• 한국임상수의학회지
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• 제18권2호
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• pp.152-155
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• 2001

A two-year-old male peacock (Pavo cristatus) showed acute watery green diarrhea, followed by neurological signs including torticollis and muscular tremor. By the hemagglutination inhibition test for detecting the antibody against the Newcastle disease virus (NDV), the peacock serum inhibited the agglutination of chicken red blood cells. Grossly distinctive hemorrhagic lesions were found in the mucosa of proventiculus and intestine and lung. The spleen revealed multiple variable sized necrotic foci. Histologically, the mucosa of gastrointestinal track had hemorrhagic lesions and some of them underwent ulceration. The spleen exhibited multiple variable sized necrotic foci in which fibrin exudation was marked. Central nervous system had mild non-suppulative menin-goencephalitis consisting of vasculitis, perivascular hemorrhage, gliosis and meningitis. The cells particularly in the cerebellum were degenerative to necrotic. Some of these nerve cells revealed characteristic peripheral chromatolysis. From the present serological and pathological findings, it is suggested that NDV causing death of peacock was velogenic viscerotropic strain. This is the first report of the occurrence of velogenic viscerotropic NDV in an adult peacock in Korea.

• 한국수산과학회지
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• 제39권6호
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• pp.480-486
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• 2006

The radiation characteristics of a high-luminance light-emitting diode (LED) light source were studied to evaluate its potential as an energy-saving light source for fishing lamps. The angle of the LED light source with 50% illuminance was $8-15^{\circ}$, and it had strong directional characteristics. The wavelengths at which the radiance and irradiance were maxima were 709, 613, 473, 501, 525, and 465 nm for red, orange, blue, peacock blue, green, and white light, respectively. The underwater transmission characteristics of the LED light source were superior in the order blue, white, peacock blue, and green in optical water type I: blue, peacock blue, white, and green in optical water type II; and blue, peacock blue, green, and white in optical water type III. Setting the underwater transmission characteristics of the LED light source in optical water type I at 100%, the transmission of water types II and III decreased to 67 and 17%, respectively. Based on the underwater transmission characteristics calculated in optical water types I-III, the blue and peacock blue LED light sources can be used as an energy-saving light source for fishing lamps.

• 한국수산과학회지
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• 제41권6호
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• pp.511-517
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• 2008

The radiation characteristics and economic efficiency of high - luminance light - emitting diodes (LEDs), a metal halide lamp, and a halogen lamp were studied to evaluate their potential as an energy-saving light source for fishing lamps. The wavelengths at which irradiance was maximum were 709, 613, 473, 501, 525, 465, 578, and 973 nm for red, orange, blue, peacock blue, green, and white LEDs, the metal halide lamp, and the halogen lamp, respectively. If the irradiance characteristics at 300-1,100 nm wavelengths are set as 100%, the irradiance rates at 381-780 nm were 99-78%, 82%, and 24% for the LEDs, metal halide lamp, and halogen lamp, respectively. The economic efficiency was superior in the order metal halide lamp, halogen lamp, peacock blue LED, and blue LED at 381-780 nm and metal halide lamp, peacock blue LED, blue LED, and halogen lamp at 480-520 nm. Based on the radiation characteristics and economic efficiency evaluated at 480-520 nm, the blue and peacock blue LED light sources can be used as energy-saving light sources for fishing lamps.

• 패션비즈니스
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• 제28권1호
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• pp.36-50
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• 2024

This study aims to explore the potential of integrating traditional Indian motifs into modern textile design that appeals to the MZ generation. The objective is to create patterns that reflect the rich cultural tapestry of India while aligning with contemporary sensibilities. To achieve this, the design process includes a comprehensive literature review on the historical background, symbolism, and structure of Indian textiles and a survey to determine if the developed design suits the preferences of the MZ generation. Digital design tools such as TexPro, Photoshop, and Illustrator were used to create the designs based on the theme 'Cosmic Dream,' with sub-themes inspired by nature and Indian symbolism. 'Blooming Cosmos' focused on the structural beauty of the lotus, combined with paisley and rangoli patterns, for a vintage yet modern appeal. 'Cosmos in Blossom' is drawn from the rangoli technique of using varied materials, resulting in a romantic pastel-themed pattern that aligns with the 2023 Youth Trend. 'Cosmic Peacock' presented a lively ethnic pattern by merging simplified lotus motifs with India's national bird, peacock along with a paisley backdrop. A questionnaire was conducted to check the MZ consumer responses, and the most preferred design was the peacock and rangoli mixed design, ground colored in cream. These findings indicate the potential of the developed ethnic designs to be used for various purposes. By combining traditional motifs of India with modern elements, this study proposes ethnic textile designs that are suitable for MZ generation consumers.

• 한국잠사곤충학회지
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• 제51권1호
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• pp.1-8
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• 2013

본 연구는 공작나비의 생태를 확인하고, 실내 대량사육조건을 구명하기 위해 수행되었다. 공작나비의 국내분포및 생태를 확인하기 위하여 강원도 광덕산, 태백산, 해산 등 세 곳을 선정하여 조사하였으며, 결과 해산과 광덕산에서만 서식을 확인할 수 있었다. 해산에서는 월동개체의 활동시기인 4월 중순경에 4마리의 월동개체를 확인하였으며, 발생시기인 6월말과 7월초에 47개체를 확인하였다. 광덕산에서는 6월말에 4개체만 확인되었다. 공작나비의 실내인공사육조건을 구명하기 위해서 채집한 공작나비 암수 각각 15마리를 산란실에 넣고 산란을 유도하였다. 실험결과 11개의 난괴를 얻을 수 있었으며, 난괴당 알의 수는 평균 $404.6{\pm}23.6$개로 확인되었다. 이중 1개의 난괴를 공시하여 고온 장일($25^{\circ}C$, 14L:10D)의 조건에서 인공사육을 실시하였다. 공시한 난괴의 알은 413개였으며, 6 ~ 8 일 사이에 모두 부화하여 부화하는데 평균 $6.99{\pm}0.57$일이 소요되었으며, 부화율은 92.3%였다. 고온장일조건 ($25^{\circ}C$, 14L:10D)에서의 애벌레의 발육기간은 $18.3{\pm}1.0$일이 소요되었다. 애벌레의 두폭을 측정한 결과 1령 $0.37{\pm}0.01mm$, 2령 $0.66{\pm}0.02mm$, 3령 $1.07{\pm}0.05$, 4령 $1.81{\pm}0.07$, 5령 $2.76{\pm}0.08$로 각각 나타났다. 사육한 애벌레중 64%가 정상적인 번데기가 되었고, 번데기 기간은 $8.4{\pm}0.6$일이었으며, 우화율은 87.5%로 나타났다.

• International Journal of Contents
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• 제17권2호
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• pp.1-8
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• 2021

Online streaming wars are intensifying. Netflix is known as the market leader in the streaming business. However, since 2019, Netflix has been losing subscribers in the United States and is at a turning point where it needs to reassess its current position in the market. While Netflix is losing dominance, rivals Amazon Prime and Hulu continue to gain market shares. Studies from Deloitte and PricewaterhouseCoopers indicated a new shift in the streaming landscape caused by the abundance of streaming options and rising subscription costs. Recent surveys showed that consumers are excited about new streaming services, such as Disney +. Nearly two-thirds of consumers intend to terminate or downgrade one or more of their current subscriptions to make room for a new service. Moreover, it seems that consumers want ad-supported options. In Deloitte's latest Digital Media Trends survey, 65% responded that they would watch ads to eliminate or reduce subscription costs. Seventy percent of Hulu's subscribers choose its lower-priced ad-supported plan. NBC recently launched its own streaming service, Peacock, with a free ad-supported option. This opposes Netflix's brand identity of "no ads" and premium differentiation. With increasing pressure from competition and the growing risk of subscriber loss, Netflix needs to diversify its price plans. The company could try implementing the lower-priced mobile-only plan they are currently testing or plan to test in other regions. Netflix should also consider features or benefits for loyal subscribers to maintain a stronger consumer base.

• 한국엔터테인먼트산업학회논문지
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• 제14권5호
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• pp.87-102
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• 2020

세계화 시대에 걸맞게 문화 원형을 보존한 콘텐츠 제작으로 가장 한국적인 이미지를 재고하고자 지역 문화가 살아 있는 문화예술교류를 적극적으로 진행하고 있다. 지방자치단체는 지역의 특성을 반영한 콘텐츠 개발을 위한 노력을 기울이기 시작했다. 이러한 노력은 지역 정체성을 강화하고 지역의 특성을 찾음으로써 지역을 대표하는 춤과 음악, 미술, 대중문화, 축제, 역사기록 등 다양한 문화적 요소를 원천으로 하였으며, 이는 자연스럽게 생성되어 창의성과 기술력을 바탕으로 고부가가치를 창출하는 그 지역의 대표브랜드이자 문화콘텐츠로 자리매김하였다. 본 연구자는 이러한 세계화 시대에 지역 문화자원의 원초적 근원을 찾고, 그에 대한 흔적을 보전하고자 서천지역을 중심으로 충청남도 무형문화재를 활용하였다. 그리고 우리나라 전통춤 움직임을 통해 서천공작부채춤 모형을 콘텐츠 개발하였다. 현시대 보존가치가 있는 충남 무형문화재 제21호 이광구 장인의 작품 서천공작부채는 둥근 모양 부채로 손으로 쥘 자루와 공작새 머리의 모양을 하고 있는 공예작품이다. 무형문화재인 공작부채 공예작품을 소재로 활용 제작된 다양한 예술 장르 개발이 문화상품으로 확장될 수 있을 것이다. 그리고 콘텐츠의 효과적인 전달을 위해서는 관객의 흥미를 유발할 수 있는 소재들이 잘 엮어져 있어야 하기 때문에 스토리텔링 또한 문화콘텐츠의 중요한 부분을 차지할 것이다. 본 연구는 역사 속에서 내려져 오면서 원형을 보존해온 충남 서천지역의 무형문화재 공작부채가 급속한 도시화와 현대화의 변화에도 지역의 관심을 받고 재조명되기 위해 개발된 지역춤 콘텐츠로 총 4개 연작으로 이루어져 있다. 대표적인 4개 연작의 형식은 독무, 2인(人)무, 군무, 창작으로 이루어지며 각 작품의 제목은 기본 형태의 춤 <서천공작부채춤>, 남·녀 사랑의 춤 <월·하·정·인>, 군무 형태의 춤 <바람의 멋>, 마지막으로 한국 창작 춤 <휘영>이다. 4개 연작의 공통점은 공작부채를 활용한 전통춤으로 각각의 춤은 형식이 다른 주제와 음악, 의상 및 무대 등을 통해 고유한 정서와 분위기를 보여주었다. 우리의 전통문화자원인 무형문화재를 활용해 다른 지역적과 차별화된 지역춤 콘텐츠 개발을 통해 콘텐츠로서 국제교류와 미니어처, 캐릭터 제작을 통해 문화상품으로서의 성장 가능성과 지역과 국가 경쟁력을 제고 하는데 기여할 수 있는 무한한 잠재력을 가지고 있음을 확인하였고 지역경제 활성화가 될 수 있도록 문화예술 현장뿐 아닌 국제교류를 통한 세계화 작업을 통해 대중이 접근하기 용이하도록 콘텐츠로 제작하여 지역 고유문화를 이용한 지역춤 외에도 다양한 콘텐츠로 개발 활용할 수 있음을 알 수 있었다. 지역 문화유산의 특성을 반영하여 재창조된 지역 춤 콘텐츠 개발이 앞으로도 현대화 작업으로 꾸준히 활성화될 수 있는 환경을 조성하고 우리의 전통문화자원인 무형문화재를 활용해 지역적 차별화라는 성장 가능성과 지역과 국가 경쟁력을 제고 하는데 기여 할 수 있는 무한한 잠재력을 가지고 있음을 연구를 통해 알 수 있었다. 이러한 연구를 통하여 세계화 작업을 위해 현존하는 문화자원을 보존하고 이를 대중이 접근하기 용이하도록 콘텐츠로 제작한다면 지역 고유문화를 이용한 지역춤 외에도 다양한 콘텐츠를 개발 활용할 수 있을 것이다.

• 한국수산과학회지
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• 제42권6호
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• pp.703-710
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• 2009

The spectral irradiance and underwater transmission characteristics of a combined high-luminance light-emitting diode (LED) lights have been studied to evaluate suitable light sources for fishing lamps of the next generation. The wavelengths at which the irradiance was maximum were changed from 473, 501, 525, and 465 nm for blue, peacock blue, green, and white LED light to 475, 504 and 528 nm for [$F_{WB}$], [$F_{PB}$] and [$F_{GB}$] combined LED lights, respectively. If the irradiance characteristics at 400-700 nm wavelengths are set as 100%, the irradiance rates at 450-499 nm and 500-549 nm were decreased from 82.4% and 56% for blue, peacock blue LED light to 60.0%, 38.5% for [$F_{WB}$], [$F_{WP}$] combined LED lights. The underwater transmission characteristics of the combined LED lights were superior in the order [$F_{WB}$], [$F_{BP}$], [$F_{GB}$] in optical water type I; [$F_{WB}$], [$F_{PB}$], [$F_{GP}$] in optical water type II-III; and [$F_{GP}$], [$F_{WP}$], [$F_{PB}$] in optical water type 1. Setting the 10m depth underwater transmission characteristics of the combined LED lights in optical water type I at 100%, the transmission of water types II, III and 1 drops to 29.5%, 8.0% and 2.2%. Based on the distribution of spectral irradiance and underwater transmission characteristics calculated in optical water types II-III, where was the jigging ground for fishing lamps, the [$F_{WB}]$ and [$F_{GP}$] combined LED lights can be used as a suitable light sources for fishing lamps of the next generation.

• 복식
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• 제57권10호
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• pp.24-34
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• 2007

The purpose of this study is to examine the pieces of 100 fabrics excavated from unknown woman's tomb Incheon, by analyzing woven methods, names of the fabrics, the kinds and the shapes of the patterns. The characteristics to assume the period of the fabrics are as follows. The geumsundan which was woven peacock insignia at chest and back area was excavated for the first time from the tomb of Joseon. Peacock insignia woven with satin weave using supplementary golden wefts, wrapped gold thread. These kind of fabrics were usually imported in the $15^{th}$ century, according to the old documents, 'Nogeoldae' 'Joseonwangjosilrok' written at the end of Goryeo or early in Joseon. Thus, these relics are from about $15^{th}$ century. From this tomb, the mixture fabric of cotton and ramie are excavated. According to another excavated cases, the mixture fabric of cotton and ramie appears from the period before the Japanese Invasion of Korea in 1592, and after the invasion, there are usually mixture fabric of cotton and silk. This also tells that these fabrics show the characteristics of those from the early period of Joseon Dynasty. The rounded patterns of Jangot is only shown from the fabrics of late Goryeo Dynasty, and the cloud pattern of an upper garment with a squared neckline is shown from the early Joseon Dynasty. So, the patterns from these excavated costumes are ranged from the late Goryeo Dynasty to the early Joseon Dynasty. To assume the period through the overall study above, these relics show the characteristics of the $15^{th}$ century fabric.

• 한국생활과학회지
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• 제15권3호
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• pp.469-480
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• 2006

Patterns in clothing symbolize some specific meaning that differs across cultures and religions, although patterns have been mostly used to realize human desires to overcome natural hazards in every culture or religion. This research aims to compare animal patterns of Korea (Confucian/Buddhism culture) with those of Byzantine (Christian culture), based upon a research method of literature survey. It is found through the research that both cultures used common patterns, such as dragon, butterfly, bat, honeybee, peacock, fish, and chicken. In the case of dragon patterns, Korea used it to symbolize emperor, dignity, or authority, while Byzantine used it for devil. Bat patterns had different symbolic meanings in both cultures: they mean happiness, longevity, prosperity or many off-springs in Korea while they mean misfortune or unhappiness in Byzantine. On the other hand, the rest of animal patterns, including butterfly, honeybee, peacock, chicken, had quite a similar symbolic meaning. Butterfly means change of life or beginning of new life in Korea, whereas it means resurrection in Byzantine. Honeybee symbolizes diligence, order, and cooperation. Many animal patterns were used in both cultures at the same time. Another difference can be found in terms of the kind of animals; for example, Korea used wild goose, pheasant, giraffe, deer, mandarin duck & turtle, while Byzantine used eagle, snake, pigeon. Of course, each and every animal has its own meaning, mostly positive. Except dragons and bats, both cultures have a similar meaning in most of animal patterns. Generally speaking, Korea used imaginary animals to pray for human happiness, but Byzantine used real animals to pray for resurrections.