• 융합신호처리학회논문지
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• 제7권2호
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• pp.81-86
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• 2006

본 논문에서는 새로운 개념의 공정 검출 회로를 제안하였다. 제안된 공정 검출 회로는 장채널 트랜지스터와 최소의 배선폭을 갖는 단채널 트랜지스터 사이의 공정변수의 차이를 비교한다. 이 회로는 공정 변이에 따라 발생하는 캐리어 이동도의 차이를 이용하여 이에 비례하는 차동 전류를 생성해 낸다. 이 방법에서는 고 이득 연산증폭기를 사용한 궤환 회로를 구현함으로써 두 개의 트랜지스터의 드레인 전압이 같아지도록 유지한다. 또한, 본 논문은 제안한 자기-바이어스 슈퍼 MOS 복합회로를 이용하여 고 이득 자기-바이어스 rail-to-rail 연산증폭기를 설계하는 새로운 방법을 소개한다. 설계된 연산증폭기의 이득은 단상의 $0.2V{\sim}1.6V$ 공통모드 범위에서 100dB 이상으로 측정되었다 최종적으로, 제안한 공정 검출 회로는 차동 VCO 회로에 직접 적용하였으며, 설계된 VCO 회로를 통해서 공정 검출 회로가 공정 코너들을 성공적으로 보상하고 광범위한 동작 영역에서 안정된 동작을 수행함을 확인할 수 있었다.

• 한국전기전자재료학회:학술대회논문집
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• 한국전기전자재료학회 2005년도 추계학술대회 논문집 Vol.18
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• pp.130-131
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• 2005

In the era of submicron devices, super ultra thin gate oxide characteristics are required. Titanium silicide process has studied gate oxide reliability and dielectric strength characteristics as the composition of gate electrode. In this study the author observed process characteristics on MOS structure. In view point of the process characteristics of MOS capacitor, the oxygen & Ti, Si2 was analyzed by SIMS analysis on before and after annealing with 1,2 step silicidation, the Ti contents[Count/sec]of $9.5{\times}1018$ & $6.5{\times}1018$ on before and after 2'nd anneal. The oxygen contents[Count/sec] of $4.3{\times}104$ & $3.65{\times}104$, the Si contents[Count/sec] of $4.2{\times}104$ & $3.7{\times}104$ on before and after 2'nd anneal. The rms value[A] was 4.98, & 4.03 on before and after 2'nd anneal.

• 한국멀티미디어학회논문지
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• 제10권1호
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• pp.49-57
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• 2007

최근 무선통신 분야에서 가격, 소비전력과 칩 면적을 줄이기 위한 CMOS RF 집적화에 관한 연구가 수행되고 있다. 이동통신 단말기 수신단 구조 중 direct conversion 방식은 기존의 super-heterodyne 방식에 비해 IF단이 생략되어 수신단의 구조가 간단하고, RF 필터 등이 제거되어 one chip화가 가능하다는 장점을 갖는다. 그러나 direct conversion 구조는 발진 및 DC offset과 같은 문제점을 갖기 때문에 시스템 전체의 noise figure와 선형성 등을 고려하여 수신단용 필터와 VGA를 설계해야 한다. 본 논문에서는 direct conversion 구조의 이동통신 단말기용 프로그래머블 필터를 설계하였다. 제안된 필터 구조는 GSM, DECT, WCDMA와 같은 서로 다른 통신 방식에 적용할 수 있도록 차단주파수를 가변할 수 있고, RF단에서의 이득 변화에 대해 이득을 조절할 수 있도록 설계하였다. 설계된 프로그래머블 필터는 MOS 트랜지스터의 게이트 전압으로 차단주파수 부근에서 주파수를 조절할 수 있고, 제안된 구조는 필터 이득과 VGA를 이용하여 $27dB{\sim}72dB$까지 3dB 간격으로 이득을 가변할 수 있다.

• 전기학회논문지
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• 제58권7호
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• pp.1363-1374
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• 2009

This paper reviews the characteristics and technical trends in Power MOSFET technology that are leading to improvements in power loss for power electronic system. The silicon bipolar power transistor has been displaced by silicon power MOSFET's in low and high voltage system. The power electronic technology requires the marriage of power device technology with MOS-gated device and bipolar analog circuits. The technology challenges involved in combining power handling capability with finger gate, trench array, super junction structure, and SiC transistor are described, together with examples of solutions for telecommunications, motor control, and switch mode power supplies.

• 대한전기학회:학술대회논문집
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• 대한전기학회 2009년도 춘계학술대회 논문집 에너지변화시스템부문
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• pp.125-130
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• 2009

This paper reviews the characteristics technical trends in Power MOSFET technology that are leading to improvements in power loss for power electronic system. The power electronic technology requires the marriage of power device technology with MOS-gated device and bipolar analog circuits. The technology challenges involved in combining power handling capability with finger gate, trench array, super junction structure, and SiC transistor are described, together with examples of solutions for telecommunications, motor control, and switch mode power supplies.

• 전자공학회논문지
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• 제50권2호
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• pp.134-139
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• 2013

UWB의 일종인 MBOA 무선통신 시스템에 내장하기 위한 광대역 RF 주파수 합성기를 $0.13{\mu}m$ 실리콘 CMOS 기술을 이용하여 설계하였다. 효율적인 MBOA 클록신호 생성을 위하여 낮은 주파수를 갖는 하위 밴드에서는 큰 배수로 주파수를 합성하고, 높은 주파수를 갖는 상위 밴드에서는 작은 배수로 주파수를 합성함으로서 VCO의 발진범위를 대폭 줄일 수 있는 새로운 방법을 적용하였다. 설계된 PLL 회로는 P-MOS 코어 구조의 VCO 및 수퍼 다이나믹 구조의 주파수 분할기를 사용하여 고속 및 광대역 동작 범위를 확보하였다.

• 복식
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• 제30권
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• pp.261-274
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• 1996

In the present age dominate by both cer-taingty of 1% and uncertainty of 99% 'Fuzzy thinking' of Bart Kosko that is the way to solve the problems by the scientific way through a worldview of Buddhism or Taoism greatly prevails around the world over 'Lateral greatly prevails around the world over 'Lateral thinking' and the authenticity or the right and-wrong of the uncertainty which is the thinking way to find the answer of the problems of illogical way of Edward de Beno against the western vertical thinking were Concurrently fashion designers over the world also adopt the oriental elements. But there exist differences of thoughts between the orient and the occident. And they have dif-ferent thinking way of aestheticism and references of the value on the beauty. Not only beauty but the view through the mind as intuitional thought in which not only the rec-ognition of sense but also the rationalism and the naturalness play key role. The aesthetic sense in the orient contains both the truth and virtue. 2) The beauty of the mean It's from the thought of neutralization of Confucius. The mean or moderation state which in harmony with ethical virtue and aes-thetic beauty is the ideal and is the ultimate. Therefore the thought of Confucian is the creativity in which the balance and the har-mony is most important. Fashion design is also one of the representation of the mean because the spirit of the designer is harmonized for-mlessly with the object of the model of the fashion design. 2) The beauty of skillfulness It indicates the Taoism of Lao-tzu and Chuangtzu. It takes a super-artistic declar-ation that human can feel and recognize the color of colorlessness the sound of sound-lessness and the taste of tastelessness. The thought of arts affected by Taoism is 'ad-vanced age' called the beauty of skillfulness. The view of arts of lao-tzu takes the beauty of cosmos and the nature as a standard. Es-pecially the beauty of inactivity is recognized by the linkage between the beauty and the ugliness. And these things appear in fashion design as a design element such as humor or exaggeration. 3) The beauty of non-dualism It is thought of Buddhism that all evil passions of worry occur form the opposition in dualism. Finally this thought leads to that everything is consistent and truth is only one from the point of view that virtue and vice has on linkage that is 'no virtues no vices' and 'one with two, two, with one, one is not two' A big tendency like this became the root forma-tion of the thought of the oriental arts. 3. Characteristics of the oriental aesthetic sense on the present fashion design 1) The formation of the fashion design on the oriental elements In the picture-incantation which was a representation of an era when the thought of 'cosmic dual forces' dominated the basic polygons of 'a circle square triangle' means both 'one two three' and 'the negative positive mean' of cosmic elements. From this point of view the was of planner cutting in the Orient is dif-ferent from that of the Occidental which is in three-dimensional. The planner polygon type of the cut-pieces comes to have the meaning of the three-dimension when they consist of a suit that has the combination of each cut-piece. This shows the consistency with the principle of cosmos creation of Taoism that one is two two is three and three is every-thing. 2) The coloring and the symbolic represen-tation of the fashion design on the orien-tal elements The sense on the colors in the Orient from the thought of 'the cosmic dual forces and the five elements' is not the experi-enced from the knowledge but contains the consideration of philosophy Five-primary-color representing compass directions Blue(East) Red(South) Yellow(Center) White (West) and Black (North) is called ' the posi-tive' for this five-primary-color secondary-color which comes from the compound of the primary colors is called 'the negative' The thought of 'the cosmic dual forces and the five elements' is also an theory containing the natural order of the cos-mos and this shows the perceptional differ-ence that they are not conceptual but to be recognized and fell directly. A thought of Buddhism which is 'Colors are colorlessness and Clolorlessness are color's proves that. 3) The pattern and symbolic representation of the fashion design on the oriental elements The pattern as a visual style is a figure of symbolic representation which adopt the mental and physical world of human and are the compo-sition of artistic revelation of the human nature and the religous thought of incantation. Es-pecially the symbolic representation of the oriental thought of Confusion. Buddhism and Taoism There are patterns such as plants aminals the oriental four gods and geometry. From the above it's the time toward the 21'th century when the world is constructing one global area and one historical zone. And the exotic mood of the Orient represented in the fashion which doesn't make the common feeling in general does not cease to develop only to express the visual modeling but also adopts the thought religion and the art which are the root of the Orientail and contains inherent willing of modeling.