Yang-Hee
    • Journal of the Architectural Institute of Korea Planning & Design
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    • v.36 no.5
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    • pp.105-116
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    • 2020
  • In this study, the royal protocols of the Joseon Dynasty, known as uigwes, were reviewed to clarify the materials and structure of Korean traditional walls. For this, the Yeonggeon-and Sanreng-uigwes were thoroughly reviewed, and then the names, materials, and construction methods of the traditional walls were systematically organized. In addition, mix proportions of plastering materials used in the walls were estimated based on the records in the uigwes; these were compared with the ratios specified in the current specifications. As a result of the comprehensive review, it was found that the mix proportions of the plastering materials varied depending on importance of buildings, type of walls, and the raw materials. Based on this, it was concluded that the characteristics of each uigwe should be considered when studying the mix proportion of materials for the traditional walls. It was also found that there were differences between the traditional and modern specifications for the wall constructions. That is, historical records and the specifications currently used were different in terms of constituent materials, construction methods and mix proportions. As a cause of the difference, the disconnection of the traditional methods and the introduction of foreign plastering techniques during the rapid social change in the 20th century were suggested.

Jurisprudence in the History of Statistics (통계학사 속에서의 법)

  • Jo, Jae-Keun
    • Communications for Statistical Applications and Methods
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    • v.18 no.5
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    • pp.559-570
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    • 2011
  • The role of jurisprudence is examined in the early history of probability and statistics. From the mid-17th to the early 18th century, Christiaan Huygens and Jacob Bernoulli used mathematical expectation to solve the problems that originated from games of chance. We demonstrate that their concept of expectation as a fair price for participating in a game came from the legal concept of 'fair trade'. In addition, we consider that the probability that Bernoulli defined in his Ars Conjectandi originated from the legal concept of 'degree of certainty'. After considering some contributions of Laplace and Poisson, we examined the history of census and statistical survey in the early 19th century. Contrary to the history of the 17th and 18th century, statistics influenced society and law in the 19th century.

Evolution for Construction of Trousers in the Western World -during the 17th and 18th centuries- (17-18세기 서양 남자바지 패턴변화)

  • Kim, Yang-Hee
    • Journal of the Korean Society of Costume
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    • v.56 no.7 s.107
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    • pp.68-84
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    • 2006
  • The aim of this study is to examine a structure of trousers worn by males in the western world during the 17th and 18th centuries in order to understand the characteristics of evolution in construction. it mainly examined engravings from these era because they provided me fine and detailed portrayals of what it needed to observe. Then, it classified them into models according to each era. it supplemented a flaw of depending on single type of studying material by examining other types of historical materials such as historical paintings and documents for comparative analysis of materials and decorations and previous studies on preserved historical documents to observe the examples of structures of trousers. Secondly, it studied both historical documents and previous studies on the trousers patterns used back in those days, analyzed the characteristics of each designing method by actually draping these patterns, and observed the differences in these completed patterns to understand the characteristics of changes in fashion design skill. As for the changes in length, these patterns show only a slight difference around above and below the knee line. However, the widths of waist, hip, girth and hem were significantly altered over the years to reduce wrinkles and the cutting lines became more refined to make the clothes fit to the body. As a result, a simple but fine patterning technique was born. In particular, new methods in cutting and sewing were invented for detailed parts such as waist, pocket, front and slit.

Semiotic Analysis of Expressive Features and Structural Meanings in Traditional Furniture of Korea, China and Japan - Focus on the Storage Furniture from 17th to 19th century - (한중일 전통가구에 나타난 표현과 의미의 기호학적 분석 - 17~19세기 수납가구를 중심으로 -)

  • Kim, Eun-Jeong;Park, Young-Soon
    • Korean Institute of Interior Design Journal
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    • v.22 no.1
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    • pp.183-193
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    • 2013
  • The study aimed to find the fundamental differences of aesthetics in Korea, China, and Japan by analyzing expressive features and structural meanings of the storage furniture from $17^{th}$ to $19^{th}$ century. The study was performed in four steps; analysis of expressive features, isotopic analysis, semantic structure analysis, and comprehensive interpretation. The results showed that three countries had linear shapes with curvilinear elements, closed forms with open spaces, natural material hues with change of tone or color, and symmetrical forms with asymmetrical patterns and structures in common. Korea comparatively accented on the natural material colors and wood grains. China stressed on the big and wide faces using three-dimensional carving. Japan accented on the linear elements with strong color contrast and decorative metal fixtures. These features were caused by the traditional thoughts and according aesthetic principles. Korea and China were affected by the Confucianism focused on establishing the order of rank. Meanwhile, Japan was more influenced by the Buddhism emphasized on the individuality and communication. Therefore, the differences of the expressive features in furniture among the three countries were inevitable consequences of the different ideologies.

The Study of The Excavated Clothes of The Mid-Chosun Dynasty -Centering Around Chopri and Changeuis From Lee Hwang's Tomb- (조선중엽 출토복식에 관한 연구 -이황 묘 출토 첩리와 창의류를 중심으로-)

  • 홍나영
    • Journal of the Korean Society of Clothing and Textiles
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    • v.20 no.3
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    • pp.527-537
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    • 1996
  • This study tries to understand the characteristics of a man's clothes from the late 17th century to the early 18th century, held by the Ewha Womans University Museum. The author adopted the Assy CAD, an apparel CAD system developed by Assysit Company of Germany, in measuring clothes which is intended to solve the problems raised in the previous measurement of clothes, as well as in the making of patterns. The author used tracing paper to make copies of the curved parts, put them into the computer by digitiger, and made the patterns for more accurate restoration. Furthermore, the author compared Lee Hwang's with the contents of the related literature and excavated apparel from other tombs. As a result, Chopri among Lee Hwang's clothes, retained the typical characteristics of the mid-Chosun men's fashion in its ratio of bodice to skirt, form of sleeves, and size of breast- ties for fastening which appeared in the 17th century. Daechangeui and Jungchimak also were distinctive for Changot and the width of sleeves since the 17th century and were in wide use not only as the daily clothes but also as the shroud. These changes were brought about from the two wars which emphasized prestige and beauty of the clothes rather than their functions. As a result, Changeuis were used more widely, while Chopri which was used as the underwear of officials' uniform, was in decline.

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A Bibliographic Study on Wood-block Edition 『Donguibogam』 in Jeseon Dynasty during the 17th-18th Centuries (17-18세기 조선 간행 『동의보감』 목판본에 대한 서지학적 연구)

  • Park, Hun-Pyeng
    • The Journal of Korean Medical History
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    • v.28 no.1
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    • pp.25-37
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    • 2015
  • "Donguibogam" has been published several times in Japan and China since the first was published and established itself as representing the East Asian medicine in 17th Century. Also, modern far has attracted attention as a major classic book of Korea medicine. For these "Donguibogam" its contents, as well as several medical historians and bibliographers were early comment on versions. However, these prior studies did not confirm about the various editions of the publication time, especially for the initial wood-block edition estimate only. Through this new study found the following facts. First, Wood-block edition of two Jeollagamyeong published until the mid-18th century to be confirmed by the "Seungjeongwonilgi". Second, the timing of the editions published later modified in Naeuiwon is confirmed by the "Chakpan Catalog" and the "Seungjeongwonilgi". Third, the person who keeps wood-block edition of Chonnamgamyeong is the first empirical examples of the same edition. Fourth, the edition is not published editions group that bypasses the Naeuiwon modified.

A Study of Gwa-du (裹肚) in the Joseon Dynasty (조선시대 과두(裹肚)에 관한 연구)

  • Song, Mi-Kyung
    • Journal of the Korean Society of Costume
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    • v.60 no.1
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    • pp.76-90
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    • 2010
  • Gwa-du(裹肚), name of a garment, appears often from documentary records of Joseon Dynasty. It is assumed as one of the upper garments for men, and according to the record, it was worn as a set with Dan-ryung(團領), Dap-ho(搭胡), Chul-rik(帖裏), Han-sam(汗衫), pants and socks. After the Japanese Invasion of Korea in the 17th century, it changes to a shape of wrapping clothes with straps at four corners, and used to cover the stomach of a corpse like sash. From 16th-17th century, before the Japanese Invasion of Korea, the excavated costume shows a clothing which takes a role of Jegori, longer than Han-sam(汗衫) and shorter than Po(袍). In this study, this clothing is called Gwa-du(裹肚). This study examined the usage and shape of Kwa-du from some documentary records- "朝鮮王朝實錄-The Annals of the Joseon Dynasty", "禮書- Book of Manners", "宮中件記- Googjoonghalkee, recording court goods and commodities lists" and more with actual clothing. Kwa-du is presumed to have changed to men's Jegori So-chang-ui(小氅衣) after 17th century.

Extracts of Grifola frondosa inhibit the MAPK signaling pathways involved in keratinocyte inflammation and ameliorate atopic dermatitis

  • Eun-Ju Choi;Jin Kyeong Choi
    • Nutrition Research and Practice
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    • v.17 no.6
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    • pp.1056-1069
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    • 2023
  • BACKGROUND/OBJECTIVES: Grifola frondosa, commonly referred to as the maitake mushroom, has been studied extensively to explore its potential health benefits. However, its anti-inflammatory effects in skin disorders have not been sufficiently elucidated. This study aimed to elucidate the anti-inflammatory role of the ethanol extract of G. frondosa in atopic dermatitis (AD) using in vivo and in vitro models. MATERIALS/METHODS: We investigated its impact on skin and spleen inflammatory responses in Dermatophagoides farinae extract (DFE)/1-chloro-2,4 dinitrochlorobenzene (DNCB)-induced AD-like skin lesions in a mouse model. Additionally, we determined the immunosuppressive response and mechanism of G. frondosa by inducing atopic-like immune reactions in keratinocytes through tumor necrosis factor (TNF)-α/interferon (IFN)-γ stimulation. RESULTS: Our study revealed that G. frondosa ameliorates clinical symptoms in an AD-like mouse model. These effects contributed to the suppression of Th1, Th2, Th17, and Th22 immune responses in the skin and spleen, leading to protection against cutaneous inflammation. Furthermore, G. frondosa inhibited the production of antibodies immunoglobulin (Ig)E and IgG2a in the serum of AD mice. Importantly, the inhibitory effect of G. frondosa on inflammatory cytokines in TNF-α/IFN-γ-stimulated AD-like keratinocytes was associated with the suppression of MAPK (Mitogen Activated Protein Kinase) pathway activation. CONCLUSIONS: Collectively, these findings highlight the potential of G. frondosa as a novel therapeutic agent for AD treatment and prevention.