• 제목/요약/키워드: Rider Movie

검색결과 3건 처리시간 0.015초

3D입체 라이더영상의 촬영기법에 관한 연구 (A Study on Shooting Techniques of 3 Dimensional Stereoscopic Rider Movie)

  • 최원호;김치용
    • 한국멀티미디어학회논문지
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    • 제17권2호
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    • pp.257-265
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    • 2014
  • 3D입체영상은 인간의 눈을 지향하면서 하드웨어의 발전에 따라 새롭게 부각되고 있다. 그러나 3D입체영상은 두 대의 카메라 또는 두 개의 렌즈를 사용하면서 2D영상의 제작에 비해 많은 시간과 노력을 필요로 한다. 본 연구에서는 3D입체영상의 제작기법을 활용하여 라이더영상을 제작하기 위한 시스템의 장단점을 분석하고, 효과적인 입체감의 형성을 위한 요소를 적용하여 연출의도에 부합하는 3D입체 라이더영상을 제작할 수 있는 방안을 모색하였다. 연구결과 3D입체 라이더영상은 장르적 특성으로 인해 경량화된 일체형 시스템이 효과적이었으며, 후반작업에서의 Time Remapping, 색보정, 그래픽요소의 추가를 고려한 로케이션 촬영이 요구되었다.

아메리칸 뉴 시네마에 나타난 의상에 관한 연구 - <이지라이더(1969)>를 중심으로 - (A Study on the Costume expressed in the American New Cinema - focused on -)

  • 김혜정;박지훈
    • 패션비즈니스
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    • 제12권2호
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    • pp.28-41
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    • 2008
  • Fashion style in movies delivers their image the atmosphere and becomes the means for containing the personality, spiritual world and inner thinking the characters in the movies and including its plot. When the American new cinema emerged in late 1960's and early 1970's in the American movie history, the new left wing which wants to overturn adult generation and the hippie culture which wants to escape from an existing system also emerged. Therefore, this study analyzed the fashion style in the movie 'Easy Rider (1969)', i.e. the representative new American movie which showed the isolation from adult generation and negative realities of the American society. From the movie, we can understand the young generation after the Vietnam war, i.e. baby boom generation, pursued the hippie culture as their young culture. With their strong self-consciousness, they formed their own lifestyle and values which are different from those of adult generation, and we can understand clothes were used as a tool to express their value system.

바다의 신화적 상상력과 '다른 우리'의 출현 -위티 이히마에라, "웨일라이더 Whale Rider"를 중심으로- (The mythological imagination of the ocean and the appearance of 'the others' -Focusing upon Witi Ihimaera's 'Whale Rider'-)

  • 최영호
    • 인문언어
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    • 제8집
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    • pp.151-173
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    • 2006
  • Even in this current high-tech industrial age, mythological imagination is considered important. Although each mythology scattered all across the world may have an insignificant origin, to understand that particular society fully, one must not mistakenly assume that the mythology itself is a production of a primitive mind. Ultramodern physics and futurology professor Freeman Dyson has also acknowledged this opinion. He insists that in order for human kind to survive into the far future it most keep in touch with its far past. Levi-Strauss also observes that mythology and science aren't a entirely separate domains. The scientific mind is regarded as a source of understanding the intrinsic qualities of mythology. Taking mythology and science as a binomial opposition, and only weighing their prospects, should be put to the past as we should recognize the need for mythology and science's qualitative unification. In this new point of view, regarding mythology as a meaningless irrationality should cease, while finding out why the inevitably related world of mythology needs metaphoric, ideological consideration. By utilizing 'Whale Rider' by Witi Ihimaera(2004) we will discover why our lives require an 'image' that is borrowed from our experience. The author, Witi Ihimaera, is originally from the Maori tribe, who approaches the world with a mythological imagination, which is not easy to understand with scientific thinking nor in modern civilization. When looking into the mythology of the ocean which still lives in modern civilization, while noting that the world is one, the author indicates that reality and unreality, nature and the super-natural, present and the past, science and fantasy, were not divided from the beginning. However, overtime humans have divided the borders. To do this, the author interprets the ancient emotions of the Maori tribe which have been traditionally accumulated in the group identity in a new literary way by introducing the Maori tribe's ancestral god, Paikia, who can converse with the ocean and the whales. This piece, which has been made into a movie and won awards in 5 international film festivals, including the Toronto International Film Festival, regards primitive emotions as a rational concept instead of an instrumental concept. Also these primative emotions are continuing their attempts to communicate with nature. Furthermore, it advises contemporary human beings who seek for eternal life to not exploit the cultural differences that have been formed naturally, and it is vital for human beings to transcend the ethnic boundaries and to think rationally. In the story, we can find "the dissimilar us" that philosopher E. Levinas mentioned in his sayings, which refers to responsible human beings who devote their lives for the sake of other people instead of fulfilling their own needs.

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