• 동의신경정신과학회지
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• 제15권2호
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• pp.1-10
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• 2004

1. It is man that plays a important role in doing harm to ecology. So human ought to understand ecology and develop their mind considering a ecology through practicing Noble eightfold Path(入正道) austerities. 2. With a view of traditional Korean medicine, it is accomplished the circulation between human and heaven and earth by Qi. And then these are inter-transformed essence, Qi and spirit and carry out unification themselves by coexisting with university. 3. I consider 'Well-being' is man-centered thinking countering to the view of ecology. Then the health of body and spirit is accomplished through the life harmonizing with nature incidentally. 4. It is need for realizing that man and nature have the mercy of Buddha in order to purify a ecosystem and our human society through practicing austerities and meditation. 5. Spirit is regarded as the important thing on Buddhism and traditional Korean medicine based on Orientalism. The purification of human mind is very important for maintaining of a ecosystem through practicing austerities and meditation.

• 한국콘텐츠학회논문지
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• 제18권5호
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• pp.46-57
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• 2018

패션은 한 시대와 지역의 일상적이고 보편적인 미의식을 표현하는 문화 요소로서, 신발 역시 우리나라만의 미의식을 반영하는 패션의 하나라는 관점에서 전통 화(靴)에 나타난 미적 특성을 통해 그 안에 내포되어 있는 미의식을 분석해 보고자 하였다. 미적 특성은 형식적인 면에서 곡선과 직선, 단순한 형태, 대비되는 색상과 소재 등 각 요소들의 균형 있는 사용이, 내용적인 면에서 신분과 지위의 상징으로서의 활용과 사상적 의미 부여가 특징적으로 나타났다. 미의식은 첫째, 곡선과 직선의 절충(折衷)으로 한 가지 요소에 치우침이 없이 서로의 특징을 수용하여 균형을 이루는 중용(中庸)의 미를 추구했다는 점이다. 둘째, 무심(無心)과 기교(技巧)의 조화(調和)로 형태와 색상, 소재에 대한 표현을 적절히 조절하여 비움과 채움을 자연스럽게 나타냈다는 점이다. 셋째, 정신과 물질의 합일(合一)로서 전통 화가 신분과 지위를 나타내는 표식으로 활용되었으나 물질에 정신적인 의미를 부여함으로써 기운생동(氣韻生動)의 가치를 추구했다는 점이다.

• 한국가구학회지
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• 제15권2호
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• pp.31-39
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• 2004

The works of Alessandro Mendini doing a big role in Italian design give us fresh impetus and the message on future design. His work activity has created new space and given the second life with arranging radical and fresh visual ornaments by using various materials. His design works have been challenged on fixed and ordinary thought. He applies gorgeous and plain natural colors. When he develops idea into the form, his works hold meditation and clear subjectivity. Alessandro Mendini makes us aware that his work of arts connects human spirit with thing.

• 한국조리학회지
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• 제5권1호
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• pp.51-62
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• 1999

People who cook often say "cooking is art" or "cooks are the same as doctors". But matter how hard they way repeat these speaking, if they are not permitted socially, that becomes a useless thing. To sublime cooking into the art and cook like doctor′s prescription, culinary duty must be peformed by craftsman spirit and soul to endow artistic value. And culinary course is carried out by virture of scientic basis like doctor′s prescription.

• 디자인학연구
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• 제12권3호
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• pp.29-40
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• 1999

Walter Gropius, famous architect of Bauhaus, once treated of pure mind which was revealed in the system of object and its phenomena through sense of sight while examining material being and illusive being. And Thomas Aquinas said that man can have a creative power only with modest mental state void of prejudice saying that he expected God to come to him after his soul went out of him. The same thing was said by so many great philosophers and thinkers other than him. I think his saying, "God comes after Soul's escape from the body for a new creation", has a real truth for all times and places and beauty itself beyond expression. Why\ulcorner The reason why the saying is so true is because it has a Yin and Yang Idea, that is, the Soul means a dark spirit correspondent to Yin between both oriental ideas and God does a bright spirit correspondent to Yang between them. By reason of this idea, I would like to assert that we should take it granted that we stand in need of the same bright Yang's spirit as God has for the new creation, and let the Yang's bright spirit come to our minds. We can call it divine 'Providence', or call it God's guidance, which we cannot help accepting as a man's fatality. As God was pleased after he made man and all the creatures by dint of his design, so man was pleased after he made everything he needed by the same design that he accepted from God. In spite of pleasure of different dimensions from what God and Man has each other, their way of empathies were all the same. In this paper I compared a worldly lower conception by which man designed his products for his sensuous satisfaction with a higher conception by which God designed his creatures for his mental satisfaction. I intended to infer what destined relation there must be between both God's and man's creations, trying to remind designers that they have to confess to have not so divine a providence as God has for creation because I think the real truth is that they had regarded their works of product design as a routine occurrence for their physical convenience in the industrial plans.ial plans.

• 철학연구
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• 제105권
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• pp.127-147
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• 2008

이 소론은 인성과 가치관의 상호연관성을 해명하는 것을 목적으로 한다. 일반적으로 인성과 인격은 서로 다른 개념으로 사용된다. 그러나 이글에서는 양자가 밀접한 관계에 있음을 밝힐 것이다. 인격 없는 인성은 무의미하고 인성 없는 인격은 성립할 수 없다. 인성은 인격의 성립지반이고 인격은 인성이라는 보편적 토대 위에서 성립하는 개별적인 것이다. 인격은 한 인간이 추구하는 가치의 종합이다. 모든 인간은 가치를 추구한다. 따라서 모든 인간은 인격일 수밖에 없다. 그러나 인격은 그 자체 공통적인 것이 아니라 어디까지나 개별적인 것이다. 정신철학적으로 인격은 곧 개인적 정신이 된다. 그러므로 인격과 무인격으로 구별될 수 있는 것이 아니라 높은 인격과 낮은 인격으로만 구분될 수 있다. 그리고 도덕의 성립근거는 인성에 있는 것이 아니라 인격에 있다. 그가 어떤 가치를 추구하는 가에 따라서 도덕적일 수도 있고 비도덕적일 수도 있기 때문이다. 인성이라는 지반 위에서 인격이 성립하고 하나의 개별적 인간이 추구하는 가치의 종합이 인격이라면, 인성은 곧 가치관을 담는 그릇이 된다. 인성과 가치관은 상호간에 영향을 주고받으면서 변화한다. 양자 모두 당시대의 영향을 받는 시대의 아들이다. 인성과 가치관의 담지자인 인간은 자연적 존재이면서 도덕적 존재이기 때문이다.

• Journal of Hospice and Palliative Care
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• 제23권2호
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• pp.39-43
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• 2020

This paper aims to explore how to help terminally ill patients and their families find meaning in their suffering from the logotherapeutic perspective, which is the essence of palliative care. For this purpose, this paper examines the main concepts and principles of logotherapy, and specific approaches based on the logotherapeutic perspective to help terminally ill patients and their families find meaning in life are presented. Emphasizing the will to meaning as the primary motive to explain human behaviors and based on its unique perspective of the human being, which is called the dimensional ontology, logotherapy considers the human being to consist of the body, the mind, and the spirit. The dimensional ontology implies that the human being "has" the body and the mind, but the human being "is" the spirit itself. Therefore, even though a human being can be sick physically or psychologically, Accordingly, it is essential to help these patients realize that they are not their illnesses, but just have them, and to rise above themselves to reach out toward something meaningful or someone to love; despite their suffering, they can still do something meaningful, even in a small way. Above all, the most important thing for these patients is to acknowledge that they have already lived a meaningful life and to believe that their meaningful work has been safely preserved in the past and nothing can take it from them, for as spiritual beings, their lives have been meaningful unconditionally.

• 철학연구
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• 제142권
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• pp.145-164
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• 2017

메를로-퐁티는 "지각의 현상학"에서 현상학이 무엇인지 다시 물을 수밖에 없는 이유를 제시하고 있다. 본고에서는 이 물음이 '자연'을 통해 해소될 수 있다고 보며, 그것의 가능 근거를 셸링과 메를로-퐁티의 자연 개념에서 찾는다. 셸링과 메를로-퐁티는 데카르트와 칸트 철학에 대한 비판의 관점에서 사유를 전개한다. 특히 칸트의 '물자체'는 셸링 철학에서 해결되지 않으면 안 되는 중요한 문제 중 하나다. 칸트는 물자체를 남겨둠으로써 이원론으로 분리된 세계를 더욱 견고하게 만들고 있다. 셸링은 동일성 개념으로 이 문제를 해결하고 메를로 퐁티는 몸- 주체로 풀어내고 있다. 본고에서 주목하는 것은 셸링과 메를로-퐁티가 자연을 이해하는 방식이다. 셸링은 자연 속에 무의식적인 지성의 창조활동이 있다고 본다. 포텐츠는 무의식적 지성을 최고 지성인 자각적 정신으로 이끌어가는 힘이다. 인간은 자각하는 정신의 담지자로 존재한다. 그러나 셸링의 자연 개념에서는 정신 또는 지성이 실존하는 개별 존재를 도출해 내지는 못한다. 여기서 우리는 셸링이 여전히 전통 인식론의 틀을 벗어나지 못하고 있음을 본다. 자연의 본래성을 회복하기 위해서는 자연의 전체성을 이해하는 데서 시작해야 한다. 또한 자연은 인간과 맺는 관계를 통해 해명되어야 한다. 메를로-퐁티는 몸-주체 개념을 정립함으로써 자연과 정신의 얽힘 관계를 드러낸다. 메를로- 퐁티 현상학에서 몸은 자연의 등가물이기 때문이다. 셸링과 메를로-퐁티가 보여주고자 하는 자연의 생성하는 힘을 이해함과 동시에 정신 또는 인간이 어떻게 자연으로부터 나오는지를 해명할 때, 우리는 비로소 자연의 본래 모습을 발견할 수 있을 것이다.

• 패션비즈니스
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• 제12권5호
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• pp.77-93
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• 2008

The purpose of the study was to examine make-up expression elements of horror characters as an evil spirit, a vampire, a zombie, a monster and a psycho murderer through make-up, focused on horror movies of the United States after1960s. First, an evil spirit was expressed that the pupil grew dim without a focus and the skin was torn by going bad and rot completely. Also, it was expressed that its teeth was changed to pointed canine teeth as a wild beast and its pale and bloodless face showed blood vessels clearly. To express its bloodless and pale skin, air brush was swept into the skin over several times. Its canine tooth was made acryl powder into its shape and was harden to make its shape smooth. Also, it was colored to show people like the real thing. Second, a vampire was expressed by make-up elements as long nails, a sharp canine tooth, a pale skin with a blood vessel and dead eyes. Its rough skin and long nails were manufactured with latex foam, which was colored like the skin. Third, a monster image as a werewolf was expressed by make-up elements as fur, sharp teeth, changed nails and toenails, a rough skin and a face changed to a wolf. Rubber mask and rubber body suit were manufactured as a make-up of special character and so all its body was changed. Fourth, a psycho murderer and body-deformed man were expressed by make-up elements as a distorted mask, swelled-up and deformed skull and face form, terribly deformed body, discolored and hang down skin and teeth with an indeterminate form. Its body and face were manufactured by the foam latex technology according to make-up design as a make-up of special character.

• 대한한의학원전학회지
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• 제18권1호통권28호
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• pp.146-174
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• 2005

This study analyzes a medicine and iching-study(易學) and vital meaning through a me야cal science ruler called ZhangNan(章楠) of Qing-Dynasty(淸代), but has a purpose. First of all, the writer judges that the ZhangNan's medicine did not get out of a tradition of a Rui-Yi(儒醫, Confucian medicine) medicine greatly. He considered philosophy character of Rui-Yi formed after Jin-Yuan Dynsty(金元代) a purpose of own medicine. A way he kept the human life in order to realize a large meaning of Confucianism, and to stop a disease was necessary and spoke necessity of a medicine for this. Though a medicine is small, but becomes necessary thing in order to realize Confucianism whether a medicine and Confucianism are the only each other. The ZhangNan presented Zhi-zhong-he(致中和) with a way as soon as it is a purpose of a medicine, but ZhangNan is opening the point that Xing(性) was given 'Taiji(太極)'to. If Neo-Confucianism named 'Taiji(太極)-xing(性)-li(理)' is general, but ZhangNan is introducing the Taiji with Chi(氣). ZhangNan introduces the Taiji(太極) with one Chi(氣) and is rea야ng thing with another Zhu-zai(主宰) except Taiji, but cannot but recognize this with one in characteristics of a medicine ruler. A disregard is the inferior results, and this can do entrance of the Huang-di-nei-jing(業帝內經) which put a base with Han-Dynasty(漢代) iching-study(易學) and this too. It is made concrete 'Zangfu(藏府)-Taiji', and he is considering 'Dan-tian(丹田)-Taiji‘ in a discussion about the Great Absolute to be physical too more. Also, Taiji' is describing a point of contact that a spirit and the body meet with.