• 한국조경학회지
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• 제29권5호
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• pp.71-83
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• 2001

The purpose of this study is to find out the characteristics of landscape details in representing symbolic images in memorials on the themes of war, tragedy, and the democratization movement. In considering the characteristics of memorial landscapes, the researcher divided the characteristics of landscape details into 3 analysis categories. They are the symbolic application of landscape elements, the embodiment of landscape details, and the organization of landscape details to represent symbolic images, for example, memory, mourning, reflection, healing, glory, and identity. Among details in 24 memorials designed in or after 1970. 133 symbolic details were selected including 64 items in Korea. The analysis revealed that among 30 elements used by designers for memorialization, walls, ponds, sculptures were used more often than other elements in representing the meaning of mourning, reflection, and healing that are the basic function of memorial. In regard to detail form, the designers used basic shapes like circles, squares and rectangles, horizontal and vertical lines to heighten the symbolic effect of shapes in confined form. Stone and water utilized from nature were also used as main materials because of their materiality meaning of death, eternity, life, and healing. The techniques of using lighting, fire, and sound were introduced to make details more effective. Details were organized in harmony and repetition to represent the flew of time and space in symbolic images. The study identified the following characteristics of memorial landscapes in Korea that were different from other country first, in designing memorials, most designers in Korea have been more focused on the organization of space than the details in memorials, and so, they have been neglecting to deliver symbolic image through detail design, while depending mainly on the introduction of art works. Lastly, because they introduced traditional elements which have little relation with the symbolic image needed, there have been many details which inaccurately represent symbolic meanings.

• 한국의류학회지
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• 제29권11호
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• pp.1410-1420
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• 2005

The purpose of this study was to analyze characteristics of effective expression on T-shirts pattern by peirce's semiotic theory. The methods of this study was to analyze 721 T-shirts patterns in designer's collection from 2000 to 2004. The results of this study were as follows: First of all, iconic expression showed high frequency after 2000. Characteristics of effective expression were as follows: In geometric expression, repetition was presented as a symbolic sign by regular proportion and rule of dot, line, plane, irregularity, mixture of irregular dot, line, plane. Mixed expression was presented as a iconic and symbolic sign by collage, mixture of dot, line, plane, icon and letter. In iconic expression, simplification of iconic sigrl was presented as a iconic sign by simplification of form, color, texture, realistic expression using digital as a iconic sign, and symbolic face, body as a symbolic sign. Pop art's expression was presented as a iconic sign by a cartoon and commercial character and illusion was presented as a iconic sign. In letter's expression, brand logo was presented as a symbolic sign by transformation of letter's design, a symbolic sign of numeral by transformation of size, thickness, form, color. Symbolic message phrase was presented by slogan, fashion trend, brand image, descriptive indication message as a index sign by using icon or singleness. In conclusion, characteristics of effective expression on T-shirts pattern will present not only the theoretical foundation to raise the value added, but also the information about beauty sense of times, political and social value.

• 한국농촌건축학회논문집
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• 제25권3호
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• pp.47-58
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• 2023

This study, as part of a study on the visual impact and evaluation of the symbolic sculptures currently installed in counties in Jeollanam-do on the formation of Landscapes by local governments, investigated and analyzed the installation characteristics of symbolic sculptures by local governments. As a result, many local governments have installed local specialties and landmarks as symbolic sculptures, and the installation location is often installed in open spaces and in the center of roundabouts. It was investigated that the use of color or the color of the material as it is was preferred. It was found that more symbolic sculptures installed on the roadside were installed in the center of the roundabout or along the side of the street than installation at the gateway. It is considered that it is more effective to recognize the symbolism of the area to the tourists through the installation of the symbolic sculpture at the entrance of the area, the center of the roundabout, or the side of the road rather than the gate, because the size of the symbol is bigger in order to recognize the symbolism of the area due to the width of the large road when installing the symbolic sculpture at the gateway, It is considered.

• 복식
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• 제56권8호
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• pp.148-159
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• 2006

The objective of this study is to consider the uniform as visual communication, and analyze the expression of symbol shown on the uniform design by the pattern by applying the visual symbol in the communication and operation of the meaning. Also, it is to construct the systematic modeling method of the expression of design symbol by the pattern of uniform in th e various fields. This study is to analyze the symbolic expression method of the uniform design by the pattern by suggesting the symbolic expression method as a frame through the visual symbolic approach of the uniform design and the analysis of semantic symbol according to that. As a result, there arose simplification and emphasis and a method of symbolic expression with the national flag, a conceptual factor characteristically in the sports uniform design. The characteristics of symbolic expression of uniform design were mainly used in the symbolic expression with the customary code and symbol. Also, the uniform in the enterprises were widely used in the expression of uniform with the suggestion and code by the color. As for the characteristics of symbolic expression shown on the event uniform design, the method of symbolic expression by the pattern of uniform was grasped differently asa result of symbolic expression through the image. The method of symbolic expression suggested on this study could be used on a basis of uniform design in the future. Accordingly, this study has a meaning of suggesting the methodology of uniform design that would be a parameter.

• 복식
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• 제44권
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• pp.153-167
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• 1999

The purpose of this study was to supply the opportunity of being used as a material which can predict future fashion. This study had been divided the symbolic meaning into three parts. The first part was the symbolic expressions in the materials of modern fashion, and the second part was symbolic meaning which was expressed in the accessories, and the last part was the symbolic meaning which was expressed in the physical ornament. The results could be summarized as follows. First, among the forms of heraldry were expressed in modern Fashion, were such as animals like a lion and eagle, which evoked the powerful and lively mood. A vegetable heraldry was expressed on a pattern of textile fabric to pursue the beauty of dress, represented female and classical beauty. A inanimate object heraldry was included all natural material that didn't have all lives the world, represented the mystery and intensity of nature as using the design that sets off the idea through color and figure. Second, in the case of being the forms of heraldry used as a mark or logo in modern fashion, it was visualized the fashion of traditional sense, marine look and military look. This mark or logo had important characteristics of symbolic in that the product had a special meaning and function by trade mark. Third, tattos were used to heighten the people's union in the various subordinate cultures. By ornamenting their bodies, they expressed their special identity and consciousness. Tattos represented a unique menas, which effected a mood of fashion.

• 문화기술의 융합
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• 제10권1호
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• pp.525-532
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• 2024

본 연구에서는 스마트팔찌와 스마트워치의 물리적 특성이(예: 모양, 색상, 소재, 크기, 무게, 기술적 기능) 소비자의 기능적, 심미적, 상징적 가치 지각에 미치는 영향을 확장된 기술수용모형을 사용하여 탐색하였다. 스마트팔찌나 스마트워치를 사용한 경험이 있는 미국 거주 성인 남녀를 대상으로 온라인 설문조사를 실시하였고, 최근 1년 사용했거나 현재 사용중인 제품에 대한 다양한 물리적 특성과 그에 대한 평가를 질문하였다. 연구 결과, 전면 디스플레이 모양이 상징적 가치에 유의한 영향을 미쳤는데, 구체적으로 원과 정사각형은 직사각형보다 유의하게 높은 상징적 가치를 보였다. 손목밴드의 소재 역시 상징적 가치에 유의한 영향을 미쳤으며, 여러 소재 중에서도 금속과 가죽의 상징적 가치가 높게 나타났다. 또한, 제품의 크기가 클수록 높아지는 상징적 가치를 확인하였다. 이 외에도 활동 추적, 알람 시계, 거리 추적과 같은 기술적 기능은 기능적 가치를, 시계, GPS, 이메일 같은 기술적 기능은 심미적 가치를, 보폭계, GPS, 이메일은 상징적 가치를 높게 지각하도록 했다. 이러한 결과는 스마트팔찌와 스마트워치에 대한 소비자 욕구를 이해하여 제품을 개선하거나 신제품 개발하는 자료로 사용될 수 있다.

• 한국의류학회지
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• 제38권4호
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• pp.495-505
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• 2014

This study investigated the type of fashion brand concepts and derived the components of fashion brand concepts. A total of 125 brand concept texts of women's wear brands were collected from "2012/2013 Korea Fashion Brand Annual" (S. M. Kim, 2012). A qualitative research method was employed. To investigate the types of fashion brand concepts, the texts were classified into three types such as functional, symbolic, and experiential concepts, and four complex types such as functional/symbolic, functional/experiential, symbolic/experiential, and functional/symbolic/experiential concepts. Open coding and axial coding provided the components of fashion brand concepts. The results were as follows. First, an investigation of the types of fashion brand concepts indicated differences in the types of fashion brand concepts and the types of general product brand concepts. One content of a fashion brand concept could be interpreted as more than two concept types; consequently, many fashion brand concepts did not fit the notion of the types of general product brand concept. Most fashion brand concepts simultaneously encompassed more than two types of brand concepts at once. Second, the components of fashion brand concepts consisted of 55 subjects, 7 sub-categories (physical/intrinsic product characteristics, symbolic/conceptual product characteristics, target demographics, target consumer behavior, brand capability, brand values, and brand management/marketing) and 3 categories (product, target consumer, and brand).

• International journal of advanced smart convergence
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• 제12권4호
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• pp.334-343
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• 2023

A research model was developed in this study from previous research to illustrate the relationship among perceived scarcity, assumed expensiveness of art products, perceived functional value, perceived symbolic value as well as purchase for self and others. 639 valid cases who have experienced NFT art products have been collected for data analyses. The R software has been chosen for analysis. The results have revealed that perceived scarcity was positively related to perceived functional value and perceived symbolic value, but it was assumed that the expensiveness of art products was not significantly related to perceived functional value or perceived symbolic value. Moreover, functional value was significantly related to the purchase intention of both self and others, while symbolic value only was significantly affected by the purchase intention of others. The results of this study have provided managerial implications for future studies.

• 지역과문화
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• 제7권1호
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• pp.183-208
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• 2020

국제 행사에서 개최지역 문화와 국제사회의 흐름에 부합하는 상징적 개념을 제시하면 세계인의 호응을 얻어 개최지역의 이미지도 올릴 수 있다. 국제 행사 마스코트는 개최지역의 고유한 문화를 상징적으로 나타내며, 구성원의 소속감과 자긍심을 높이고 개최지역의 이미지를 대외적으로 친근하게 나타낼 수 있는 좋은 수단이다. 본 연구는 국제축구연맹(FIFA)의 축구월드컵 행사 마스코트에 반영된 지역 특성과 상징 표현 요소에 대하여 고찰하였다. 1966년부터 2018년까지 개최된 축구월드컵 행사 마스코트는 총 14개로 이들의 소재는 동물, 식물, 사람, 창작 등으로 나누어볼 수 있다. 마스코트에는 지역의 특산물, 개최 지역의 국기, 상징적인 복장, 개최지역 언어, 사회적 논점 등의 지역 특성이 적용되었으며, 마스코트의 복장, 자세, 소품과 행사 관련 문자가 상징 표현 요소로 사용되었다. 연구를 통해 도출된 시사점은 첫째, 마스코트는 지역 특성보다는 행사 주제인 '축구'상징 요소를 더 강하게 표현하고 있었다. 둘째, 지역 특성 표현 요소 중에는 '국기'를 활용한 사례가 돋보였다. 셋째, 마스코트 소재는 '동물'이 선호되었다. 넷째, 마스코트가 '문화향품'과 접목하게 되고, 사회적 경각심을 불러일으키는 등의 확장된 역할을 하게 되었다. 이 연구에서 제기한 특성 및 상징 표현 요소 분류에서 도출된 시사점은 국제 행사 마스코트 기획의 기초자료로 활용될 것이다.

• 한국의류학회지
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• 제32권10호
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• pp.1608-1618
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• 2008

This research was conducted to define the different conventional meanings of face painting, we can come across easily in recent days, in different times and different cultures. The conclusions of the research are as followed. First, the face painting was mainly done for the symbolic function. Second, in un-cultivated groups, face painting was one way of body art expression and in some cases, the color and the pattern was the tool to give a symbolic massage that was more powerful than a language. The characteristics of the patterning was that they adopted wide range of patterns include geriatrics, abstract, animals, plants and especially the abstract patterns have the groups unique symbolic meanings such as specific pattern appears guard god which was the effort of having a wholeness with the pattern. Third, it is known that in un-cultivated cultures, face painting has a symbolic function whereas in modern society, there is an emphasis on a decorative function. Lastly, the various expressions of modern body decorations are seen as a result of social/cultural states of the settlement ethnic culture and the modern life style of the people who want to have direct and active opinions and individualize and differentiate themselves.