• 대한치과보철학회지
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• 제33권2호
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• pp.231-239
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• 1995

When the complete denture is made, the record base for jaw relation is divided into temporary record base and permanent record base. However, The temporary record base include some disadvantages such as, the lackness of intimate contact between model and base, the lackness of retention during the jaw relation registration, When we obtained jaw relation the permanent record bases made from heat curing resin were utilized. We could get several advantages as follows : 1. The permanent record base provided intimate contact between the model and record base. 2. In fabricating occlusal rim on record base, the dimensional change of record base was little because the permanent record base was lesser influenced to thermal change of occlusal rim than the temporary record base. 3. At the stage of jaw relation, the retention of final denture could be early checked. 4. It could be able to get more accurate registration of jaw relation because all procedure were done on the same base during the jaw relation, artificial teeth arrangement, try-in, and final denture construction. 5. Although there was an inconvenience due to double curing procedure, the shrinkage rate in resin polimerization was relatively reduced so that more dimensional stability could be taken.

• 대한치과보철학회지
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• 제38권3호
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• pp.310-320
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• 2000

Statement of the problem. The record base in fabricating procedures of the complete denture, as a temporary form for reproducing denture base, is used to record upper and lower jaw relation and to align artificial teeth and try-in it in the mouth. The accuracy of jaw relation record is affected by the accuracy, stiffness and stability of the record base. So, the accuracy of record base is the most important requirements of jaw relation records. Purpose of study. The purpose of this study was to evaluate the gap that occurred over the palatal area of a maxillary record base fabricated with autopolymerizing resin and light-curing resin. Methods/material. The maxillary record bases were fabricated out of autopolymerizing resin that is used the most frequently in clinics and light-curing resin that attracts special attention for its several merits. The light-curing resin was made by two kinds of polymerization methods, which are one step curing method and multiple step curing method. All record bases were cut in certain positions of the master cast 1 hour and 1 day later after fabrication and the accuracy of the master cast was measured and analyzed with a microscope. Results. A pattern of gap formation between the record base and the maxillary cast was observed in all specimens. According to kinds of resins, autopolymerizing resin was significantly more accurate than light-curing resin. There was no statistical difference according to time lapse, and in all three groups, the maximum discrepancy occurred at the posterior border in the mid-palatal region. Conclusion. The autopolymerizing resin is better than light-curing resin, and multiple step curing method is more accurate than one step curing method when using light-curing resin.

• 미술이론과 현장
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• 제13호
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• pp.7-33
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• 2012

The memory of the Korean War is about the time period when people lived toughly during evacuation, due to being exposed to the natural climate such as intense cold or heat without any protection, leaving their comfortable home and living in temporary built shelters which were barely enough to avoid the wind. 'Death is concealed and only the figures of evacuation for survival were expressed, just as how the government ordered. Since the experience of the battlefield is personal and fragmentary, that is broken into pieces, it does not have compatibility. As war is a distorted experience that cannot be placed in a big picture, it is not possible to take a view of the war's big picture. Having this individualized experience as a common collective memory is an issue and it is the will that people tries to pursue. The reason why the evacuees from north to south, and as well as from the south to further south were all able to be adopted as the theme of artworks due to the military action that emptied the occupied territories of the North Korean Army under the forced removal command. In such situations, the natural state of the 'snow' was like a symbol of the 1.4 Recession. The group of people who were thrown into the intense cold displaced the war damage of loosing their base livelihood, and symbolized the obedient citizens who faithfully follow their government's command. The figure of advocating anti-communism is projected as a figure of a refugee during cold winter-time and it contains ones past which he or she obeyed its own country's commands. Evacuation, especially the evacuation during the winter is a visual device that can confirm these kinds of country's command. The consequences were same for the artists as well. Therefore, the situation being communal could be found due to the individual experiences during war are ideological. The image of the refuge shown in the picture played the role of strengthening the consciousness of defecting to South Korea into the meaning of the 'Finding Freedom.' I would like to express that the reason of them leave their home during the harsh winter is in order to avoid the oppression of the Communist Party. The evacuation that people went through was not to 'Finding Freedom', but 'To Survive'. Later, this evacuation has been imprinted as a behavior of choosing free Republic of Korea, which was an ideological issue. Anti-communism was the rule of survival in South Korea society, and people have the tendency to remember what they want to remember. As it is not the people who possesses an incident, but the memory that possesses ones, people cover their memory with disguised plots in order to forget the violence and to live a different prologue. They share the incident of violence as a hurtful memory. The tragedy of the Korean War was the result of Ideology and being in between the powerful nations' rights, but the violence during the war has been depicted as a natural disaster, which was the evacuation in heavy snow.

• 고문화
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• 제70호
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• pp.133-161
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• 2007

'○'문과 '⊙'문청자는 굽안바닥 중앙에 부호를 새긴 것으로 제작자(공방)를 표기한 것으로 판단된다. 이들 청자가 생산된 곳은 전라남도 강진군 대구면 사당리 8.23.27호 가마터인데 'e'문청자는 23호와 27호에서만 확인되고 있어 그 생산지가 더욱 한정적이다. 기종은 완과 대접, 접시, 잔, 병, 합, 퇴주기 등이 확인되는데 접시가 수량도 많고 기형도 다양하다. 이들 청자는 대부분 전성기 청자의 문양과 같은 도범을 이용한 압출양각 기법으로 시문하고 있는데, 이는 문양과 크기 등 장식의장을 균일하게 유지할 수 있는 제작방법으로 양질청자를 생산하는데 적합한 방법이다. 또한 이 시기 상감기법이 보편화되지 않았으며, 압출양각 기법을 이용하여 유사한 청자를 다량 생산하여 공급하였음을 알 수 있었다. 이들 청자는 내화토 비짐이 일부 있으나 대부분 전면 시유 후 U자형 굽의 안바닥에 규석을 받쳐 갑번하였다. 이들 청자는 강화 희종 석릉과 파주 혜음원지, 일본 겸창시 약궁대로 무가 가옥 출토품 등을 통해 1230년대를 중심으로 한 13세기 2/4분기에 제작되었음을 알 수 있었다. 따라서 이들 청자는 비색청자를 대부분 12세기로 편년하면서 오는 13세기 청자의 공백을 메워줄 수 있는 매우 의미 있는 자료이다. 그리고 이 시기는 몽고에 의한 외세의 충격이 있었으나 중앙통제가 원활하게 이루어져 비색청자가 계속 생산되었음을 알려 주고 있다. 또한 강화의 갑곶리와 관청리, 행궁의 역할을 하였던 성주 혜음원, 지방의 대찰이었던 경주불국사와 남원 실상사, 대구소와 인접한 장흥의 유력층 유적 등에서 출토되고 있어 상류층을 위해 생산되었음을 알 수 있다.