• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2006.05a
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• pp.1317-1320
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• 2006

This study compared the floor impact sound level of rectangular receiving room type to differed receiving room types to analyze effect of room mode. The floor impact sound level of master room were higher than the level of living room which resulted from room mode. The result showed that the level of low frequency bandwidth in the location varied with receiving room types were lower than general measuring point of rectangular receiving room.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2006.11a
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• pp.622-625
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• 2006

This study is a fundamental investigation for standardization of the heavy-weight floor impact measuring method by the impact ball. The distribution chrematistics of floor impact sound level and reverberation time in a receiving room of the testing building for floor impact sound were measured with variations of number and arrangement of the sound-absorbing materials. Total 8 cases were investigated. The distribution of the floor impact sound level($L_{i,\;Fmax}$) was measured at 30 points with same intervals. The absorption coefficient of the room is 0.10 in case of installation of 6 absorbing materials and 0.02 in case of non-installation. The distribution shape of the impact sound pressure level was similar to the result of the bang machine driving at the measured frequency range. However, the overall reduction of the impact sound level investigated in the 125 to 500 Hz shows that the sound absorption characteristics of the receiving room actually affects the result of the heavy-weight impact measurement.

• KIEAE Journal
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• v.9 no.4
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• pp.23-28
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• 2009

Standard sound source currently used in heavy-weight floor impact sounds that cause many social problems has excessive low-frequency energy within a range from 63 Hz to 125 Hz, and is difficult to evaluate and measure. To solve these problems, studies are widely performed using a new impact source, the impact ball. In this study, the sound fields in a receiving room were compared and analyzed according to the current impact source, the bang machine, and the impact ball. And deviation of sound pressure level according to the impact source positions were compared. In case of impact ball, the sound pressure level was lower at 63 Hz and below and higher at 125 Hz and above. The same trend was observed at the low-frequency range on the horizontal and vertical planes, regardless of the type of the impact source, which showed the influence of the room mode. There was a problem with the variations in the sound pressure level according to the size or shape of the receiving room. And it also shows that change of source positions may effect the single number rating scheme.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 1998.04a
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• pp.650-658
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• 1998

The pressure level and the insertion loss at the receiving point behind finite length noise barriers are measured in an anechoic room by scale model test. The measured sound pressure level which are conducted under the several experimental conditions such as the length of the noise barrier, the distance between the noise barrier and the receiving point, the number of noise barriers, and the existence of the reflective building behind receiving point) and the insertion loss of a noise barrier having simple shape are well agreed with theoretical calculation which is based on Lam's model.

• Proceedings of the Acoustical Society of Korea Conference
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• spring
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• pp.439-442
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• 2000

When we measure the acoustical properties of a room using multiple microphone system, it is important to grasp exact time delay of the early reflections from impulse response pair. But it is often very difficult to identify the early reflections in natural shape, because a waveform may be deformed due to the characteristics of a sound source loudspeaker, microphone and reflected wall and overlapping of plural waveform. In this paper to obtain more accurate and enough early reflections, we propose the brand-new five-channel sound receiving system and introduce peak-detecting algorithm. The system has microphones mounted at the origin and four points of a regular tetrahedron. The newly introduced peak-detecting algorithm can show exact peak position in each channel, in spite of deformation due to reflected walls, loudspeaker and microphone.