• 건축역사연구
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• 제5권1호
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• pp.9-17
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• 1996

A few archeological excavation of Buddhist temple sites of Koguryo were reported with information of site arrangement. The interpretation of such information is very important not only for the explanation of Korea early Buddhist architecture but also for the development of East Asian cases in general since no archeological evidences of the same period were found in other countries such as China. Though the investigation of the four temple sites this paper attempt to identify their date of construction and the process of change. The study depended much on comparative studies of the change of site elements such as pagoda, image hall., corridor, and other buildings. The study could conclude that the site of SangO-Ri must be the earliest case which was followed by ChungRung-Sa, which was built in around 427AD. The site of ToSung-Ri was the case which was the work of the rate 5th century. Such process of the development of Buddhist architecture in Koguryo unveils the fact that the process of change was a continuous flow toward a consistent goal of change that had much to do with the contemporary religious situation.

• 한국실내디자인학회논문집
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• 제19권5호
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• pp.3-10
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• 2010

In the history of art and architecture, there are different characteristics in relationship between light and space. Among them, two characteristics seem to be fundamental : The first is that contrast between light and darkness is more articulated. Direct sunlight penetrates into the dark interior space made by heavy masonry structure. This is generally found in the traditional western religious buildings. The second is that light is mixed with darkness and becomes shade. Shade is different from shadow that is usually perceived as the opposite of light. Sunlight is filtered under through the big horizontal roof and rice paper walls in the traditional far-east Asian architecture and becomes weak ambient light. In this shade, there is no strong contrast between light and darkness. This difference is not only originated from the architectural differences, but also originated from the conceptual differences about light, space, and the world in two cultures. This paper tries to study the philosophical, aesthetical backgrounds as well as case examples in art and architecture of two characteristics. Based on the case studies, this paper aims to analyze the main perceptual structure. Finding the relationship between light, space, and human body by making three dimensional models is the crucial analysis method of this research. Although in real life and experiencing the world, these two characteristics are not clearly separated, comparative study based on different cultures gives opportunity to think of diverse perspectives on light and space.

• 건축역사연구
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• 제3권2호
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• pp.9-28
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• 1994

A collective theory is tried in analysis on the architectural history of Temple Gowoon in Gyongbook Province. For this purpose, firstly, the chronicle of construction was composed based on the critical study of the old documents. Secondly, the drawings of existing facilities were made after the field survey. And lastly, the collective theory was be able to extracted from the relation between chronicle and physical composion of the Temple Gowoon. The whole temple is composed of two territories, northern one and southern, which are divided by the central ravine. Northern territory was enlarged from Gukrakgeon's cluster through Myongboogeon's to Yeonsoogeon's. On the other hand, southern territory was reduced its position and its size from Daewoongeon's cluster, which was one of the main cluster, to Monigeon's, sub one. These processes were the results of the architectural adjustment, that is say, the dogmatic principles adapted in the topographical environments. The collective forms of clusters are different from each other. Gukrakgeon's cluster is composed of four buildings which enclose the empty inner court. Monigeon's is similar to the small temple type, Myongboogeon's selects the straggling form, and Yoensoogeon's has the type of Confucian shrine. The various types of clusters were the physical settings to symbolize the religious heirarchy of their buildigs. In the front of temple area, Gawoonloo, which located on the ravine and has a big volume, integrates straggling clusters.

• 한국실내디자인학회논문집
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• 제33호
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• pp.122-128
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• 2002

In the Sci-Fi movie, with future scene in its setting, how images are shown in the film is very important. Sci-Fi movie is supposed to be expressed In different way of its set design. This study suggests various types of expression in Sci-Fi movies. Sci-Fi movies construct the narrative upon the binary opposition of nature vs. culture, human vs. nonhuman. Sci-Fi movie is a contested terrain where conservative, liberal and radical ideologies are competing. While liberal Sci-Fi movies consider the opposition compatible, conservative texts show the paranoid towards science and nonhumans. And, Sci-Fi movies are expressed as utopian and dystopian. Utopian and dystopian elements are found in the history of architecture. Utopian element is often found in the religious architecture, and those buildings are geometric, orderly, and gorgeous. Dystopian element is often found in modern architecture, and those are asymmetric, distorted, and incompleted. Conservative movie, which developing of science is expressed negatively, retains both utopian and dystopian elements evenly. Liberal movie, such as Space Opera which science is expressed positively, is changed from futurist and mechanical type into more simple, geometric and orderly shrine type. Radical movie, which the boundary of human and science is expressed darkly, retains dark, complex, and incomplete dystopian expression elements.

• 가정과삶의질연구
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• 제21권2호
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• pp.117-130
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• 2003

This study was conducted to examine elderly users' satisfaction with welfare services and the environments of the senior citizen centers in mid-sized and small cities in Korea. Three hundred and two elderly users were surveyed for this study. Age and gender differences in the level of satisfaction were found. The male elderly users and older users were more satisfied with the education programs than the female and younger users. The elderly people who reside in single-family residences were more satisfied with the educational programs and part-time job opportunities offered at the center than the elderly users who were living in apartment buildings. This could be explained by the fact that dwellers of single housing had more freedom and more room for self-regulation in scheduling their program participation, whereas the apartment building residents had rarely experienced social exchanges with their neighbors. There were significant differences in satisfaction with the environments of the centers by gender, marital status, age, level of education, religion, and housing type. The group differences were explained by the abundance of community activities that are centered around younger and female participants. Based on these findings, it is suggested that more specialized educational and social programs should be developed for the younger users in their early 60s, that co-ed religious activities and hobby programs should be expanded, and that the home-visiting welfare staff should regularly provide the elderly users the information on programs and activities.

• 한국디지털건축인테리어학회논문집
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• 제8권1호
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• pp.65-74
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• 2008

Light creates ambiance that affects our impression of space. Before the modern age, the role of light is a religious factor and a primitive state to see. In the modern space design, light is used to achieve the continuous transformation and translation of building's image. Ever-changing space is a flexible corresponding of space to its environment, caused by certain dynamic light. The space turn into some other thing from what it was before, or just changing its character. approaching men and society with different meanings. The purpose of this study is to explore the relation between light(natural and artificial) and ever-changing space through the case study. The impacts of light on ever-changing in today's space design can be summarized as follows. 1) Materialization of light in space design. Nowadays light becomes a form itself. The geometric properties of the space form playa secondary role as compared to the importance assigned to light. 2) Pixelization of space by a light effect. The impacts of digital technology on the space design have come through enhancing the 'pixelization' of the surface from which buildings are made their responsiveness and adaptability to changing needs. The surface with ever-changing lights that blur the boundary of space and expand the image of space.

• 디자인학연구
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• 제16권4호
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• pp.243-254
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• 2003

본 연구의 목적은 마리오 보타에 의해 디자인된 천창과 지붕구조를 공간적, 형태적 관점에서, 빛의 연출 관점에서 분석하여 그 특성을 파악하는데 있다. 이 같은 목표에 따라 본 연구에서는 보타의 천창과 지붕구조를 잘 설명해 줄 수 있는 작품 13점을 선정, 디자인 원리에 입각하여 분석하고자 하였다. 본 연구를 통해 파악된 보타의 천창, 지붕구조의 특성은 아래와 같이 정리될 수 있겠다. 첫째, 벽돌과 같이 두터운 재료에 의해 제한되어 비교적 어두운 실내가 되는 보타의 작품에서 천창은 공간을 밝혀주는 주된 채광수단이 된다. 지붕구조는 천창으로부터 유입되는 빛을 효율적으로 분산 할 수 있도록 치밀하게 디자인되었다. 둘째, 그의 작품에서 천창과 지붕구조는 형태를 창조하는 요소로서 역할을 담당한다. 그것들은 작품 외관을 위해 고유한 이미지를 창출하는데 일조하며 실내공간에 형태를 부여하게 된다. 셋째, 천창은 또한 외부의 자연과 대화하는 창으로 실내에 기여한다. 사람들은 실내에서 천창을 통해 시간의 흐름을 감지하게 되며 하늘의 풍경을 감상할 수 있다. 넷째, 천창을 통해 유입되며 지붕구조에 의해 조절되는 빛은 보타의 실내에 특별한 분위기를 연출한다. 위로부터 떨어지는 빛을 갖는 실내에서 사람들은 신비로움과 경건함을 느끼게 된다. 다섯째, 천창은 또한 상징적 의미를 내포한다. 천창은 하늘과 땅 사이의 관계를 상징하기도 하며 교회 작품에서는 성도들에게 하늘나라의 비젼을 보여주기도 한다. 인공조명을 활용하여 단순한 실내를 강조하는 근래의 우리 작가들 작품과 비교할 때 천창과 지붕구조를 적극적으로 기용, 자연광의 이점을 취하며 이들을 조형요소로도 이용하는 보타의 작품은 우리 작가들의 작품과는 다른 또 다른 형식의 디자인을 제안하고 있다.

• 한국전통조경학회지
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• 제28권3호
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• pp.39-52
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• 2010

조선왕릉은 궁궐, 종묘와 함께 매우 소중한 문화유산이다. 조선왕릉은 복합적인 접근이 필요한 경관고고학 지구로 현재 유네스코 세계문화유산으로 등재되었다. 본 연구는 융릉, 건릉의 복원을 목적으로 하며, 결과는 다음과 같다. 첫째, 융릉, 건릉의 능역 일원에는 왕릉으로서 뿐만 아니라 뉴타운시설, 산업단지, 문화재 보호지구 등 많은 이질적인 토지이용이 있는 바, 이들 시설들은 제거, 이전되어야 하며, 본래 능역을 고려한 참배, 관람동선을 계획하였다. 둘째, 역사경관림은 소나무, 전나무, 잣나무, 진달래와 같은 전통 수종들로 계획되어야 하며, 진입공간과 제향공간에는 상층목과 하층목을 도입하고, 능침공간은 송림을 도입하고 사초지를 유지하도록 하였다. 셋째, 재실, 수복방 등의 전통 건조물 등은 복원하도록 제안하였으며, 관람객을 위한 편의, 휴식시설을 계획하였다.

• 한국전통조경학회지
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• 제28권2호
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• pp.86-97
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• 2010

조선왕릉은 궁궐, 종묘와 함께 매우 소중한 문화유산으로, 복합적인 접근이 필요한 경관고고학 지구로 현재 유네스코 세계문화유산으로 등재되었다. 본 연구는 김포 장릉의 복원계획 수립을 목적으로 하며 결과는 다음과 같다. 첫째, 김포 장릉의 능역일원에는 왕릉으로서 뿐만 아니라 군사시설, 공공묘지, 산업단지, 생활시설 등 많은 이질적인 토지이용이 있는 바, 그 시설들은 제거되어야 하며, 본래 능역의 진정성을 고려한 참배, 관람동선을 계획하였다. 둘째, 역사경관림은 소나무, 전나무, 잣나무, 진달래와 같은 전통 수종들로 계획하였으며, 진입공간과 제향공간에는 상층목과 하층목을, 능침공간은 송림을 도입하고 사초지를 유지하도록 하였다. 셋째, 재실, 수라간, 수복방, 어정과 같은 전통 건조물과 상설물들은 복원하도록 제안하였으며, 관람객의 편의를 위한 편의 휴식시설을 계획하였다.

• 한국산학기술학회논문지
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• 제21권7호
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• pp.224-232
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• 2020

본 연구는 대전광역시 건축자산 기초조사를 통하여 대전광역시 건축자산 현황을 파악하고, 건축자산의 지역분포, 형성시기, 자산가치 등 특성을 분석하여, 도시발전 및 지역 정체성을 밝혀내는데 목적이 있다. 연구결과 다음과 같은 결론을 얻을 수 있었다. 첫째, 대전광역시 건축자산의 유형별 구성은 건축물이 86.5%, 공간환경 7.4%, 기반시설 6.1%의 구성비를 지니고 있으며, 공간적으로 구도심지(동구, 중구)에 75.0%가 분포하고 있다. 둘째, 대전광역시 건축자산의 시기별 구성은 1960~1980년대가 52.7%, 한국전쟁 이전이 25.0%의 분포를 보이고 있다. 셋째, 대전광역시 건축자산의 물리적 특성은 단층, 주택 및 종교시설, 한식목조의 전통기와, 그리고 시멘트 몰탈 및 목재 마감 재료가 대표성을 지니고 있다. 대전광역시 건축자산은 한국전쟁 이후 대전역 주변의 도시재건 및 부흥, 그리고 1930년대 충남도청의 이전 이후 구시가지의 관사, 은행 및 관공서 분포 등, 한국전쟁 후 부흥 및 근대도시 대전의 성장과 관련성을 지니고 있다. 특히 이사동 재실 관련 한옥 및 소제동 철도관사는 대전의 지역성 및 근현대사를 반영하고 있다.