• 대한건축학회논문집:계획계
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• 제34권12호
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• pp.85-94
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• 2018

The purpose of this paper was to propose a model that recognizes potential users' emotional response toward design by classifying Electroencephalography(EEG). Studies in neuroscience and psychology have made an effort to recognize subjects' emotional response by analyzing EEG data. And this approach has been adopted in design since it is critical to monitor users' subjective response in the preface of design. Moreover, the building design process cannot be reversed after construction, recognizing clients' affection toward design alternatives plays important role. An experiment was conducted to record subjects' EEG data while they view their most/least liked images of small-house designs selected by them among the eight given images. After the recording, a subjective questionnaire, PANAS, was distributed to the subjects in order to describe their own affection score in quantitative way. Google TensorFlow was used to build and train the model. Dataset for model training and testing consist of feature columns for recorded EEG data and labels for the questionnaire results. After training and testing, the measured accuracy of the model was 0.975 which was higher than the other machine learning based classification methods. The proposed model may suggest one quantitative way of evaluating design alternatives. In addition, this method may support designer while designing the facilities for people like disabled or children who are not able to express their own feelings toward alternatives.

• 영어영문학
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• 제55권2호
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• pp.315-335
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• 2009

Controversies over W. H. Auden's "political" poetry remind us of an old but perhaps never easily resolved problem about the relationship between poetry (literature) and politics. Auden has arguably been referred to as a "leftist" or "Marxist" because of his political viewpoint registered in "Spain" or "September 1, 1939," which embodies his contemporaries' loss and fear, brought by the socio-political turmoil, economic depression, and moral conflicts of the 1930s. Interestingly, however, Auden is known to have an ambivalent position toward the political reality. He once disavowed the above "political" poems as "dishonest" in the preface of the 1966 edition of Collected Poems and declared, "poetry makes nothing happen" in "In Memory of W. B. Yeats," which seemingly acknowledges the political incapacity of poetry. Auden's position and poetry should be understood as the result of complicated interactions between his perspectives on society, human beings, and poetics. Auden definitely believed in the role of poetry in such a politically demanding time, yet was not concerned with the anticipation of certain immediate changes effected by poetry in real situations. Instead, he sought the intellectual and moral effects that poetry could give his readers to help them survive the dismal circumstances of the 1930s. This is what distinguished Auden's poetry from political propaganda. In doing so, Auden's poetry captures the zeitgeist of his generation and has privileged him as the leading voice of his time, but it has also encouraged the following generations to confront different socio-political difficulties. This is something poetry can make happen politically, and the survival of Auden's "memorable speech" proves the legitimacy of his frequently misunderstood poetics.

• 영미문화
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• 제10권2호
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• pp.149-207
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• 2010

Written simultaneously with Prometheus Unbound, Shelley's "Julian & Maddalo" is a masterwork of dramatic poiesis, of doubling embedded in its couplets, dialogic debate on human nature and contrasted symbolic emblems. The emblems mirror each other and are themselves sites of generative paradox: the "heaven illumined" but "dreary tower" of the Maniac and the glorious sunsets on the "ever-shifting sand" of the Lido, a wasteland that is a place of self discovery but also of "abandonment" and barren mingling figured, inter alia, in its "amphibious weeds," a trope of the poem's personae. This essay also explores the poem's dramatic structure and various rhetorical devices, beginning with the Preface, a threshold of complex identity disguise that Shelley uses for veiled self-presentation, as in "Alastor," mirroring and literary references replete with nuanced ironies. I focus mainly on the complex figures of liminality Shelley uses to develop his own thoughts (as well as his ongoing debates with Byron) about man's potential for growth in thought, insight and empathy, in political reform and interpersonal and individual healing. Advancing Shelley's most optimistic ideas, Julian, escorted by Maddalo observes the Maniac, -- a living ruin whose pained eloquence reveals the link of eros to poiesis and the limits of the latter's ability to 'transform a world.' The Maniac is the core of muse-work (remembering, thinking and song) and Shelley presents him as its emblem. He also is prefigured in and reflects the quintessentially liminal Lido with its "barren embrace" of sea and land. Yet it is less the Maniac's feeling that his grief is "charactered in vain…on this unfeeling leaf" than Julian's rationales for leaving the site of pain that point to Shelley's final comment on poetry's transformative limits. As the primary haploids of the drama's meiosis re-combine and two of them, Maddalo and the maniac fall away, an analogy I briefly develop and embedded in the erotic dynamics of poiesis, Shelley suggests, as he did at the beginning of his poetic lyricism in "Alastor" and at its end in "the Triumph of Life"that images mislead and delude; that "the deep truth is imageless" and redemption is not in but beyond figuration.

• 한국기록관리학회지
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• 제21권4호
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• pp.65-80
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• 2021

기록관리전문가의 역할은 전통적인 기록관리 뿐 아니라 정보기술을 기반으로 전자기록관리까지 주도적으로 실행하는 역할로 확장되고 있다. 본 연구에서는 기록관리전문가 양성과정인 기록관리학 대학원 교육지침서의 구성요소, 지식범주, 지식내용의 적절성과 타당성을 검증하기 위하여 전문가 델파이 평가를 실시하였다. 전문가 평가 결과 교육지침서의 구성요소는 서문, 교육 내용, 교원 요건, 교육 과정, 행정적 지원, 결론이고 교육 내용은 8개 지식범주와 44개 지식내용으로 구성되었다. 본 연구는 교육지침서 모형 개발을 통해 기록관리학 대학원에서 준수해야 하는 최소한의 기준인 구성요소를 제시하고, 이론과 실무 역량을 갖춘 기록관리전문가 양성을 위한 교육내용을 제시하였다. 본 연구 모형은 향후 교육지침서 제정을 위한 기초자료로 활용될 수 있을 것이다.

• 지역사회간호학회지
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• 제33권1호
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• pp.84-95
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• 2022

Purpose: The purpose of this study is to extend the knowledge about the textbook, Public Health Nursing Textbook (in Korean, Gongjungwisaeng Kanhohak) which is published in 1933 by the Nurses' Association of Korea. Methods: Public Health Nursing Textbook was investigated from the cover page to the last page and compared with two original books and other nursing books published in modern Korea. Results: Public Health Nursing Textbook was the forth published Korean nursing textbook and the first published Korean public health nursing textbook. Rosenberger, a missionary nurse from USA, Lee Keumjeon, Korean public health nurse who studied in Canada, and other Koreans were in charge of translation, etc. It is a user - friendly book written mainly in Korean (Hangul) with Chinese characters and included the English table of contents, preface and back cover. Most of its contents were extracted and translated from two original books, one is Public Health Nursing by Mary Gardner and the other is Personal Hygiene Applied by Jesse Williams. It is worth noting that the book not only introduced the public health nurses's activities across the country, but also focused on the information necessary for common health problems at that time. Conclusion: From the Public Hygiene and Nursing, it can be seen that public health nurses had been independently educated since Imperial Japan's colonial period, and public health nursing was growing as a independent field in Korea.

• 디자인학연구
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• 제20권3호
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• pp.129-140
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• 2007

사용자의 만족을 향상 시키는 쌍방향TV 서비스의 인터페이스 개인화 방안을 사용자 편의의 관점에서 연구하고 디자인 가이드라인을 제안하고자 한다. 먼저 서론에서는 연구의 목적을 비롯하여 구성을 기술하였으며, 쌍방향TV 특성과 개인화에 대해 정의하여 서비스를 위한 기반 미디어의 발전 방향을 알고, 인터페이스 디자인요소, 사용자 요구사항을 평가하기 위한 사용성 평가방법 등 본 연구의 근간이 되는 자료 및 요소들을 정리하였다. 다음으로 스카이라이프의 쌍방향TV서비스 "스카이터치"의 인터페이스를 분석하고 사용성 평가를 통해 사용자의 편의를 위한 니즈(needs)를 조사하고 정리하였다. 또한 개인화 서비스에 대해 앞서 실행 중에 있는 웹 포털 사이트를 분석하여 쌍방향TV에서 개인화 인터페이스 디자인 방향을 조사하였다. 앞서 조사, 분석한 자료를 토대로 쌍방향TV 개인화를 위한 인터페이스 디자인의 가이드라인을 네비게이션 구조와 레이아웃으로 분류하여 제시하고 제시된 가이드라인에 맞추어 현재 쌍방향서비스를 시행중인 스카이라이프의 '스카이터치'에 직접 적용하여 개인화 인터페이스 디자인을 기술하였다

• 한국콘텐츠학회논문지
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• 제18권7호
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• pp.412-422
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• 2018

본 연구는 북한 2013 개정 영어교육과정에 따라 개정된 최신의 교과서 중, 북한 자료 센터에 입수된 개정 전 대응 학년 교과서가 확보된 5종을 선정하여 개정 전과 개정 후 영어 교과서의 구성 체계를 비교하였다. 일반중학교 초급중3, 고급중2, 고급중3, 제1중학교 고급중1, 고급중 3 이렇게 5종을 선정하여 개정 전 교과서와 비교한 결과, 개정 후 교과서는 첫째, 외형과 삽입 그림에서 이전과 큰 차이를 보였는데, 이전의 흑백의 소박한 교과서 구성을 벗어나 칼라로 인쇄되었다. 둘째, 머리말에 이전까지는 없었던 김정은에 대한 충성맹세가 본격적으로 등장하였다. 셋째, 개정 전에는 읽기, 쓰기 기능에만 치중한 반면 개정 후에는 듣기, 말하기 기능을 포함한 영어의 4기능을 고루 강조하고 있다. 넷째, 개정 전 교과서는 학교급별로 통일성 없이 학년별로 서로 다른 활동 제목을 사용하던 것에서 벗어나 개정 후 교과서는 학교급별로 구성체계를 통일성 있게 따르고 있어 개정 전 보다 체계적이고 연계성 있는 교과서가 되었다. 일반중학교 고급중 교과서는 단원별로 Reading, Listening, Speaking, Writing, Grammar, Vocabulary, Pronunciation의 7가지 기능에 따라 활동이 제시되어 있고 제1중학교 고급중 교과서는 단원별로 Listening, Speaking, Reading, Writing, English in Use 5가지 기능을 제시하고 활동을 제공한다. 다섯째, 체제 유지를 위한 사상적 내용에서 벗어나 다양한 내용을 담았고 영어를 통한 과학, 지리, 컴퓨터 등 다른 교과와의 내용 통합을 지향하였다. 마지막으로, 개정 후 교과서에 참고도서의 명시는 이전에 볼 수 없었던 변화이며 개정 전 보다 확연히 달라진 구성 체계는 참고 도서에 명시된 서양 교재와 매우 비슷하다.

• 대한한의학원전학회지
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• 제26권4호
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• pp.397-416
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• 2013

Objective : The recently reported Wuqian edition(吳遷本) Jinguiyaolue(金匱要略) is known to be written in small letters unlike other large lettered versions of the book. The Wuqian edition(吳遷本) takes after the name of Wuqian who copied an ancient version that was found at the time(Ming dyanasty, 1395). It is known to differ in organization and contents to other versions. In this study, I would like to examine how the small-lettered version of the Jinguiyaolue had been created, through a thorough examination of the Wuqian edition, and evaluate its value as a new version of the Jinguiyaolue. Method : First, the systems of both large-lettered and small-lettered versions of the "Jinguiyaolue" were briefly examined, followed by comparison from chapter 1 to 22, of organization, contents, and formulas between the oldest version of the large-lettered versions, the Deng-zhen edition, and the newly discovered Wuqian edition of which examples of each item are listed. The original source was identified for parts that were different. Result & Conclusion : 1. The Deng-zhen edition and Wuqian edition show vast differences in the organization, table of contents, name of chapter, location of each verse or line, existence of certain verses or lines, name of formula, quantity of medicinal ingredients, processing methods and other aspects. 2. The small-lettered edition was published based on the large-lettered edition of the Jinguiyaolue published by the Jiaozheng-yishuju(校正醫書局) after a general cross-examination process followed by selection, modification and supplementation of the large-lettered edition. Reference texts used in cross-examination were Qianjinyaofang(千金要方), Waitaimiyao(外臺秘要), Maijing(脈經), and Shanghanlun(傷寒論). 3. Considering Wuqian's own annotations and preface, it is clear that he wanted to create the best version of the "Jinguiyaolue". Wuqian himself seems to have had professional knowledge of bibliography and medicine.

• 한국시조학회지:시조학논총
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• 제26집
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• pp.187-222
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• 2007

19세기의 고악보와 가집의 서문에 나타난 음악론을 연구하기 위하여 총 39종의 문헌자료 가운데 서문이 수록된 고악보 자료는 $\ulcorner$금보정선(琴譜精選)$\lrcorner$ $\ulcorner$칠현금보(七絃琴譜)$\lrcorner$ $\ulcorner$현금오음통론(玄琴五音統論)$\lrcorner$ $\ulcorner$현가궤범(絃歌軌範)$\lrcorner$ $\ulcorner$죽취금보(竹醉琴譜)$\lrcorner$ 등 5종이며 가집 중에서는 $\ulcorner$교방가요(敎坊歌謠)$\lrcorner$ $\ulcorner$승편곡(昇平曲)$\lrcorner$ $\ulcorner$가곡원류(歌曲源流)$\lrcorner$ $\ulcorner$금옥총부(金玉叢部)$\lrcorner$ 등 4종의 자료를 활용하여 19세기의 고악보와 가집에 나타난 음악론을 고찰하였다. 본 연구를 통하여 도출되는 결론은 세 가지로 요약하여 정리 할 수 있다. 첫째, 고악보의 서문에서는 음악가의 마음상태는 본래의 성품과 바른마음을 가져야 하며, 조화로운 소리는 사람을 감화시킬 수 있다. 음악가의 안정된 심리상태와 바른마음의 발현이 곧 바른음악의 표현임을 강조하였다. 둘째, 가집의 서문에서는 바른 뜻 즉, 노래말이 외설적이거나 잡스럽지 않은 노래말을 중시하였다. 바른 노래말은 급박하거나 경박스럽지 않은 완만한 빠르기의 속도로 소리를 표현해야 한다고 주장하였다. 셋째, 고악보와 가집의 서문에서 공통적으로 제시하는 것은 '고악회복'이다. 느리지만 조화롭고 바른음악을 지향하는 것이 19세기 문인지식인들과 음악가들이 지향하는 궁극의 목표임을 확인하였다.

• 한국의사학회지
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• 제24권2호
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• pp.25-55
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• 2011

The currently existing "Bonchojeonghwa (本草精華)" is a manuscript without the preface and the epilogue, composed of 2 books in 2 volumes. This book is a quintessence of knowledge on science of medicinal ingredients (medicinal phytology I herbal science) as well as an trial of new development in Chosun medical science. I.e. this book includes surprising change representing medical science in Chosun dynasty as a single publication on science of medicinal ingredients. It holds a value essential to clinician as a specialized book in medicinal ingredients, and Includes richer content on medicinal ingredients than any other books published before. In addition, it is away from boring list-up of superfluous knowledge as seen in "Bonchokangmok(本草綱目)" published in China, and well summarizes essential knowledge which can be used within a range of medicines available in Korea. This book has an outstanding structure that can be even used in today's textbook on science of medicinal ingredients, as it has clear theory, system and classification. Because it handles essential learning points prior to prescription to disease, it is possible to configure new prescription and adjustment of medicinal materials. Moreover, this book can play a good role for linguistic study at the time of publication, because it describes many drugs in Hangul in many parts of the book. "Bonchojeonghwa" includes a variety of animals, plants and mineral resources in Korea, like "Bonchokangmok" which was recently listed in UNESCO. As such, it has a significance in natural history as well as pharmacy in Korean Medicine. It has various academic relationships all in biologic & abiologic aspects. It has importance in sharing future biological resources, building up international potential, setting up the standard for biologic species under IMF system, and becoming a base for resource diplomacy. We should not only see it as a book on medicinal ingredients in terms of Oriental Medicine, but also make an prudent approach to it in terms of study strengthening Korea's national competitiveness. After bibliographical reviewing on the features & characteristics of the only existing copy of "Bonchojeonghwa" housed in Kyujanggak(奎章閣) of Seoul National University, the followings are noted. First, "Bonchojeonghwa" is a specialized book on medicinal ingredients voluntarily made by private hands to distribute knowledge on drugs in the desolate situation after Imjinoeran (Japanese Invasion in 1592), without waiting for governmental help. Second, it raised accessibility and practicality by new editing. Third, it classified 990 different kinds of drugs into plant, animal, and mineral at large, and dassified more in detail into 15 'Bu' and 48 'Ryu' at 258 pages. Fourth, the publication of this book is estimated to be around 1625~1633, at the time of Injo's reign in 17th century. Fifth, it contains the existing & up-to-date knowledge at the time of publication, and it is possible to see the supply-demand situation by Hangul descriptions in 149 places in the book. By the fact that there are many linguistic evidences of 17th century, explains well when the book was published.