• 한국조경학회지
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• 제27권5호
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• pp.114-119
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• 2000

This study was carried out to obtain fundamental information of growth response of ground cover plants under artificial light quality at indoor. Aglaonema 'Silver Queen', Hedera helix L., Hoya carnosa 'Tricolor' and Saintpaulia ionantha 'Frances' were examined under a 400lux light intensity consisted of Mercury lamp, True-lite lamp, incandescent lamp, dark-room and sunlight indoor condition. A data analysis were performed by GLM, Duncan's multiple range test and mean score with SAS program. Results of experiments are as follows; 1. A plant growth status was better showed under the True-lite lamp than sunlight. 2. A Saintpaulia ionantha flower color was responded in the first place, the deep pinkish red color of Saintpaulia ionantha flower was obtained under Mercury lamp and "True-lite lamp", "sunlight", and incandescent lamp were follow. Flower numbers of Saintpaulia ionantha after 60 days tended to decrease under every artificial light quality. 3. Leaf length and leaf width were increased under True-lite lamp, but most of plants was not significantly affected by artificial light quality. 4. A stem length of Hedera helix was increased the highest rank under sunlight also, one of artificial light, the highest increase rank was showed under incandescent lamp. 5. Chlorophyll content was highly increased under Mercury lamp, but was responded poor under incandescent lamp.

• 박물관보존과학
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• 제13권
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• pp.13-22
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• 2012

국립중앙박물관 소장 적의본과 폐슬본은 20세기 초에 제작된 것으로 모두 지본채색되어 있다. 두 본에 사용된 채색 안료 및 염료에 대한 비파괴분석을 통해 채색 재료를 확인하고자 하였다. 채색 안료의 성분분석에는 XRF를 이용하였다. 적의본의 안료 분석결과 백색은 연분, 흑색은 먹, 황색은 석황, 적색은 진사와 연단, 녹색은 구리와 비소화합물 또는 석청과 석황을 혼합하여 사용한 것으로 추정되며 기타색상으로 황동을 사용하였다. 폐슬본에 사용된 백색, 흑색, 황색, 녹색은 적의본에 사용된 안료와 동일하나 적색은 채색 안료에 차이를 보였다. 한편 적의본과 폐슬본에 사용된 청색은 안료의 종류를 확인이 어려우나 연분과 혼합하여 사용한 것으로 추정된다. 또한 적의본의 청색 한지에 대한 UV-Vis 분광분석 결과 인디고(쪽)으로 염색한 것으로 추정되었다.

• Food Science and Biotechnology
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• 제16권3호
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• pp.463-469
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• 2007

We examined the hepatoprotective effects of colored potato flakes on acetaminophen (AAP)-induced liver damage in rats. F344/DuCrj (8 week-old) rats were fed a cholesterol-free diet with 54.9486 g of ${\alpha}$-corn starch/100g diet and were orally treated with 25% colored flakes of Kitamurasaki (KM: light purple), Northern Ruby (NR: red), and Shadow Queen (SQ: medium purple) potatoes co-administered with AAP (0.5 g/100 g diet) for 4 weeks. The hepatic thiobarbituric acid-reactive substances (TBARS) values in the KM, NR, and SQ groups were significantly lower (p<0.05) than those in the control groups with and without AAP. Furthermore, the hepatic catalase, Mn-superoxide dismutase (SOD), and Cu/Zn-SOD mRNA levels in the KM, NR, and SQ groups were higher than those in the control groups with and without AAP. The present findings suggest that colored potato flakes are useful as a prophylactic agent against oxidative liver damage.

• 한국콘텐츠학회논문지
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• 제18권8호
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• pp.353-365
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• 2018

본 연구는 1759년 6월에 거행된 영조와 정순왕후의 가례에서 사용된 물품 중 보자기에 관련된 내용을 조사하고, 명칭, 옷감, 크기 및 용도, 사용상황, 외형의 특징을 분류하여 정리하였다. 또한 "상방정례"와 "국혼정례"에 기록된 보자기 관련 자료와 "조선왕조실록"의 혼례 관련 기록의 정리를 통해 보자기의 외관 및 사용용도와 당대의 생활상을 비교 분석하여 보자기가 담고 있는 생활 문화적 가치와 상징적 의미를 분석하였다 .18세기는 유교적 의례문화가 확립되고 실행되던 시기였고 왕실의례는 유교이념을 따르고 실천하려는 왕실의 의지를 백성들에게 보이는 실행의 장이었다. 따라서 왕실의 가례절차에 사용되는 모든 물품은 기능적인 용도 외에 백성들이 본받고 따를 수 있는 유교적 예법을 표현하는 도구이기도 했다. 영조는 혼례에 사치를 경계하여 본인의 가례에 사용된 물품에 대하여 사치를 금한 기록이 있다. "영조정순왕후가례도감의 궤"에 기록된 보자기의 재질은 대부분 홍주(紅紬), 홍초(紅?), 대홍광적(大紅廣的) 등의 무늬가 없는 옷감으로 영조의 검소와 절약 의지를 나타내고 있다. 영조 정순왕후 가례에 사용된 보자기는 우리의 전통 의례용품인 동시에 전통의례에 깃들어 있는 성(誠)과 예(禮)의 가치를 표현하는 문화유산이다.

• 한국수산과학회지
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• 제47권5호
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• pp.637-644
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• 2014

Two Chionoecetes crabs, C. opilio and C. japonicus are primary targets of trap fisheries in the East Sea. To promote the sustainable management of these species, we investigated their reproductive biology and spatial distribution based on samples collected in standardized traps in the coastal waters of eastern Korea from September 2007 to August 2008. The estimated spawning season of C. opilio was March-April, whereas that of C. japonicus continued year-round. The estimated molting period of both species was September-October. Fecundity of C. opilio was proportional to female, size, ranging from 44,791 to 151,538 eggs, and the estimated body size at 50% sexual maturity was 63.9 mm carapace width. Egg bearing female C. opilio were mostly collected depths of 200-300 m, particularly off Hupo and Chuksan, suggesting that these areas are their major spawning grounds. In contrast, female C. japonicus were mostly collected at depths of 400-600 m, peaking at 600 m. The species-specific catch rate was higher for C. opilio above 400 m, similar at ca. 450 m, and higher for C. japonicus below 500 m. These vertical differences indicate apparent spatial segregation of the species, suggesting that spatially-explicit fisheries management plans may be necessary for mitigating conflicts between the respective crab fisheries and maintaining these crabs.

• 한국의류산업학회지
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• 제17권3호
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• pp.364-371
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• 2015

This study investigated and analyzed Sadanggut for General Namyi, Agisee Gutdang in Haengdang-dong, Dodanggut in Bonghwa Mountainto examine the type and characteristics of official hats for shaman's costumes based on Seoul village gutas a spiritualistic shaman revealing the divinity of music for gutthrough singing, dancing, divine material and official hats. Commonly worn official hats were Goggal(conical hats), Jeonlip(soldier's felt hats), and Heuklip(black hats) for Seoul village gut as the object of thisstudy. Each official hat had a close relationship with subjects for divinity and musical meaning for gut. Julip(Red hats), Jokduri(bride's headpiece), helmets, Iksubgwan(King's official hat), and Daesu(Queen's a big wig with various hairpins) were also worn. Official hats worn for Seoul village gutwere understood to symbolize divinity and raise authority and dignity to the public through aggressive appearance, exaggeration and splendor. Concretely, official hats at Seoul village gut first had roles to materialize the divinity of each music of gut. Second, recognized as a part of performance or traditional culture in present day, aggressive official hats were favored to supply splendid attraction and maximize scenes of divined heroic epic poem in gut. Third, for Seoul village gut, colors and silhouettes of modern traditional costumes were reflected pursuing partial change and focused on exaggeration and splendor to express the mirth and festival of gutwhile maintaining traditional costumes.

• 건축역사연구
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• 제19권6호
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• pp.121-135
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• 2010

This study was to analyze the architectural characteristics and facade construction of brick masonry auditorium through the Auditorium of Namsan Primary School in 1936. The results of this study were described separately as follows. 1. The auditorium is located away from the school buildings, and its plane is a chamber of rectangle type with an entrance installed on each of the four sides. 2. The external appearance is Renaissance eclectic style, laid red bricks on the lower wall of the window and having a mansard roof. The front and the rear are symmetric with respect to the projected wall at the center. 3. As to the structure of the building, a concrete lower wall was built on the concrete continuous footing, and the brick wall was constructed on the lower wall. The roof is queen post roof truss, and the wall girders were installed on the brick wall. 4. The auditorium has had a number of repairing and maintenance works, which changed the roof and windows outside and the floor, walls, ceiling, etc. inside. 5. The decorative elements of external appearance include lower wall, brick wall, entrances, windows, roof, and dormer windows. The brick wall gives verticality and solidity to the surface of the wall, and the lower wall and wall girders are connected like a cornice of the wall. The surface of the mansard roof and dormer windows express a stable vertically oriented shape.

• Pediatric Gastroenterology, Hepatology & Nutrition
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• 제27권3호
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• pp.168-175
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• 2024

Purpose: The presence of alcoholic stool in biliary atresia (BA) patients is the basis of a stool color card (SCC), a screening tool that has led to more patients receiving Kasai portoenterostomy earlier. This study aimed to evaluate the color image processing of stool images captured using smartphones. We propose that measuring digital color parameters is a more objective method for identifying BA stools and may improve the sensitivity of BA screening. Methods: A prospective study was conducted in five hospitals in Thailand between October 1, 2020, and December 31, 2021. Stools from infants presenting with jaundice, acholic stool, or dark-colored urine were photographed. Digital image color analysis was performed, and software was developed based on the color on the original SCC. Sensitivity and specificity for predicting BA stools were compared between the SCC and the software. Results: Of 33 infants eligible for data collection, 19 were diagnosed with BA. Saturation and blue were two potential digital color parameters used to differentiate BA stools. The receiver operating characteristic curve was used to determine the optimum cutoff point of both values, and when saturation ≤56 or blue ≥61 was set as a threshold for detecting BA stool, high accuracy was achieved at 81.8% and 78.8%, respectively. Conclusion: Digital image processing is a promising technology. With appropriate cutoff values of saturation in hue, saturation, value and blue in red, green, blue color models, BA stools can be identified, and equivocal-colored stools of non-BA patients can be differentiated with acceptable accuracy in infants presenting with jaundice.

• 복식
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• 제30권
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• pp.85-99
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• 1996

This study has been made to examine the symbolic meaning of our traditional costume colours based on the theory of yin-yang Wu-hsing the interaction of yin and yang with the rotation of the five agents wood firt earth metal and waters. Presenting the spirt and the life of our race the costume culture has been keep-ing its own systematic symbol. Being sensible the colour has to be under-stood as the colour sense therefore the cos-tume colour has begun to have the symbolic meaning with the feeling or the mental value. According to the theory of yin-yang wu-hsing the costume colour has presented our racial sprit way of thinking and way of life for a long time and it has become the tra-ditional culture at last. Based on the doctrine of cosmic harmony through the motion of yin and yang or the passive and active elements are their five agents form the material force of everything. The order of nature has its counterpart in five symbolic costume colours wood-blue ; fire-red: earth-yellow; metal-white: water-black. The five colours are called the primary colours. which produce the next compound colours. Accepted in the social system as well as the social stats the costume colour has set up systematically. The theory of Yin-yang Wu-hsing has given the five colours the symbolic meanings and its mainstream has been the function of Sangsaeng and Sangeuk which are genera-ted by the power of virture. The former is mu-tually beneficial while the latter destructive. The colour as a costume colour has been made distinction between the colour of the up-per classes and the colour of the middle and lower classes and the specific colour has presented the symbolic meanings. The yeollow the red and the purple have been regarded as the colour of king queen and upper classes Being the colour recognition the costume colour has been established by the society and the race generally Implied the spiritual elements the colour recognition could select the lucky colour in accordance with one's des-tiny. Besides the colour recognition has begun to appear as the racial costumes to protect the society and to pray for good fortune. According to the theory of Yin-yang Wu-hsing the costume colour has been forming through our long history and has become our costume culture. Therefore the colour of the costume has signified not only the colour sense but also the important symbolic meanings.

• 보존과학연구
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• 통권32호
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• pp.53-60
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• 2011

조선 왕실의 의궤를 기록된 옻칠 공예품에 관한 제작방법 및 사용재료를 연구하여, 칠기 유물의 보존처리 방안 수립 시 응용하고자 한다. 문헌조사는 "영조정순왕후가례도감의궤(1759)", "정조국장도감의궤(1800)"를 중심으로 하였다. 의궤에 기록된 옻칠 공예품의 경우, 옻칠은 주홍칠朱紅漆, 흑진칠黑眞漆, 석간주칠石磵朱柒로 나타난다. 왕에게 진상되는 물품에는 밑칠에 주로 콩가루를 사용하였고, 그 외에는 콩가루와 골회를 혼용하였다. 밑칠에 송연을 첨가하여 사용하기도 하였다. 왜주홍칠은 전칠을 칠한 후 매칠에 왜주홍을 배합하여 사용한다. 당주홍칠에는 일부 석간주와 주토를 혼용하여 사용하였다. 흑진칠은 전칠과 매칠을 이용하여 칠하는 것을 기본으로 일부 송연을 첨가하여 사용하기도 한다. 석간주칠에는 석간주를 기본으로 주토를 혼용하여 사용하였다. 마지막으로 명유를 이용하여 광택을 내어주었다고 사료된다. 문헌을 통해 조사된 옻칠 공예품의 제작방법과 전통재료가 옻칠 공예품의 보존처리 방안 수립 시 응용된다면 보다 나은 결과를 도출할 수 있을 것이다.